The Rape of Europa (91 page)

Venema, A.
Kunsthandel in Nederland, 1940–1945.
Amsterdam: Arbeiderspers. 1986.

Walker, John.
Self-Portrait with Donors.
Boston: Little, Brown, 1974.

Warsaw Accuses.
Exhibition catalogue. Warsaw: Ministry of Culture & Art and Ministry of Reconstruction of the Country, 1945.

Warsaw Accuses. Papers of General Lucius Clay: Germany, 1945–1949.
Bloomington: Indiana University Press, 1974.

Weld, Jacqueline B.
Peggy, The Wayward Guggenheim.
New York: Dutton, 1986.

Welles, Sumner.
The Time for Decision.
New York: Harper, 1944.

Werth, Alexander.
Russia at War.
New York: Carroll & Graf, 1964.

Wilson, Derek.
Rothschild.
New York: Scribner’s, 1988.

Woolley, Sir Charles Leonard.
A Record of the Work Done by the Military Authorities for the Protection of the Treasures of Art and History in War Areas.
London: His Majesty’s Stationery Office, 1947.

Works of Art in Italy: Losses and Survivals in the War.
Vols. 1 and 2. London: His Majesty’s Stationery Office, 1945.

Zachwatowicz, Jan.
Protection of Historical Monuments in People’s Poland.
Warsaw: Polonia, 1956.

ARTICLES

Adams, E. E. “Looted Art Treasures Go Back to France.”
The Quartermaster Review
, September-October 1946.

Barr, Alfred. “Art in the Third Reich—Preview 1933.”
Magazine of Art
, October 1945.

Breitenbach, Edgar. “Historical Survey of the Intelligence Department, MFAA Section, in OMGB, 1946–1949.”
College Art Journal 2
(Winter 1949–50).

Brubach, Holly. “Survivors.”
The New Yorker
, August 27, 1990.

Chetham, Charles. “Henri Matisse’s Bathers with a Turtle.” Museum Monographs I, City Art Museum of St. Louis

Decker, Andrew. “A Legacy of Shame.”
ArtNews
, December 1984.

Dornberg, John. “The Mounting Embarrassment of Germany’s Nazi Treasures.”
ArtNews
, September 1988.

Frankfurter, Alfred M. “Rescued Prado at Geneva.”
Art News
, July 15, 1939.

Gardner, Paul. “A Bit of Heidelberg Near Harvard Square.”
ArtNews
, Summer 1981.

Goldmann, Klaus. “Berliner Kulturschatze-unterwegs.” In
Die Reise nach Berlin.
Exhibition catalogue. Berlin: Siedler Verlag, 1987.

Goldmann, Klaus. “Der Schatz des Priamos.” In
Sonderdruck aus Heinrich Schliemann: Grundlagen und Ergebnisse moderner Archäologie …
, J. Hermann, ed. Berlin: Akademie Verlag, 1992.

Hammond, Mason. “Remembrance of Things Past.” In
Proceedings, Massachusetts Historical Society
, vol. 92, Boston, 1980.

Hancock, Walker. “Experiences of a Monuments Officer in Germany.”
College Art Journal
, May 1946.

Kirstein, Lincoln. “In Quest of the Golden Lamb.”
Town and Country
, September 1945.

Kuhn, Charles L. “German Paintings in the National Gallery: A Protest.”
College Art Journal 5
(January 1946).

Matthews, Herbert L. “Spanish Art Survives.”
Magazine of Art
, August 1937.

Norris, Christopher. “The Disaster at Flakturm Friedrichshain.”
Burlington Magazine
94, no. 597 (December 1952).

Plaut, James S. “Loot for the Master Race.”
Atlantic Monthly
, September 1946.

Renau, Jose. “L’Organisation de la defense du patrimoine artistique et historique espagnol pendant la guerre civile.”
Mouseion
, 39–40, nos. 3–4 (1937).

Ritchie, A. “The Restitution of Art Loot.”
Gallery Notes
(Albright Art Gallery, Buffalo, N.Y.), July 1946.

Russell, John. “Masterpieces Caught Between Two Wars.”
The New York Times
, September 3, 1989.

Scherpuis, A. “Een Heer in de Kunsthandel.”
Vrij Nederland
, November 10, 1990.

Sizer, Theodore. “A Walpolean at War.”
The Walpole Society Notebook
, 1946.

Sokolova, N. I. “Die Rettung der Dresdener Kunstschatze.” In
Jahrbuch 1960, Staatliche Kunstsammlung.
Dresden, 1961.

Stout, George. “Preservation of Paintings in Wartime.”
Technical Studies
, January 1942.

Sutton, Denys. “L’Amateur accompli: Frits Lught.” In
Treasures from the Collection of F. Lught at the Institut Neerlandais.
Paris, 1976.

Watt, Alexander. “Notes from Paris.”
Apollo
, August 1937.

Wildenstein, Georges. “Works of Art—Weapons of War.”
La République française
, December 1943.

Williams, S. A.
The Polish Art Treasury in Canada.
M.A. thesis, Osgood Hall Law School, York University, Toronto, 1974.

UNPUBLISHED MATERIAL
PUBLIC COLLECTIONS

Archives of American Art, Washington, D.C.

_____. Alfred H. Barr Papers.

_____. W. G. Constable Papers.

_____. Thomas Carr Howe Papers.

_____. Lamont Moore Papers.

_____. Andrew Ritchie Papers.

_____. James J. Rorimer Papers.

_____. George Stout Papers.

Archives Nationales de France, Paris.

