The Collected Works of Chögyam Trungpa: Volume Five (19 page)

BOOK: The Collected Works of Chögyam Trungpa: Volume Five
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A description for a crazy-wisdom person found in the scriptures is, “He subdues whoever needs to be subdued and destroys whoever needs to be destroyed.” The idea here is that whatever your neurosis demands, when you relate with a crazy-wisdom person, you get hit back with that. Crazy wisdom presents you with a mirror reflection. That is why Padmasambhava’s crazy wisdom is universal. Crazy wisdom knows no limitation and no logic regarding the form it takes. A mirror will not compromise with you if you are ugly. And there is no point in blaming the mirror or breaking it. The more you break the mirror, the more reflections of your face come about from further pieces of the mirror. So the nature of Padmasambhava’s wisdom is that it knows no limitation and no compromise.

The first aspect of Padmasambhava is called Pema Gyalpo or, in Sanskrit, Padma Raja. Padma Raja was born in the Himalayan region between India and Afghanistan, in a place called Uddiyana that has since been called Swat. It was a very beautiful place surrounded by snowcapped mountains. The whole area resembled a man-made park. There were lakes and lotus ponds; the air was fresh, the climate ideal. One of the lakes was called Dhanakosha, or Lake Sindhu. It was covered with the leaves and petals of lotuses. One particular lotus was unusually huge and did not follow the usual pattern of changing with the seasons. It appeared at the beginning of the Year of the Monkey and continued its growth straight through the seasons. Winter came, spring came, autumn came, and summer came, and the lotus never opened. At last, on the tenth day of the tenth month of the Year of the Monkey, the lotus opened. There was a beautiful child inside, sitting on the calyx of the lotus. He had the appearance of a child of eight. He was dignified and inquisitive. The bees and birds congregated about this beautiful child, praising him. The sound of music without a player was heard. The whole place was pervaded with a sense of wholesomeness, health, and mystery.

The child looked like a well-looked-after prince. Could that be possible? He had no fear and seemed to be amused by his surroundings, constantly fascinated by the world outside.

That was the birth of Padmasambhava.

The whole point here is the infant quality of Padmasambhava. He was an aged infant—this is a contradiction, of course—a beautiful grown-up infant; an infant who was wise and powerful; an infant who did not nurse on milk or eat any other food, but who lived on thin air. It is because of this youthfulness that he is known as Padma Raja, “Prince of the Lotus.”

We have that element of youthfulness in us as well. We have that beautiful infantlike quality in us. The experience that has taken place in our life situation is like the mud surrounding the roots of a lotus at the bottom of a lake. There is desire, passion, aggression, neuroses of all kinds. Nevertheless, out of these, some quality of freshness comes up always: that infant quality in us, completely young, youthful, inquisitive, comes up.

The inquisitiveness of that infant aspect in us is not neurotically inquisitive, but basically inquisitive. Since we want to explore the depth of pain, since we want to explore the warmth of joy, doing so seems natural. This is the Padmasambhava quality in us. We could call it buddha nature or basic enlightenment. We would like to pick up a toy, hold it in our hands, explore it, drop it, bash it around, see it falling apart, unscrew it, put it together. We always do that, just as an infant does. This infant quality is the quality of enlightenment.

When people talk about enlightenment, they usually have the idea of someone old and wise. An enlightened person, they think, is one who has been aged by experience and has thus become wise—in fact, learned. He has collected hundreds of millions of pieces of information. This makes him old and wise, trustworthy and good—enlightened. But from the point of view of crazy wisdom, enlightenment is entirely different from this. It doesn’t particularly have anything to do with being old and wise. It is more like being young and wise, because it has tremendous openness toward exploring the experiences that go on in our lives—toward exploring them psychologically, on the relationship level, on the domestic level, on the practical level, on the philosophical level, and so forth.

