The Crimes of Paris: A True Story of Murder, Theft, and Detection (50 page)

8
. Benjamin F. Martin,
The Hypocrisy of Justice in the Belle Epoque
(Baton Rouge: Louisiana University Press, 1984), 35.

9
. Ibid., 46.

10
. Ibid., 48.

11
. Ibid., 49.

12
. Ibid., 52.

13
. Ibid., 63–64.

14
. Ibid., 66.

15
. Ibid., 68.

16
. Ernest Dudley and Marguerite Steinheil,
The Scarlett Widow
(London: Muller, 1960), 192.

17
. Ibid., 193.

18
. Ibid., 197.

19
. Ibid., 193.

20
. Ibid., 194.

21
. Berenson,
Trial of Madame Caillaux,
63.

22
. Even in the rough-and-tumble world of French journalism, it was an unwritten rule that the foibles of politicians’ personal lives were off limits. Calmette had to defend his decision to print the “Ton Jo” letter. He published a statement: “This is the first time in my thirty years of journalism that I am publishing a private, intimate letter, against the wishes of its author, its owner, or its receiver. My dignity experiences true suffering at this act.” Martin,
Hypocrisy of Justice,
170.

23
. Berenson,
Trial of Madame Caillaux,
23.

24
. Martin,
Hypocrisy of Justice,
172.

25
. Berenson,
Trial of Madame Caillaux,
24.

26
. Martin,
Hypocrisy of Justice,
173.

27
. Ibid., 151–52.

28
. Ibid., 152.

29
. James Trager,
The Women’s Chronology: A Year-by-Year Record from Prehistory to the Present
(New York: Holt, 1994), 400.

30
. Boucard ignored the possibility that Henriette wanted to prevent Calmette from publishing other documents, such as the Fabre memo, because that would have shown a more political motive on her part.

31
. Berenson,
Trial of Madame Caillaux,
35.

32
. Ibid., 33.

33
. Alister Kershaw,
Murder in France
(London: Constable, 1955), 94.

34
. Martin,
Hypocrisy of Justice,
180–81.

35
. Ibid., 181.

36
. Ibid.

37
. French law permitted them to take part in the criminal trial, in addition to the prosecution and defense attorneys.

38
. Martin,
Hypocrisy of Justice,
185.

39
. Ibid., 191.

40
. Ibid.

41
. Berenson,
Trial of Madame Caillaux,
173.

42
. Ibid., 171.

43
. Ibid., 208–9.

44
. Martin,
Hypocrisy of Justice,
197.

45
. Ibid., 198.

46
. Ibid., 199.

47
. Ibid.

48
. Ibid., 200.

49
. Ibid., 201.

CHAPTER TEN: THE GREATEST CRIME

1
. Arthur Gold and Robert Fizdale,
Misia: The Life of Misia Sert
(New York: Knopf, 1980), 162.

2
. Ibid.

3
. Arthur I. Miller,
Insights of Genius: Imagery and Creativity in Science and Art
(New York: Copernicus, 1996), 419.

4
. Jay Robert Nash,
Encyclopedia of World Crime: Criminal Justice, Criminology, and Law Enforcement
(Wilmette, IL: CrimeBooks, 1990), 35.

5
. Ibid.

6
. Ibid.

7
. Adam Liptak, “Driver’s License Emerges as Crime-Fighting Tool, but Privacy Advocates Worry,”
New York Times,
February 17, 2007.

8
. Forgetting the proper month, Apollinaire wrote “August 1914.”

9
. Francis Steegmuller,
Apollinaire: Poet among the Painters
(New York: Farrar, Straus, 1963), 233.

10
. Ibid., 235.

11
. Ibid., 249.

12
. Ibid., 259.

13
. Stephen Kern,
The Culture of Time and Space 1880–1918
(Cambridge, MA: Harvard University Press, 2003), 302.

14
. Billy Klüver,
A Day with Picasso: Twenty-four Photographs by Jean Cocteau
(Cambridge, MA: MIT Press, 1997), 65.

15
. The painting was not sold to anyone until 1924, when the Paris couturier Jacques Doucet purchased it.

16
. Brassaï,
Picasso and Company,
trans. Francis Price (Garden City, NY: Doubleday, 1966), 119.

17
. Heartfield’s original name was Helmut Herzfeld, which he changed during the war as a protest to anti-British propaganda.

18
. Wolfgang Beutin et al.,
A History of German Literature from the Beginnings to the Present Day,
4th ed., trans. Clare Krojzl (London: Routledge, 1993), 452.

