Grid of the Gods (60 page)

Tikal Temple V Overhead

What is immediately apparent in all these examples is that these are not true regular pyramids, they are elongated, in many cases their vertical orientation is not symmetrical, being skewed off center, and most importantly, as Carl Munck observed, they also have
numerous corners, edges, and faces.

Why is this so important?

For one thing, just as the two large pyramids at Giza, the skewed off-center vertical alignment
suggests
once again that they were
deliberately conceived as structures with a
twist
or rotation, in short, as structures analogous to torsion.

    And it is important for another reason, because, as Coxeter pointed out, higher dimensional polytopes — and we realize a pyramidal structure is already a departure from a regular polytope — have numerous vertices, faces, and edges.
³²
And atop each of these structures is a “temple” that, if one looks at them closely, appear to be designed as some sort of resonant cavity.
³³
What this strongly suggests or implies is that, just as a tetrahedron can be represented or “squished” into a two-dimensional representation or analogue, so too can higher-dimensional pyramidal objects or constructs be “squished” into a three-dimensional structure that is an analogue of them. This fact, coupled with Mr. Richard Hoagland’s simple torsion experiments conducted at Tikal near these very pyramids, strongly suggests these structures were deliberately designed as hyper- dimensional analogical, alchemical structures designed to manipulate the physical medium, and to respond to it.

With this in mind, let us return to Sir William Flinders Petrie’s observations concerning the
Second
Pyramid at Giza, remembering the context that the plan of the compound is
to rotate
, producing all those tetrahedral structures seen in the previous section of this book. Petrie notes that “The lower two courses of the casing” of the Second Pyramid “are of granite, very well preserved where it is not altogether removed.”
³⁴
In addition to this, “the builders made the face(of the granite casing stones)
³⁵
drop down for some depth vertically from the edge of the slope, building the pavement against the vertical face.”
³⁶
Consider what this means.

It is known that granite possesses very active piezoelectric properties, given all the small quartz crystals embedded in it. Thus, in a certain sense, one has the piezoelectric analogue of the primary to a Tesla magnifying impulse transmitter, for the enormous weight pressing down on these casing stones places them under constant stress. Furthermore, just as Tesla stated of his own technology in the trial transcript cited as an epigraph at the beginning of this chapter, it was necessary for his Wardenclyffe Tower to “grip the earth” in order to make it quiver. It is equally the case that it is necessary to grip it in order to
respond to
its natural vibrations.

So what do we have, when we combine all these observations about Giza, Mexico, and the wider cosmological myths we have examined in this book?

1) Present in the Mexican and Giza Pyramids are structural analogues of rotations and torsion;

2) The Mexican pyramids also appear, with their multi-cornered edges and faces, to be some sort of analogues of irregular higher-dimensional objects, contained within an overall normal pyramidal structure;

3) The Mexican Pyramids appear to have “temples” atop them that resemble —
qualitatively
— resonant cavities;

4) Their placement and position on the globe is oriented to Giza as a prime meridian, suggesting that any machine-like function they have is designed to work in conjunction with that site;

5) At Giza itself, the compound is designed to rotate, and each of the two larger pyramids there also is slightly twisted and skewed, thus producing an analogue of dynamic torsion, that is to say, of rotating systems within rotating systems;

6) The Second Pyramid of Giza appears to be a piezoelectric analogue of a Tesla magnifying impulse transmitter, a technology in turn based upon manipulating longitudinal electrical waves.
³⁷

The conclusion, though tentative, seems inescapable, for we are in the presence of a machine of planetary extent, designed, at the minimum, to manipulate planetary energies, if not more, to respond and manipulate the wider system of ever-changing torsion dynamics in the solar system, as would seem to be implied by all the careful astronomical alignments and data preserved in various sites, particularly at Teotihuacan and Giza. The end result of all of this symphonic coordination of all the moving parts of this massive globe-spanning construction in a vast counterpoint, was the transformation of the entire planet Earth itself into an alchemical laboratory, a temple of initiation, into the deep physics of the medium of the material creation and of consciousness itself.

For now, our examination is concluded: at least some of the structures of the Grid, if not the Grid itself, were conceived, designed, and executed over a prolonged period of time as genuinely alchemical objects and analogues of the transmutative information- creating physical medium itself, to manipulate it for whatever purpose, including the manipulation of consciousness, for they exercise their mysterious hold over the human imagination still. They thus embody an awesome, little understood, power, both for destruction, and very possibly, for protection.

As we sincerely hope has been shown throughout this book, any effort to understand the Grid and its function will now have to proceed much more cautiously than previous research has undertaken. Measurements of dimensions of structures with an engineer’s eye to potential resonances will have to be undertaken; exacting study of the positioning of sites on the Grid will have to be made with a view to determine if these locations correspond to spherically circuminscribed objects; their positioning in time, and within the overall scheme of the three chronological levels of construction will have to be fixed, and above all, due consideration of the mythological and cosmological context in which various cultures explained these structures by Grid researchers will have to be given, for as we have seen throughout this work, those “myths” contain a profoundly sophisticated higher-dimensional topological metaphor of the physical medium itself.

