Spider Kiss (13 page)
"What's the matter? What the hell's wrong?"
"I'm up at the suite. He's got me locked in the bedroom … Jeezus, he'll break through that muthering door in a minute, Shelly, get over here!"
Only it was not that ordered, not nearly that coherent. There were breaks and sobs and frightened whimpers.
"Who? Who'll break in? Where's the Colonel; what the hell is happening, Jeanie, answer me, stop mumbling!"
"Stag, the kid. He's … he had too much to drink, Jeezus, he doesn't want to just make love, Shelly, he wants to, Jeezus,
I don't know what
. Please … get over here, will you!"
The sound of her frenzy screeched galactically past the receiver. Carlene sat up and turned on the headboard lamp; the sheet was clutched over her bosom. "What's the matter?"
He covered the mouthpiece. "The kid's got one of the hotel secretaries cornered in the suite. Freeport isn't there, I suppose. She wants me to come over." A shriek erupted from the phone.
"He's breaking down the,
Jeezus
, Shelly,
please
!"
"I'll be right over … keep him out somehow," he yelled, and cradled the receiver. He was out of bed and pulling on his trousers from where they had fallen on the floor, without bothering about underwear. His shirt, the jacket, and he was streaking from the apartment.
By the time he had reached the lobby, Carlene had called the doorman and a cab was waiting. "The Sheraton-Astor," Shelly squawked. He fished in his wallet and brought out a bill. Without looking at its denomination he said, "This is for the baby if you bust your ass making it over there," and was thrown back against the seat cushions as the cab careened away from the curb in a rocking U-turn.
It might be too late.
The gravy train might have already been derailed.
Oh, that bitchette! Oh, like
wow
!
Who cared if she had the ass stripped off her, who gave a bloody! Just keep that kid's rep intact.
Floor it, Jim!
Go!
Shelly was out of the elevator almost before the doors had slid completely open. The suite was silent. It looked as though Quantrill had herded his raiders through mounted on rhinoceroses. The drapes were torn, tables had been overturned, one Italian marble coffee table had been broken in half as though someone had dropped an anvil on it. A stain of wet ran down the wall and on the floor beneath the stain, a shattered vase and flowers lay in a pool of moisture. Every door was open, a bookshelf had been pulled down, the telephone was off its hook and a pair of legs protruded from around the curve of the sectional sofa. Shelly's face went dry and tight.
It was all over. The show boat had gone 'round the bend for the final performance. It was enough to make a grown man shatter and bawl — hundreds of thousands of bucks flying South for the duration. Shelly leaned over the sofa, prepared to see Jean Friedel's throat blue with finger impressions, the eyes wide and staring nowhere, the body twisted where she had fallen. He stared at her for a long moment, swallowing hard, before he realized he was not seeing what he was seeing.
Stag Preston was lying unconscious at the side of the sofa.
"I hit him with a bottle of after-shave lotion," Jean Friedel said, coming in from the bedroom. She stepped over the remains of a straight chair that had been used to club open the door. "Wrecked hell out of the bottle." She held it up; it had been shattered at the base of its two-foot stem. Shelly realized the pervasive smell of strong men's scent hung in the suite.
"
Jee
zus epileptic
Kee
rist, baby, you have just jobbed my meal ticket!" Shelly climbed over the back of the sofa and plopped down, his feet on Stag Preston's stomach. He lit a cigarette and stared down woefully at the unconscious singer. "
Kee
rist!"
"Don't cry, little man," Jean said, dropping the neck of the bottle on the rug. She came toward him, sat down with her bare feet on Preston's thigh. "He'll survive. He'll probably want a few of those little Bufferin B's zonking around in his system, but he'll survive." She yawned, moving her head in a short arc as a tired driver might do it after a night turnpiking it behind the wheel. "Who do I have to assassinate to get a drink?"
Shelly puffed out his cheeks and rose. The bar was a shelf in the kitchen. "What's your reward, Joan of Arc?"
"Has he got branch water in there?"
Shelly rummaged and came up with a half-filled bottle. "Bourbon and branch?"
"Just fine." He heard the record player click the beginning of its cycle. As he mixed, the saccharine tones of a Jackie Gleason record lofted through the suite.
When he brought her the glass, she was back on the sofa, legs stretched out before her. "None for you?"
