In the Pond (12 page)

Song wrote that down too; by now he was also incensed by the leaders’ evildoing.

After Bin put the kettle back on the self-made electric stove — a coil of tungsten wire embedded in a large brick — he began to talk about how Liu had kicked his private parts. “I went to the theater to see if Vice Governor Long had come. I had once shaken hands with him in the provincial capital, you know. But Liu and Ma accused me of disrupting the conference. Without warning they attacked me. Liu kicked me right here, and I dropped flat on the floor.” He pointed at his groin and continued, “I was so hurt I couldn’t get up, but they pinched my cheeks and twisted my ears to drag me up. I couldn’t move; I almost fainted. Then Liu Shu dropped his big ass on my face and said, ‘I’m smothering you to death on the spot.’ He weighs almost two hundred pounds, you know. My glasses were smashed, I couldn’t breathe, and the
bridge of my nose was about to snap. So I opened my mouth and gave him a bite, just driven by the instinct for survival.”

Song almost tittered and asked, “Then what happened?”

“Liu was so brazen he took a photo of his ass and showed the bite to everyone, saying I had attacked him from behind for no reason at all, and this proved that I had a mental disorder. You see what a goddamn liar he is.”

“Did you do anything to clarify the case?”

“What could I do? It’s obvious that if I had attacked him I wouldn’t have chosen his stinking ass to bite, would I?”

“No.”

“He’s the Party secretary, with a bigger mouth that can outshout mine. Besides, I can’t take a photo of my balls and publicize it, can I? He’s low, but I mustn’t be lower, you know.”

“True, that’s very true.” Song nodded, and his black fountain pen kept writing.

Meilan and Shanshan had by now fallen asleep with their clothes on, a pink toweling blanket covering them both. Time and again Meilan murmured something, smiling. It was getting late, almost ten-thirty, and Song hadn’t heard everything yet, so they decided to resume their talk the next evening. In the meantime, Song would visit the plant, ideally catching a glimpse of Liu and Ma,
so that when he wrote the article he would have a better grip on the ambience and the characters. After Bin described to him how to get to the plant and where the leaders’ offices were, Song drank up the last drops of tea, put the notebook into his pocket, and took his leave.

The night turned cloudy, and a dog in the neighborhood began yapping. In the distance a tractor was passing and blaring its horn, while soundless lightning streaked across the northern sky.

For some reason Bin was possessed by a mysterious joy that hadn’t come to him for a long time. He felt fortunate to be acquainted with a cultured young man like Song. He was so excited, he took out his brushes and ink slab; then a giddy feeling came over him, and he knew he had to paint something right now. Grasping his thick hair, he was thinking hard of a subject.

Yes, he would paint a piece for Song, to express his gratitude and trust. With his hollowed palm he scooped some water from the washbasin behind the door and put it into the ink slab. He then set about grinding the ink stick; his mind was busy working on a subject. A few minutes later he was certain what to do.

He dipped a large brush into the ink, let it get saturated, then started to draw. After a few strokes the stalwart figure of Zhong Kui, the legendary devil executioner, took shape on the paper. Bin used the technique of splash-ink to give him a long, thick beard, which seemed to be fluttering with anger. His loose-fitting robe was also flapping,
as though a steady breeze was blowing from one side. His left hand grasped a list of devils’ names, while his right carried a huge crescent sword, whose broad blade slanted before his knee. The sole of his left boot was raised as if to trample a devil in front of him.

Viewing Zhong Kui’s square face for a moment, Bin put two dots as a pair of pupils into the eye sockets he had already drawn. It was too bad the size of the devils’ list couldn’t be larger, or he would have written Liu Shu and Ma Gong on it. He laid down the brush and picked up a small one. After letting it absorb enough ink, he wrote in a vertical line at the right side: “Execute the Devils.” Beneath the title, he inscribed in cursive: “For Comrade Song Zhi. Please Point Out My Inadequacies.” Then he pressed his oblong seal beside the inscription.

