Joe Victim: A Thriller (2 page)

“This is going to be more than a few hours’ work,” he says, almost talking to himself, but loud enough for the others to hear. “Going to need some real detailing here to give him any kind of functionality, and also to minimize scarring,” he says, and it sounds like he’s about to give an estimate then tell us how much it’s going to be for the parts. I just hope he has them in stock since mine is still out in the parking lot.

“We don’t care about scarring,” Schroder says.

“I care,” I say.

“And I care too,” the doctor says. “Damn it, the eyelid is completely gone.”

“Not completely,” I say.

“What do you mean?”

“It’s back at the car. On the ground.”

The doctor turns to Schroder. “His eyelid is out there?”

“What’s left of it,” I say, answering for Schroder, who then answers for himself by shrugging.

“You want this guy out of here quicker, we’re going to need that eyelid,” the doctor says.

“We’ll get it,” Schroder says.

“Then get it,” the doctor says. “Otherwise we have to graft something else that will work. And that’ll take longer. Can’t have him not blinking.”

“I don’t care if he can’t blink,” Schroder says. “Just cauterize the damn thing and glue a patch on his face.”

Instead of arguing or telling Schroder he’s out of line, the doctor finally seems to realize that all these cops, all the tension, all the anger, that must mean something special. I can see it occurring to him, I watch through one good eye and one bloody eye and he starts to frown, then slowly shake his head, a curious look on his face. I know the question is coming.

“Just who is this man?”

“This is the Christchurch Carver,” Schroder answers.

“No way,” the doctor says. “This guy?”

I’m not sure what that’s supposed to mean. “I’m innocent,” I say. “I’m Joe,” I say, and the doctor jams a needle into the side of my face, the world shifts further off its axis, and things go numb.

TWELVE MONTHS LATER

Chapter One

Melissa pulls into the driveway. Sits back. Tries to relax.

The day is fifty degrees maximum. Christchurch rain. Christchurch cold. Yesterday was warm. Now it’s raining. Schizophrenic weather. She’s shivering. She leans forward and twists the keys in the ignition, grabs her briefcase, and climbs from the car. The rain soaks her hair. She reaches the front door and fumbles with the lock.

She strolls through to the kitchen. Derek is upstairs. She can hear the shower going and she can hear him singing. She’ll disturb him later. For now she needs a drink. The fridge is covered in magnets from bullshit places around the country, places with high pregnancy rates, high drinking rates, high suicide rates. Places like Christchurch. She opens the door and there are half a dozen bottles of beer and she puts her hand on one, pauses, then goes for the orange juice instead. She breaks the seal and drinks straight from the container. Derek won’t mind. Her feet are sore and her back is sore so she sits at the table for a minute listening to the shower as she sips at the juice as her muscles slowly relax. It’s been a long day in what is becoming a very long week. She’s not a big fan of orange juice—she prefers tropical juices, but orange was her only option. For some reason drink makers think people want their juices full of pulp that sticks in your teeth and feels like an oyster pissing on your tongue, and for some reason that’s what Derek wants too.

She puts the lid back on the juice and puts it into the fridge and looks at the slices of pizza in there and decides against them. There are some chocolate bars in a side compartment. She peels one open and takes a bite, and stuffs the remaining bars—four of them—into her pocket. Thanks, Derek. She finishes off the open one while carrying the briefcase upstairs. The stereo in the bedroom is pumping out a song she recognizes. She used to have the album back when she was a different person, more of a carefree, CD-listening kind of person. It’s
The Rolling Stones.
A greatest-hits package, she can tell by the way one song follows another. Right now Mick is screaming out about blotting out the sun. He wants the world to be black. She wants that too. He sounds like he’s singing about the middle of winter at five o’clock in New Zealand. She hums along with it. Derek is still singing, masking every sound she is making.

She sits down on the bed. There’s an oil heater running and the room is warm. The furniture is a good match for the house, and the house looks like somebody ought to take a match to it. The bed is soft and tempts her to put her feet up and prop a pillow behind her and take a nap, but that would also be tempting the bacteria in the pillowcase to make friends with her. She pops open the briefcase and takes out a newspaper and reads over the front page while she waits. It’s an article about some guy who’s been terrorizing the city. Killing women. Torture. Rape. Homicide. The Christchurch Carver. Joe Middleton. He was arrested twelve months ago. His trial begins on Monday. She is also mentioned in the article. Melissa X. Though the article also mentions her real name, Natalie Flowers, Melissa only thinks of herself as Melissa these days. Has done for the last couple of years.

