The Humans (16 page)

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Authors: Stephen Karam

BOOK: The Humans
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ERIK

Brigid, please come talk to me.

BRIGID

     
(To Erik)

I'm gonna ask that woman to stop banging her fucking feet.

Brigid exits. This is worse than if she yelled at Erik.

Richard stops Erik from following her.

RICHARD

MOMO

Hey, let me . . .

. . . nevery where do we go

 

back do we never go hole you

 

bitch / . . . nevery hole

 

backenser he did thisserwe

 

go black, go black . . .

Deirdre walks to the staircase.

DEIRDRE

I've gotta . . . [go get some water downstairs] . . . I can't hear her now . . .

ERIK

MOMO

Yeah, I got this . . .

. . . nevery where do we go

     
(To Aimee)

back do we never go hole you

Go with her? She's okay, just

bitch . . . nevery black hole you

give us some room . . . . . .

do we you did this do we back . . .

go with Mom, okay?

     
(Fixed on Erik)

 

Go hole. Go hole! Go hole! /

 

Ohhhhhh God they're every-

 

where! They're coming to you

 

you bitch what's wrong with

 

you . . .

Aimee has never seen Momo like this. Aimee heads downstairs to look after Deirdre.

Erik tends to Momo.

DEIRDRE

ERIK

     
(Descending the stairs, barely intelligible)

Hey, hey . . . shhh . . . shhhh . . .

. . . what's wrong with me . . .

 

Momo is having her first real fit of the day. It's terrifying. Erik has seen it before, but it's still hard for him. It's like she's possessed.

MOMO

ERIK

. . . Go home to fuck you
you

Okay, okay, okay . . . we'll go

bitch! . . .
Aaaaawwwwhhhh

for a walk . . . okay . . .

. . . where do you go hole!

shhhh . . .

They're coming to
what's

. . . shhhhhh . . . you're

wrong with you
did this . . .

okay . . . shhhhhh . . . shhhhhh

aaaawwwwhhhh . . . where

. . . you're okay . . . shhhhhh

do go hole in a wheres . . .

. . . there we go, there we go,

     
(Tapering to barely audible)

shhhhh . . . shhhhh . . . that's

. . . where do go hole in a

good, you're okay . . . shhhhh . . .

wheres do go hole in a

 

wheres do go hole in a where

 

to go hole in a wheres . . .

 

UPSTAIRS
:
Erik wheels Momo around like she's a baby, calming her. Her screams subside. During the following scene, Erik stays with her, maybe massaging/holding her hand . . .

DOWNSTAIRS
:
Deirdre sits on the couch, takes a glass of water from Aimee. Beat.

DEIRDRE

If I ever get like that . . . when my time comes, I don't ever want you guys to have to . . .

AIMEE

Mom . . .

I'm sorry.

DEIRDRE

Sorry you're sick.

Beat.

AIMEE

I've got money in a Roth IRA and—in my 401(k) too.

DEIRDRE

     
(This has been on her mind . . .)

That e-mail about us being electrons wasn't
religious—
it was from a
science
website, I want you to feel a connection to . . . something bigger than you . . .

     
(Beat)

. . . I drank too much. I should, uh, use the [bathroom] . . .

Deirdre starts up the staircase.

AIMEE

Mom, sorry—it smells really bad in there.

DEIRDRE

     
(Not looking back, half to herself)

Shoulda got Brigid that candle.

UPSTAIRS
:
Deirdre passes Erik and Momo on her way to the bathroom.

ERIK

Hey, sorry this was . . . [a total fucking nightmare] . . .

Erik goes to embrace Deirdre.

ERIK

DEIRDRE

I love you.

No, no, no . . . I don't feel

 

good. Lemme get her to the

 

bathroom before we go . . .

 

c'mon, Mom . . . there you go . . .

Deirdre helps Momo into the bathroom as Aimee ascends the stairs and proceeds to put on her coat.

AIMEE

I'm gonna go for a walk around the block . . .

ERIK

Are you okay? Hey are you—

AIMEE

Yeah, I want some air, Dad.

Erik nods. Aimee ignores him as she puts on her coat.

Erik searches for something to bridge the gap, to stop her from going.

ERIK

I've been losing sleep trying to—I was saying to Father Quinn in how . . . / just
thinking
about losing you guys gets me thinking about . . .

AIMEE

What're you [saying?] . . .