He handed over the bourbon. "That's all I'd need; on top of all the adrenaline I'd have a beautiful case of Seventy-Day Sour Stomach. By the way, thanks a bunch, Rapunzel."
"For what?" She quirked an eyebrow, then sipped daintily.
"For alarming my ulcers. My specialist'll love you for it; might even give you a little taste for piecework above and beyond." He lit a cigarette, his hands shaking slightly. Beside him, the girl smiled thinly.
"Shelly, would you mind dousing some of the light?"
He turned and examined her expression. There seemed to be no ridicule there, no taunting; she had said it very matter-of-factly.
"What is this, prelude to a seduction?" he asked. "The beautiful barefoot seductress, the Jackie Gleason background, and now, 'Shelly, would you mind plunging us into darkness?' Come on, Jeanie, don't tell me I look good to you suddenly?"
She gave him a peculiar smile over the lip of the glass. "Well, it's not that. Maybe I'm just seeing you differently for the first time."
"What in the hell is
that
supposed to mean?"
She let loose the same peculiar smile. "You must have left your apartment in a hurry … your fly is open."
He started, looked down, saw it was so, and felt himself turning red all the way down to the exposed area. "Oh,
Jeezus
!" he blurted, leaping and zipping. She was lying back against the arm of the sectional now, laughter coming in short, sharp buffets. He continued to blush, grew angry, flustered, bemused, amused and convulsed, all in the space of a few seconds.
When their mutual laughter subsided, he was slumped against her, and the scent of perfume on her neck overrode the smell of after-shave lotion in the air.
Without realizing, they flowed. Their mouths touched and the drink bounced once on the carpet, spilling in a dark, living stain. "The light … get the light …" she murmured against his tongue, muffled and desperate. He didn't listen till she had jacked her knee into his side. "Get the light, damn you!"
It was one of those scenes out of a Mack Sennett comedy. Shelly running zigzag about the suite, flipping switches. When he returned to the sofa, he knew she was naked, even before he touched her.
She had done a workmanlike job on Stag. He dozed with childlike abandon till well after the third round.
"Later," he said, later, "they lay looking into the smoke spirals, wondering at the nature of the evil bond that now bound them."
"Lovely," she commented, drawing on her cigarette. "Frances Parkinson Keyes?"
"Aimee Semple McPherson," he replied. "If you believe."
She nudged him. "Move over, I'm half on the floor."
"This is so sudden, Miss Friedel." He slid sidewise. "You know," he said, "you've got a very hip looking —"
"Forget it, de Sade," she said cutting him off. Figuratively. "Or I'll get dressed." He had the abruptly distressing thought that nakedness offended her … lights off … quick puffs on the cigarettes casting ruby highlights across her breasts … it was a spooky bit. He shrugged mentally, eloquently.
They lay together — though, oddly, not really together, more like two weary travelers off the same road, seeking a moment's respite before struggling on — not speaking for a short while. Then:
"Okay: I've played your little game. Now why me, why tonight?" he asked coldly.
She did not answer for a time, then said, around the cigarette, "I don't want to destroy your manhood, my lover, but if The Tin Woodman of Oz had walked through that door I'd have stripped the can off him. Your boy Stagorooney does a good job with tooth and claw. Pity he got carried away; we could have made such beautiful music together."
"Nasty break," Shelly replied sarcastically. "Sorry he punked out on you while the fires were banked. But what the hell …"
She sat up, began fumbling in the dark for her clothes. He listened to the rustling for a while, then said, "What's a guy have to do to make your scene?"
She gave him a long pause, again.
"He has to be set." There was no banter in her tone now. She turned to him, and he could see her face, hard and tight in the feeble glow of the cigarette. "Look, Shelly," she said, as though about to state a credo, "I'm a girl with lots of wants. I never had it, and I want it. I want everything there is to want. And I want it to be so much that if I don't want it … it shouldn't be worth having. If that sounds shallow, then sue me, what can you do me."
"Guys like me are supposed to talk about 'The Long View' at times like this," he said, reaching out to touch her.
She pulled away. "Stop it. You're the kind of guy I should make a beeline for, every time."
"So? I'm available: parties, luncheons, bar mitzvahs, orgies, gas station openings, supermarket closings …"
"I know, I know." She stopped him. "You've used that shtick before. I'm telling you something, Shelly, and you're clowning with me. This may be the only time you'll ever hear the truth out of me, so grab it while you can."
