Unremarried Widow (24 page)

To Sam Freedman, who believed in this book—and me—before I knew how; and to Kelly McMasters, whose kind hands shaped this story in its early stages;

To the team at S&S—Molly Lindley, Jessica Zimmerman, Andrea DeWerd, and everyone who supported the book;

To the residencies where this book was written—the Atlantic Center for the Arts and the Virginia Center for the Creative Arts—and to La Muse, where this book was begun and where it was finished. A magical place;

To my first readers and the women of the Writing Corps;

To Dr. Richard Paritzky, who led me from the dark. “If you want to try grieving on days other than Tuesday,” he said, “give me a call”;

To the widows who bravely shared their stories with me—Jennie Allgaier, Debi Coffelt, Casey Rodgers, and Shellie Smith. You were with me on every page;

To Teresa Priestner, who tirelessly answered questions about the military, sat for multiple interviews, and proofread sections of this book. My sister widow and friend, thank you;

To the Hendersons for their kindness and generosity, always;

And to G., who when I said, “You saved me,” answered, “You saved yourself.”

Simon & Schuster

Reading Group Guide

Unremarried Widow

Artis Henderson

A world traveler, Artis Henderson dreamed of living abroad after college and one day becoming a writer. Marrying a conservative Texan soldier and being an Army wife was never in her plan. Nor was the devastating helicopter crash that took her husband's life soon after their marriage.
Unremarried Widow
is a memoir about the unlikely ways love brings people together and the struggle to carry on after losing the love of your life.

1. Early in the book, we learn that Artis's father was a pilot, just like Miles, and that he too was killed in a crash. The first time Artis's mother meets Miles, she tells Artis he is just like her father. How do you see Artis's family history affecting the decisions she makes? How do you think that knowledge and those memories influenced how she felt about getting involved with a pilot?

2.
“What if you love someone with all your heart but you're afraid that being with him means giving up the life you imagined for yourself?”
Artis asks when she's trying to figure out how to make a life with Miles. Later, when she pitches a relationship column to
Florida Weekly,
she admits she's interested in
“how to negotiate the terrain between what we want from our lives and what we want from a partner”
. How do you see this central question play out throughout the book? How do the other people in the story, especially those connected to the Army, struggle with or resolve this tension?

3. Miles grew up in Texas, which is portrayed in the book as dry, dusty, and hot. Instead of staying in Texas while Miles deploys, Artis goes to Florida, her home, which feels lush and verdant. How does the author use the distinctive settings to cast light on how place affects the story? What other settings in the book does she describe, and how does that affect what happens there?

4. While Miles is stationed in Iraq, he tells Artis a story about going running one day. On the way back, he sees another soldier ahead of him and decides to race him to camp. It is only once they're back to camp safely that he realizes a sandstorm had blown up behind him; he has just outrun a sandstorm. Do you see this image as a metaphor for anything else in the book?

5. Artis never imagined marrying into the military, and she tries to separate herself from military life, never really fitting in with the other army wives or with Miles's coworkers at the officers' club. After Miles deploys, she moves to Florida and even talks about buying a house there to be their permanent home, removed from whatever base Miles will be sent to next. How else do you see Artis's longing for distance play out in the story? What do you make of the fact that Artis eventually finds community and healing at the TAPS National Military Survivor Seminar?

6. Artis says that
often women just know when something bad has happened to their husband
. Have you ever experienced a similar feeling of certainty about something happening far away? What do you think might be behind it?

7. Teresa Priestner is not satisfied with the information she is given about the helicopter crash that killed her husband and Miles, and she spends the rest of the book trying to prove that John deserves a Purple Heart. Artis, on the other hand, believes that
their husbands are gone, and it doesn't matter exactly how it happened
. What do these different attitudes reveal about how each woman deals with her grief? How do you think the differences in their lives might have influenced how they processed their husbands' deaths?

8. Think about the different types of dreams that occur in the book—
Miles's startlingly prescient dream about the crash that opens the book
;
the dream about the house Artis and Miles hoped to buy in Texas
;
the dream in which Miles tells her that death itself is like a dream
. Do you think Artis believes it? How are these dreams different from one another, and how do they tie elements of the story together?

9. After Miles's death, Artis admits that she feels angry at many people, but especially at her mother,
“whose fate, despite my best efforts, I now shared.”
Her relationship with Miles's mother starts out rocky, but after his death they are drawn together by their shared grief. What do these different responses reveal something about each of these women? How do you see Artis struggling to navigate the complicated territory of familial relationships?

10. In the beginning of the story, Artis consults a psychic, who gives her specific predictions Artis simply can't imagine coming true (which, of course, do). Later in the story, she sees the psychic again, and is given more unbelievable predictions, at least one of which—seeing her name in print—has obviously come true. Do you believe in psychics? What do you make of the fact that her predictions were correct? Is there anything the psychic got wrong? Do you believe these predictions can be in any way self-fulfilling? Why or why not? What does the act of consulting a psychic reveal about Artis's deep desires?

