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Authors: William Shakespeare

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Points to Lafew

KING
    She does abuse our ears. To prison with her.

DIANA
    Good mother, fetch my bail.— Stay, royal sir.

[
Exit Widow
]

The jeweller that
owes
325
the ring is sent for,

And he shall
surety
me. But
for
326
this lord

Who hath abused me, as he knows himself,

Though yet he never harmed me, here I
quit
328
him.

He knows himself my bed he hath defiled,

And at that time he got his wife with child.

Dead though she be, she feels her young one kick.

So there's my riddle: one that's dead is
quick
332
,

And now behold the meaning.

Enter Helen and Widow

KING
    Is there no exorcist

Beguiles
the
truer office
335
of mine eyes?

Is't real that I see?

HELEN
    No, my good lord,

'Tis but the
shadow
338
of a wife you see,

The name and not the thing.

BERTRAM
    Both, both. O, pardon!

HELEN
    O my good lord, when I was
like
341
this maid,

I found you wondrous kind. There is your ring,

And, look you, here's your letter. This it says:

Shows letter

‘When from my finger you can get this ring

And are by me with child', etc. This is done:

Will you be mine, now you are doubly won?

BERTRAM
    If she, my liege, can make me
know
347
this clearly,

I'll love her dearly, ever, ever dearly.

HELEN
    If it appear not plain and prove untrue,

Deadly divorce
350
step between me and you!

O my dear mother, do I see you living?

LAFEW
    Mine eyes smell onions. I shall weep anon:

To Parolles

Good Tom Drum, lend me a
handkercher.
353
So. I

thank thee.
Wait on
me home, I'll
make sport
354
with thee.

Let thy
court'sies
355
alone, they are scurvy ones.

KING
    Let us from point to point this story know,

To make the
even
357
truth in pleasure flow.—

To Diana

If thou be'st yet a fresh uncroppèd flower,

Choose thou thy husband, and I'll pay thy dower,

For I can guess that by thy honest aid

Thou kept'st a wife herself, thyself a maid.—

Of that and all the
progress more and less
362

Resolvedly
363
more leisure shall express.

All yet seems well, and if it end so
meet
364
,

The bitter
past
365
, more welcome is the sweet.

Flourish

[Epilogue]

The king's a beggar now the play is done.

All is well ended if this suit be won,

That you
express content
368
, which we will pay

With
strife
to please you, day
exceeding
369
day.

Ours be your patience then, and yours our parts
370
,

Your gentle hands lend us
, and take our
hearts.
371

Exeunt

TEXTUAL NOTES

F = First Folio text of 1623, the only authority for the play

F2 = a correction introduced in the Second Folio text of 1632

F3 = a correction introduced in the Third Folio text of 1663–64

F4 = a correction introduced in the Fourth Folio text of 1685

Ed = a correction introduced by a later editor

SD = stage direction

SH = speech heading (i.e. speaker's name)

List of parts
= Ed

1.1.1 SH COUNTESS
= Ed. F =
Mother
3 SH BERTRAM
= Ed. F =
Ros
.
122 got
= F2. F = goe
148 wear
= Ed. F = were
159 traitress
= F2. F = Traitoresse

1.2.4 SH FIRST LORD
= Ed. F =
1.Lo.G
.
19 SH SECOND LORD
= Ed. F =
2.Lo.E
23 Rossillion
= F2. F =
Rosignoll

1.3.2 SH REYNALDO
= Ed. F =
Ste
.
11 SH LAVATCH
= Ed. F =
Clo
.
16 I
= F2. F = w
22 bairns
spelled
barnes
in
F
67
F
omits this line, but prints ‘bis'
(
Latin for ‘twice'
)
at the end of the preceding line
78 ere
= Ed. F = ore
100 Dian no queen
= Ed. F = Queene
114 rightly
= Ed. F = righlie
164 t'one
= F2. F = 'ton tooth
193 intenible
= F2. F = intemible
228 Haply
spelled
Happily
in
F
241 and
= F2. F = an

2.1.6 SH FIRST LORD
= Ed. F =
Lord. G
.
19 SH SECOND LORD
= Ed. F =
L.G
.
28 SH SECOND LORD
= Ed. F =
2.Lo.E
.
45 with his cicatrice
= Ed. F = his sicatrice, with
65 fee
= Ed. F = see
100 SD
Enter Helen
= Ed.
One line later in
F
165 impostor
= F3. F = Impostrue
185 nay
= Ed. F = ne
205 heaven
= Ed. F = helpe

2.2.1 SH COUNTESS
= Ed. F =
Lady
. (
F also uses Count., Lad., Old La. and La
.)
54 An
= Ed. F = And
59 legs
= F2. F = legegs

2.3.1 SH LAFEW
= Ed. F =
Ol. Laf
.
96 her
= F2. F = heere
133 it is
= F2. F = is is
211 thou'rt
= F3. F = th'ourt
263 SD
Enter Count Rossillion
= Ed.
One line earlier in
F
288 detested
= Ed. F = detected

2.5.17 Ay, ‘sir', he ‘Sir' 's
= Ed. F = I sir, hee sirs
26 End
= Ed. F = And
28 one
= Ed. F = on
30 heard
= F2. F = hard

3.1.11 SH SECOND LORD
= Ed. F =
French E
.
20 SH FIRST LORD
= Ed. F =
Fren. G
.
27 th'field
= F2. F = th the field

3.2.8 sold
= F3. F = hold
18 E'en
= Ed. F = In

3.4.1 SH COUNTESS
= Ed.
Not in
F
4 SH REYNALDO
= Ed.
Not in
F
7 have
= F2. F =
hane
18 SH COUNTESS
= Ed.
Not in
F
23 SH REYNALDO
= Ed. F = Ste.

