The Crimes of Paris: A True Story of Murder, Theft, and Detection (52 page)

Matsuda, Matt K.
The Memory of the Modern.
New York: Oxford University Press, 1996.

Maurois, André.
Proust: Portrait of a Genius.
New York: Harper, 1950.

McLaren, Angus.
The Trials of Masculinity: Policing Sexual Boundaries, 1870–1930.
The Chicago Series on Sexuality, History, and Society. Chicago: University of Chicago Press, 1997.

McLeave, Hugh.
Rogues in the Gallery: The Modern Plague of Art Thefts.
Boston: Godine, 1981.

McMillan, James F.
Dreyfus to De Gaulle: Politics and Society in France, 1898–1969.
London: Arnold, 1985.

McMullen, Roy.
Mona Lisa: The Picture and the Myth.
Boston: Houghton Mifflin, 1975.

Mellow, James R.
Charmed Circle: Gertrude Stein and Company.
New York: Praeger, 1975.

Miller, Arthur I.
Einstein, Picasso: Space, Time and the Beauty That Causes Havoc.
New York: Basic Books, 2001.

———.
Insights of Genius: Imagery and Creativity in Science and Art.
New York: Copernicus, 1996.

Morain, Alfred.
The Underworld of Paris: Secrets of the Sûreté.
London: Jarrolds, 1929.

Morton, James.
Gangland: The Early Years.
London: Time Warner Paperbacks, 2004.

Murch, A. E.
The Development of the Detective Novel.
Port Washington, NY: Kennikat Press, 1968.

Murphy, Bruce.
The Encyclopedia of Murder and Mystery.
New York: St. Martin’s Minotaur, 1999.

Museum of Modern Art (New York, NY), and Alfred Hamilton Barr.
Masters of Modern Art.
Garden City, NY: Doubleday, 1958.

Nash, Jay Robert.
Encyclopedia of World Crime: Criminal Justice, Criminology, and Law Enforcement.
4 vols. Wilmette, IL: CrimeBooks, 1990, 1999.

———.
Look for the Woman: A Narrative Encyclopedia of Female Poisoners, Kidnappers, Thieves, Extortionists, Terrorists, Swindlers, and Spies, from Elizabethan Times to the Present.
New York: Evans, 1981.

Nesbit, Molly. “The Rat’s Ass.”
October
56 (Spring 1991): 6–20.

Olivier, Fernande.
Loving Picasso: The Private Journal of Fernande Olivier.
New York: Abrams, 2001.

———.
Picasso and His Friends.
New York: Appleton-Century, 1965.

Osterburg, James W., and Richard H. Ward.
Criminal Investigation: A Method for Reconstructing the Past.
Cincinnati: Anderson, 1992.

Paléologue, Maurice.
An Intimate Journal of the Dreyfus Case.
New York: Criterion Books, 1957.

Panek, LeRoy Lad.
An Introduction to the Detective Story.
Bowling Green, OH: Bowling Green State University Popular Press, 1987.

Parry, Richard.
The Bonnot Gang.
London: Rebel Press, 1987.

Parsons, Ernest Bryham.
Pot-Pourri Parisien.
London: Argus, 1912.

Pate, Janet.
The Book of Sleuths.
Chicago: Contemporary Books, 1977.

Pater, Walter.
The Renaissance: Studies in Art and Poetry.
New York: Mentor, 1959.

Paul, Robert S.
Whatever Happened to Sherlock Holmes: Detective Fiction, Popular Theology, and Society.
Carbondale: Southern Illinois University Press, 1991.

Perrot, Michelle, ed.
A History of Private Life.
Vol. 4,
From the Fires of Revolution to the Great War.
Cambridge, MA: Belknap Press, 1990.

Pflaum, Rosalynd.
Grand Obsession: Madame Curie and Her World.
New York: Doubleday, 1989.

Poincaré, Henri.
Science and Hypothesis.
New York: Dover, 1952.

Poincaré, Raymond, and George Arthur.
The Memoirs of Raymond Poincaré, 1914.
London: Heinemann, 1929.

Porter, Dennis.
The Pursuit of Crime: Art and Ideology in Detective Fiction.
New Haven: Yale University Press, 1981.

Quinn, Arthur Hobson.
Edgar Allan Poe: A Critical Biography.
Baltimore: Johns Hopkins University Press, 1998.

Quinn, Susan.
Marie Curie: A Life.
New York: Simon and Schuster, 1995.

Read, Herbert Edward.
A Concise History of Modern Painting.
New York: Praeger, 1959.

Rearick, Charles.
Pleasures of the Belle Époque: Entertainment and Festivity in Turn-of-the-Century France.
New Haven: Yale University Press, 1985.

Reit, Seymour.
The Day They Stole the Mona Lisa.
New York: Summit Books, 1981.

