the clinic, gesturing. "And that gentleman didn't drop her. She
escaped from him. Her terrors originate there. A mixture of fear and
remorse for having fled a person who exercised total control over
her, deprived her of her sovereignty, self-determination, pride, selfesteem,
and nearly her reason."
I opened my mouth in utter amazement. I didn't know what to
say.
"Fear he could pursue her to take his revenge and punish her,"
Dr. Roullin continued in the same amiable, discreet tone. "But her
daring to escape was a great thing, Monsieur. An indication that the
tyrant hadn't destroyed her personality completely. Deep down she
preserved her dignity. Her free will."
"But those wounds, those injuries," I asked, and immediately
repented, guessing what they would say.
"He subjected her to all kinds of abuse, for his amusement," the
director explained, getting directly to the point. "He was both an
esthete and a technician in the administration of his pleasures. You
must have a clear idea of what she endured in order to help her. I
have no choice but to give you the unpleasant details. That's the
only way you'll be in a position to provide all the support she needs.
He whipped her with cords that leave no marks. He lent her to his
friends and bodyguards during orgies and watched them, because he
is also a voyeur. Worst of all, perhaps, the thing that has left the
deepest scar in her mind, was breaking wind. It excited him very
much, apparently. He had her drink a solution of powders that filled
her with gas. It was one of the fantasies with which that eccentric
gentleman gratified himself: having her naked, on all fours, like a
dog, breaking wind."
"He not only destroyed her rectum and vagina, Monsieur," said
Dr. Roullin, with the same gentleness and without renouncing her
smile, "he destroyed her personality. Everything in her that was
worthy and decent. Which is why I must tell you again: she has
suffered and will still suffer a great deal, appearances to the
contrary. And at times she'll behave irrationally."
My throat was dry, and as if he had read my mind, Dr. Zilacxy
handed me a glass of sparkling water.
"All right, everything must be said. Make no mistake. She was
not deceived. She was a willing victim. She endured everything
knowing very well what she was doing." Suddenly, the director's
eyes began to scrutinize me in an insistent way, measuring my
reaction. "Call it twisted love, baroque passion, perversion,
masochistic impulse, or simply submission to an overwhelming
personality, one to whom she could offer no resistance. She was an
obliging victim and readily accepted all that gentleman's whims.
When she becomes aware of this now, it enrages her and throws her
into despair."
"It will be an exceedingly slow and difficult convalescence," Dr.
Roullin said. "Until she recovers her self-esteem. She agreed, she
wanted to be a slave, or almost a slave, and she was treated as such,
do you see? Until one day, I don't know how, I don't know why, and
neither does she, she realized the danger. She felt, guessed, that if it
continued, she would end very badly, crippled, insane, or dead. And
then she fled. I don't know where she found the strength to do it.
One must admire her for that, I assure you. People who reach that
extreme of dependence almost never free themselves."
"Her panic was so great she invented the entire story- about
Lagos, being raped by the police, her torturer dropping her for fear
of AIDS. And she even came to believe it. Living in the fiction gave
her reasons to feel more secure, less threatened than living in the
truth. It's more difficult for everyone to live in the truth than in a
lie. And even harder for someone in her situation. It will cost her
immense effort to become accustomed again to the truth."
He fell silent, and Dr. Roullin didn't speak either. Both looked at
me with indulgent curiosity. I sipped at the water, incapable of
saying anything. I felt flushed and sweaty.
"You can help her," said Dr. Roullin after a moment. "Something
else, Monsieur. It may surprise you to hear that you're probably the
only person in the world who can help her. Much more than we can,
I assure you. The danger is that she'll fold in on herself, in a kind of
autism. You can be her communicating bridge to the world."
"She trusts you, and no one else, I believe," the director said in
agreement. "With you she feels, how can I say it..."
"Dirty," said Dr. Roullin, lowering her eyes politely for a
moment. "Because to her, though you may not believe it, you're a
kind of saint."
My laugh sounded very false. I felt foolish, stupid, I wanted to
tell them both to go to hell, to say that the two of them justified the
suspicion I'd always had of psychologists, psychiatrists,
psychoanalysts, priests, wizards, and shamans. They looked at me as
if they could read my mind and forgave me. Dr. Roullin's
imperturbable smile was still there.
"If you have patience and, above all, a good deal of love, her spirit
can heal just as her body has," said the director.
I asked them, because I didn't know what else to ask, if the bad
girl had to return to the clinic.
"On the contrary," said the smiling Dr. Roullin. "She should
forget about us, forget she was here, that this clinic exists. Begin her
life again, from square one. A life very different from the one she's
had, with someone who loves and respects her. Like you."
"One more thing, Monsieur," said the director, getting to his feet
and indicating in this way that the interview was over. "You'll find
this strange. But she, and all those who live a good part of their lives
enclosed in fantasies they erect in order to abolish their real life,
both know and don't know what they're doing. The border
disappears for a while and then it reappears. I mean, sometimes
they know and other times they don't know what they're doing. This
is my advice: don't try to force her to accept reality. Help her, but
don't force her, don't rush her. This apprenticeship is long and
difficult."
"It could be counterproductive and cause a relapse," Dr. Roullin
said with a cryptic smile. "Little by little, through her own efforts,
she'll have to readjust and accept real life again."