There is also a quality of fearlessness in enlightenment, not regarding the world as an enemy, not feeling that the world is going to attack us if we do not take care of ourselves. Instead, there is tremendous delight in exploring the razor’s edge, like a child who happens to pick up a razor blade with honey on it. It starts to lick it; it encounters the sweet taste and the blood dripping off its tongue at the same time. Simultaneous pain and pleasure are worth exploring, from the point of view of the sanity of crazy wisdom. This [natural inquisitiveness] is the youthfulprince quality of Padmasambhava. It is the epitome of noncaring but at the same time caring so very much—being eager to learn and eager to explore.

Probably the word
learn
is wrong here. It is not learning in the sense of collecting information; rather, it is absorbing what is happening around us, constantly relating to it. In this kind of learning, we do not at all learn things so that we can use them at some point to defend ourselves. We learn things because they are pleasurable to learn, fantastic to learn. It is like children playing with toys. They discover toys out of nowhere: they are not educational toys, but just things that are around.

Padmasambhava was born from a lotus without parents, because he had no need to be educated. He had no need for parents to bring him up to responsible, sensible adulthood. It is said that he was born from a lotus as though already eight years old. But we could say he was born from a lotus as though already eighty years old. There’s no age limit. Whatever his age, he would still be a young baby, or let’s say an old baby. Both amount to the same thing.

One of the most important points here is a sense of exploration of our state of being that is independent of education and information collecting. We just explore because we are delighted, like children playing with toys. That childlike quality is always in us, constantly. That is the quality of Padmasambhava.

Once again, this quality also contains fearlessness. The problem we have with fearlessness is that our samsaric way of approaching things prevents us from exploring freely. Although we have a tremendous yearning toward it, we feel that we might get hurt if we explore too much. That is fear. The infant quality of Padmasambhava is fearless, because he is not concerned with being hurt. It is not that he is masochistic or sadistic at all. It is just that he has a sense of appreciation, a sense of complete openness in relating with things—simply, directly. He does not relate with things because they are educational, but just because they are there. The relationship just happens, it develops.

The young prince born from a lotus was discovered by Indrabhuti, the king of Uddiyana. For a long time, King Indrabhuti had been praying to be granted a son, but he had been unable to have one. One day one of his court attendants went to Lake Dhanakosha to collect flowers for the royal household and discovered the mysterious lotus. It had opened, and a young and funny, inquisitive and beautiful child was sitting on it. The attendant reported this to the king, who decided to have the child brought back to the court and to adopt him as his son, as the future king.

Padmasambhava explored the pleasurable situations in the royal palace. After some time, food and wealth and comforts of all kinds began to bore him. Indrabhuti decided to arrange a marriage for Padmasambhava with the daughter of a neighboring king so that Padmasambhava would have a playmate. The marriage took place and Padmasambhava continued to explore things. He explored sexuality, companionship, food, wealth, and so on.

One thing I would like to make completely clear here is that this whole situation was not just a matter of Padmasambhava having to grow up or gain information about life. Padmasambhava’s becoming a prince—even the very fact of his being born in a lotus—was not his trip, so to speak, but Indrabhuti’s trip. Indrabhuti’s version of Padmasambhava had to be given food and clothes and the companionship of women. Padmasambhava then broke through that hospitality by dancing on the palace roof holding a trident and a vajra. He was dancing around up there, and as if by accident, he let go of his two scepters and they fell from the roof. The trident pierced the heart of a minister’s wife who was walking below, and the vajra landed on her son’s skull. Both mother and child died instantly.

What do you think happened next? Padmasambhava was expelled from the kingdom. His deed was against the law. Murderers were not allowed in the kingdom. Everything in the kingdom was done properly, in accordance with law, so even that mysterious child born from a lotus had to leave—which is what Padmasambhava was asking for. He was going to cut through that situation and continue his explorations of all kinds.

