The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle (301 page)

The incident that concerns Morel was of a more highly specialised order. There were others, but I confine myself at present, as the little train halts and the porter calls out “Doncières,” “Grattevast,” “Maineville” etc., to noting down the particular memory that the watering-place or garrison town recalls to me. I have already mentioned Maineville (
media villa
) and the importance that it had acquired from that luxurious house of prostitution which had recently been built there, not without arousing futile protests from the local mothers. But before I proceed to say why Maineville is associated in my memory with Morel and M. de Charlus, I must mention the disproportion (which I shall have occasion to examine more thoroughly later on) between the importance that Morel attached to keeping certain hours free, and the triviality of the occupations to which he pretended to devote them, this same disproportion recurring amid the explanations of another sort which he gave to M. de Charlus. He who played the disinterested artist for the Baron’s benefit (and might do so with impunity in view of the generosity of his patron), when he wished to have the evening to himself in order to give a lesson, etc., never failed to add to his excuse the following words, uttered with a smile of cupidity: “Besides, there may be forty francs to be got out of it. That’s not to be sneezed at. You must let me go, because as you see it’s in my interest. Damn it all, I haven’t got a regular income like you, I have my way to make in the world, it’s a chance of earning a little money.” In professing his anxiety to give his lesson, Morel was not altogether insincere. For one thing, it is false to say that money has no colour. A new way of earning it gives a fresh lustre to coins that are tarnished with use. Had he really gone out to give a lesson, it is probable that a couple of louis handed to him as he left the house by a girl pupil would have produced a different effect on him from a couple of louis coming from the hand of M. de Charlus. Besides, for a couple of louis the richest of men would travel miles, which become leagues when one is the son of a valet. But frequently M. de Charlus had his doubts as to the reality of the violin lesson, doubts which were increased by the fact that often the musician would offer pretexts of another sort, entirely disinterested from the material point of view, and at the same time absurd. Thus Morel could not help presenting a picture of his life, but one that was intentionally, and unintentionally too, so obscured that only certain parts of it were distinguishable. For a whole month he placed himself at M. de Charlus’s disposal on condition that he might keep his evenings free, for he was anxious to put in a regular attendance at a course of algebra. Come and see M. de Charlus after his classes? Oh, that was impossible; the classes sometimes went on very late. “Even after two o’clock in the morning?” the Baron asked. “Sometimes.” “But you can learn algebra just as easily from a book.” “More easily, for I don’t get very much out of the lessons.” “Well then! Besides, algebra can’t be of any use to you.” “I like it. It soothes my nerves.” “It cannot be algebra that makes him ask for night leave,” M. de Charlus said to himself. “Can he be working for the police?” In any case Morel, whatever objection might be made, reserved certain evening hours, whether for algebra or for the violin. On one occasion it was for neither, but for the Prince de Guermantes who, having come down for a few days to that part of the coast to pay the Princesse de Luxembourg a visit, met the musician without knowing who he was or being known to him either, and offered him fifty francs to spend the night with him in the brothel at Maineville; a twofold pleasure for Morel, in the remuneration received from M. de Guermantes and in the delight of being surrounded by women who would flaunt their tawny breasts uncovered. In some way or other M. de Charlus got wind of what had occurred and of the place appointed, but did not discover the name of the seducer. Mad with jealousy, and in the hope of identifying the latter, he telegraphed to Jupien, who arrived two days later, and when, early the following week, Morel announced that he would again be absent, the Baron asked Jupien if he would undertake to bribe the woman who kept the establishment to hide them in some place where they could witness what occurred. “That’s all right. I’ll see to it, dearie,” Jupien assured the Baron. It is hard to imagine the extent to which this anxiety agitated the Baron’s mind, and by the very fact of doing so had momentarily enriched it. Love can thus be responsible for veritable geological upheavals of the mind. In that of M. de Charlus, which a few days earlier had resembled a plain so uniform that as far as the eye could reach it would have been impossible to make out an idea rising above the level surface, there had suddenly sprung into being, hard as stone, a range of mountains, but mountains as elaborately carved as if some sculptor, instead of quarrying and carting away the marble, had chiselled it on the spot, in which there writhed in vast titanic groups Fury, Jealousy, Curiosity, Envy, Hatred, Suffering, Pride, Terror and Love.