Rhodes, Henry T. F.
Alphonse Bertillon: Father of Scientific Detection.
New York: Greenwood, 1968.

———.
Clues and Crime: The Science of Criminal Investigation.
London: Murray, 1933.

———.
Some Persons Unknown: Being an Account of Scientific Detection.
London: Murray, 1931.

Richards, E. E.
The Louvre.
Boston: Small, Maynard, 1912.

Richardson, John, and Marilyn McCully.
A Life of Picasso.
Vol. 1,
1881–1906.
New York: Knopf, 1991.

———.
A Life of Picasso.
Vol. 2,
1907–1917.
New York: Random House, 1996.

Richardson, John, Public Education Association of the City of New York., and M. Knoedler and Co.
Picasso: An American Tribute [Exhibition] April 25–May 12, 1962 [for the Benefit of the Public Education Association].
New York: Public Education Association, 1962.

Roberts, Mary Louise.
Disruptive Acts: The New Woman in Fin-de-Siècle France.
Chicago: University of Chicago Press, 2002.

Robinson, Henry Morton.
Science versus Crime.
Indianapolis: Bobbs-Merrill, 1935.

Rookmaaker, H. R.
Modern Art and the Death of a Culture.
Downers Grove, IL: Inter-Varsity Press, 1970.

Rothstein, Edward. “A Case for Sherlock: The Double Helix of Crime Fiction.”
New York Times,
March 4, 2000.

Rudorff, Raymond.
The Belle Epoque: Paris in the Nineties.
New York: Saturday Review Press, 1973.

Sachs, Samuel, II. “Fakes and Forgeries.” Minneapolis Institute of Arts, 1973.

Saferstein, Richard.
Criminalistics: An Introduction to Forensic Science.
2nd ed. Englewood Cliffs, NJ: Prentice-Hall, 1981.

Salmon, André.
Souvenirs sans fin, deuxième époque (1908–1920).
Paris: Gallimard, 1956.

———.
Souvenirs sans fin, troisième époque (1920–1940).
Paris: Gallimard, 1961.

Sannié, Charles.
Eléménts de police scientifique.
Paris: Hermann et Cie, 1938.

Sartre, Jean-Paul.
The Words.
Translated by Bernard Frechtman. New York: Vintage Books, 1981.

Sassoon, Donald.
Becoming Mona Lisa: The Making of a Global Icon.
San Diego: Harcourt, 2001.

Saunders, Edith.
The Mystery of Marie Lafarge.
London: Clerke and Cockeran, 1951.

Sayre, Henry M.
A World of Art.
2nd ed. Upper Saddle River, NJ: Prentice Hall, 1997.

Scharf, Aaron.
Art and Photography.
Baltimore: Penguin, 1974.

Schmitz, E. Robert.
The Piano Works of Claude Debussy.
New York: Duell, 1950.

Schüller, Sepp.
Forgers, Dealers, Experts: Strange Chapters in the History of Art.
New York: Putnam, 1960.

Schumacher, Claude.
Alfred Jarry and Guillaume Apollinaire.
Basingstoke: Macmillan, 1984.

Schütt, Sita A. “French Crime Fiction.” In
The Cambridge Companion to Crime Fiction,
edited by Martin Priestman. Cambridge: Cambridge University Press, 2003.

Seigel, Jerrold E.
Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1830–1930.
New York: Penguin Books, 1987.

Serge, Victor.
Memoirs of a Revolutionary, 1901–1941
. Translated and edited by Peter Sedgwick. Oxford: Oxford University Press, 1980.

Settegast, Mary.
Mona Lisa’s Moustache: Making Sense of a Dissolving World.
Grand Rapids, MI: Phanes Press, 2001.

Severini, Gino.
The Life of a Painter: The Autobiography of Gino Severini.
Translated by Jennifer Franchina. Princeton, NJ: Princeton University Press, 1995.

Seymour-Smith, Martin.
Guide to Modern World Literature.
Vol. 2,
Dutch, Finnish, French and Belgian, German, Scandinavian
. London: Hodder and Stoughton, 1975.

Shapiro, Ann-Louise.
Breaking the Codes: Female Criminality in Finde-Siècle Paris.
Stanford, CA: Stanford University Press, 1996.

Shattuck, Roger.
The Banquet Years: The Arts in France, 1885–1918; Alfred Jarry, Henri Rousseau, Erik Satie, Guillaume Apollinaire.
New York: Vintage, 1968.

———.
Proust’s Binoculars: A Study of Memory, Time, and Recognition in À la recherche du temps perdu.
New York: Vintage Books, 1967.

Shlain, Leonard.
Art and Physics: Parallel Visions in Space, Time, and Light.
New York: Morrow, 1991.

Singer, Barnett.
Modern France: Mind, Politics, Society.
Seattle: University of Washington Press, 1980.

