The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle (297 page)

For M. de Charlus had for the moment become for Mme Verdurin the faithfullest of the faithful, a second Princess Sherbatoff. Of his position in society she was not nearly so certain as of that of the Princess, imagining that if the latter cared to see no one outside the little nucleus it was out of contempt for other people and preference for it. As this pretence was precisely the Verdurins’ own, they treating as bores everyone to whose society they were not admitted, it is incredible that the Mistress can have believed the Princess to have an iron-willed loathing for everything fashionable. But she stuck to her guns and was convinced that in the case of the Princess too it was in all sincerity and from a love of things intellectual that she avoided the company of bores. The latter were, as it happened, diminishing in numbers from the Verdurins’ point of view. Life by the seaside exempted an introduction from the consequences for the future which might have been feared in Paris. Brilliant men who had come down to Balbec without their wives (which made everything much easier) made overtures to La Raspelière and, from being bores, became delightful. This was the case with the Prince de Guermantes, whom the absence of his Princess would not, however, have decided to go as a “grass widower” to the Verdurins’ had not the magnet of Dreyfusism been so powerful as to carry him at one stroke up the steep ascent to La Raspelière, unfortunately on a day when the Mistress was not at home. Mme Verdurin as it happened was not certain that he and M. de Charlus moved in the same world. The Baron had indeed said that the Duc de Guermantes was his brother, but this was perhaps the untruthful boast of an adventurer. However elegant he had shown himself to be, however amiable, however “faithful” to the Verdurins, the Mistress still almost hesitated to invite him to meet the Prince de Guermantes. She consulted Ski and Brichot: “The Baron and the Prince de Guermantes, will they be all right together?”

“Good gracious, Madame, as to one of the two I think I can safely say …”

“One of the two—what good is that to me?” Mme Verdurin had retorted crossly. “I asked you whether they would get on all right together.”

“Ah! Madame, that sort of thing is very difficult to know.”

Mme Verdurin had been impelled by no malice. She was certain of the Baron’s proclivities, but when she expressed herself in these terms she had not for a moment been thinking about them, but had merely wished to know whether she could invite the Prince and M. de Charlus on the same evening without their clashing. She had no malevolent intention when she employed these ready-made expressions which are popular in artistic “little clans.” To make the most of M. de Guermantes, she proposed to take him in the afternoon, after her lunch-party, to a charity entertainment at which sailors from the neighbourhood would give a representation of a ship setting sail. But, not having time to attend to everything, she delegated her duties to the faithfullest of the faithful, the Baron. “You understand, I don’t want them to hang about like mussels on a rock, they must keep coming and going, and we must see them clearing the decks or whatever it’s called. Since you’re always going down to the harbour at Balbec-Plage, you can easily arrange a dress rehearsal without tiring yourself. You must know far better than I do, M. de Charlus, how to get round young sailors … But we really are giving ourselves a lot of trouble for M. de Guermantes. Perhaps he’s only one of those idiots from the Jockey Club. Oh! heavens, I’m running down the Jockey Club, and I seem to remember that you’re one of them. Eh, Baron, you don’t answer me, are you one of them? You don’t want to come out with us? Look, here’s a book that has just come which I think you’ll find interesting. It’s by Roujon. The title is attractive:
Among Men
.”