19
. The name has a variety of explanations. One is that it was a French word for “hobbyhorse.” Another was that it was Russian for “yes, yes,” meant sarcastically.

20
. H. R. Rookmaaker,
Modern Art and the Death of a Culture
(Downers Grove, IL: Inter-Varsity Press, 1970), 130.

21
. Norbert Lynton,
The Story of Modern Art
(Ithaca, NY: Cornell University Press, 1980), 127.

AFTERWORD: THE MASTERMIND

1
. Karl Decker, “Why and How the Mona Lisa Was Stolen,”
Saturday Evening Post,
June 25, 1932, 14.

2
. Ibid., 14.

3
. Ibid., 15.

4
. Ibid., 89.

5
. Ibid.

6
. Ibid.

7
. Ibid.

8
. Ibid.

9
. Ibid., 91.

10
. Ibid., 89.

11
. Ibid., 91.

12
. Ibid.

13
. Ibid.

14
. Ibid.

15
. Jana Seely, e-mail message to authors, September 26, 2005.

BIBLIOGRAPHY

Abel, Richard.
The Ciné Goes to Town: French Cinema, 1896–1914.
Berkeley: University of California Press, 1994.

———. “The Thrills of
Grand Peur:
Crime Series and Serials in the Belle Époque.”
Velvet Light Trap,
no. 37 (1996).

Allaby, Michael, and Derek Gjertsen.
Makers of Science.
5 vols. New York: Oxford University Press, 2002.

Allen, Grant.
Paris.
Boston: Page, 1901.

Allwood, John.
The Great Exhibitions.
London: Studio Vista, 1977.

Antliff, Mark, and Patricia Leighten.
Cubism and Culture.
The World of Art Library. London: Thames and Hudson, 2001.

Apollinaire, Guillaume.
Apollinaire on Art: Essays and Reviews, 1902–1918.
Edited by LeRoy C. Breunig. New York: Viking Press, 1972.

———.
Selected Writings of Guillaume Apollinaire.
Edited by Roger Shattuck. New York: James Laughlin, 1948.

Ashbery, John.
Selected Prose.
Edited by Eugene Richie. Ann Arbor: University of Michigan Press, 2004.

Ashton-Wolfe, Harry.
Crimes of Violence and Revenge.
Boston: Houghton Mifflin, 1929.

———. “The Debt of the Police to Detective Fiction, Part 1.”
Illustrated London News,
February 20, 1932.

———. “The Debt of the Police to Detective Fiction, Part 2.”
Illustrated London News,
February 27, 1932.

———.
The Forgotten Clue: Stories of the Parisian Sûreté with an Account of Its Methods.
Boston: Houghton Mifflin, 1930.

———.
Strange Crimes, Culled from the Archives of the Paris Sûreté.
London: Hurst and Blackett, 1932.

Atalay, Bülent.
Math and the Mona Lisa: The Art and Science of Leonardo da Vinci.
New York: Smithsonian Books, 2006.

Baker, Brian. “Darwin’s Gothic Science and Literature in the Late Nineteenth Century.” In
Literature and Science: Social Impact and Interaction,
by John H. Cartwright and Brian Baker. Santa Barbara, CA: ABC-CLIO, 2005.

Baker, Phil.
The Book of Absinthe: A Cultural History.
New York: Grove Press, 2001.

Balzac, Honoré de.
A Harlot High and Low.
Translated with an introduction by Rayner Heppenstall. Baltimore: Penguin, 1970.

———.
Père Goriot.
Translated by Burton Raffel. New York: Norton, 1994.

Barzun, Jacques.
Classic, Romantic, and Modern.
Boston: Little, Brown, 1961.

———.
From Dawn to Decadence: 500 Years of Western Cultural Life, 1500 to the Present.
New York: HarperCollins, 2000.

Baumer, Franklin L.
Modern European Thought: Continuity and Change in Ideas, 1600–1950.
New York: Macmillan, 1977.

Baxter, John.
We’ll Always Have Paris: Sex and Love in the City of Light.
New York: HarperCollins, 2006.

Beavan, Colin.
Fingerprints: The Origins of Crime Detection.
New York: Hyperion, 2001.

Beirne, Piers. “Adolphe Quetelet and the Origins of Positivist Criminology.” In
The Origins and Growth of Criminology,
edited by Piers Beirne. Aldershot, UK: Dartmouth, 1994.

