Joe Victim: A Thriller (5 page)

“Look, Joe, we know Melissa killed him. We know you hid the body. You have nothing to lose by telling us where he is, and a lot to gain.”

“What does the show need with the body?” I ask, but the words are barely out of my mouth before I know the answer. They want to find it. They want to put on some stage show with the dead, probably with the late Detective Calhoun, probably some psychic surrounded by candles and going into some kind of fuck-knuckle trance. Then he’ll lead them to his remains. The TV viewing public will love it. The show will gain ratings, it’ll gain attention, the psychic on the case will gain a fan base for more shows, maybe even write a book. “Wait,” I tell him. “I’ve figured it out. The psychic wants to eat him.”

“Yeah, Joe, that’s right.”

“What the hell am I going to do with twenty thousand dollars?” I ask.

“You can use it to make yourself more comfortable,” he tells me. “Money is as good in here as it is anywhere else. Hell, maybe you can use it to get yourself a better lawyer.”

“First of all, Carl, no, money is much better out there than in here. Secondly, I don’t know where this dead guy is,” I say, and before Schroder can react I raise a hand in a stopping gesture. “But maybe I’ll think about it overnight. Twenty grand isn’t going to help the thinking, though. In fact I’m having a psychic vision of my own. I’m sensing . . . I’m sensing that if it were fifty grand I might be more helpful.”

“No way,” Schroder says.

“Yes way. The way I see it, Carl, Sally got paid fifty grand after you arrested me, right?” I ask, and it’s true. Last year there was a fifty-thousand-dollar reward for my capture, and somehow The Sally—the overweight, Jesus-loving maintenance worker at the police station—was given that reward. Somehow through a series of fuckups, The Sally figured out what the police couldn’t, and that led them to my door. “So if you’re going to hand money out like candy, then I want my share.”

He doesn’t say anything.

“Hyper pathetically you should get me those contracts you’re talking about. Hyper pathetically for fifty thousand dollars I might take a guess as to where Detective Calhoun is.”

“So you’ll do it?”

I shrug. Hypothetically I just might.

“Clock is ticking, Joe. You have till tomorrow to decide.”

“I’ll think about it,” I tell him. “Come back tomorrow and bring the contracts.”

Schroder stands back up. He grabs his wet jacket and doesn’t put it on, just drapes it over one of his dry arms. He moves to the door and bangs on it. It’s opened and we don’t hug, he just walks out the door without even a good-bye. I wait in the room to be escorted back to my cell, my world is about waiting, and now I have something new to think about while I’m doing it—and that’s trying to figure out what kind of power fifty thousand dollars could buy in a place like this.

Chapter Six

The fact is she had a plan. A good plan. A two-person plan. There was her, and then there was him—the second person of the two-part plan. A guy by the name of Sam Winston. Sam let her down. Maybe it was something that men with girls’ names do. Sam used to be in the army. She met him over the summer when he tried to break into her house.

She almost killed him, but she saw something in Sam, the same something others see in sick kittens and dogs with three legs, a kind something that makes you want to help. And he hadn’t been trying to break into her house, not really—it’d turned out he used to live there a few years earlier before drugs had taken away his money and chunks of his memory and sent his wife packing. He’d come back. He’d been drunk and furiously unwilling to accept that his key wasn’t fitting into the door.

That was the thing about Christchurch—it was a small world, a world full of coincidences, and people bumped into people like that every day.

Sam had been discharged from the army five years earlier. He hadn’t seen any action, unless you included getting so high that he crashed a fuel truck into the mess hall and injured half a dozen men,
but nobody died
as he told her proudly. Sam was angry at the world, angry at life, though he never told her exactly what it was he was angry about. He was happy to follow her around and do what she asked. He really was like a three-legged dog. A pet, really. Until he started to figure out who she was. By then they’d been planning on how to shoot Joe for a good two months. Then he got dollar signs in his eyes. She saw it happen. The news was on and the police had figured out her real name. There were pictures of her coming up on the screen and he kept looking at them and then at her, and his eyes widened as if big cash-register dollar signs were ringing off behind them.

So things didn’t work out with Sam after that. That was a week ago. She had to leave him and move on. And, just like any good-hearted pet owner would do, she put him down gently.

