Spider Kiss (25 page)

When Stag had come offstage that first time, the day after Ruth Kemp had gone back to Louisville, he had made his initial request. "There's a girl in the fifth row down there, Shelly. She's got black hair in a pixie cut. I motioned to her to come around back after the show. Get her up to the dressing room, will you?"

Shelly had carefully removed the cigarette from his lips, his eyes narrowing; it was all he had been able to do to keep his fist from balling and driving straight into the kid's mouth. Very quietly he answered, "I'm a stockholder, Stag, not your pimp. If you want to get her, go get her yourself."

Then Stag had made some penetrating comments about how easy it would be to drop a mention to Winchell or Lyons or Killgallen — oh,
very
delicately — outlining the switch in residence of Carlene. It certainly wouldn't
kill
anyone, but what a helluva lot of snickers and glances askance it could cause in Lindy's or The Stage Delicatessen. That sort of business could rob a guy of his manhood,
muy pronto.

It had been that, partially, no mean threat in a world predicated on how many times a night you could make the scene with a chick. But it had been more. It had been the awkward feeling that his presence might keep Stag from even greater evils. An egocentric thought, Shelly knew, but one that continued to intrude. Stag had been his creation, and thus was his responsibility. It would be too easy to check out now, letting the kid run loose. He had to stay close by and absorb some of the driving shock of the kid's rampages. He had to get in the way of the pneumatic drill.

So, illogically or not, Shelly had become Stag Preston's procurer. All these thoughts, four years' worth of them, as the little redhead followed Shelly up the gunmetal-gray stairs to her idol's dressing room.

Shelly knocked on the door, but he knew Stag could not hear it. Stag was out on the fire escape, doing another number, giving his "papoose" show that rode on the back of the regular performance in the theatre, helping to empty the seats for a new audience in two hours when he went on again.

Shelly opened the door and hustled the redhead before him. She stood transfixed, staring at God within a few feet of her, his back turned, one foot up on the rowel of the fire escape enabling him to brace his guitar. He was playing "Light a Fire" and comping behind it with broad chords and slides:

"Light a fire in my heart,
I want to burn for you.
Don't need matches, just your kisses,
I want to burn for you.
I got a
(whump!)
Fever of love
(whump!)
Smolderin' for you
(whump!)
so
Light that fire in my heart,
I wanna wanna wanna burn for you!"

It was a gutty, almost burley bump-&-grind treatment with every
whump!
accented by a thrust and counter-thrust of hips. Down in the alley behind the theatre, the horde went wild, and behind him, in the dressing room, the little redhead did her own private flip.

Just as Stag finished, bowed for the inevitable mad applause from below, and launched into "Warm Baby" (indistinguishable from "Light a Fire" save for the placement of
whump
!
)
the phone rang. Shelly ground out the most current cigarette in a coffee cup on the dressing table and put the receiver to his ear. "Yeah?"

"Shelly? Jeanie."

"Hi. What's happening?"

"Stag finished the first show?"

Shelly looked out onto the fire escape. "Yeah, I guess you'd call it that. He's feeding the
animals
a few scraps off the fire escape now."

"I've got some contracts here from Sid Feller; he wants your signature and Stag's. It looks like ABC-Paramount's going to release a two-record Commemorative Set of his gold records, or some ridiculous thing. Will you be there for a while?"

Shelly moved against the wall, shielding his mouth, watching the redhead to make certain she could not hear. "The Marquis de Sade has a new case study going on at the moment," he said.

"He's still putting the make on those kids, oh Shelly!"

"Listen, what can I do … ?" He shrugged helplessly.

"Oh, Shelly, can't you do
some
thing? Did you get her up there for him again?" He did not answer. She spoke again. "Did you, Shelly?" Still no answer. Shame rode silently along the wire. Finally: "Oh,
Shelly
!"

He snapped at her. "Lay off me! It's a living, isn't it?"

Her answer was brief: "Is it?"

The tone of his answer had not been the New Shelly. It had been an Old Gimme-Gimme Shelly. "I guess you're right," he said. "But at least with me around he can't take 'em on the rug against their will."

Stag finished "Warm Baby" at that moment, and took his applause.

"Should I bring the contracts over?" Jean Friedel asked.

"Yeah, I suppose. C'mon over, we'll wait."

A third voice broke into the conversation: "Who's coming over? Who're we waiting for?" Stag had come in off the fire escape, seen the girl, and heard Shelly's end of the conversation. Now he had again taken control; a few words and he was in charge.