Meanwhile the evening on which Morel was to be absent had come. Jupien’s mission had proved successful. He and the Baron were to be there about eleven o’clock, and would be put in a place of concealment. When they were still three streets away from this luxurious house of prostitution (to which people came from all the fashionable resorts in the neighbourhood), M. de Charlus had begun to walk on tiptoe, to disguise his voice, to beg Jupien not to speak so loud, lest Morel should hear them from inside. But, on creeping stealthily into the entrance hall, the Baron, who was not accustomed to places of the sort, found himself, to his terror and amazement, in a gathering more clamorous than the Stock Exchange or a saleroom. It was in vain that he begged the maids who gathered round him to moderate their voices; in any case their voices were drowned by the stream of auctioneering cries from an old “madame” in a very brown wig with the grave, wrinkled face of a notary or a Spanish priest, who kept shouting in a thunderous voice, ordering the doors to be alternately opened and shut, like a policeman regulating the flow of traffic: “Take this gentleman to number 28, the Spanish room.” “Let no more in.” “Open the door again, these gentlemen want Mademoiselle Noémie. She’s expecting them in the Persian parlour.” M. de Charlus was as terrified as a countryman who has to cross the boulevards; while, to take a simile infinitely less sacrilegious than the subject represented on the capitals of the porch of the old church of Couliville, the voices of the young maids repeated in a lower tone, unceasingly, the madame’s orders, like the catechisms that one hears schoolchildren chanting beneath the echoing vaults of a country church. Alarmed though he was, M. de Charlus, who in the street had trembled lest he should be heard, convinced in his own mind that Morel was at the window, was perhaps not so frightened after all in the din of those huge staircases on which one realised that from the rooms nothing could be seen. Coming at last to the end of his calvary, he found Mlle Noémie, who was to conceal him with Jupien but began by shutting him up in a sumptuously furnished Persian sitting-room from which he could see nothing at all. She told him that Morel had asked for some orangeade, and that as soon as he was served the two visitors would be taken to a room with a transparent panel. In the meantime, as she was wanted, she promised them, like a fairy godmother, that to help them to pass the time she was going to send them a “clever little lady.” For she herself had to go. The clever little lady wore a Persian wrapper, which she wanted to remove. M. de Charlus begged her to do nothing of the sort, and she rang for champagne which cost 40 francs a bottle. Morel, during this time, was in fact with the Prince de Guermantes; he had, for form’s sake, pretended to go into the wrong room by mistake, and had entered one in which there were two women, who had made haste to leave the two gentlemen undisturbed. M. de Charlus knew nothing of this, but stormed with rage, tried to open the doors, and sent for Mlle Noémie, who, hearing the clever little lady give M. de Charlus certain information about Morel which was not in accordance with what she herself had told Jupien, banished her promptly and presently sent, as a substitute for the clever little lady, a “dear little lady” who also showed them nothing but told them how respectable the house was and called, like her predecessor, for champagne. The Baron, foaming with rage, sent again for Mlle Noémie, who said to them: “Yes, it is taking rather long, the ladies are doing poses, he doesn’t look as if he wanted to do anything.” Finally, yielding to the promises and threats of the Baron, Mlle Noémie went away with an air of irritation, assuring them that they would not be kept waiting more than five minutes. The five minutes stretched to an hour, after which Noémie came and escorted an enraged Charlus and a disconsolate Jupien on tiptoe to a door which stood ajar, telling them: “You’ll see splendidly from here. However, it’s not very interesting just at present. He’s with three ladies, and he’s telling them about his army life.” At length the Baron was able to see through the cleft of the door and also the reflexion in the mirrors beyond. But a mortal terror forced him to lean back against the wall. It was indeed Morel that he saw before him, but, as though the pagan mysteries and magic spells still existed, it was rather the shade of Morel, Morel embalmed, not even Morel restored to life like Lazarus, an apparition of Morel, a phantom of Morel, Morel “walking” or “called up” in this room (in which the walls and couches everywhere repeated the emblems of sorcery), that was visible a few feet away from him, in profile. Morel had, as happens to the dead, lost all his colour; among these women, with whom one might have expected him to be making merry, he remained livid, fixed in an artificial immobility; to drink the glass of champagne that stood before him, his listless arm tried in vain to reach out, and dropped back again. One had the impression of that ambiguous state implied by a religion which speaks of immortality but means thereby something that does not exclude extinction. The women were plying him with questions: “You see,” Mlle Noémie whispered to the Baron, “they’re talking to him about his army life. It’s amusing, isn’t it?”—here she laughed—“You’re glad you came? He’s calm, isn’t he,” she added, as though she were speaking of a dying man. The women’s questions came thick and fast, but Morel, inanimate, had not the strength to answer them. Even the miracle of a whispered word did not occur. M. de Charlus hesitated for barely a moment before he grasped what had really happened, namely that—whether from clumsiness on Jupien’s part when he had called to make the arrangements, or from the expansive power of secrets once confided which ensures that they are never kept, or from the natural indiscretion of these women, or from their fear of the police—Morel had been told that two gentlemen had paid a large sum to be allowed to spy on him, unseen hands had spirited away the Prince de Guermantes, metamorphosed into three women, and the unhappy Morel had been placed, trembling, paralysed with fear, in such a position that if M. de Charlus could scarcely see him, he, terrified, speechless, not daring to lift his glass for fear of letting it fall, had a perfect view of the Baron.