I didn't understand very clearly what they were attempting to tell
me, but I didn't try to find out. I wanted to go, to leave that place and
never think again about what I had heard. Knowing very well it
would be impossible. On the suburban train back to Paris, I felt
profoundly demoralized. Anguish closed my throat. It wasn't
surprising that she had invented the Lagos story. Hadn't she spent
her life inventing things? But it hurt me to know that the injuries to
her vagina and rectum had been caused by Fukuda, whom I began to
hate with all my strength. Subjecting her to what practices? Did he
sodomize her with metal objects, with those notched vibrators
placed at the disposal of clients at Chateau Meguru? I knew the
image of the bad girl, naked and on all fours, her stomach swollen by
those powders, loosing strings of farts because that sight and those
noises and odors gave erections to the Japanese gangster—only to
him, or were they shows he put on for his buddies too?—would
pursue me for months, years, perhaps the rest of my life. Is that
what the bad girl called—and with what feverish excitement she had
said it to me in Tokyo—living intensely? She had lent herself to all of
it. At the same time that she was his victim, she had been Fukuda's
accomplice. That meant something as devious and perverse as the
desires of the horrendous Japanese lived in her too. How could she
not think the imbecile who had just gone into debt so she would be
cured, so that after a while she could move on to someone richer or
more interesting than the little pissant, was a saint! And in spite of
all that rancor and fury I only wanted to get home soon to see her,
touch her, and let her know I loved her more than ever. Poor thing.
How much she had suffered. It was a miracle she was still alive. I
would dedicate the rest of my life to getting her out of that pit.
Imbecile!
Back in Paris, my concern was to force myself to put on a natural
face and not let the bad girl suspect what was whirling around my
head. When I walked into the apartment, I found Yilal teaching her
to play chess. She complained that it was very difficult and required
a lot of thought, and the game of checkers was simpler and more
fun. "No, no, no," insisted the boy's high-pitched voice. "Yilal will
learn you." "Yilal will teach you, not learn you," she corrected.
When the boy left, I began to work on the translations to hide my
state of mind and typed until it was time for supper. Since the table
was covered with my papers, we ate in the kitchen, at a small
counter with two stools. She had prepared a cheese omelet and
salad.
"What's wrong?" she asked suddenly, as we were eating. "You
seem strange. You went to the clinic, didn't you? Why haven't you
told me anything? Did they tell you something bad?"
"No, on the contrary," I assured her. "You're fine. What they said
is that now you need to forget about the clinic, Dr. Roullin, and the
past. That's what they told me: you should forget about them so
your recovery can be complete."
In her eyes I saw that she knew I was hiding something, but she
didn't insist. We went to have coffee with the Gravoskis. Our friends
were very excited. Simon had received an offer to spend a couple of
years at Princeton University, doing research, in an exchange
program with the Pasteur Institute. Both of them wanted to go to
New Jersey: in two years in the United States, Yilal would learn
English and Elena could work at Princeton Hospital. They were
finding out if the Hopital Cochin would give her a two-year, unpaid
leave of absence. Since they did all the talking, I almost didn't have
to say anything, just listen, or rather, pretend I was listening, for
which I was extremely grateful.
I worked very hard in the weeks and months that followed. To
pay off the loans and at the same time meet ongoing expenses that
had increased now that the bad girl was living with me, I had to
accept all the contracts offered to me, and at the same time, at night
or very early in the morning, spend two or three hours translating
documents given to me by the office of Senor Charnes, who, as
always, made a constant effort to help me, I traveled throughout
Europe, working at all kinds of conferences and congresses, and I
brought the translations with me and did them at night, in hotels
and pensions, on a portable typewriter. I didn't care about the
excessive work. The truth is I felt happy living with the woman I
loved. She seemed completely recovered. She never spoke of
Fukuda, or Lagos, or the clinic at Petit Clamart. We would go to the
movies, or sometimes listen to jazz at a cave on Saint-Germain, and
on Saturdays have supper at some restaurant that wasn't too
expensive.
My only extravagance was the cost of the gym, because I was
sure it did the bad girl a lot of good. I enrolled her in a gym on
Avenue Montaigne that had a warm-water pool, and she went very
willingly several times a week to take aerobics classes with a trainer
and swim. Now that she knew how to swim, it was her favorite sport.
When I was away, she spent a good deal of time with the Gravoskis,
who, finally, now that Elena had obtained permission, were
preparing to travel to the United States in the spring. Occasionally
they would take her to see a movie, an art show, or to have supper at
a restaurant. Yilal had succeeded in teaching her chess, and beat her
just as he had in checkers.
One day the bad girl told me that since she was feeling perfectly
fine, which seemed true, given her healthy appearance and the love
of life she seemed to have recovered, she wanted to find a job, not
waste her days, and help me with expenses. It mortified her that I
was killing myself with work and she didn't do anything but go to
the gym and play with Yilal.
But when she began to look for work, the problem of her papers
resurfaced. She had three passports, a Permian one that had expired
and a French and a British one, both false. They wouldn't give her a
decent job anywhere if she was illegal. Least of all during those
times when, in all of western Europe, and especially in France,
paranoia with regard to immigrants from Third World countries had
increased. Governments were restricting visas and beginning to
persecute foreigners without work permits.
The British passport, which showed a photograph of her wearing
makeup that changed her appearance almost completely, had been
issued to a Mrs. Patricia Steward. She explained that since her exhusband,
David Richardson, had proven the bigamy that annulled
her British marriage, she automatically lost the citizenship she had