The trial starts Monday. Today is Thursday. She doesn’t want Joe deciding to start talking all about her because the prosecution makes him an offer he can’t refuse. She doesn’t want to shoot him on Tuesday, or Wednesday, or a month into the trial. The plan was for Monday, the plan has fallen though, but the new plan can be for Monday too.

At the moment people don’t look at her and see Melissa. They see a pregnant woman on the cusp of bursting, they see a mom-to-be. What they don’t do is take a good look and wonder if she could be a killer. People are easy to fool. She’s been fooling them for years now. She’s learned that wigs and hair dye and fake eyelashes and being nine months pregnant can make you anybody you want to be. Even Schroder, good old ex–detective inspector Schroder, didn’t recognize her. She could see him trying to place her, but there was no chance. They see fat pregnant chick and don’t see beyond that. He bought the acting story hook, line, and sinker, because she gave him no reason at all to doubt her. She can be a different person from who she was yesterday, and she can be a different person tomorrow. It’s how she’s been free to do what she wants all these years. It’s how she survives.

Right now the person she wants to be is dry. This rain is soaking through her clothes. She’s shivering. She waited five minutes on the chance Schroder noticed his keys were missing, but the detective is a former detective for a reason, and that’s probably one of them. Schroder’s car is about as messy as she’d expected it to be. Fast-food wrappers covering the mats in the backseat, children’s clothes, a car seat for a baby. Nobody is watching her. The weather is way too bad for anybody to think much beyond getting from point A to point B in a way that stops them from drowning. She said earlier to Schroder that she likes the rain, but the truth is she hates it. It surprises her that she still lives in this city. She was born here. Raised here. Raped here. Her sister was born here. Raised here. Raped here. And murdered here. There’s a lot of memories in Christchurch, not many of them any good. There are other cars in the parking lot, but she’s not concerned about anybody coming out at the wrong time and spotting her. She’s almost done here anyway. And if Schroder were to come outside now and catch her, well, she’ll just have to stab him and drive away with him in the backseat. It’d be a shame because over the last few minutes she’s come up with a very specific plan for Schroder’s future.

Schroder is still well informed for a guy who is no longer a cop. Which is what she was hoping for after
I don’t want to shoot anybody
Derek pointed out Joe’s route to the courthouse might not be the route she had imagined. She had to get the information from somewhere, and she figured Schroder would have it—after all, he was the lead on the Carver case. He was easy to follow too. She knows where he lives and where he works. She doesn’t know why he was fired. Something to do with drinking on the job is the official story—a whole bunch of cops showed up drunk at a crime scene a month ago—but she thinks there’s more to it than that. She doesn’t know what, exactly. And she doesn’t really care. All that matters is Joe, and what matters here is what Schroder knows about Joe, and about how Joe is getting to court.

There’s a box in the backseat containing files from Joe’s case. There are copies of crime scene reports, lots of photographs, evidence detailed down to the specifics. There’s a photograph of her, back when she was another person. She holds it up and runs her thumb over the smooth edge of it. It was taken a few weeks before she started university. God, that was ages ago. She wasn’t just a different person back then, but a completely different person. New look, new personality—staring into the photograph is like looking at a stranger. The person staring out at her had hopes and dreams. She was going to be somebody. That girl had no idea—she was innocent, she had no idea of her potential. Despite everything, she smiles at the memory of the picture being taken. The picture is as different as the day was different. Lots of sun. Blue skies. It was summer. Good times. Her best friend, Cindy, took the photograph. She’s leaning against a car and has a big smile and an easygoing nature. Cindy and her were heading to the beach. Cindy ended up fucking two guys in the sand dunes at the same time then crying all the way home, disgusted at herself. She hasn’t seen Cindy since leaving university, and she wonders what ever became of her, but she doesn’t wonder enough to ever look her up.

She folds the photograph into her jacket pocket.

She finds what she’s after a few pages down into the box. The route the police will be taking to the court. She scans through it. She sees Derek was right. She absorbs the facts. Then uses her cell phone to snap a photo. She puts it back, then carries on looking. There’s a second thing she wants too. The cell phone number and address of the man that is going to help her. That’s another idea Derek gave her. Obviously Derek was an ideas man. She finds what she’s looking for and photographs that too.