He subsided, realizing she was leveling. "Go on. Tell me."
"Oh, what the hell. Why bother? I'm a poor little girl from Kalamazoo, Michigan, who found at the tender age of fifteen that she couldn't keep her pants on. So before too many in big K had sampled the wares I decided to get out and sell it; I've always contended charity begins at home.
"Up till now I've been a scuffler, and I'm sick of it, Shelly. Really fed to the teeth with guys on the make and rent overdue. So now I play it for all it's worth. You just happened to get caught in the backlash tonight. Chalk it up to nymphomania."
She stood up and smoothed the skirt across her thighs. "Come on, lover, cheer it up. We all have our little illnesses. I'm not so bad, you know. I might be hot for the wet towel scene, or whips, or even coat hangers. I've had some friends with real kinky habits."
He wanted to say something gentle. Something that would penetrate the crust of scorn and cynicism she had burned around herself. But they weren't operating on that level. Sentimentality was for Kalamazoo or Pittsburgh (where his father still sat
dovening
; still studying the Talmud late at night). Sentimentality was for the suckers who'd settle for nine-to-five and two weeks paid in the Catskills. It wasn't for the hungry ones. He had understood Jean Friedel even before she'd spoken to him like this … his desire for her had been something subliminal, something dreamlike … a villa at Cap Ferrat, a gold-plated Rolls, a night in bed with Loren, Lollobrigida, and Bardot, with Monroe for a chaser. A dream. A wish out of a fairy tale.
"We'd better wake up Primo Carnera," Shelly said, reaching for his pants. It took a bottle of smelling salts and three cups of coffee to do the job.
Stag Preston, had his picture been flashed coast-to-coast, might easily have lost his followers had they seen the Val-Packs under his eyes. "Don't blink or you'll bleed to death, Beany," Shelly advised him. The singer sat on the floor, head in hands, moaning.
"Why don't you record that," Jean Friedel said, coming in from the kitchen with a fresh pot of coffee. "It's got that whatchacallit —
beat
!"
"Why don't you go fuck yourself, sister," he snarled. "You ever lift your paw to me again, I'll cream ya!" He tried to rise, slumped back again. "Ohh, my head, suh!"
"Lay off him, Grushenka," Shelly said grinning.
Stag looked up. "Who?"
"Forget it," Shelly said. "Have some more coffee."
"I don't want any more. Where's The Man?"
"Take the coffee and shut up. You'd better hope the Colonel doesn't breeze in here while you're off your pony. He'll have you back picking boll weevils out of your pompadour."
"Like hell he will. Forty fuckin' percent, I got, Big Brother Sheldon. Forty big P."
Shelly raised his eyes to heaven.
"I'm going home," Jean said suddenly. "Shelly, will you drive me?"
"I came by cab, but I'll ride up with you. You're still on 97th, aren't you?" She nodded. Shelly caught the glance Stag threw at them, from the corner of his eye. He hoped the boy would avoid complicating matters at this juncture.
"Go to bed, kid," Shelly said. "We've got a heavy one tomorrow." He turned toward the door. Jean had her shoes in her hand and was almost to the elevator doors. "I'll take Jean home."
"Have fun," the kid said. Sullen. Annoyed. Sick.
Shelly shrugged, and reached the doors just as they sighed open. On the way down he said nothing to Jean Friedel, and in the cab the conversation was sparse.
"He didn't like that," she said.
"I know. Nuts to him." He moved to take her hand. Surprised, he found she did not resist. "Jeanie …" he started.
"Forget it, Shelly. I'm the girl with the cast-iron heart, remember?" There might have been a softness in her face. There was a softness in her voice.
Manhattan late at night was a pearl. It shone and it rested and it lived all at once. Cabs with dome lights warm and softly-orange cruised past, hissing on the streets freshly wet from the sanitation sprayers. Mailboxes hunkered on street corners waiting for young men in trench coats to post last-minute letters. It was a time to go someplace; a time to have someone nearby. A time when loneliness seemed a sin, and even false acquaintances had merit, were treasured. From this hour of the waning day, the dawning next, phony love affairs were born. But in the back seat of the cab Shelly had no such misimpressions. He was holding a hand, –30–, finis, end of report. This was a ship that had passed him several times in the night, and might again. But there was no breeches buoy to carry one across to the other's vessel.