"Hold it a minute, Jeanie … hey … oh hell, she hung up, Stag. It was Jean. She has some contracts, she's on her way over. I told her we'd wait."

Stag looked over the girl critically. Her skin was a honey-tan, and her body was firm, tight, built the way teen-aged girls had never been built when Shelly had been that age and the girls wore colored bobby sox and pennies in their loafers. Stag liked what he saw. He didn't want to wait for Jean and the contracts, lose any of the two hours he had.

Today was quickie day. Every day was quickie day.

The original Stag Preston was hungry, and felt no need to wait for his dinner. "I don't feel like waiting. I'm going up to the hotel for a rest." He turned to the little redhead with the ponytail and the large chest. "Hi, I'm Stag Preston, who're you?" The smile was straight out of the Crocodile That Swallowed Captain Hook.

She colored and answered softly, "I'm Marlene. I'm President of the Secaucus Stag Preston Fan Club." She beamed.

Stag turned to Shelly with a questioning glance.

"New Jersey," Shelly explained.

Ohhh,
Stag made a wide head-movement back to Marlene. "Oh, sure, of course! Secaucus, New
Jersey.
Great town, very pretty."

Shelly died a little inside as Stag called an industrial town more marshland-and-stink than habitation a "great town." It was customary when riding the tollways past Secaucus to place thumb and forefinger over nose, and pray. But the busty redhead swallowed the schmaltz and continued beaming.

As Stag studied his prey, deciding what gambit would be least taxing to get the chick up to the hotel room, Shelly studied Stag. In the clean sunlight coming off the fire escape he was quite a different image from the one thrown against nightclub dims or onstage spots. He was no longer the young and vital Stag of Louisville days, or that night in Cleveland when ABC-Paramount Records had first seen him.
He drinks too much now,
Shelly thought, cataloging what he could see in the planes and lines of Stag's face.
He's running in company too fast and worthless. And no one can tell him anything. He won't last past forty; the gaff'll kill him.

A voice deep inside added,
If we're lucky.

Yet Shelly realized Stag's popularity had not waned. If anything, it had grown, by the mystic underground communication system of the teen-agers who loved him. Teen-agers just like sexy little Marlene here. A girl who was going to be main course on Stag's next meal.

"Well, listen … uh, Marlene? Marlene. Listen, I'm a little beat, you can understand." She nodded on schedule. "And I've got to go up to my hotel for about an hour or so, but since I've met you I'd like to give you a souvenir, a memento you know, somethin' personal of mine to keep. How'd you like that?"

Ding ding ding!

Shelly's eyes rolled up in his head at that one. Had Marlene been anything but a precocious teen-ager, brought up on the saliva of confession magazines, toothpaste ads that guaranteed her charm
as well as protection,
and a distorted Hollywood view of life in our times, she would have laughed the crude proposal back into Stag's teeth. But all her sex had been on the sofa in the rec room while Mom and Dad watched the big tv upstairs, or in the rear seat of a compact car while the drive-in movie raged above, so she turned crimson again and nodded agreement.

"Great," Stag said enthusiastically. "Shelly, you stick here and wait for Jeanie with the contracts. I'll just walk Marlene over to the —"

"I'm coming along."

Stag's face got hard suddenly. "I said you could
wait,
here,
Shelly. I'll walk Marlene over to the —"

"I'm coming."

His jaw muscles jumped, and his mouth worked, but he did not repeat himself. More words and it would become apparent that there was something not quite proper in what Stag had suggested, or it might even (Heaven forbid!) convey the impression that Stag was not sovereign of all he surveyed. "Okay, sure, Shel," Stag agreed with the bite of the asp in his voice.

Shelly wrote a note to Jean Friedel asking her to leave the contracts. It was obvious to Shelly that had Jean not called to say she was coming over, Stag would not have bothered taking the girl to the hotel, he would have made his play here in the dressing room.

They left by the stage entrance and as they emerged from the fire door, Marlene gave a squeal and ran to her friends still clustered and waiting. Stag bolted to the waiting taxi; Shelly lagged — without spoken instructions — for the girl.

"Listen, listen, hey, I'm goin' over to Stag's hotel for a souvenir. Listen, you come on along and wait outside downstairs and I'll get him to wave to you," Marlene burbled. "I'll get him to step to the window with me an' an' an' Trudy, hey, you take a pictchuh of us willya, huh?" Her words were excited, tripping, confused in pleasure.