Of course, we as students do not necessarily have to follow Padmasambhava’s style exactly. We do not necessarily have to go through all the processes that he went through. In fact, it would be impossible; our situation would not permit it. Nevertheless, his example of exploring passion and aggression is a very, very interesting one—one worth relating to, worth exploring. However, being able to explore depends on fearlessness. Our degree of fearlessness should be, so to speak, the speedometer of our sanity [i.e., the indicator of how far we can go]. The awakened state of mind is shining through [and to the extent that it is, we go ahead]. As the scriptures say, an ordinary person should not act like a yogi, a yogi should not act like a bodhisattva, a bodhisattva should not act like a siddha, and a siddha should not act like a buddha. If we go beyond our limit, if we decide to get wild and freak out, we get hurt. We get feedback; a very strong message comes back to us. If we go beyond our limit, it becomes destructive.

So the idea of crazy wisdom is not just getting wild and freaking out. Rather, it is relating with your fear. How much you explore depends on how much fundamental fear has been related with—I wouldn’t say conquered. If you do it in accordance with how much fundamental fear you have related with, then you are not going beyond your limitation.

So, strangely enough, it could be said that crazy wisdom is very timid or cowardly. Cowardice breeds crazy wisdom. Discretion is the better part of valor.

Crazy wisdom is unlike any of the other notions of the path we have discussed elsewhere. For example, in the bodhisattva path, you age or grow up from the first bhumi to the second and so on up to the tenth, and then, finally, the eleventh, the enlightened state. The teaching concerning the bodhisattva path is based on aging, growing old, gaining more and more experience. You collect one paramita after the other. You gain information, understanding, and by building yourself up higher and higher, you become a great scholar as well as a great buddha in some sense. But as far as Padmasambhava’s example is concerned, there is no notion of enlightment and realization coming about through collecting stuff, experiences. Padmasambhava’s style is one of purely experiencing life situations as a spontaneously existing infant and being willing to be an infant forever. One of the terms developed in the maha ati tradition for this principle is
shönü pum ku,
“youthful prince in a vase.”

The vase represents an embryonic situation—embryonic, but at the same time youthful. Breaking the vase is reversing the trikaya principle. You have gained dharmakaya; when the vase is broken, you come back down to sambhogakaya and nirmanakaya; you come back down to earth. A similar process is symbolized by the Zen Ox-Herding Pictures. After the point where there is no more ox and no more ox herd, you return to the world.

So the main focus here is the youthfulness of the enlightened state of being. This youthfulness is the immediacy of experience, the exploratory quality of it.

“But wouldn’t exploring age us, make us old?” we might ask. We have to put so much energy into exploring. Do we not become like a traveler who grows old through traveling? From the point of view of crazy wisdom, this is not the case. Exploring is no strain. You might have to do the same thing again and again, but each time, you discover new facets of it, which makes you younger.

Discovery is related with energy that feeds you constantly. It brings your life to a very full, healthy state. So each time you explore, you gain new health. You constantly come back to a sense of being up-to-date in your experience of the world, of your life. So the whole thing becomes constant rejuvenation.

Now that the Padma Raja, the beautiful child, has been kicked out of his kingdom and is wandering somewhere in the suburbs of Indrabhuti’s city, experiencing charnel grounds and wastelands with their poisonous snakes, tigers, and so on, let us pause in our story.

Student:
The “prince in the vase” already has the dharmakaya quality. When you break the vase, that begins his movement back toward nirmanakaya?

Trungpa Rinpoche:
Yes. It is reversing the trikaya.

S:
Padmasambhava was born already dharmakaya-like?

TR:
Yes. Then he comes down to earth. The gravity pull is compassion. Once you are dharmakaya, you can’t just stay there. You return to the world by means of the sambhogakaya and the nirmanakaya.

Student:
I encountered the metaphor you used of licking honey from a razor blade in
The Life and Teaching of Naropa.
4
There it appeared as a simile connected with the four noble truths, that is, portraying suffering that ought to be avoided or that an enlightened person would avoid, knowing it was there. Does your use of it here mean that from Padmasambhava’s viewpoint the four noble truths are no longer true?

Trungpa Rinpoche:
It’s a different way of approaching the truths—or not exactly different, but authentic, we might say. Here, suffering is not regarded as something that you should avoid or abandon; rather, it should be regarded as truth. See what I mean?

BOOK: The Collected Works of Chögyam Trungpa: Volume Five
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