Belin, Jean.
Secrets of the Sûreté: The Memoirs of Commissioner Jean Belin.
New York: Putnam’s, 1950.

Bell, Eric Temple.
Men of Mathematics.
New York: Simon and Schuster, 1965.

Benjamin, Walter, and Hannah Arendt.
Illuminations.
New York: Schocken Books, 1969.

Bensusan, Samuel L.
Souvenir of Paris.
London: Jack, 1911.

Berenson, Edward.
The Trial of Madame Caillaux.
Berkeley: University of California Press, 1992.

Bergson, Henri.
Selections from Bergson.
Edited by Harold Atkins Larrabee. New York: Appleton-Century-Crofts, 1949.

Bertaut, Jules.
Paris, 1870–1935.
Translated by R. Millar. New York: Appleton-Century, 1936.

Beutin, Wolfgang.
A History of German Literature: From the Beginnings to the Present Day.
4th ed. London: Routledge, 1993.

Bianco, Margery Williams.
Paris.
London: Black, 1910.

Bicknell, Ethel E.
Paris and Her Treasures.
New York: Scribner’s, 1912.

Biddiss, Michael Denis.
The Age of the Masses: Ideas and Society in Europe since 1870.
Harmondsworth, UK: Penguin Books, 1977.

Blackford, Katherine M. H. “An Afternoon with Bertillon.”
Outlook
100, no. 7 (February 24, 1912).

Bohn, Thomas W., Richard L. Stromgren, and Daniel H. Johnson.
Light and Shadows: A History of Motion Pictures.
Port Washington, NY: Alfred, 1975.

Bohn, Willard.
Apollinaire and the International Avant-Garde.
Albany: State University of New York Press, 1997.

Boorstin, Daniel J., and Daniel J. Boorstin Collection (Library of Congress).
The Creators.
New York: Vintage Books, 1993.

Brandon, Ruth.
Surreal Lives: The Surrealists, 1917–1945.
New York: Grove Press, 1999.

Brassaï.
Picasso and Company.
Garden City, NY: Doubleday, 1966.

Bredin, Jean-Denis.
The Affair: The Case of Alfred Dreyfus.
Translated by Jeffrey Mehlman. New York: Braziller, 1986.

Brown, Blanche R.
Five Cities: An Art Guide to Athens, Rome, Florence, Paris, London.
Garden City, NY: Doubleday, 1964.

Bryson, Bill.
A Short History of Nearly Everything.
New York: Broadway Books, 2003.

Bulliet, Clarence Joseph.
The Significant Moderns and Their Pictures.
New York: Covici, 1936.

Burchell, S. C., and Time-Life Books.
Age of Progress.
Great Ages of Man: A History of the World’s Cultures. Amsterdam: Time-Life International, 1966.

Burgess, Gelett. “The Wild Men of Paris.”
Architectural Record
27, no. 5 (1910): 401–14.

Burke, Carolyn.
Becoming Modern: The Life of Mina Loy.
New York: Farrar, Straus and Giroux, 1996.

Butler, Christopher.
Early Modernism: Literature, Music and Painting in Europe, 1900–1916.
Oxford: Clarendon Press, 1994.

Cabanne, Pierre.
Pablo Picasso: His Life and Times.
New York: Morrow, 1977.

Canaday, John.
Mainstreams of Modern Art.
New York: Holt, 1959.

Canler, Louis, and Jacques Brenner.
Mémoirs de Canler, ancien chef du service de Sûreté.
Paris: Mercure de France, 1968.

Carter, William C.
Proust in Love.
New Haven: Yale University Press, 2006.

Caruchet, William.
Ils ont tué Bonnot: Les révélations des archives policières.
Paris: Calmann-Lévy, 1990.

Charney, Leo, and Vanessa R. Schwartz.
Cinema and the Invention of Modern Life.
Berkeley: University of California Press, 1995.

Chipp, Herschel Browning, Peter Howard Selz, and Joshua Charles Taylor.
Theories of Modern Art: A Source Book by Artists and Critics.
Berkeley: University of California Press, 1968.

Cline, Barbara Lovett.
Men Who Made a New Physics: Physicists and the Quantum Theory.
New York: New American Library, 1965.

Cobb, Peter. “Forensic Science.” In
Crime Scene to Court: The Essentials of Forensic Science,
edited by Peter White. Cambridge: Royal Society of Chemistry, 1998.

Cobban, Alfred.
A Modern History of France.
Vol. 3,
1871–1962.
Baltimore: Penguin, 1967.

