Authors: Naomi Shihab Nye
Each train that passes
whips a gust of wind
a heavy heat.
Each car,
each choke of pavement,
every new building
with two hundred windows,
every metal edge.
They don't say “smog” here,
they say, “It's a cloudy day.”
The leaf is supposed to remember
what a leaf does:
green code of leaf language,
shapely grace & frill.
Beyond the city
green hills shimmer & float.
They disappear
in the steamy heat.
But they give courage to the single leaf
on the tightly propped branch
by the Delightful Discovery Drugstore.
Picture a blue door,
a shiny pipe the rain runs through.
Yellow flower
with twenty supple lips.
I like how you move your hands.
The black T-shirt you have worn
for the last three days
drapes over baggy blue pants.
You stop so abruptly,
I fall into the breath
of the person next to me.
We may look at this poem
from the mountain above the roof
or stand under it
where it casts a cool shadow.
Is this your family home?
Your grandfather's tiny Buddha?
One word rolls across the floor,
lodging under the slipper
of the man who has felt uncomfortable
all day.
Now he knows what to say.
He would take a small folded paper from his pocketâ
“I have been diagnosed with schizophrenia”â
the same moment you wanted to kiss him.
What was he wringing in his hands all those years?
The chicken refused to smoke a cigarette.
Seven white stones circled a thistle.
You would have gone with him,
but he climbed a high fence.
There was always this Y in the road.
Red checkered jacket draped
over picnic table.
Arrangement of broken bottles
in the doorway of the Paris Hatters.
He would take a word and remove its shirt.
The open heart of the o, the wink of an e,
the long trapped mystery of the crossed t;
and the squirrel gathering what it needed,
scrambling high into the branches,
dropping shells on his face
as he stood under the tree looking up.
It's strange to think how letters used to be letters, letting you know someone liked you, saying pleasant dull things like,
How are you, we are fine
, making you wish for more but not weighing you, really. Now the letters are funnels of want, requests for favors, Please do what you can, Help me get into Yaddo (where I have never been), Tell my teachers I am a good student, Don't you think I would be excellent in that program overseas? I want to send everyone overseas. I want to be there myself, where my mail can't find me. It's startling to miss the sweet dim-witted reports of summers & boyfriends, journeys & pets, the scented lilac envelopes. Now the envelopes are long & white, letters begin
How long it has been since we really connected
& pole-vault into the request by the second paragraph. And no one ever says you have months to do this in. You have till tomorrow. I am lonely with my mail. Yesterday I went out walking before the mailman came, & the street was filled with carcasses of empty envelopes, dampened & tattered, the wings of exotic insects lost without their bodies. I wanted to bend & reclaim them, smooth them, fill them with unsigned notes, & drop them into my neighbor's shining boxes. One at a time.
What they say first, what they say next.
I never saw a public walking around anyway.
They throw it up in the air like a ball.
No one has her hands out.
If it hits you in the head, it hurts.
Bouncing, it dissolves.
I'm not worried about it.
Give me your pants,
and I'll hem them.
How long do you want them?
I work as hard as I can
to have nothing to do.
Birds climb their rich ladder
of choruses.
They have tasted the top of the tree,
but they are not staying.
The whole sky says,
Your move
.
A giant, puffed, and creamy cloud
ignited on the right-hand horizon
from Presidio to Marfa as the western sky
dropped solidly into deepest blue.
We who were driving north on that road
pulled the car over, pulled it over
because the grasses in their lanky goldenness
called for standing alongside them
while the whole sky
held.
Inside that lit stillness,
we drank the swelling breath that would
unfold on its own for months
whenever the cities pressed us,
rubbed us down, or called out
people, people, people
.
Build my home here
on the spot of old time.
I'm sure I have failed you
one thousand ways,
you ancient clock,
you stockpot of moments.
Look how the first thing I do
upon entering the house
is remove my watch.
It's in your honor.
How a single word
may shimmer and rise
off the page, a wafer of
syllabic light, a bulb
of glowing meaning,
whatever the word,
try “tempestuous” or “suffer,”
any word you have held
or traded so it lives a new life
the size of two worlds.
Say you carried it
up a hill and it helped you
move. Without this
the days would be thin sticks
thrown down in a clutter of leaves,
and where is the rake?