Read The Well-Spoken Woman Online
Authors: Christine K. Jahnke
celebrity hosts, dealing with,
219
â
23
,
222
,
225
Centers for Disease Control,
147
“Century of Progress of Negro Women, A” (Bethune),
300
CFPB.
See
Consumer Financial Protection Bureau
challengers in the audience,
239
“Challenges to the Marine Eco-System” (Sullivan),
303
“champion stance” as correct posture,
116
,
124
hand gestures that work well with,
114
â
15
while standing,
101
,
109
,
109
â
10
Charlotte's Web
(White),
136
Chase, Robin,
184
Chatty Cathys as passive troublemakers,
242
cheap shot questions, dealing with,
256
Cheney, Dick,
138
Chicago Women's Federation,
195
chick-to-chick coaching,
267
â
68
Child, Julia,
79
chocolate and the voice,
97
Chopra, Deepak,
229
Christian Coalition,
303
chronological order as a way to organize a speech,
191
Cinderella Complex
(Dowling),
45
citizen journalists/bloggers,
250
â
51
Civil Rights Act (1964),
86
Clairol,
129
clarity, principle of,
132
â
33
,
138
clichés, memorable,
147
Clinton, Chelsea,
287
Clinton, Hillary,
14
,
19
,
226
â
27
,
228
,
240
,
261
,
262
â
66
,
263
,
268
â
69
,
271
,
273
,
277
â
80
,
293
,
303
,
305
,
315
clipped sentences used as punctuation,
96
closing of speech,
190
,
193
,
197
â
201
clothes, choice of.
See
personal appearance
clutching something while speaking,
53
CNN (TV network),
101
,
124
,
215
,
220
,
229
,
238
,
265
coaching, providing to other women,
267
â
68
Coakley, Martha,
205
Coffee, Debbie,
267
cognitive dissonance,
102
â
103
,
215
Coke,
129
Colbert, Steven and
The Colbert Report
(TV show),
224
,
254
colorful language, use of,
196
â
97
examples of memorable uses of,
148
Comedy Central (TV network),
255
Commodity Futures Trading Commission,
73
common bonds between audience and presenter,
186
communication, three Vs of,
81
â
82
,
98
,
307
â
308
Communications Consortium Media Center,
128
compelling message,
132
,
135
â
36
complexity, avoiding in presenting a message,
131
compliments.
See
appreciation
conciseness of a message,
94
,
132
,
136
,
138
,
150
,
186
,
257
conclusion of the speech.
See
closing of speech
confidence.
See
self-confidence
connection with the audience,
35
,
35
â
36
,
47
.
See also
communication, three Vs of
connection as a part of message development,
132
,
133
â
35
finding emotional traction with clear and accessible speaking,
218
â
19
first impressions,
115
â
16
,
116
identifying common bond with,
188
reaching the persuadables,
133
â
35
three Vs of communication allowing for a connection,
81
â
82
,
98
use of eye contact,
104
â
107
,
106
,
107
,
111
â
12
,
116
,
124
consistency,
67
,
127
,
138
,
140
,
155
,
235
“Constitutional Equality” (Woodhull),
298
constructive criticism,
267
Consumer Financial Protection Bureau,
283
,
284
contemporary references, memorable,
148
continual restating of a message,
132
,
136
â
38
Cook, Blanche Wiesen,
286
Cousteau, Jacques,
195
cracking voice during a presentation,
60
Craster, Mrs. Edward,
58
Crawford, Cindy,
276
credibility of speaker,
47
,
104
,
205
,
212
,
248
,
255
“baby doll voice” lessening credibility,
79
,
80
can self-deprecating humor damage,
309
â
10
using quotes to gain credibility,
148
“Crisis in Women's Identity, The” (Friedan),
301
crossed arms looking defensive or bored,
108
C-SPAN (TV network),
228
Cuomo, Mario,
266
Currie, Marie,
299
Curry, Ann,
55
Daily Show, The
(TV show),
219
,
283
Darwin, Charles,
113
Davis, Angela,
301
Davis, Geena,
270
Dean, Howard,
217
death grip on podium,
117
“death panels” as message against healthcare,
135
debates, challenge of,
10
“Declaration of Conscience” (Smith),
300
“Declaration of Sentiments” (Stanton),
274
delivery styles,
17
,
34
,
80
,
163
,
166
,
174
,
214
,
310
,
312
.
See also
memorizing a message, danger of; speaking styles
choosing to interact with the audience,
34
â
35
,
155
delivering advocacy messages,
24
and hand gestures,
113
.
See also
movement while speaking
importance of voice,
79
.
See also
voice
on-camera,
18
,
34
,
204
,
311
.
See also
SHAPE UP techniques for the camera
that connect or disconnect with audiences,
36
Democratic National Conventions,
94
,
195
â
96
,
201
,
278
descriptive language, importance of,
36
â
37
Devil Wears Prada, The
(movie),
33
Dickens, Charles,
153
Dickinson, Anna,
297
diplomacy (speaking well under fire),
18
â
19
,
233
â
59
,
259
.
See also
trounological Workforce” (Healy),
303
Dole, Elizabeth,
17
â
18
,
154
,
155
â
57
,
161
â
62
,
172
,
173
,
175
,
275
â
76
,
291
,
303
,
315
Dowling, Colette,
45
dress, choice of.
See
personal appearance
Dr. Phil Show
(TV show),
283
,
284
dry air aggravating the vocal cords,
97
Ducks Unlimited,
188
Earle, Sylvia,
195
Edwards, Elizabeth,
252
egotist, illusion of,
41
Eleanor Roosevelt: Volume One
(Roosevelt),
49
“elevator speech,”
312
elite press,
250
Elizabeth (queen),
43
â
44
,
116
â
17
embarrassment when speaking publicly,
13
,
54
â
55
emotions
controlling emotions while on camera,
217
,
218
dealing with emotional outbursts,
246
,
246
â
47
emotional appeals of messages,
135
â
36
emphasis, use of,
82
â
83
,
83
,
92
end speech on time,
198
Ensler, Eve,
315
entertaining presentations,
10
,
13
,
184
â
85
erasable boards, use of,
171
escape hatches to use to get back on message,
257
ESPN (TV network),
70
Esquire
(magazine),
273
eulogies,
182
event, understanding the size and purpose,
159
,
159
â
60
,
187
.
See also
stage setting
“Exceeding Beauty of the Earth” (Carson),
300
exercises
expertness, illusion of,
40
â
41
fear of being asked something you don't know,
61
explainer, going on too long,
131
and dealing with Chatty Cathys,
242
eye contact cheating: what not to do,
105
lack of as a sign of speech mode,
52
during panel discussions,
312
and on-camera appearances,
212
,
218
with celebrity hosts,
220
eye focus during satellite newscasts or webcasts,
212
â
13
SHAPE UP techniques for the camera,
207
,
212
â
13
,
213
using the “four-box” play,
105
â
107
,
106
using the “sweet-spot” play,
107
,
107
eye movement
blinking on-camera,
213
eye contact cheating: what not to do,
105
Facebook, Inc.,
286
face squeeze as a way to calm self before speaking,
63
â
64
false-fact questions, dealing with,
256
Farrow, Mia,
296
“Fate of Republics, The” (Shaw),
298
Faust, Drew,
304
fear of public speaking,
9
,
13
,
58
â
68
introverts learning to speak in public,
313
repetitive giggle signaling discomfort and anxiety,
81
women students fearing to speak in class,
9
,
14
,
59
â
60
Federal Street Theatre,
50
feedback, analyzing,
266
Ferraro, Geraldine,
302