Cocteau, Jean.
My Contemporaries.
Translated by Margaret Crosland. Philadelphia: Chilton, 1968.

Coignard, Jérôme.
Loin du Louvre: Le vol de la Joconde.
Paris: Éditions Olbia, 1998.

Cole, Robert.
A Traveller’s History of Paris.
3rd ed. Traveller’s History. New York: Interlink Books, 2005.

Conklin, Barbara Gardner, Robert Gardner, and Dennis Shortelle.
Encyclopedia of Forensic Science: A Compendium of Detective Fact and Fiction.
Westport, CT: Oryx Press, 2002.

Conrad, Peter.
Modern Times, Modern Places.
New York: Knopf, 1999.

Cowles, Virginia.
1913: An End and a Beginning.
New York: Harper and Row, 1967.

Cragin, Thomas.
Murder in Parisian Streets: Manufacturing Crime and Justice in the Popular Press, 1830–1900.
Lewisburg: Bucknell University Press, 2006.

Cronin, Vincent.
Paris on the Eve: 1900–1914.
New York: St. Martin’s Press, 1990.

Crump, Thomas.
A Brief History of Science.
New York: Carroll and Graf, 2002.

Curie, Eve.
Madame Curie: A Biography.
Translated by Vincent Sheehan. Garden City, NY: Doubleday, 1937.

d’Archimbaud, Nicholas, and Bruno de Cessole.
Louvre: Portrait of a Museum.
New York: Stewart, Tabori and Chang, 1998.

Darmon, Pierre.
Marguerite Steinheil, ingénue criminelle?
[Paris]: Perrin, 1996.

Davenport, William W.
The Seine: From Its Source, to Paris, to the Sea.
New York: McGraw-Hill, 1968.

Decker, Karl. “Why and How the Mona Lisa Was Stolen.”
Saturday Evening Post,
June 25, 1932.

Delacourt, Frédéric.
L’affaire Bande à Bonnot.
Paris: De Vecchi, 2006.

Derfler, Leslie.
The Dreyfus Affair.
Westport, CT: Greenwood Press, 2002.

Deutsch, Yvonne, ed.
Science against Crime.
New York: Exeter, 1982.

Dilnot, George.
Triumphs of Detection: A Book about Detectives.
London: Bles, 1929.

Douglas, Charles.
Artist Quarter: Reminiscences of Montmartre and Montparnasse in the First Two Decades of the Twentieth Century.
London: Faber and Faber, 1941.

Dreiser, Theodore. “Paris.”
Century Magazine
86, no. 6 (October 1913).

Duby, Georges, and Robert Mandrou.
A History of French Civilization.
New York: Random House, 1966.

Dudley, Ernest, and Marguerite Steinheil.
The Scarlett Widow.
London: Muller, 1960.

Duncan, Martha Grace.
Romantic Outlaws, Beloved Prisons: The Unconscious Meanings of Crime and Punishment.
New York: New York University Press, 1996.

DuParcq, Georges.
Crime Reporter.
New York: McBride, 1934.

Duveen, James Henry.
Art Treasures and Intrigue.
Garden City, NY: Doubleday, Doran, 1935.

Eco, Umberto, and Alastair McEwen.
History of Beauty.
New York: Rizzoli, 2004.

Edwards, Samuel.
The Vidocq Dossier: The Story of the World’s First Detective.
Boston: Houghton Mifflin, 1977.

Eksteins, Modris.
Rites of Spring: The Great War and the Birth of the Modern Age.
New York: Anchor Books, 1990.

Esterow, Milton.
The Art Stealers.
New York: Macmillan, 1966.

Evans, Colin.
The Casebook of Forensic Detection: How Science Solved 100 of the World’s Most Baffling Crimes.
New York: Wiley, 1996.

Evenson, Norma.
Paris: A Century of Change, 1878–1978.
New Haven: Yale University Press, 1979.

Everdell, William R.
The First Moderns: Profiles in the Origins of Twentieth-Century Thought.
Chicago: University of Chicago Press, 1997.

Faux dans l’art et dans l’histoire.
Paris: Grand Palais, 1955.

Fleming, William.
Art and Ideas.
6th ed. New York: Holt, Rinehart and Winston, 1980.

Fosdick, Raymond B. “The Passing of the Bertillon System of Identification.”
Journal of the American Institute of Criminal Law and Criminology
6, no. 3 (September 1915): 363–69.