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Authors: Rene J. Smith,Virginia Reynolds,Bruce Waldman

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The Art of War for Zombies: Ancient Chinese Secrets of World Domination, Apocalypse Edition. (17 page)

BOOK: The Art of War for Zombies: Ancient Chinese Secrets of World Domination, Apocalypse Edition.
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Doomed spies

“Surviving” spies

When these five kinds of spies are all at work, none can discover the secret system. This is called “diabolical manipulation of the threads.” It is the Horde’s most precious faculty. Let’s face it: In a universe of dwindling faculties, one must grasp at every thread (or straw or loose digit).

Having
local spies
means befriending the recently reanimated of a given locale or district.

Hone-onna
(skeleton woman) decoy used by Jiang-Shi to lure Imperial warriors into the legions of the Horde

Having
inward spies
will be difficult, but not impossible. One must make use of the officials of the Enemy. Some law enforcement personnel, especially those living in remote backwaters or rural areas, may be hoodwinked into revealing volumes of information.

Having
converted spies:
Do we really need to explain this? It’s not brain surgery. OK, actually it is...of a more primitive nature.

Having
doomed spies:
Select a sufficiently putrefied specimen to infiltrate an encampment of the Living. Watch the results. While your scout may perish, the sacrifice is not without merit, as Mortals will stream in from all directions as ants from an anthill. Forget your scout. He was doomed anyway.

Finally,
“surviving” spies
(“surviving” being a relative term) are those who bring back news from the Enemy’s camp.

Hence it is that with none in the whole Horde are more intimate relations to be maintained than with spies.

And none should be more liberally rewarded with choice tidbits of Gray Matter. In no other business should greater secrecy be preserved. Apocalypse Tip: Spies should be coached to use The Moan sparingly, if at all. Always select the freshest-looking of your number.

Spies cannot be usefully employed without a certain intuitive sagacity. This quality will be in short supply amongst the Undead, so choose carefully.

They cannot be properly managed without restraint and straightforwardness.

Without subtle ingenuity of mind (no one said this would be easy!), one cannot make certain of the truth of their reports. You WILL strain what is left of your brain. Count on it. All the more reason for the increasingly aggressive pursuit of fresh Gray Matter.

Be subtle! Be subtle! (Try!)
And use your spies for every kind of business.

If a secret piece of news is divulged by a spy before the time (or the spy) is ripe, he must be devoured together with the Zombie to whom the secret was told.

Whether the object be to crush a government facility, storm a theme park, or dine on a particularly troublesome individual (elected officials, religious zealots?), it is always necessary to begin by finding out the names of the attendants, the aides-de-camp, door-keepers, and sentries of the target. Who holds a secret grudge against The Dishonorable Judge Unscrupulous? Who leaves the keys to the executive washroom where anybody—with or without fingers—can pick them up with ease? Our spies must be commissioned to address these questions.

Mortal spies who come to spy on us (let them try!) must be sought out, tempted with bribes and electronic games, led away, and comfortably housed—temporarily. Fatten them up for the inevitable. Thus they will become “converted” spies and available for
our
service.

It is through the information provided by the converted spy that we are able to acquire and employ local and inward spies.

It is owing to his information, again, that we can cause the doomed spy to carry false tidings (and the Virus) to the Enemy.

Last, it is by his or her information that the surviving spy can be used on appointed occasions.

The end aim of spying in all its five varieties is knowledge of the Enemy... and that can only lead to one thing:
More BRRRAAAIIINNNS for all!

In conclusion, Sun Tzumbie admonishes:
Of old, the rise of Julius Caesar was a result of his reanimation by the Supremely Undead Queen Cleopatra, of the notoriously Undead Ptolemies. The subsequent rise of Marc Antony, also reanimated by the queen before both were destroyed by Rome, was due to his service to Caesar. The couple was betrayed by the spies of the Living who snatched World Domination from their very Undead jaws.
The fault, dear brutes, lay not in their stars, but in themselves.
Learn from this sad tale.
Et tu?