“My, my,” he murmured, amazed by the bold piece of work. His eyes blurred with joyful tears. It seemed to him that this was his masterpiece; he found the whole painting marked by an august aura and radiating an upright spirit. Though no devil was present in the scene, one could feel that the execution was about to take place. Zhong Kui’s colossal figure would definitely paralyze any devil in his presence before he captured and beheaded it. “Damn, what a piece,” Bin mumbled, licking his mustache.

He couldn’t help wondering why for all these years he had studied and worked hard, only intending to produce a piece like this, and he had never succeeded, but all of a
sudden he had made it with so much ease, strength, and mastery, as though he had practiced drawing this very piece for decades. A happy mood shouldn’t be the answer, because there had been a lot of shadows in his mind. He recalled the process of creating it, and felt as if something had just gushed out of his chest and splashed onto the paper. What was that thing bottled up in him? He figured it must have been the pain and suffering he had gone through recently. He remembered that when he was drawing the sword, the brushstrokes had been so ferocious that he had paused to see whether he had poked a hole through the paper. So it was the misery and rage that had driven the brush to make such a breakthrough in his art. He realized anger was also a source of power, which the artist ought to convert into creative energy.

Then he felt reluctant to present this piece to Song. Heaven knew when he could accomplish such a work again. On second thought, he decided to let it go, since he had already inscribed the dedication; besides, by coming here to help him, Song had contributed to its creation. You shouldn’t be too small-minded, Bin warned himself.

The next morning Bin came across Song in front of the office building in the plant. They glanced at each other without exchanging greetings, because they needed to
appear to others as strangers in order to forestall the leaders’ suspicion.

As Song and Bin were passing each other, Liu happened to come out of his office, descending the stairs.

“Good morning, Secretary Liu Shu,” Bin shouted from a distance of fifty yards, waving as though they had been old friends. He did this for Song, to identify Liu for him; Song turned to look at the stocky leader.

Apparently Bin’s warm greeting frightened Liu. He halted on the stairs, speechless and bulgy-eyed, then turned around and hurried back toward his office. Bin saw Liu’s surprised face, and he gave a hearty laugh, swaggering away. The laugh shook Liu’s heart.

God knew what made that lunatic so happy today. Something must have been going on. Suddenly Liu remembered his grandson, and cold sweat broke out in his armpits. He was in the middle of a meeting and couldn’t go home, so he hastened to Finance and begged Nina, almost with tears, to go tell his wife to take the boy out of the plant’s childcare center and watch him carefully at home today. Damn this mad dog Shao Bin! If only they could have slammed him into jail.

The fear on Liu’s face pleased Bin a lot. While filing a brass faucet in Maintenance, he couldn’t help humming a folk song. His fellow workers asked him why he was so different this morning. He told them he had had an auspicious
dream the night before, with whales and a boat that carried him into the blue ocean. Asked further, he wouldn’t explain what this meant but kept smiling mysteriously. “What a superstitious bookworm,” they said behind his back. At lunch he bought a good dish — fried tofu cubes mixed with pork and leeks — and also a mug of beer.

He felt nobody in the world could subdue him after he had painted “Execute the Devils,” which ought to be a masterpiece. Probably this work would survive him and become a sought-after treasure, passing through generations to posterity. It was too bad that Song would have it; otherwise he would have sent it to the National Gallery in Beijing. If they accepted it, he might be able to go to a university, not as a student but as a lecturer or a professor, just like the cobbler who had recently been invited to teach math at a major university on the strength of his inventing a method of rapid calculation.

In the evening Song came again. Bin talked about the leaders’ breaking their promise to let him go to college and then about Liu’s lifestyle. He insisted that somebody had seen Liu and Nina lying in each other’s arms on the bank of the reservoir near Quarry Village, and that they went to the waterside every Sunday afternoon. On their way there Liu often bought her grapes, or sweetmeats, or boiled periwinkles, or steamed mantis shrimps. Bin defined the affair thus: “Liu Shu purchases her thighs with
power. That’s why Hou Nina was given a new apartment and got a raise each year.”

After their talk, Bin took out “Execute the Devils.” Song looked excited by the painting and said, “Comrade Old Shao, thank you for trusting us.”

His words puzzled Bin. Bin said, “I painted this for you, to express my gratitude, yes, also my trust.”