A couple of minutes go by and she’s still sitting on the bed when Derek, wiping a towel at his hair, steps out of the bathroom surrounded by white steam and the smell of shaving balm. He has a towel wrapped around his waist. A tattoo of a snake winds its way from the towel up his side and over his shoulder, with its tongue forking across his neck. Some of the snake is finely detailed, parts of it really just sketched outlines with more to follow. There are various scars that go hand in hand with a guy like Derek, no doubt an even mixture of good times and bad times—good times for him and bad times for others.

She lowers the newspaper and smiles.

“What the hell are you doing here?” he asks.

Melissa turns the briefcase toward him and reaches out and presses pause on the stereo. The briefcase actually belongs to Joe Middleton. He left it with her the same day he never came back. “I’m here with the other half of your payment,” she says.

“You know where I live?”

It’s a stupid question. Melissa doesn’t point it out to him. “I like to know who I’m doing business with.”

He unwraps the towel from his waist, the entire time keeping his eyes on the cash in the briefcase. His dick sways left and right as he starts drying his hair.

“It’s all there?” he asks, still drying his hair, his face at the moment behind the towel and his voice muffled.

“Every dollar. Where’s the stuff?”

“It’s here,” he says.

She knows it’s here. She’s been following him ever since their initial meeting two days ago, where she gave him the first half of the payment. She knows he picked up the stuff only an hour ago. He went from there to here with no stops in between with a bag full of items his parole officer wouldn’t be too pleased about.

“Where?” she asks.

He wraps the towel back around his waist. She figures she could have just come in here and shot him and searched the house anyway, but she needs him. The stuff probably won’t be hard to find. She figures a guy who would ask
You know where I live?
to somebody standing in their bedroom is the kind of guy who hides things in the roof space or under the floor.

“Show me,” he says, nodding toward the money.

She slides the briefcase toward him on the bed. He steps forward. The twenty grand is made up in fifty- and twenty-dollar bills. They’re stacked neatly into piles with rubber bands around them. Over the last few years most of her income has been through blackmailing people or burglaries, some from the men she’s killed, but a few months ago she came into some pretty good money. Forty thousand dollars, to be precise. He thumbs through some of it and decides it must all be there.

He moves over to the wardrobe. He drags a box of clothes out then lifts the patch of carpet and digs a screwdriver into the edge of the floor and Melissa finds herself rolling her eyes, thinking how lucky guys like Derek are that they can’t be charged for stupidity along with other crimes. He pries up the boards. He pulls out an aluminum case the length of his arm. Melissa stands up so he can lay it on the bed. He pops the lid open. There is a rifle broken into separate pieces, all of it slotting into foam cutouts.

“AR-fifteen,” he says. “Lightweight, uses a high-velocity, small-caliber round, extremely accurate. Scope too, as requested.”

She nods. She’s impressed. Derek may be stupid, but being stupid doesn’t mean you can’t be useful. “That’s half of it,” she says.

He goes back to the manhole. Reaches in and pulls out a small rucksack. It’s mostly black with plenty of red trim. He sits it on the bed and opens it. “C-four,” he says. “Two blocks, two detonators, two triggers, two receivers. Enough to blow up a house. Not enough to do much more. You know how to use it?”

“Show me.”

He picks up one of the blocks. It’s the size of a bar of soap. “It’s safe,” he says. “You can shoot it. Drop it. Burn it. Hell, you can even microwave it. You can do this,” he says, and starts to squeeze it. “You can mold it into any shape. You take one of these,” he says, and picks up what looks like a metal pencil, only with wires coming from the end of it, “and stab it in. Attach the other end to these receivers,” he says, “then it’s just a matter of firing the trigger. You’ve got a range of a thousand feet, further if it’s line of sight.”

“How long does the battery in the receiver last?”

“A week. Tops.”

“Anything else I need to know?”

“Yeah. Don’t mix them up,” he says, and holds up one of the remotes. “See this piece of yellow tape I’ve put across it? It lines up with the piece of tape I’ve put on this detonator. So this,” he says, holding up the detonator with the tape, “goes with this,” he says, holding both the remote and detonator together.

“Okay.”

“That’s it,” he says, and starts packing them into the bag.

“I need your help doing something else,” she says.

He keeps putting things away. “What kind of something?”

“I want you to shoot somebody,” she says.

He looks up at her and shakes his head, but the question doesn’t faze him and doesn’t slow down his packing. “That’s not my thing.”

“You sure?” She holds up the newspaper and shows him a picture of Joe Middleton, the Christchurch Carver. “Him,” she says. “You shoot him, and I’ll pay you what you want.”

“Huh,” he says, then shakes his head again. “He’s in custody,” he says. “It’s impossible.”

“His trial starts next week. That means transport every day, twice a day, back and forth from jail to the courthouse. Five days a week. That’s five times a week he’s going to step out of a police car and make his way into the courts, and five times a week he’s going to step back out of the courts and into a police car. I already have a spot where he can be shot from, and an escape route.”