11. “Losing a spouse is in no way like losing a child but all loss is in some way like losing ourselves.” Discuss this line. What losses have you experienced in your life? Do you agree that loss is like losing yourself? How do you find your way back?

12. There are several ways in which Artis reaches out for—or is reached out to by—the other side: She has dreams where Miles talks to her after he's gone; she visits a psychic who gives her a message from Miles; she experiences strange phenomena, such as knocking in her house and the microwave turning on in the night, which she thinks might indicate a ghost.
“I shook my head, disbelieving,” she writes. “But also believing a little.”
What do you make of this? How do you see the barrier between this life and the next? Have you ever experienced similar comfort from beyond? How do you think the author's belief allows her to experience or recognize it?

13. This story is written about events that happened in the not-too-distant past, and many of the events and trends that she mentions—the Florida real estate bubble that would never burst; the stock market crash of 2007—are written from the perspective of someone who knows how things turns out. How do you think knowing what happens to Miles affects how the author portrays the early stages of their relationship? Are there other elements of the story where you see this?

14.
“If you took all the sorrows of the all the people in the world and hung them from a tree like fruit and then you let people choose which one they wanted, we would still pick our own”
. Do you believe this is true? Why or why not?

1. Artis visits Arlington National Cemetery with Teresa Priestner, who buries John there. Both women go to remember the lives of the brave men they loved. With your book club, take a visit to a local cemetery and stroll along the pathways. Think about all the men and women buried there, and try to imagine what their lives might have been like. What can you learn about a stranger's life by what is on their gravestone? Once you leave the cemetery, talk about what the experience was like.

2. There are thousands of wounded soldiers recuperating at hospitals all over the country. Many of them are far from their families and in need of encouragement. If there is a military hospital near you (you can check at
http://www.tricare.mil/MTF
), call and ask about volunteering opportunities. Try to find a time your book club can go together and help bring some cheer to our nation's heroes.

3. The Wounded Warrior Project is an organization that supports injured soldiers in a variety of ways. You can check out their work at
http://www.woundedwarriorproject.org
. Consider how your book club can help raise money for this worthy cause. Could you host a bake sale, or gather sponsors and walk or run a 5K together? ?

4.
Unremarried Widow
is a memoir about grief, but it's also a story about hope. Artis always wanted to be a writer, and the last section of the book talks about how she made that happen. Imagine what you would do if you could follow your wildest dreams. What is the first step toward making that dream happen? Take that step now, and share with your group what it felt like to do so.

How did you decide to write a memoir?

I believe we are given the stories we must tell. Even fiction writers are not so much making things up as mining their deepest selves, finding what it is they need to say. I tried briefly to write parts of this narrative as fiction, but it felt wrong. The only way to tell it, I realized, was to lay it bare, all of it, in its searing and difficult truths.

This is a very personal memoir about a very difficult subject. What was it like to write? Did you find it helpful in processing what happened?

The book was very demanding. Working on it, I felt as if I had stepped off the lip of a pond and sunk to the bottom. Life—real life—happened on the surface, but I was lost in the murk. I spent every day working at the library on painful scenes, and when I came home I would be emotionally wrecked. This went on for two years. But when it was done, I felt like an enormous weight had been lifted. I could finally say Miles's name without my voice cracking. As I was beginning the book, a friend had said to me, “The only way out is back through.” He was right.

When you met the other young widows at the TAPS National Military Survivor Seminar, you talked about the terrible knowledge you all carry inside you and how you felt a responsibility to tell your stories. Do you see this book as being about more than your experiences? In what way is this, or is this not, a story about them as well?

In my early conception of this book, I imagined it would be a collection of stories from war widows. I interviewed several women and tried to write their narratives, but I quickly realized that the only story I could tell—
really
tell—was my own. I often thought of the Tomb of the Unknown Soldier, in Arlington. Virginia, a site that stands for every American soldier killed in combat since World War I. I hoped that in sharing my story I might illuminate the many stories that resulted from these wars.

When Miles deployed, you chose to move home to Florida and separate yourself from military life as much as possible. You go on to say it never occurred to you that the other army wives on base might be a source of support and comfort. How do you think your experience might have been different if you had stayed?

In the days after Miles's death, one of the wives in the unit mailed me a gift card to a restaurant. In her note she said that if I had been at Fort Bragg she would have brought me food, but with the distance between us the gift card was the closest she could come. I was incredibly touched by her note; this was a woman I barely knew, and I realized in that moment that the other wives would have understood what I was feeling in a way people in the civilian world could not.

In your Modern Love piece, you talked about how Miles's death drew you closer to his mother, with whom you initially felt some tension. How has that relationship evolved since then? Do you still see his family?

I'm still in contact with Miles's family, and I still care for them deeply. When I visit their ranch in Texas, I feel Miles there in a way I don't feel him anywhere else. He is very present on their land. I will always share a bond with the Hendersons, and I am forever grateful to them for their kindness and generosity, both before Miles's death and after.

You mention a widows' support group that helped you as you grieved Miles. Do you still keep in touch with these women? In what ways have they been able to move forward? Are there ways they will never be able to move on?