She’s glad she came out here. She almost turned around and left him to it once she realized where they were going, but turning around isn’t in her nature. Plus, who knew when there’d be another opportunity to go into his car? And time is short. And, of course, Schroder is now part of her escape plan. She takes out the C-four. She reaches up and under the steering column, right around toward the back of the car stereo. The square block changes shape slightly as she jams it to a stop back there. Then she reaches back under and jams the detonator into the not-so-perfectly-square lump of clay, the receiver attached to the end of it.

She gets back to her own car. She yawns heavily for a few seconds—she was up half of last night and more than anything right now she wants to take a nap, but can’t. She drives past the guard booth who asks her to pop the trunk to make sure nobody is hiding in there. When she gets out to the motorway she pulls over and takes off the baby bump, and suddenly she’s no longer nine months pregnant, no longer overweight and needing to use a bathroom every fifteen minutes. She tosses it into the backseat. She tosses the red wig back there too.

She programs the new address into the GPS function of her cell phone. Like always, it takes her and her GPS application a few minutes to come to an understanding, but they get there in the end, and then she has the directions of the man who is going to help her shoot Joe Middleton. But first she needs to go into town. She needs to find a new place where Joe can be shot from. And she already has a pretty good idea where that will be.

Chapter Seven

The prison officer has bloodshot eyes, as if every night while he sleeps the unibrow above them extends downward and scratches at them. He hands over the tray of Schroder’s belongings. Car keys, wallet, phone, coins—actually, that’s a negative on the car keys. He looks into the empty tray, then pats down his pockets.

“My keys aren’t here,” he says.

The prison officer doesn’t look impressed. He looks like he’s being accused of something. “You didn’t give me any car keys.”

“I must have.”

“Then they’d be here,” the prison officer says, his unibrow turning into a uni-V.

“That’s my point. I gave them to you and they should be here.”

“And my point is that if you did give them to me then I’d have just given them back. Maybe you dropped them. Maybe they’re hanging out of your car door. Maybe they’re in the ignition. Maybe you left them at home and walked here.”

Schroder shakes his head. “Unlikely,” he says. “To any of those.”

“No. What’s unlikely is that I’d hide them from you, or steal them. What’s unlikely is that I gave them to some guy locked up inside and told him to take a joyride. Tell you what, you go take a look outside. If they’re not there, then you come back in and we watch the security footage,” he says, and points to a camera above the desk. “I can bet you a hundred bucks right now that you didn’t hand any keys to me.”

Schroder looks up at the camera, then pats down his pockets again. Did he lock his car? Of course he did. He always does. Only this time he was distracted by the pregnant woman. Distracted enough to leave them in the ignition? Maybe. Certainly distracted enough not to notice he didn’t put them into the tray when emptying his pocket. But does he ever? When he comes here it’s just like going through security at an airport—he doesn’t really notice what he’s taking out of his pockets, all he’s focused on is making them empty.

“Okay,” he says. “I’ll check outside.”

“You do that.”

Schroder follows the corridor back the way he came, past the waiting area, past the corridor to the bathrooms, past more puddles of water that have formed from other visitors. He stands at the door and puts on his jacket then heads into the rain. There’s a similar number of cars in the lot as before—some gone, some new ones. The pregnant woman’s car is gone. Probably whoever she was visiting she couldn’t visit for long, her future baby pushing against her bladder would have put an end to that. He tightens his collar.

His car is locked. His keys are lying on the ground next to where the pregnant woman’s car was. He must have been carrying them in his hand. He must have dropped them when he caught her. He feels like an idiot. Part of him thinks he ought to go back inside and apologize to the prison officer, but it’s a small part, nowhere near big enough to make him actually do it. The guy was too big a dick for that.

He gets into the car and peels the wet jacket off him and tosses it into the back next to a box full of files from the Carver case. One of the sleeves lands on top of it, so he leans back and flicks it aside, not wanting water from his jacket to soak onto the files—files he shouldn’t have. The Carver case has lived with him for the last few years—it would come home with him, it would invade the room of his house that he had turned into an office, an office he made his wife promise never to go into because the content inside would give her nightmares. In a way the file invaded his marriage too. He would work at work and he would work at home when there was spare time, of which there wasn’t much because of the kids. Then that all changed and he lost his job, and all the copies of documents and photos he’d brought home had to be returned. Only he made copies of those copies first, and it’s some of those copies that occupy the cardboard box in his car. It wasn’t his case anymore, but with the trial coming up he wanted to be prepared for whatever came his way.