“We’ll cherish it and hang it in our editorial office.” Song rolled the painting up and put it under his arm. He slung his duffel onto his back, getting ready to leave for the ten o’clock train.

They shook hands and said good-bye.

Bin felt mortified by the rough way Song had handled the painting. It seemed Song took it as something like a poster and obviously wouldn’t mind sharing it with anyone. Now Bin began to doubt Song’s character; at least he no longer took him for a good friend. You shouldn’t play the lute to a water buffalo, he said to himself. Without doubt Song was ignorant of the fine arts, unable to appreciate real work.

H
AVING READ SONG
’
S
report on Bin’s case, Jiang Ping, the editor in chief of
Environment
, felt that after minor revisions he should publish it. Though the newspaper was designed mainly to bring natural environmental issues to people’s awareness, it would be better if once in a while it published something about the social environment — to reduce moral and cultural pollution.

Two weeks later the report came out on the front page of
Environment
with the title “The Legend of Shao Bin.” It consisted of four long sections: first, “A Conscientious Artist”; second, “Persecutions After Two Cartoons”; third, “In the Face of the Abuse of Power”; fourth, “A Cry of Blood and Justice.” In addition to the thirty-five hundred words, a photograph of Bin, three inches by two, was printed in the first section, and the cartoons about housing and bribery appeared in the middle of the article. There were also the prints of two seals carved by Bin
in the Worm Style; one said, “Eliminate the Wicked and Enhance the Good,” and the other, “Justice Will Prevail.” The sentences in the article were trenchant, emotional, now and then invigorated by a pair of exclamation marks. Never had
Environment
looked so lively.

The minute the newspaper came off the press, Yen sent two copies to Bin by the express mail.

On reading the article Bin burst into tears, which scared his daughter. She dropped her bottle and ran out of the room, shouting, “Mommy, Daddy’s crying.”

Meilan rushed in with an iron ladle in her hand. Seeing the half-filled bottle lying on the dirt floor, she became angry, about to yell at Bin. But he smiled and handed her a copy of the newspaper, saying, “I got them! Caught them all in one net.”

She took the paper and hurried back to the kerosene stove, on which a wok of celery and potato slivers was sizzling. She left in the room an aromatic puff of scallion, fried with soy sauce.

To Bin, the best feature of the article was its broad scope — no relevant detail was left out. There were twelve places where Secretary Yang’s name was mentioned. At one point, the author even questioned him directly: “As the head of the commune, you didn’t make any effort to correct the wrong done by Liu and Ma, but instead you connived with them. Where is the principled stand of a Communist? How could you forget and maltreat the
people who put the power in your hands? We advise Comrade Yang Chen to think this over.”

Bin perused those powerful sentences several times and was convinced that whoever read the article would feel that the indignation was honest and justified. This time Secretary Yang could not feign innocence and remain behind the scenes; he had to face his crimes and pay for them.

After supper Bin cycled to Bank Street and stuck the article, with twelve thumbtacks, to the propaganda board in front of the Commune Administration. From there he went directly to the plant to post the other copy. It was too bad that Yen had mailed him just two copies; if only he could have kept one for his own records.

When Bin arrived at work the next morning, the newspaper had vanished from the notice board. At first he was outraged, but seeing some workers grin at him knowingly, he felt a little comforted. One of them said, “Bin, you looked so handsome in the paper, like an eighteen-year-old.”

Another asked, “Did you get paid for the article? How much a word?”

What a silly question. Bin didn’t bother to answer, reluctant to admit he wasn’t the author and had got no pay for the writing.

Strangely, neither Liu nor Ma looked scared when they came to the workshop to question Bin. Liu told him
bluntly in the presence of his fellow workers, “You’ve done enough; this is the end. We’ll sue you for libel, and our commune will sue you too!”

“Yes,” Ma said. “You think you’re good at screwing people over, but this time you screwed your own asshole.”

“Tell us who wrote the article,” Liu ordered.

Bin kept silent. Their words unnerved him, so he said he had to go to the latrine and would be back in just a minute to answer their questions. He put a handful of cotter pins on the workbench, held his sides with both hands as though suffering from enteritis, and left. Once outside, he fled to the Second Workshop, fearing the leaders would rough him up.