Read The Well-Spoken Woman Online
Authors: Christine K. Jahnke
avoiding wrinkled clothes,
121
â
22
dressing for special occasions,
122
rules for choosing clothes,
120
â
21
what never to wear,
123
fear of face turning red,
60
hair touching,
53
and on-camera appearances,
226
â
28
,
228
what not to wear in,
123
not limited to your clothes,
33
â
34
and on-camera appearances,
203
â
204
best things to wear on camera,
227
flattening and fattening effects of camera,
13
,
206
â
207
worst things to wear on camera,
228
visual: body language and appearance as one of three Vs of communication,
81
â
82
,
99
â
124
.
See also
body language; movement while speaking; posture
personal-attack questions, dealing with,
256
personal experience
use of to end your speech,
200
use of to open your speech,
195
â
96
personal-opinion questions, dealing with,
256
persuadables in the audience, reaching,
133
â
35
Phillips, Caroline,
183
Phillis Wheatley High School,
85
physical reactions to fear of speaking,
62
â
65
pitch, pleasing.
See
voice
planning the presentation.
See
preplanned spontaneity
plastic sheets, usefulness of,
167
playacting,
36
pledge, making as a part of closing a speech,
198
â
99
pockets, hands in,
115
podium presence,
19
,
116
â
17
,
117
politics, women needing to be seen as “serious” candidates,
10
â
11
popular culture, memorable lines from,
148
posture,
108
â
11
.
See also
body language; movement while speaking
incorrect standing postures,
108
and on-camera appearances,
209
,
210
â
12
,
218
telltale body blunders,
53
use of the “champion stance,”
101
,
109
,
109
â
11
,
110
,
114
â
15
Powell, Colin,
138
Power Persona,
16
,
27
,
27
â
47
,
124
,
281
creating a persona,
56
unmasking your well-spoken persona,
59
PowerPoint (PPT), use of,
169
â
71
,
170
,
171
practice.
See
rehearsing/practicing
praise.
See
appreciation
Prejean, Helen,
304
preparation time,
116
,
266
.
See also
rehearsing/practicing
before the Democratic National Conventions,
201
preparation time and length of speech,
180
preplanned spontaneity,
17
â
18
,
153
â
76
,
175
,
176
breaking Murphy's Law,
161
â
65
understanding the audience and the event,
157
â
60
,
158
,
159
understanding the setting for the presentation,
160
,
160
â
61
unplanned, unscripted moments,
173
â
74
use of for unexpected speaking requests,
312
using organized clean notes,
165
â
69
Priestly, Amanda,
33
Prince (musician),
181
proactivity (women supporting women),
261
â
80
,
280
beginning with helping yourself,
272
â
77
developing the bench (women needing to be an integral part of things),
270
â
72
need to call out sexism when seen,
269
â
70
praising other women,
267
saying “no” to mean-girl comments,
268
â
69
problem, framing the,
141
,
141
,
142
,
142
â
43
problem-and-solution as a way to organize a speech,
193
projecting an assured self,
16
,
24
,
33
,
40
,
205
,
214
,
251
props, use of during a presentation,
171
â
72
PS.
See
preplanned spontaneity
public speaking.
See also
writing
developing a signature style,
28
â
34
handling anxiety caused by,
58
â
68
introverts learning to speak in public,
313
look for opportunities to do,
275
â
76
and the one-way style of broad-casting,
34
â
35
preparing for panel discussions,
311
â
12
setting up a game-day routine,
67
â
68
speaking styles that connect or disconnect with audiences,
36
understanding the purpose of the speech,
181
â
85
well-written is well-spoken,
177
â
202
punctuation,
96
using pitch to create,
82
purpose of presentation,
181
â
85
push-ups using the podium,
117
quotations
all-time great lines,
39
,
87
,
117
,
173
,
189
,
216
,
247
,
263
examples of memorable messages,
146
â
48
using a quote to open your speech,
195
Rankin, Jeanette,
299
ranking or choice questions, dealing with,
256
rational expectations, setting,
59
â
60
Ray, Rachael,
33
Read My Pins
(Albright),
258
“Ready, Set, Go” creating a winning first impression,
116
Reagan, Nancy,
187
Nancy Reagan gaze,
53
Reagan, Ronald,
129
,
157
,
187
,
196
,
269
,
271
“Rebuilding the Cherokee Nation” (Mankiller),
303
Refuse the Silence: Women of Color in Academia Speak Out,
287
rehearsing/practicing,
36
,
59
,
65
,
66
.
See also
preparation time
Michelle Obama's Olympic speech rehearsal,
100
â
101
,
123
â
24
for on-camera performances,
207
,
214
â
15
overrehearsing,
36
using positive visualization,
65
â
67
using preplanned spontaneity,
17
â
18
,
153
â
76
continual restating of a message,
132
,
136
â
38
repetitive speech patterns, use of,
79
â
81
reporters.
See
media and reporters, dealing with
Republican National Conventions,
199
resources for viewing speeches by well-spoken women,
315
Revere, Paul,
50
Richards, Ann,
10
,
16
,
23
,
24
,
25
â
26
,
28
,
31
â
33
,
38
,
39
,
42
,
43
â
44
,
45
,
266
,
267
,
281
,
289
,
302
,
310
,
315
Richardson, Morgane,
287
Rivera, Roxanne,
240
Robbins, Tony,
229
Robinson, Fraser,
99
Rock and Roll Hall of Fame,
181
Rockefeller Foundation,
149
â
50
Rogers, Ginger,
23
Rolling Stone
(magazine),
254
Roosevelt, Eleanor,
49
,
264
â
65
,
281
,
284
â
86
,
300
Roosevelt, Franklin Delano,
37
,
195
,
284
â
85
Roosevelt, Theodore,
284
Rosie the Riveter,
27
Rowling, J. K.,
200
Rubin, Robert,
73
Safire, William,
295
Salon
,
198
Sampson, Deborah,
49
â
51
,
68
,
296
Sampson, Edith Spurlock,
85
Sandberg, Sheryl,
286
Sanger, Margaret,
300
satellite presentations, eye contact focus points for,
212
â
13
Saturday Night Live
(TV show),
81
Scarborough, Joe,
220
Schriock, Stephanie,
240
â
41
,
287
scripted presentations, excessively,
154
seated posture.
See
sitting posture
seating, dealing with,
163
â
64
self-absorption,
36
self-assessment checklist,
307
â
308
self-assurance,
16
,
39
â
45
.
See also
best self, being your
being willing to prove oneself,
42
â
43
controlling nervous anxiety,
24
and the Power Persona,
27
Barbara Jordan showing,
94
â
95
conveying,
74
self-deprecation.
See
humor
self-doubt
rapid speaking revealing,
52
â
53
,
56
self-help.
See
help seriously, taking self,
272
â
73
“Sexualization of Girls” (study by
APA),
270
SHAPE UP techniques for the camera,
207
,
207
â
14
Sheehan, Michael,
201
Shellenbarger, Sue,
250
Sherrod, Shirley,
251
Shriver, Eunice Kennedy,
19
Siebert, Muriel,
305
silent type as a passive troublemaker,
242
sincerity of speakers,
36
singing as way to express emotion, inflection, and pace,
93
sisterhood in flattering pants (women supporting women),
261
â
80
,
280