Read The Well-Spoken Woman Online
Authors: Christine K. Jahnke
Field, Sally,
59
fight-or-flight response, avoiding,
59
,
62
â
65
“fig leaf” stance as incorrect posture,
108
filler noise, not allowing,
79
â
80
first impressions,
115
â
16
,
116
,
124
,
124
,
222
,
312
audience remembering what was said first,
193
flip charts and erasable boards, use of,
171
Flowers, Bertha,
189
flow of a speech, organizing,
190
,
190
â
93
Flynn, Elizabeth Gurley,
300
focus.
See
eye contact
footballer stance at the podium,
117
“For the Equal Rights Amendment” (Chisholm),
301
“four-box” play,
105
â
107
,
106
,
124
use of waist turn,
111
â
12
Fox (TV network),
229
Frederick, Pauline,
118
French, Raymond,
139
Friedan, Betty,
301
full-text script to present from,
166
â
67
Furstenberg, Diane von,
43
gaffes while speaking,
79
â
81
,
117
,
254
â
55
bloopers when speaking,
13
,
54
â
55
Gates, Bill,
125
,
139
,
149
,
164
â
65
Gates, Melinda,
17
,
125
â
26
,
138
â
40
,
146
,
149
â
50
,
281
,
291
,
315
Gillibrand, Kirsten,
78
Ginsberg, Ruth Bader,
269
Girl Scouts of the USA,
270
Girls Gone Wild
(TV show),
273
Glamour
(magazine),
261
glass ceiling,
14
â
15
,
43
,
175
,
233
,
278
GlobalWIN,
268
goals of the speaker,
17
,
35
,
141
,
143
,
158
,
183
,
266
.
See also
connection with the audience
in cause-and-effect presentations,
192
not being one of the boys,
280
as part of identifying the speech theme,
186
,
187
as part of message equation,
127
â
29
,
128
perfection should not be a goal,
61
gobbledygook, avoiding in presenting a message,
131
Goldberg, Whoopi,
194
Goldilocks rule,
218
(keeping things balanced),
217
Goldman, Emma,
299
Goodall, Jane,
281
,
282
â
83
,
286
Good Hope Missionary Baptist College,
84
Good Morning America
(TV show),
122
,
207
Goodwin, Doris Kearns,
315
Google Inc.,
286
Granholm, Jennifer,
30
â
31
,
271
Greenspan, Alan,
73
Grimke, Angelina E.,
297
Groundhog Day
(movie),
255
guest appearances,
219
â
23
,
222
,
225
.
See also
media and reporters, dealing with; on-camera appearances
dealing with celebrity hosts,
222
,
225
“buttrule,”
223
handling interruptions,
223
â
24
interviewing the interviewer,
221
â
22
and twenty-second rule,
136
,
203
,
220
â
21
hair.
See
personal appearance
Haley, Nikki,
287
Halligan, Sue,
268
Halvorsen, Debbie,
271
distracting movements to avoid,
53
,
114
SHAPE UP techniques,
207
,
208
â
10
,
209
Handler, Chelsea,
221
handouts, use of during a presentation,
172
â
73
“Hands Off Cain” (Prejean),
304
Harlem Writers Guild,
188
Harrison, William Henry,
35
Harry Potter series,
200
Hastings, Michael,
254
Hayward, Tony,
127
head bobbing and on-camera appearances,
218
Health Care Roundtable,
287
Healy, Bernadine,
303
hecklers,
18
â
19
,
24
,
238
,
240
â
41
Heitkamp, Heidi,
245
help
asking for help,
273
â
74
helping others,
274
â
75
Henderson, Annie,
189
high drama don'ts in dealing with difficult questions,
235
high-pitched voice.
See
voice
“High Waving Heather âneath Stormy Blasts Bending” (Bronte),
91
â
93
Hill, Anita,
302
“History of War” (Barton),
298
hoarseness and the voice,
97
Huffington Post
(news blog),
251
Hughes, Karen,
185
humbleness,
40
humidifiers and the voice,
97
awkwardness of inappropriate laughter,
81
closeness of laughter and tears,
43
and self-deprecation,
38
,
51
â
52
,
84
,
154
,
309
â
10
use of when you make a mistake,
55
use of to open your speech,
38
creating a humorous common bond,
197
not telling a joke,
194
Hurwitz, Sarah,
271
hydration and the voice,
97
hypothetical questions, dealing with,
256
ideals as part of message equation,
128
ideas and ideals as part of message equation,
127
â
29
“I Have a Scream” (speech of Howard Dean),
217
I Know Why the Caged Bird Sings
(Angelou),
189
impersonation, used to maximize vocal range/ability,
94
imposter, feeling like an,
51
â
55
impression management,
123
â
24
inner warrior princess,
59
,
73
â
74
insensitivity,
127
inspirational speeches,
181
â
82
International Olympic Committee Address (Obama),
99
â
101
,
123
â
24
interrupters in the audience,
240
interruptions, handling while on-camera,
223
â
24
interviews ambush interviews,
252
â
53
,
253
interviews are not confidential conversations,
251
â
52
interviews for television,
219
â
24
,
222
,
225
how to create an introduction for a notable figure,
314
your introduction as the speaker,
115
offer to draft your own,
160
introverts, learning to speak in public,
313
Iraqi War Message, techniques used to sell,
136
â
38
,
137
,
145
“Is Woman Suffrage Progressing?” (Catt),
299
Jackson, Janet,
118
Jacob Wetterling Act,
46
Jefferson, Thomas,
50
John F. Kennedy Profile in Courage award,
73
Jones, James Earl,
88
Jones, Mother,
299
Jordan, Barbara,
13
,
16
â
17
,
83
â
87
,
87
,
98
,
266
,
290
,
301
,
315
speaking techniques used by,
94
â
96
Judith Marie, Sister,
139
Kangaroo Care,
126
Karan, Donna,
32
Keller, Helen,
300
Kelliher, Margaret Anderson,
268
Kennedy, Robert F.,
77
Kerry, John,
131
Keys, Alicia,
181
King, Larry,
220
Kirkpatrick, Jeanne,
302
knee-jerk reactions, avoiding in presenting a message,
131
know-it-alls as passive troublemakers,
243
Kopp, Wendy,
188
Korbul, Anna and Josef,
237
Kruschev, Nikita,
35
Kyl, John,
262
laced fingers,
53
Lady Volunteers of the University of Tennessee,
103
â
104
LaHaye, Beverly,
302
Larry King Live
(TV show),
216
laughter.
See
humor
laundry list, avoiding in presenting a message,
131
lectern.
See
podium presence
Levitt, Arthur,
73
life experiences setting you apart,
44
â
45
lighting, dealing with,
163
Lightner, Candy,
46
likeability quotient, importance of when on-camera,
205
Limbaugh, Rush,
135
limp wrists,
53
Liswood, Laura,
9
Living Proof Project,
17
,
126
,
140
,
149
locked-down arms stance as incorrect posture,
108
Lockwood, Belva,
298
logistical information, not including in speech opening,
194
“Look Around and See Only Friends” (Smith),
302
Loopner, Lisa,
81
Lutz, Frank,
145
“Lynch Law in America” (Wells-Barnett),
298
Madeleine Korbel Albright Institute for Global Affairs,
237
Mae West stance as incorrect posture,
108
Maine Telephone Company,
40
makeup.
See
personal appearance
Malcolm, Ellen,
287
Mandela, Nelson,
282
mannerisms, distracting.
See
distractions, speaker distractions that affect the audience