One thing, however,
has
clearly emerged: there is a definite correspondence between those cultures possessing some version of the topological metaphor in their cosmologies, and the activity of building pyramids or pyramidal structures, and it is this fact, above all, that suggests these structures’ ultimate purpose and function was for the manipulation of the physical medium.
³⁸

Though we have encountered the disconcerting imagery of a “masculine androgyny” in many of those mythological cosmologies and the “topological metaphor” associated with the cultures surrounding these structures, though we have also encountered the strange idea of immortality also associated with them, and though we have also encountered, in Mexico, the inescapably immoral practice of human sacrifice associated with them, beyond this, for the present moment, we cannot go, as those subjects will require a book of their own to explore fully. But rest assured, those disconcerting images themselves contain profound clues not only into the mind of the ancients, but also into the physics and cultural consciousness that produced them; those images include profound clues into the nature of the topological metaphor itself, and into its ethical and even aesthetic ramifications.

But even though those are subjects for another book, there is one final, tantalizing bit of evidence concerning that disconcerting image of androgyny, and of sacrifice, to consider…

1
Nikola Tesla, quoted in “Mr. Tesla’s Invention: How the Electrician’s Lamp of Aladdin May Construct New Worlds,”
New York Times
, April 21, 1908, citing a letter of Tesla to the
New York Times
dated April 19, 1908.

2
Nikola Tesla, Trial transcript, in answer to a question from the bench; New York State Supreme Court, Appellate Division, Second Department: Clover Boldt Miles and George C. Boldt, Jr.., as Executors of the Last Will and Testament of George C. Boldt, Deceased, Plaintiffs-Respondents, versus Nikola Tesla, Thomas G. Shearman, et al. as Defendents-Appellants, 521-537, at line 529, cited in David Hatcher Childress, ed.,
The Fantastic inventions of Nikola Tesla
(Adventures Unlimited Press), p. 177.

3
See pp. 71-79.

4
See pp. 71-79.

5
See pp. 181-184.

6
See pp. 282-287.

7
I have suggested such interfaces between consciousness and biology and these technologies in two previous books,
The Cosmic War
, pp. 243-271, and
Genes, Giants, Monsters, and Men
(Feral House, 2011), pp. 161-169.

8
See the discussion in
Genes, Giants, Monsters, and Men
, pp. 31-65.

9
Farrell,
Genes, Giants, Monsters, and Men
, pp. 77-87.

10
Ibid., pp. 87-90.

11
McClain also observes that the Egyptian god of wisdom, Thoth, is also a sigil for various musical-numerical scales and harmonics; q.v. McClain,
The Myth of Invariance,
pp. 184-185.

12
p. 251, n. 11.

13
“Harold Scott MacDonald Coxeter,”
Wikipedia
,
http://en.wikipedia.org/
wiki/Harold_Scott_MacDonald_Coxeter, p. 1.

14
Ibid.

15
H.S.M. Coxeter,
Regular Polytopes
, p. 118, all emphases in the original.

16
H.S.M. Coxeter,
Regular Polytopes
, p. 120, all emphasis in the original. The use of the capital pi, Π, simply means the “polytope” which the subscribted number after it means the number of dimensions in which it occurs.

17
Coxeter,
Regular Polytopes
, p. 1.

18
H.S.M. Coxeter,
Regular Polytopes
, p. 1.

19
I have added the parenthetical expression “three dimensional” for clarity.

20
H.S.M. Coxeter,
Regular Polytopes
, p. 4, emphasis added.

21
H.S.M. Coxeter
, Regular Polytopes
, p. 2.

22
I am using the term
n
-circle simply to describe the circular shape in any number of dimensions.

23
For the more mathematically inclined, the author is acutely aware of the garish nature of this summary, but begs their indulgence for a more general readership. Coexter’s formulation of the relationship of exterior angles of a plane polygon and the complete turn is given on pp. 2-3 of
Regular Polytopes.
Coxeter notes that this method of increasing the number of edges circumscribed was the means by which Archimedes estimated the value of π. Coxeter discusses the rotation groups for the Platonic solids on p. 33, and the three primitive transformations, translation, rotation, and reflection, on pp. 34-37.

24
See, for example, Peter Tompkins,
Secrets of The Great Pyramid
(New York: Harper and Row, 1971), pp. 195-200.

25
This fact also suggests something else about the world Grid itself, though it will require much more careful investigation on the part of researchers to determine if, in fact it is true. It is possible that various points of the Grid are laid out on
different coordinate systems that depict the surface points where regular polyhedra intersect with the idealized circuminscribing surface of the Earth itself.
To my knowledge, no such investigation has been undertaken, though the work of some Russian investigators comes close to it.

26
H.S.M. Coxeter
, Regular Polytopes
, p. 47.

27
For a general discussion of Schl㥬i’s importance and role in the elaboration of higher dimensional geometrical techniques, see Coxeter, op. cit., pp. 142-149, 152-153. For the mathematically-inclined, note particularly the recurrence of “sexagesimal” numbers — 120, 720, 1200, 600, on p. 153, which emerge in consideration of the regular polytope {3,3,5}.

28
For Coxeter’s discussion of the Schl㥬i numbers of each Platonic solid, see
Regular Polytopes
, p. 5.

29
Again, for the mathematically-inclined, as Coxeter also notes, the Schl㥬i number can also denote a regular map, or, to put it differently, a regular polyhedron “is a special case of a regular map.” For this discussion see pp. 8-11 of
Regular Polytopes.

30
Peter Tompkins,
Mysteries of the Mexican Pyramids
, p. 245.

31
Finding detailed sketches of the pyramids of Tikal was a difficult task, and I would like to thank Mr. James Kelly for procuring a copy of Ignacio Marquina’s
Arquitectura Prehispanica
. 2nd Ed. Cordova, Mexico: Institiuto Nacional de Antropoligia e Historia Secretaria de Educacion Publica, 1964 [1950], from which these diagrams and sketches are taken, pp. 541-543.