For my part, I was all the more pleased that M. de Charlus often took the place of Princess Sherbatoff inasmuch as I was thoroughly in her bad books, for a reason that was at once trivial and profound. One day when I was in the little train being as attentive as ever to Princess Sherbatoff, I saw Mme de Villeparisis get in. She had, I knew, come down to spend some weeks with the Princesse de Luxembourg, but, chained to the daily necessity of seeing Albertine, I had never replied to the repeated invitations of the Marquise and her royal hostess. I felt remorse at the sight of my grandmother’s friend, and, purely from a sense of duty (without deserting Princess Sherbatoff), sat talking to her for some time. I was, as it happened, entirely unaware that Mme de Villeparisis knew perfectly well who my companion was but did not wish to acknowledge her. At the next station, Mme de Villeparisis left the train, and indeed I reproached myself for not having helped her on to the platform. I resumed my seat by the side of the Princess. But it was as though (a cataclysm frequent among people who are socially insecure and afraid that one may have heard something to their discredit and hence may despise them) the curtain had risen upon a new scene. Buried in her
Revue des Deux Mondes
, Mme Sherbatoff could scarcely bring herself to reply to my questions and finally told me that I was giving her a headache. I had not the faintest idea of the nature of my crime. When I bade the Princess good-bye, the customary smile did not light up her face, her chin drooped in a curt acknowledgement, she did not even offer me her hand, and she never spoke to me again. But she must have spoken—though I have no idea what she said—to the Verdurins; for as soon as I asked them whether I ought not to make some polite gesture to Princess Sherbatoff, they replied in chorus: “No! No! No! Absolutely not! She doesn’t care for polite speeches.” They did not say this in order to cause bad blood between us, but she had succeeded in persuading them that she was unmoved by civilities, impervious to the vanities of this world. One needs to have seen the politician who is reckoned the most unbending, the most intransigent, the most unapproachable, now that he is in office; one needs to have seen him at the time of his eclipse, humbly soliciting, with a bright, ingratiating smile, the haughty greeting of some second-rate journalist; one needs to have seen the transformation of Cottard (whom his new patients regarded as a ramrod), and to know what disappointments in love, what rebuffs to snobbery were the basis of the apparent pride, the universally acknowledged anti-snobbery of Princess Sherbatoff, in order to grasp that the rule among the human race—a rule that naturally admits of exceptions—is that the reputedly hard are the weak whom nobody wanted, and that the strong, caring little whether they are wanted or not, have alone that gentleness which the vulgar herd mistakes for weakness.

Besides, I ought not to judge Princess Sherbatoff severely. Her case is so common! One day, at the funeral of a Guermantes, a distinguished man who was standing next to me drew my attention to a tall, slender individual with handsome features. “Of all the Guermantes,” my neighbour informed me, “that one is the most strange and remarkable. He is the Duke’s brother.” I replied imprudently that he was mistaken, that the gentleman in question, who was in no way related to the Guermantes, was named Fournier-Sarlovèze. The distinguished man turned his back on me and has never even looked at me since.

