Read The Rape of Europa Online
Authors: Lynn H. Nicholas
Tags: #History, #Military, #World War II, #Art, #General
Frank, Niklas.
In the Shadow of the Reich.
New York: Knopf, 1991.
Frans Hals Museum.
Frans Hals Tentoonstelling.
Exhibition catalogue. Haarlem, 1937.
Friemuth, Cay.
Die Geraubte Kunst.
Westermann: Brunswick, 1989.
Fry, Varian.
Surrender on Demand.
New York: Random House, 1945.
Galerie, Fischer.
Gemälde und Plastiken Moderner Meister aus Deutschen Museen.
Auction catalogue. Lucerne, 1939.
Galerie, Nierendorf.
Fünfzig Jahre, 1920–1970.
Exhibition catalogue. Berlin: Ruckblick Dokumentation Jubileumsausstellung, 1970.
Gimpel, René.
Diary of an Art Dealer.
London: H. Hamilton, 1986.
Goebbels, Joseph.
The Goebbels Diaries 1942–1943.
Edited by Louis P. Lochner. Garden City, N.Y.: Doubleday, 1948.
Golden Gate International Exposition.
Art exhibition catalogue. San Francisco, 1940.
Guggenheim, Peggy.
Out of This Century.
New York: Universe, 1987.
Hapgood, David, and David Richardson.
Monte Cassino.
New York: Congdon and Weed, 1984.
Hartt, Frederick.
Florentine Art under Fire.
Princeton: Princeton University Press, 1949.
Heller, Gerhard.
Un Allemand à Paris.
Paris: Seuil, 1981.
Henderson, Sir Nevile.
Failure of a Mission.
New York: Putnam, 1940.
Hentzen, Alfred.
Die Berliner National-Galerie im Bildersturm.
Berlin: Grote, 1971.
Hinz, Berthold.
Art in the Third Reich.
New York: Pantheon, 1979.
Hitler, Adolf.
Mein Kampf.
London: Hutchinson, 1974.
Hitler, Adolf.
Monologe im Führer Hauptquartier, 1941–1944.
Edited by W. Jochman and H. Heim. Hamburg: Knaus, 1980. Monologues were recorded by Heim and edited by Jochman later.
Hommage à Herman Voss.
Strasbourg, 1966.
Horne, Alastair.
To Lose a Battle.
London: Penguin, 1979.
Hours, Magdeleine.
Une Vie au Louvre.
Paris: Laffont, 1987.
Howe, Thomas C.
Salt Mines and Castles.
New York: Bobbs Merrill, 1946.
Hull, Cordell.
Memoirs.
New York: Macmillan, 1948.
Institute of Contemporary Art.
Dissent: The Issue of Modern Art in Boston.
Exhibition catalogue. Boston, 1985.
International Military Tribunal.
The Trial of the Major War Criminals before the International Military Tribunal.
Nuremberg, 1947–1949. 42 volumes.
Irving, David.
Goering.
New York: Morrow, 1989.
Irving, David.
Hitler’s War.
New York: Avon, 1990.
Jackman, J. C, and C. M. Borden.
The Muses Flee Hitler.
Washington, D.C.: Smithsonian, 1983.
Jünger, Ernst.
Journal: 1941–1943.
Paris: Julliard, 1951.
Kater, M.
Das Ahnenerbe der SS.
Stuttgart: Deutsche Verlags-Anstalt, 1974.
Kearns, M.
K. Kollwitz: Woman and Artist.
Old Westbury, N.Y: Feminist Press, 1976.
Keegan, John, ed.
The Times Atlas of the Second World War.
New York: Harper and Row, 1951.
Kesselring, Field Marshal Albert.
Memoirs.
London: Kimber, 1953.
Kilbracken, Lord.
Van Meegeren, Master Forger.
New York: Scribner’s, 1967.
Kollwitz, Kaethe.
The Diary and Letters of Kaethe Kollwitz.
Edited by Hans Kollwitz. Chicago: Regency, 1955.
Kopper, Philip.
America’s National Gallery of Art.
New York: Abrams, 1991.
Kubin, E.
Sonderauftrag Linz.
Vienna: ORAC, 1988.
Kühnel-Kunze, Irene.
Bergung, Evakuierung, Rückführung: Die Berliner Museen in den Jahre 1939–1959: Ein Bericht mit 43 Anlagen.