ERIK

. . . when you were gone, when—

AIMEE

What're you [saying?] . . .

ERIK

—this fireman was holding a body with your same suit on? . . .

AIMEE

Dad . . .

ERIK

. . . but with a coat of ash melted onto her?, like she got turned into a statue like . . .

AIMEE

Dad . . .

ERIK

. . . there was gray in her eyes and mouth even, like she—

AIMEE

Like she had no face?

Small beat.

ERIK

Huh . . . [my mind must've] . . .

Aimee aches for her father and wants to stay, but she needs to take care of herself.

AIMEE

The car company will call when they're ready, leave your phone by the window so it'll ring.

Aimee exits.

Erik is alone for a few beats, lost, drunk.

Toilet flush.

He takes out his phone per Aimee's instructions and places it on the windowsill when—

He notices a shadow move in the alley—what was it?

He gets the LED lantern from the other room and walks back to the window to get a better look, but it's so dark outside, the glass mostly reflects his image. He stares for a few beats.

DOWNSTAIRS
:
A few pots and pans hanging on the edge of the drying rack (just visible in the kitchen alley) fall and
crash
to the floor.

ERIK

     
(Calling down)

Brigid . . . ?

No answer.

As Erik descends the stairs to investigate . . .

The shadow quietly reemerges in the alley, then disappears into the darkness.

DOWNSTAIRS
:

UPSTAIRS
:

Erik arrives downstairs, where

Deirdre and Momo exit the

it's brighter.

bathroom.

Erik turns the lantern off,

 

places it on the counter.

 

DOWNSTAIRS
:

UPSTAIRS
:

He begins to pick up the pots

The main upstairs door opens

and pans . . .

revealing Aimee.

 

She holds the door open,

 

allowing light to spill into the

 

upstairs rooms.

AIMEE

Guys, the car's out front . . .

DEIRDRE

All right, get her coat, will you? . . .

AIMEE

     
(Calling down)

. . . Dad!

ERIK

     
(Calling up)

I heard you . . .

Aimee helps Deirdre get Momo into her coat and back into the wheelchair.

DEIRDRE

Where's Brigid?

AIMEE

With Rich . . .

Deirdre looks to Aimee for more information as Aimee helps Momo into her coat.

AIMEE

. . . she's embarrassed, she's . . . [I don't even wanna get into it.]

     
(Calling down)

. . . Dad! . . .

ERIK

     
(Calling up)

Yeah, coming . . .

Aimee wheels Momo out of the apartment, exiting with Momo's barely discernable mumbling trailing . . .

Deirdre goes to exit, but stops, remembering something.

DEIRDRE

     
(To Erik, calling down)

Hey, can you grab Mom's blanket and the pan we brought?

ERIK

Uh-huh.

DOWNSTAIRS
:

UPSTAIRS
:

Erik searches for the blanket.

Deirdre, alone upstairs.

 

She takes one last look around,

 

gets an idea:

 

she quietly removes the Virgin

 

Mary statue from her purse and

 

places it in the windowsill.

 

She exits.

Erik finds the blanket near the couch.

Puts it on the table. He goes back to picking up the pots and pans that fell.

Having cleaned up the pots and pans, Erik searches for the specific pan they brought; finding it, he exits the kitchen and places the pan on the table by the blanket when—

All of the downstairs lights flicker out.

Complete darkness.

ERIK

Shit.

Erik puts the blanket and pan down; he searches for the lantern on the counter as—

UPSTAIRS
:

DOWNSTAIRS
:

In complete darkness, the

 

phone vibrates and lights up

 

in the upstairs windowsill;

 

vibrates.

 

vibrates.

 

vibrates.

 

vibrates.

 

vibrates.

—Erik finally finds the lantern,

vibrates.

turns it on.

vibrates.

 

The phone stops ringing.

ERIK

[Was that the phone?]

The LED lantern in hand, Erik finds his way to the fuse box downstairs, located somewhere on the wall behind the staircase. He flips a switch. The lights remain out when—

UPSTAIRS
:

DOWNSTAIRS
:

In complete darkness, the

 

phone vibrates and lights up

 

in the upstairs windowsill;

 

vibrates.

 

vibrates.

—Erik sighs, heads upstairs . . .

vibrates.

 

vibrates.

 

vibrates.

 

vibrates.

 

vibrates.

. . . and answers the phone.

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