Trudy — the fat girl with pimples — nodded furiously that if Marlene could get Stag to step up to the window and lean out, or onto the balcony or whatever the hotel had, she would be nutty insane wild craaaazy to take a pictchuh!

So Marlene waved, joined Shelly, and got into the cab for the three block ride over to the Sheraton-Astor, the Colonel's big suite, and Marlene's souvenir from her idol, Stag Preston.

Oh pretty baby,
thought Stag Preston,
am I gonna give you a souvenir.
Fa-jooomp!

Marlene squealed when she saw the opulence of the suite. The Colonel was out and the place was silent; vulgarly garish in the full sunlight of day, a suite designed for dusk-to-dark-to-dawn living but uncomfortably blaring in the light of day.

Shelly mixed himself a drink, waiting for Stag to make his play, and settled into a chair near the door.

Stag suggested to Marlene she might use one of the bathrooms to powder her nose, in the event of a picture being taken, and when the redhead had swirled into the bedroom the singer advanced on Shelly.

"Hey, listen, guy, what the hell
is
this?"

"Statutory rape, Stag."

"Say, listen, get your finger outta my eye, baby. This kid has a set on her like a cow. Don't tell me she don't know what it's all about. If she had as many stickin' outta her as she's had in her, she'd look like a pin cushion."

Shelly sipped at his Scotch. "What's the matter, Stag, isn't Carlene keeping you happy these days? You got to take off after every good looking piece that comes in range?"

"Now, listen, Shelly … nothing's going to happen to her. I promise you. Just grab a quick feel. Hell, I've only got —" he consulted his wristwatch, "— another forty minutes before I have to be back at The Palace. I promise not to make the kid do anything she doesn't want to do. But who the hell are you to stop her if she wants to neck with Stag Preston for a while. Probably the biggest thrill of her life."

Shelly thought about it for a moment. Actually, the girl was as hip as any chick her age, with her looks and build, would be. If he went in the next room Stag wouldn't try anything. He'd hear any noise. And so what if Stag did feel her up a little? She'd blush and carry the tale back to the Secaucus Fan Club like a banner:

You know what happened when he hugged me? I mean Stag Preston! He put his right hand here and he was smilin' all the time, you wouldn't expect it almost in public but he was so strong, y'know, and when he kissed me I mean he Frenched me and all, y'know, oh God it was the wildest and —

It wouldn't do any harm, not if there was someone handy in the next room in case Stag got out of hand. And it would keep the animal at bay a little longer, till he could take it out on Carlene. That was safest, letting him release his hungers on a paid — no, stop thinking like that, she used to live with you, stop thinking of her with recriminations, she's no more a paid whore than … just stop thinking that way. Stop!

"Okay, Stag. You can play your game, but I'm right next door in the bedroom. I hear one peep out of that girl and I'll be here in a second. So keep it above the belt, baby." He got up, carried his drink into the bedroom, and closed the door. He did not hear Stag place the chair under the knob and force it tight, effectively locking the door.

When Marlene came out of the bathroom her face was radiant. Stag was sitting on the sofa, and he smiled his best lithographed poster smile. "C'mon over and sit down, Marlene."

A quick scurry of alarm passed her features, and then she shook it off as she was enveloped by the glamour of the suite, the nearness of Stag Preston. She sat down beside him. His arm went over the back of the sofa. Again the scurrying of frightened feelings. Then he talked to her. Slowly, cajolingly, interestingly, getting nearer.

When he leaned down and kissed her, she was startled at first, not because he had done it, but because Stag Preston, after all
Stag Preston
, was also human. In a moment, though, she reacted, and it was pleasant. She cooperated.

Right up to the moment he tried to slide his hand inside the front of her peasant blouse. Then she heard the alarm bells and tried to remove his hand. But Stag Preston was not a fumbling adolescent in a movie house balcony. He was Stag Preston, the king of the rock'n'roll singers, a voice in his time, a figure to be contended with — and what was more, he
knew
how teen-agers thought. He
knew
this chick wanted some kicks, he
knew
she was only trying to put him off so he wouldn't think she was a tramp, he
knew
there wasn't a girl built like her in this day and age who hadn't gotten it somewhere along the line. He
knew
, because he'd seen them, every day, the little chippies dancing on the tv rock'n'roll shows. He'd seen them flipping their bodies at him. He
knew
how depraved kids were today.