What he really wanted to come his way was a chance to strangle Joe. Hell, he’s imagined his hands around his neck a thousand times. He’s imagined shooting him, stabbing him. He’s imagined setting him on fire. He’s imagined a lot of things, all of which end very badly for Joe Middleton. He’s confident many people across the city have imagined all those same things.

Honesty being the policy and all that, not a day has gone by when Schroder hasn’t hated himself too. A serial killer was in their midst. They saw him five days a week. The bastard even made him coffee. Schroder doesn’t deserve to be a cop. None of them do. How many hours does that add up to? How many minutes did Joe make fools of them all?

The drive back into town isn’t any different from the drive out here. Same view. Same animals. Same guys in tractors making more money than he’ll ever earn, but they’re getting up far earlier every morning than he’d ever want to. The rain is still persistent. It’s beating down on the car and he isn’t sure he can make it through winter. If things don’t work out well with the new job, maybe it’s time to leave the city. He could pack the family in the car and drive up to Nelson, the sunshine capital of New Zealand. He has a sister who lives up there. Nelson is the kind of place where everybody has a relative who lives there because it’s so damn nice. He could work at a vineyard. Pick grapes and make wine. Or become a tour bus driver—take people on wine-tasting tours and watch them get trashed.

Joe. Fucking Joe. Thoughts of Nelson disappear and, like always, Joe replaces them. When the trial is over maybe then he can get some closure.

There aren’t too many cars on the roads, but what traffic is there is much slower because of the weather, giving the appearance of a slight traffic jam. It worsens as he gets toward town. He has a lunch date with Detective Wilson Hutton, which he’s going to be late for. He pulls over and uses his cell phone to call his ex-colleague to give him an extra fifteen minutes, but before he can the phone rings anyway. It’s Hutton.

“I was just about to call you,” he says.

“Listen, Carl, sorry, but I’m going to have to cancel lunch,” Hutton says.

“Let me guess,” Schroder says, “another homicide?” It’s meant to be a joke, and Hutton is supposed to say no, but as soon as Schroder says it he knows it doesn’t sound like a joke at all—it’s just his bad mood coming through by suggesting the worst-case scenario, and anyway, there’s nothing funny about people dying. He already regrets saying it.

“Yeah, body was found this morning,” Hutton says.

“Ah, shit,” Schroder says.

“Well at least this time the victim was a bad guy, Carl, so don’t start feeling too bad.”

In that case Schroder doesn’t feel bad at all. The world with one less bad guy in it? Why would he?

“Details?” Schroder asks, and he stares out the window at a campaign billboard looking down over the intersection. The billboard is for the already prime minister who is hoping to do what Schroder wasn’t able to do this year—keep his job. A vote for him is a vote for the future of New Zealand, according to the poster, but doesn’t specify if that’s a better or worse future. The prime minister has the look of a confident man, even though the polls suggest he doesn’t have the right to be. The election is only a few months away. Schroder isn’t sure who he’s going to vote for—probably for the candidate who doesn’t put up as many distracting billboards at intersections.

“Sorry, Carl, you know I can’t do that.”

“Come on, Hutton . . .”

“All I can tell you is that it’s bad.”

“What kind of bad?”

“Not the kind of bad you’re thinking of. Listen, I’ll tell you when I can.”

“A drink tonight?” Schroder asks.

“Why? So you can pump me for information for that TV show of yours?”

“Weren’t you the one who said they believed in psychics?”

“I’ll give you a call if I can make it,” he says. “Later, Carl,” he adds, and hangs up.

Schroder tosses his phone onto the passenger seat next to the folder with
Finding the Dead
sketched across the cover. He wonders what Hutton means, and how bad it can get in a city where bad things happen a lot.

Now that he’s missing lunch he heads straight in to the TV station. He swallows his pride while still maintaining the sensation of selling his soul, and steps out into the rain and heads into the building to talk with Jonas Jones.