_____. Record Group AJ38. Records of Commissariat Général aux Questions Juives.

_____. Record Group AJ40. German records of occupation.

_____. Record Group F21. Fonds concernant archives des directeurs et sous-secrétaires d’Etat des Beaux-Arts.

Columbia University, New York. Rare Book and Manuscript Library.

_____. Calvin Hathaway Papers.

Getty Center for the History of Art and Humanities, Los Angeles.

_____. Wilhelm F. Arntz Archive.

_____. Douglas Cooper Papers.

_____. Johannes Felbermeyer Photograph Collection.

John Nicholas Brown Center for the Study of American Civilization, Providence, R.I.

_____. John Nicholas Brown Papers.

Library of Congress, Manuscript Division, Washington, D.C.

_____. David E. Finley Papers.

_____. Huntington Cairns Papers.

_____. Henry L. Stimson Papers.

Louvre Museum Archives, Paris.

_____. Dossier Rose Valland.

_____. Dossier Jacques Jaujard.

Museum of Modern Art, New York.

_____. Hellmut Lehmann-Haupt Collection.

National Archives, Washington, D.C.

_____. Record Group 59. Records of the Fine Arts and Monuments Adviser, 1949–1960.

_____. Record Group 59. General Records of the Department of State. Decimal Files, 1940–1944, 1945–49.

_____. Record Group 165. Records of the Civil Affairs Division.

_____. Record Group 200. National Archives Gift Collection. Personal Papers of Gen. Lucius Clay.

_____. Record Group 238. Nuremberg Trial Records.

_____. Record Group 239. Records of the American Commission for the Protection and Salvage of Artistic and Historic Monuments in War Areas.

_____. Record Group 260. Records of the United States Occupation Headquarters. World War II. Ardelia Hall Collection: Records of the Collecting Points.

National Gallery of Art, Washington, D.C.

_____. Archives and General Records.

_____. Records of Office of Secretary General.

_____. Library—Rare and MS. Section.

_____. Edward E. Adams Papers.

_____. S. Lane Faison Papers.

_____. Frederick Hartt Papers.

_____. E. P. Lesley Papers.

_____. Charles Parkhurst Papers.

_____. Craig Hugh Smyth Papers.

_____. Edith Standen Papers.

_____. Photographic Archive.

University of Regina, Saskatchewan, Canada.

_____. Theodore Heinrich Papers.

Department of the Treasury, Washington, D.C.

_____. Record Group 131. Foreign Funds Control.

PRIVATE COLLECTIONS

Stewart Leonard Papers, Washington, D.C.

James J. Rorimer Papers. New York.

Archives of Paul Rosenberg, New York.

Curt Valentin Papers, Washington, D.C.

INTERVIEWS AND CONVERSATIONS

Sylvie Béguin

Dr. Sonia Kramarsky Binkhorst

J. Carter Brown

Perry Cott

S. Lane Faison

Walter Farmer

Marianne Feilchenfeldt

Klaus Goldmann

Mason Hammond

Walker Hancock

Frederick Hartt

Thomas C. Howe

René Huyghe

Anne Marie Kellen

Lincoln Kirstein

Thomas Kline

Raymond Lemaire

Lamont Moore

Denys Myers

Stephen Munsing

Lucie Ninane

Charles Parkhurst

James Plaut

Thomas Potocki

Mrs. James Rorimer

Mrs. Alexandre Rosenberg

Desirée H. Goudstikker von Saher

Dmitri Shelest

Craig Hugh Smyth

Edith Standen

Mr. and Mrs. Jacques Stern

John Walker

Daniel Wildenstein

Otto Wittmann

PHOTO SOURCES

Aurora Publishers

Bildarchiv preussischer Kulturbesitz

John Nicholas Brown Center for the Study of American Civilization, Providence, Rhode Island

S. L. Faison

From the Resource Collections of the Getty Center for the History of Art and the Humanities, Santa Monica, California, Wilhelm F. Arntz Archive; Johannes Felbermeyer Collection

Klaus Goldmann

Walker Hancock

René Huyghe

Lincoln Kirstein

National Archives, Washington, D.C.

Gallery Archives, National Gallery of Art, Washington, D.C

Photographic Archives, National Gallery of Art, Washington, D.C.

The National Gallery, London

Novosti

Rorimer Collection

Mrs. Alexandre Rosenberg, New York

Craig Smyth

Solo Syndication & Literary Agency Ltd.

Wildenstein & Co., Inc.

FIRST VINTAGE BOOKS EDITION, MAY
1995

Copyright © 1994 by Lynn H. Nicholas

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in hardcover by Alfred A. Knopf, Inc., New York, in 1994.

Grateful acknowledgment is made to the following for permission to reprint previously published material:
Columbia University
: Excerpts from the papers of Calvin Hathaway. Calvin Hathaway Papers, Rare Book and Manuscript Library, Columbia University. Reprinted by permission.

The Library of Congress has cataloged the Knopf edition as follows:

Nicholas, Lynn H.
The rape of Europa : the fate of Europe’s treasures in the Third Reich and the Second World War / Lynn H. Nicholas.—1st ed.
p. cm.
eISBN: 978-0-307-73972-8
1. Art thefts—Europe. 2. Germany—Cultural policy.
3. World War—1939–1945—Art and the war. 4. Germany—Politics and government—1933–1945. I. Title.
N8795.3.E85N53 1944
709′.04′3—dc20 93-11317

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