Derek shakes his head again. “Things like that aren’t always as they seem.”

“What do you mean?”

“You think they’re just going to drive him the same way every day, and just drop him off outside the front door? That’s where your spot looks over, right?”

She hadn’t thought of that. “Then what?”

“They’re going to mix up the route. They’re going to try and get him there in secret. They might put him in a normal car. Or a van.”

“You think so?”

“A trial this big? Yeah. I’d put money on it,” he says. “So whatever plan you think you might be hatching, it isn’t going to work. Too many variables. You think you can just hide in the building somewhere and take a shot? Which building? Which direction is he coming from?”

“The courthouse doesn’t move,” she says. “That’s not a variable.”

“Uh huh. And which entrance will he be using? They’re going to mix that up too. That’s why whatever spot you think you’re going to shoot him from is probably not going to work.”

“What if I can find out the route? And the way he’ll be going into the courthouse?”

“How you going to do that?”

“I have my ways.”

He shakes his head. She’s getting sick of all the negativity. “Doesn’t matter,” he says. “It’s just too hard a job. Shooting somebody like Joe, nobody’s going to get away.”

“Who can help me?”

He puts a hand to his face and strokes the bottom of his chin. He gives it some serious thought. Then comes up with an answer. “I don’t know anyone.”

“I’ll pay you a finder’s fee,” she says, trying not to sound desperate, but the fact is she is desperate. She’d already had a shooter lined up for this, but it fell through. Now she’s running out of time.

“There is nobody,” he says. “Sourcing weapons is one thing,” he says, “but it’s not like I have a Rolodex full of people we can call if we want somebody dead. It’s the sort of thing you have to do yourself.”

“Please,” she says.

He sighs, as if the idea of letting down a pretty lady is just too painful for him. “Look, there may be somebody I can call, okay? But it’ll take a while.”

“I need a name in the next few days,” she says.

He laughs, his mouth opening so wide she can see a few missing teeth near the back. She hates seeing that kind of thing. Hates people with missing teeth about as much as she hates being laughed at. “Lady,” Derek says, and she hates being called lady too—it’s impressive Derek has just gone three for three. “It’s just not going to happen. Even if my guy could do that, he would never accept to do it so quickly. Killing somebody is about homework,” he says. “It’s about the money too, but not this late in the game.”

“So you won’t call him?” she asks.

“There’s just no point. I’m sorry.”

“Okay,” she says. “Then show me how to put the rifle together.”

“It’s simple,” he says, and he picks it up piece by piece and attaches it, metal locking into metal, each piece making a satisfying click, him telling her along the way what each piece is called. It takes him less than a minute.

“Again, but slower,” she says. “Pretend I’ve never used a gun before,” she says, but of course she’s used a gun before, and she’ll be using one again soon too. Real soon. As soon as he’s finished showing her how.

He takes it apart. Puts it back together. This time it takes three minutes. He shows her how to load it. Then he takes it apart and puts it back into the case and shuts the lid and latches it closed.

“Anything else?”

“Ammunition,” she says.

He unzips the front of the rucksack with the C-four buried inside. Reaches in and pulls out one box of ammunition. “There’s two more just like it in the bag,” he says. “Point two two three Remington,” he says. “All armor-piercing rounds.”

“Thank you,” she says.

She shoots him twice in the chest through the newspaper, the silencer allowing the neighbors to keep on being neighborly without fighting the need to call the police. She knows shooting the guy who gave you the guns is somewhat of a cliché, but it’s a cliché for a reason. She figures that arms dealers, just like taxi drivers and helicopter pilots, always know they’ll never make it to retirement. He drops where he stands. The look on his face is one she’s seen before, a look of disbelief mixed with anger and fear. She puts the pistol back into the briefcase along with the newspaper. She goes over to the manhole and reaches in and finds another bag. It’s most of the original money she gave him. Which means he probably used some of it to buy the gun and explosives. This is his profit.

“I believe you,” she says, looking down at him, and he would thank her for agreeing with him, but all he can do is slowly open and close his mouth, a spit bubble of blood growing and shrinking. “If I can’t find somebody to shoot Joe for money, maybe I can find them to shoot him for another reason. Thanks for everything,” she says, “and I’m going to keep the bag too,” she says, holding it up. “I like the color.”

She guesses he has another minute to live, two at the most. She takes one of his chocolate bars out of her pocket and starts working away at it. She enjoys the sugar rush about the same amount as she enjoys watching Derek die. Which is a lot. She starts the stereo back up while he’s doing it and the world for Derek, just like
The Stones
warned him earlier, becomes as black as night.