Skinner, Cornelia Otis.
Elegant Wits and Grand Horizontals: A Sparkling Panorama of “La Belle Epoque,” Its Gilded Society, Irrepressible Wits and Splendid Courtesans.
Boston: Houghton Mifflin, 1962.

Slosson, Edwin Emery.
Major Prophets of To-Day.
Freeport, NY: Books for Libraries Press, 1968.

Smith, Frank Berkeley.
How Paris Amuses Itself.
New York: Funk and Wagnalls, 1903.

Smith, Timothy B. “Assistance and Repression: Rural Exodus, Vagabondage, and Social Crisis in France, 1890–1914.”
Journal of Social History
32, no. 4 (Summer 1999).

Snyder, Louis L.
The Dreyfus Case: A Documentary History.
New Brunswick, NJ: Rutgers University Press, 1973.

Soderman, Harry, and John J. O’Connell.
Modern Criminal Investigation.
London: Bell, 1935.

Sommerville, Frankfort.
The Spirit of Paris.
London: Black, 1913.

Sonn, Richard David.
Anarchism and Cultural Politics in Fin de Siècle France.
Lincoln: University of Nebraska Press, 1989.

Souvestre, Pierre, and Marcel Allain.
Fantômas.
New York: Morrow, 1986.

Steegmuller, Francis.
Apollinaire: Poet among the Painters.
New York: Farrar, Straus, 1963.

Stein, Gertrude.
The Autobiography of Alice B. Toklas.
New York: Vintage Books, 1960.

Stewart, R. F.
And Always a Detective: Chapters on the History of Detective Fiction.
North Pomfret, VT: David and Charles, 1980.

Storey, Mary Rose, and David Bourdon.
Mona Lisas.
New York: Abrams, 1980.

Storm, John.
The Valadon Drama: The Life of Suzanne Valadon.
New York: Dutton, 1959.

Symons, Julian.
Bloody Murder: From the Detective Story to the Crime Novel.
2nd ed. London: Pan Books, 1992.

Sypher, Wylie.
Rococo to Cubism in Art and Literature.
New York: Vintage Books, 1963.

Tallack, Peter.
The Science Book.
London: Cassell, 2001.

Tarbell, Ida. “Identification of Criminals: The Scientific Method in Use in France.”
McClure’s Magazine
2, no. 4 (March 1894).

Temperini, Renaud.
Leonardo Da Vinci at the Louvre.
Paris: Éditions Scala, 2003.

Thiher, Allen.
Fiction Rivals Science: The French Novel from Balzac to Proust.
Columbia: University of Missouri Press, 2001.

Thomson, Henry Douglas.
Masters of Mystery: A Study of the Detective Story.
1931. Reprint, New York: Dover, 1978.

Thorwald, Jürgen.
The Century of the Detective.
Translated by Richard Winston and Clara Winston. New York: Harcourt, Brace, and World, 1965.

———.
Crime and Science: The New Frontier in Criminology.
Translated by Richard Winston and Clara Winston. New York: Harcourt, 1967.

Tombs, Robert. “Culture and the Intellectuals.” In
Modern France, 1880–2002,
edited by James McMillan. New York: Oxford University Press, 2003.

Tomkins, Calvin, and Time-Life Books.
The World of Marcel Duchamp, 1887–1968.
Rev. ed. New York: Time-Life Books, 1974.

Trager, James.
The Women’s Chronology: A Year-by-Year Record from Prehistory to the Present.
New York: Holt, 1994.

Tuchman, Barbara Wertheim.
The Proud Tower: A Portrait of the World before the War, 1890–1914.
New York: Macmillan, 1966.

Tulard, Jean, and Alfred Fierro.
Almanach de Paris: Tome 2, de 1789 à nos jours.
Paris: Encyclopaedia universalis, 1990.

Van Dover, J. Kenneth.
You Know My Method: The Science of the Detective.
Bowling Green, OH: Bowling Green State University Popular Press, 1994.

Varias, Alexander.
Paris and the Anarchists: Aesthetes and Subversives during the Fin-de-Siècle.
New York: St. Martin’s Press, 1996.

Vasari, Giorgio.
The Lives of the Artists: A Selection.
Hammondsworth, UK: Penguin Books, 1977.

Vidocq, François-Eugène.
Memoirs of Vidocq: Master of Crime.
Edinburgh: AK Press, 2003.

Vollard, Ambroise.
Recollections of a Picture Dealer.
New York: Hacker Art Books, 1978.

Wallace, Robert, and Time-Life Books.
The World of Leonardo, 1452–1519.
Rev. ed. New York: Time-Life Books, 1975.

Walz, Robin, and NetLibrary Inc.
Pulp Surrealism: Insolent Popular Culture in Early Twentieth-Century Paris.
Berkeley: University of California Press, 2000.