(Jahrbuch Preussischer Kulturbesitz.) Berlin: Mann, 1984.
Kunsthaus Zurich.
Sammlung Emil G. Bührle.
Exhibition catalogue. Zurich, 1958.
Kurtz, Michael.
Nazi Contraband: American Policy on European Cultural Treasures 1945–1955.
New York: Garland, 1985.
LaFarge, Bancel.
Lost Treasures of Europe.
New York: Pantheon, 1946.
Lane, Barbara Miller.
Architecture and Politics in Germany 1918–1945.
Cambridge: Harvard, 1968, 1985.
Larsson, Lars Olaf.
Albert Speer: Le Plan de Berlin, 1937–1943.
Brussels: AAM, 1983.
Lehmann-Haupt, Hellmut.
Art under a Dictatorship.
New York: Oxford, 1954.
Lorentz, Stanislaw.
Museums and Collections in Poland, 1945–1955.
Warsaw: Polonia, 1956.
Lowry, Glenn.
A Jeweler’s Eye.
Exhibition catalogue. Washington, D.C.: Smithsonian, 1988.
Lukas, R. C.
The Forgotten Holocaust.
Lexington: University of Kentucky, 1986.
Luza, Radomir.
Austro-German Relations in the Anschluss Era.
Princeton: Princeton University Press, 1975.
Maass, Walter B.
Country Without a Name: Austria under Nazi Rule 1938–1945.
New York: Ungar, 1979.
Maison, K. E.
Honoré Daumier.
New York: New York Graphic Society, 1968.
Marlboro Fine Arts.
Nolde: Forbidden Pictures.
Exhibition catalogue. London, 1970.
Massie, Susan.
Pavlovsk: The Life of a Russian Palace.
Boston: Little, Brown, 1990.
Mazauric, Lucie.
Le Louvre en voyage, 1939–1945.
Paris: Plon, 1978.
Meisnner, Hans Otto.
Magda Goebbels.
New York: 1980.
Mellow, James R.
Charmed Circle.
New York: Praeger, 1974.
Merrill, Keith A.
Keith Merrill, American.
Privately printed, 1968.
Methuen, Lord.
Normandy Diary.
London: Robert Hale, 1952.
Mihan, George.
Looted Treasure: Germany’s Raid on Art.
London: Alliance, 1944.
Ministerio della Pubblica Instruzione, Direzione General delle Antichita e Belle Arti.
La Ricostruzione del patrimonio artístico italiano.
Rome: La Librería dello Stado, 1950.
Molajoli, Bruno.
Musei ed opere d’arte di Napoli attraverso la guerra.
Naples: Soprintendenza Alle Gallerie, 1948.
Morgenthau, Henry.
Morgenthau Diary—Germany.
Washington, D.C.: United States Senate Judiciary Committee, U.S. Government Printing Office, 1967. 2 volumes.
Moulin, Raymonde.
Le Marché de la peinture en France.
Paris: Minuit, 1967.
Murphy, Robert.
A Diplomat among Warriors.
New York: Doubleday, 1964.
Musée de G Orangerie.
Les Chefs d’oeuvre des collections privées françaises retrouvées en Allemagne.
Exhibition catalogue. Paris, 1946.
Museum Boymans.
Kunstschatten uit Nederlandse Verzamelingen.
Exhibition catalogue. Rotterdam, 1955.
National Gallery of Art.
The Passionate Eye: Impressionist and Other Master Paintings from the E. G. Bührle Collection.
Exhibition catalogue. Zurich, 1990.
National Gallery of Art.
Twenty-fifth Anniversary Report.
Washington, D.C., 1966.
The National Museums and Galleries: The War Years and After.
London: His Majesty’s Stationery Office, 1948.
Nicolson, Harold.
Diaries and Letters.
New York: Atheneum, 1967. Origo, Iris. War in Val d’Orcia. London: John Murray, 1984.
Oskar Schlemmer.
Exhibition catalogue. Baltimore: Baltimore Museum of Art, 1986. Palais des Beaux-Arts. Chefs d’oeuvre récupérés en Allemagne. Exhibition catalogue. Brussels, 1948.
Polish Ministry of Information.
Nazi Kultur in Poland.
London, 1945.
Potocki, A.
Master of Lancut.
London: W. Allen, 1959.