3.5.0 SD
Diana
= Ed. F =
Violenta
30 are you
= F2. F = are
31 le
= Ed. F = la

3.6.1 SH SECOND LORD
= Ed. F =
Cap. E
.
3 SH FIRST LORD
= Ed. F =
Cap. G
.
30 his
= Ed. F = this
31 ore
= Ed. F = ours

3.7.22 Resolves
= F2. F = Resolve
38 After
= F. F2 = After this
46 steads
= F4. F = steeds

4.1.1 SH FIRST LORD
= F (
1 Lord E
.). Lo.E
for remainder of scene, perhaps because Shakespeare has forgotten that elsewhere first lord is
G
and second is
E
6 captain
= F3. F = Captaiue
86 art
= F3. F = are

4.2.45 scar
spelled
scarre in F

4.3.128 All's … him
assigned to Parolles in
F
219 the
= F2. F = your
254 cardecue
= F2. F = Cardceue

4.4.18 you
= F4. F = your

5.2.1 Monsieur
= Ed. F = M
r
29 under her
= F2. F = vnder

5.3.67 count
spelled
compt
in
F
117 Plutus
= Ed. F =
Platus
139 tax
= F2. F = taze
158 SH KING
= Ed.
Not in
F
173 sith
= Ed. F = sir
176 SD
Diana
= Ed. F =
Diana, and Parolles
241 cunning
= Ed. F = comming
345 are
= Ed. F = is
369 strife
= F2. F =
strift

SCENE-BY-SCENE ANALYSIS
ACT 1 SCENE 1

Lines 1–74:
The widowed Countess of Rossillion is saying goodbye to her son, Bertram, who has been summoned by the King of France, his legal guardian. Lafew reports that the virtuous King is very ill and has given up his doctors' attempts to cure him of a painful fistula. The Countess laments that Helen's father, the renowned physician, Gerard de Narbon, is dead, believing that his skill would have cured the King. She is full of praise for Helen, who was entrusted to the Countess' care after her father's death. Helen is weeping. The Countess offers her son advice on how to behave at court, wishes him well and leaves. Bertram asks Helen to comfort and look after his mother and then departs with Lafew.

Lines 75–215:
Now alone, Helen confides that her tears are not for her father but for the departure of Bertram whom she loves. She says she cannot live without him but she might as well “love a bright particular star” and think to marry that as Bertram since “he is so above me.” She's tormented by her love for one who is her social superior. Despite her pain, she enjoyed seeing him all the time and drawing a picture of him in her heart. Now she has only these “relics” to remember him by. She sees Bertram's friend Parolles and says that even though she knows he's a coward and a liar she likes him for Bertram's sake. He asks her if she's thinking about “virginity” and they conduct a bawdy exchange about its merits with Helen defending it and Parolles believing it overrated. She turns the conversation obliquely to Bertram and her wishes. Parolles is called away and Helen accuses him of cowardice. He advises her to get a husband. Once he's gone, Helen argues in a soliloquy that an individual's fate lies in their own hands. She has a plan relating to the King and is determined to carry it through.

ACT 1 SCENE 2

The King reports that Florence and Siena are at war but are equally matched. France is not going to aid the Florentines but French knights will be allowed to fight on either side if they choose. Bertram, Lafew, and Parolles arrive. The King welcomes them, praising Bertram's late father who was an old friend and regretting his own ill health, asking how long ago Bertram's father's doctor (Helen's late father) died, believing that he might have cured him.

ACT 1 SCENE 3

Lines 1–111:
The Countess and Reynaldo the Steward are about to discuss Helen when the Countess notices the Clown Lavatch. He explains that he wants to get married; his reasons are desires of the flesh, repentance, and to make “friends.” He goes on to offer a paradoxical justification for adultery and the Countess says she'll speak to him later. She tells him to ask Helen to come to her and Lavatch sings a song about Helen of Troy. The Countess complains about his corruption of the song and abuse of women and sends him again for Helen. When Lavatch is gone, Reynaldo explains how he recently overheard Helen saying that she loves Bertram and feels bitter that the social distance between them means they can never marry. The Countess says she is not surprised and thanks Reynaldo for his “honest care” as he leaves.

Lines 112–252:
As Helen enters, the Countess exclaims in an aside, “Even so it was with me when I was young” and she goes on to register her sympathy for Helen. She calls herself Helen's “mother” but Helen rejects the idea. When asked her reason, she's confused, saying she can't be Bertram's sister, she's too humble, and he mustn't be her brother. The Countess says that Helen could be her daughter-in-law then. Helen's reaction assures her that she has discovered the secret of her love for Bertram. Helen is reluctant to confess but the Countess is determined to learn the truth. Helen admits that she loves her son and begs the Countess' pardon but says she cannot help it—her love does Bertram no harm. The Countess then asks why she wants to go to Paris. Helen admits that she believes she can cure the
King, having inherited her father's skill. The Countess gives her blessing and offers her aid for the enterprise.

ACT 2 SCENE 1

Lines 1–63:
The King is saying goodbye to the young lords going to fight in the Italian wars. He encourages them to fight bravely and be honorable and warns them against love. As the King goes aside to speak with the lords, Bertram complains that he isn't allowed to go—the King's told him he's “Too young” and he can go “the next year.” The other lords sympathize. Parolles recalls his previous experiences of war and, telling Bertram to be “more expressive” with his goodbyes to them, they go off.

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