The story, as it happened, ended no more happily for the Prince de Guermantes. When he had been sent away so that M. de Charlus should not see him, furious at his disappointment without suspecting who was responsible for it, he had implored Morel, still without letting him know who he was, to meet him the following night in the tiny villa which he had taken and which, despite the shortness of his projected stay in it, he had, obeying the same quirkish habit which we have already observed in Mme de Villeparisis, decorated with a number of family keepsakes so that he might feel more at home. And so, next day, Morel, constantly looking over his shoulder for fear of being followed and spied upon by M. de Charlus, had finally entered the villa, having failed to observe any suspicious passer-by. He was shown into the sitting-room by a valet, who told him that he would inform “Monsieur” (his master had warned him not to utter the word “Prince” for fear of arousing suspicions). But when Morel found himself alone, and went to the mirror to see that his forelock was not disarranged, he felt as though he was the victim of a hallucination. The photographs on the mantelpiece (which the violinist recognised, for he had seen them in M. de Charlus’s room) of the Princesse de Guermantes, the Duchesse de Luxembourg and Mme de Villeparisis, left him at first petrified with fright. At the same moment he caught sight of the photograph of M. de Charlus, which was placed a little behind the rest. The Baron seemed to be transfixing him with a strange, unblinking stare. Mad with terror, Morel, recovering from his preliminary stupor and no longer doubting that this was a trap into which M. de Charlus had led him in order to put his fidelity to the test, leapt down the steps of the villa four at a time and set off along the road as fast as his legs would carry him, and when the Prince (thinking he had put a casual acquaintance through the required period of waiting, not without wondering whether the whole thing was entirely prudent and whether the individual in question might not be dangerous) came into the sitting-room, he found nobody there. In vain did he and his valet, fearful of burglary, and armed with revolvers, search the whole house, which was not large, the basement, and every corner of the garden, the companion of whose presence he had been certain had completely vanished. He met him several times in the course of the week that followed. But on each occasion it was Morel, the dangerous customer, who turned tail and fled, as though the Prince were more dangerous still. Stubborn in his suspicions, Morel never outgrew them, and even in Paris the sight of the Prince de Guermantes was enough to make him take to his heels. Thus was M. de Charlus protected from an infidelity which filled him with despair, and avenged without ever realising that he had been, still less how.

But already my memories of what I was told about all this are giving place to others, for the T. S. N., resuming its slow crawl, continues to set down or take up passengers at the succeeding stations.

At Grattevast, where his sister lived and where he had been spending the afternoon, M. Pierre de Verjus, Comte de Crécy (who was called simply the Comte de Crécy), would occasionally appear—a gentleman without means but of extreme distinction, whom I had come to know through the Cambremers, although he was by no means intimate with them. As he was reduced to an extremely modest, almost a penurious existence, I felt that a cigar and a drink were things that gave him so much pleasure that I formed the habit, on the days when I could not see Albertine, of inviting him to Balbec. A man of great refinement who expressed himself beautifully, with snow-white hair and a pair of charming blue eyes, he generally spoke, unassumingly and very delicately, of the comforts of life in a country house, which he had evidently known from experience, and also of pedigrees. On my inquiring what was engraved on his ring, he told me with a modest smile: “It is a sprig of verjuice grapes.” And he added with degustatory relish: “Our arms are a sprig of verjuice grapes—symbolic, since my name is Verjus—slipped and leaved vert.” But I fancy that he would have been disappointed if at Balbec I had offered him nothing better to drink than verjuice. He liked the most expensive wines, doubtless because he was deprived of them, because of his profound knowledge of what he was deprived of, because he had a taste for them, perhaps also because he had an exorbitant thirst. And so when I invited him to dine at Balbec, he would order the meal with a refined skill but eat a little too much, and drink copiously, making the waiters warm the wines that needed warming and place those that needed cooling upon ice. Before dinner and after, he would give the right date or number for a port or an old brandy, as he would have given the date of the creation of a marquisate which was not generally known but with which he was no less familiar.