Men at some times are masters of their fates. It is up to us—the Undead, the Decaying, the Rotten, the
corps du Corpses—
to become masters of our own, and theirs also.

WE DO NOT SLEEP.
WE DO NOT REST.
WE EXIST TO FEED.
ON BRRRAAAIIINNNS!
LET THE
GAMES BEGIN.
 

IMAGE CREDITS

Wikimedia Commons
(http://commons.wikimedia.org):

Page 23: Fresco (16th century) from the Church of St. Peter, Lancôme, France. User: MagnusManske

Page 44:
Gaikotsu,
Toriyama Sekien, from
Konjaku Gazu Zoku Hyakki, The Illustrated One Hundred Demons from the Present and the Past
(Japanese, 1779). User: Magicgarden

Page 52: Detail,
Hungry Ghosts Scroll,
second section (Japanese, late 12th century). Current location: Kyoto National Museum. User: Bamse

Page 59:
Tenjōkudari,
Toriyama Sekien, from Konjaku Gazu Zoku Hyakki, The Illustrated One Hundred Demons from the Present and the Past (Japanese, 1779). User: Magicgarden

Page 65:
Momonji,
Toriyama Sekien, from
Konjaku Gazu Zoku Hyakki, The Illustrated One Hundred Demons from the Present and the Past
(Japanese, 1779). User: Magicgarden

Pages 70–71: Detail,
Hungry Ghosts Scroll,
seventh section (Japanese, late 12th century). Current location: Kyoto National Museum. User: Bamse

Page 81:
Buruburu,
Toriyama Sekien, from
Konjaku Gazu Zoku Hyakki, The Illustrated One Hundred Demons from the Present and the Past
(Japanese, 1779). User: Magicgarden.

Page 87: Photograph of Terracotta Army soldiers. User: Robin Chen.

Page 101:
Ōmagatoki,
Toriyama Sekien, from
Konjaku Gazu Zoku Hyakki, The Illustrated One Hundred Demons from the Present and the Past
(Japanese, 1779). User: Magicgarden

Page 112: Detail,
Hungry Ghosts Scroll,
fifth section (Japanese, late 12th century). Current location: Kyoto National Museum. User: Bamse

Page 131:
Wanyūdō,
Toriyama Sekien, from
Konjaku Gazu Zoku Hyakki, The Illustrated One Hundred Demons from the Present and the Past
(Japanese, 1779). User: Magicgarden

Page 139:
Hone-onna,
Toriyama Sekien, from
Konjaku Gazu Zoku Hyakki, The Illustrated One Hundred Demons from the Present and the Past
(Japanese, 1779). User: Magicgarden

Shutterstock Images:

Cover image scroll: ancient parchment © Lukiyanova Natalia / frenta

Paper texture (throughout): old papers set © Valentin Agapov

Endsheets: splash © Emir Simsek

Pages 8, 12, 35, 36, 40, 50, 54, 56, 57, 58, 64, 76, 80, 90, 94, 104, 106, 107, 108, 112, 116, 117, 118, 126, 132, 136, 140: ink splashes © Silvia Bukovac

Pages 9, 19, 29, 41, 45, 47, 57, 67, 85, 97, 101, 107, 109, 113, 117: splatters © jgl247

Pages 35, 36, 76, 100, 104, 107, 116, 126, 128, 129: grunge shapes © jgl247

Pages 14, 15, 16, 90, 91, 95, 97, 98, 99: pointing arm © lineartestpilot

Page 27: dragon © Mudassar Ahmed Dar

Pages 24, 25, 42, 51, 86, 87, 100, 110, 111, 121, 130, 131: knot and frame © LeshaBu

BOOK: The Art of War for Zombies: Ancient Chinese Secrets of World Domination, Apocalypse Edition.
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