An eminent musician, a member of the
Institut
, occupying a high official position, who was acquainted with Ski, came to Harambouville, where he had a niece, and appeared at one of the Verdurins’ Wednesdays. M. de Charlus was especially polite to him (at Morel’s request), principally in order that on his return to Paris the Academician would allow him to attend various private concerts, rehearsals and so forth at which the violinist would be playing. The Academician, who was flattered, and was moreover a charming man, promised to do so and kept his promise. The Baron was deeply touched by all the kindness and courtesy which this important personage (who, for his own part, was exclusively and passionately a lover of women) showed him, all the facilities that he procured for him to see Morel in those official premises from which outsiders are excluded, all the opportunities which the celebrated artist secured for the young virtuoso to perform, to get himself known, by naming him in preference to others of equal talent for private recitals which were likely to make a special stir. But M. de Charlus never suspected that he owed the maestro all the more gratitude in that the latter, doubly deserving, or alternatively guilty twice over, was fully aware of the relations between the young violinist and his noble patron. He abetted them, certainly not out of any sympathy for them since he was incapable of understanding any other love than the love of women, which had inspired the whole of his music, but from moral indifference, a kindness and readiness to oblige characteristic of his profession, social affability, and snobbery. He had so little doubt as to the character of those relations that, at his first dinner at La Raspelière, he had inquired of Ski, speaking of M. de Charlus and Morel as he might have spoken of a man and his mistress: “Have they been long together?” But, too much the man of the world to let the parties concerned see that he knew, prepared, should any gossip arise among Morel’s fellow-students, to rebuke them and to reassure Morel by saying to him in a fatherly tone: “One hears that sort of thing about everybody nowadays,” he continued to overwhelm the Baron with civilities which the latter thought charming, but quite natural, being incapable of suspecting the eminent maestro of so much vice or of so much virtue. For nobody was ever base enough to repeat to M. de Charlus the things that were said behind his back, and the jokes about Morel. And yet this simple situation is enough to show that even that thing which is universally decried, which no one would dream of defending—gossip—has itself, whether it is aimed at ourselves and thus becomes especially disagreeable to us, or whether it tells us something about a third person of which we were unaware, a certain psychological value. It prevents the mind from falling asleep over the factitious view which it has of what it imagines things to be and which is actually no more than their outward appearance. It turns this appearance inside out with the magic dexterity of an idealist philosopher and rapidly presents to our gaze an unsuspected corner of the reverse side of the fabric. Could M. de Charlus ever have imagined these words spoken by a certain tender relative: “How on earth can you suppose that Mémé is in love with me? You forget that I’m a woman!” And yet she was genuinely, deeply attached to M. de Charlus. Why then need we be surprised that in the case of the Verdurins, on whose affection and goodwill he had no reason to rely, the remarks which they made behind his back (and they did not, as we shall see, confine themselves to remarks) should have been so different from what he imagined them to be, that is to say no more than a reflexion of the remarks that he heard when he was present? These latter alone decorated with affectionate inscriptions the little ideal bower to which M. de Charlus retired at times to dream, when he introduced his imagination for a moment into the idea that the Verdurins had of him. Its atmosphere was so congenial, so cordial, the repose it offered so comforting, that when M. de Charlus, before going to sleep, had withdrawn to it for a momentary relaxation from his worries, he never emerged from it without a smile. But, for each one of us, a bower of this sort is double: opposite the one which we imagine to be unique, there is the other which is normally invisible to us, the real one, symmetrical with the one we know, but very different, whose decoration, in which we should recognise nothing of what we expected to see, would horrify us as though it were composed of the odious symbols of an unsuspected hostility. What a shock it would have been for M. de Charlus if he had found his way into one of these hostile bowers, thanks to some piece of scandal, as though by one of those service staircases where obscene graffiti are scribbled outside the back doors of flats by unpaid tradesmen or dismissed servants! But, just as we do not possess that sense of direction with which certain birds are endowed, so we lack the sense of our own visibility as we lack that of distances, imagining as quite close to us the interested attention of people who on the contrary never give us a thought, and not suspecting that we are at that same moment the sole preoccupation of others. Thus M. de Charlus lived in a fool’s paradise like the fish that thinks that the water in which it is swimming extends beyond the glass wall of its aquarium which mirrors it, while it does not see close beside it in the shadow the amused stroller who is watching its gyrations, or the all-powerful keeper who, at the unforeseen and fatal moment, postponed for the present in the case of the Baron (for whom the keeper, in Paris, will be Mme Verdurin), will extract it without compunction from the environment in which it was happily living to fling it into another. Moreover, the races of mankind, insofar as they are no more than collections of individuals, may furnish us with examples more extensive, but identical in each of their parts, of this profound, obstinate and disconcerting blindness. Up to the present, if it was responsible for the fact that M. de Charlus addressed to the little clan remarks of a futile subtlety or of an audacity which made his listeners smile to themselves, it had not yet caused him, nor was it to cause him, at Balbec, any serious inconvenience. A trace of albumin, of sugar, of cardiac arrhythmia, does not prevent life from continuing normally for the man who is not even aware of it, while the physician alone sees in it a prophecy of catastrophes in store. At present the Baron’s predilection for Morel—whether platonic or not—merely led him to say spontaneously in Morel’s absence that he thought him very good-looking, assuming that this would be interpreted quite innocently, and thereby acting like a clever man who, when summoned to testify before a court of law, will not be afraid to enter into details which are apparently to his disadvantage but for that very reason are more natural and less vulgar than the conventional protestations of a stage culprit. With the same freedom, always between Saint-Martin-du-Chêne and Doncières-Ouest—or conversely on the return journey—M. de Charlus would readily speak of people who had, it appeared, very peculiar ways, and would even add: “But after all, although I say peculiar, I don’t really know why, for there’s nothing so very peculiar about it,” to prove to himself how thoroughly at his ease he was with his audience. And so indeed he was, provided that it was he who retained the initiative and knew that the gallery was mute and smiling, disarmed by credulity or good manners.