Prelinger, Elizabeth.
Käthe Kollwitz.
Exhibition catalogue. New Haven: Yale University Press, 1992.
Pretzell, Lothar.
Das Kunstgutlager Schloss Celle 1945–1958.
Celle: 1958.
The Protection of Cultural Resources Against the Hazards of War.
Washington, D.C.: Committee on the Conservation of Cultural Resources, National Resources Planning Board, February 1942.
Pyle, Ernie.
Brave Men.
New York: Dutton, 1944.
Raczynski, Edward.
In Allied London.
London: Weidenfeld & Nicolson, 1962.
Rave, P. O.
Kunstdiktatur im Dritten Reich.
Hamburg: Mann, 1949.
Roh, Franz.
Entartete Kunst.
Hannover: Fackeltrager Verlag, 1962.
Rorimer, James J.
Survival.
New York: Abelard, 1950.
Rosenberg, Alfred.
Memoirs of Alfred Rosenberg.
Edited by Serge Lang and Ernst von Schenck. New York: Ziff-Davis, 1949.
Roters, Eberhard.
Galerie Ferdinand Möller, 1917–1956.
Berlin: Mann, 1984.
Rothenstein, J.
Brave Day, Hideous Night.
London: Holt, Rinehart & Winston, 1967.
Roxan, David, and Ken Wanstall.
The Rape of Art: The Story of Hitler’s Plunder of the Great Masterpieces of Europe.
New York: Coward-McCann, 1965.
Salisbury, Harrison.
The 900 Days.
1969. Reprint. New York: Da Capo, 1985.
Samuels, Ernest.
B.B.: The Making of a Legend.
Cambridge: Harvard, 1987.
Schellenberg, Walter.
Memoirs.
London: Deutsch, 1956.
Schirach, Henriette von.
Der Preis der Herrlichheit.
Munich: Herbig, 1975.
Schuster, Peter Klaus, ed.
Nazionalsocialismus und Entartete Kunst: Die Kunststadt Munchen 1937.
Munich: Prestel, 1987.
Shirer, William.
Berlin Diary.
New York: Knopf, 1941.
Shirer, William.
The Collapse of the Third Republic.
New York: Pocket, 1969, 1971.
Shirer, William.
The Rise and Fall of the Third Reich.
New York: Simon & Schuster, 1960.
Simon, Matila.
The Battle of the Louvre: The Struggle to Save French Art in World War II.
New York: Hawthorne, 1971.
Siviero, Rodolfo.
Arte e Nazismo: Esodo e ritorno delle opere d’arte italiano 1938–1963.
Florence: Cantini, 1984.
Skilton, John.
Défense de l’art européen.
Paris: Editions Internationales, 1948.
Smith, Jean Edward.
Lucius D. Clay.
New York: Holt, 1990.
Smyth, Craig H.
Repatriation of Art from the Collection Point in Munich after World War II.
The Hague: Gerson Lecture, Schwartz/SDU, 1988.
Speer, Albert.
Inside the Third Reich.
New York: Macmillan, 1970.
Staatsgalerie Moderner Kunst.
Dokumentation zum Nationalsocialismus im Bildersturm.
Munich, 1987.
Stein, Gertrude.
Wars I Have Seen.
New York: Random House, 1945.
Taylor, Francis Henry.
The Taste of Angels.
Boston: Little, Brown, 1948.
Taylor, Telford.
The Anatomy of the Nuremberg Trials.
New York: Knopf, 1992.
Time-Life Books.
World War II
Series.
Tomkins, Calvin.
Merchants and Masterpieces.
New York: Dutton, 1973.
Trevor-Roper, H. R.
The Last Days of Hitler.
New York: Macmillan, 1947.
Tusa, Ann and John.
The Nuremberg Trial.
New York: McGraw-Hill, 1985.
Tutaev, David.
The Consul of Florence.
London: Secker & Warburg, 1966.
U.S. Congress. Senate Committee on Armed Services.
Hearings on S2439: A Bill to Provide for the Temporary Retention in the US of Certain German Paintings
, March 4 and April 10, 1948. Washington, D.C.: U.S. Government Printing Office.
Valland, Rose.
Le Front de l’art.
Paris: Plon, 1961.
Varshavskii, S. P.
Saved for Humanity.
Leningrad: Aurora, 1985.