Authors: Naomi Shihab Nye
Â
Copyright © 1998 by Naomi Shihab Nye
All rights reserved
Manufactured in the United States of America
LC
#
: 97â74819
ISBN: 978-1-880238-63-9
13Â Â Â Â 14Â Â Â Â 15Â Â Â Â 16Â Â Â Â Â Â Â Â Â Â Â Â 12Â Â Â Â 11Â Â Â Â 10Â Â Â Â 09
Publications by BOA Editions, Ltd.âa not-for-profit corporation under section 501 (c) (3) of the United States Internal Revenue Codeâare made possible with the assistance of grants from the Literature Program of the New York State Council on the Arts, the Literature Program of the National Endowment for the Arts, the Lannan Foundation, the Sonia Raiziss Giop Charitable Foundation, the Eric Mathieu King Fund of The Academy of American Poets, as well as from the Mary S. Mulligan Charitable Trust, the County of Monroe, NY, and from many individual supporters.
Cover Design: Daphne Poulin-Stofer
Cover Art: “Cantaloupes and Ants,” by James Cobb
Author Photo: Michael Nye
Typesetting: Richard Foerster
Manufacturing: McNaughton & Gunn
BOA Logo: Mirko
BOA Editions, Ltd.
A. Poulin, Jr., President & Founder (1938-1996)
250 North Goodman Steet, Suite 306
Rochester, NY 14607
With gratitude to many writers who left us in 1997,
their voices ongoing, sustainingâ
F
that the mind's fire may not fail.
The
vowels of affliction
, of unhealed
not to feel it
, uttered,
transformed in utterance
to song.
Not farewell, not farewell, but faring
âDenise Levertov
This plane has landed thanks to God and his mercy.
That's what they say in Jordan when the plane sets down.
What do they say in our country? Don't stand up till we tell you.
Stay in your seats. Things may have shifted.
This river has not disappeared thanks to that one big storm
when the water was almost finished.
We used to say thanks to the springs
but the springs dried up so we changed it.
This rumor tells no truth thanks to people.
This river walk used to be better when no one came.
What about the grapes? Thanks to the grapes
we have more than one story to tell.
Thanks to a soft place in the middle of the evening.
Thanks to three secret hours before dawn.
These deer are seldom seen because of their shyness.
If you see one you count yourselves among the lucky on the earth.
Your eyes get quieter.
These deer have nothing to say to us.
Thanks to the fan, we are still breathing.
Thanks to the small toad that lives in cool mud at the base of the zinnias.
for William Stafford
Under the leaves, they're long and curling.
I pull a perfect question mark and two lean twins,
feeling the magnetic snap of stem, the ripened weight.
At the end of a day, the earth smells thirsty.
He left his brown hat, his shovel, and his pen.
I don't know how deep bean roots go.
We could experiment.
He left the sky over Oregon and the fluent trees.
He gave us our lives that were hiding under our feet,
saying, You know what to do.
So we'll take these beans
back into the house and steam them.
We'll eat them one by one with our fingers,
the clean click and freshness.
We'll thank him forever for our breath,
and the brevity of bean.
Once on a plane
a woman asked me to hold her baby
and disappeared.
I figured it was safe,
our being on a plane and all.
How far could she go?
She returned one hour later,
having changed her clothes
and washed her hair.
I didn't recognize her.
By this time the baby
and I had examined
each other's necks.
We had cried a little.
I had a silver bracelet
and a watch.
Gold studs glittered
in the baby's ears.
She wore a tiny white dress
leafed with layers
like a wedding cake.
I did not want
to give her back.
The baby's curls coiled tightly
against her scalp,
another alphabet.
I read
new new new
.
My mother gets tired
.
I'll chew your hand
.
The baby left my skirt crumpled,
my lap aching.
Now I'm her secret guardian,
the little nub of dream
that rises slightly
but won't come clear.
As she grows,
as she feels ill at ease,
I'll bob my knee.
What will she forget?
Whom will she marry?
He'd better check with me.
I'll say once she flew
dressed like a cake
between two doilies of cloud.
She could slip the card into a pocket,
pull it out.
Already she knew the small finger
was funnier than the whole arm.