Authors: Naomi Shihab Nye
The face of the clock at 4
A.M
.
doesn't have many friends.
Its wishes are thin and dark,
to stay humble, close to the floor.
Without it I am a crumb of talk
stuck to a plate.
The day unfolds its sad sack of chores,
the broom loses two more hairs.
Without it I am the letter carrier
who never receives
any mail herself.
Because the eye has a short shadow or
it is hard to see over heads in the crowd?
If everyone else seems smarter
but you need your own secret?
If mystery was never your friend?
If one way could satisfy
the infinite heart of the heavens?
If you liked the king on his golden throne
more than the villagers carrying baskets of lemons?
If you wanted to be sure
his guards would admit you to the party?
The boy with the broken pencil
scrapes his little knife against the lead
turning and turning it as a point
emerges from the wood again
If he would believe his life is like that
he would not follow his father into war
We thought of ourselves as people of culture
.
How long will it be till others see us that way again?
Iraqi friend
In her first home each book had a light around it.
The voices of distant countries
floated in through open windows,
entering her soup and her mirror.
They slept with her in the same thick bed.
Someday she would go there.
Her voice, among all those voices.
In Iraq a book never had one ownerâit had ten.
Lucky books, to be held often
and gently, by so many hands.
Later in American libraries she felt sad
for books no one ever checked out.
She lived in a country house beside a pond
and kept ducks, two male, one female.
She worried over the difficult relations
of triangles. One of the ducks
often seemed depressed.
But not the same one.
During the war between her two countries
she watched the ducks more than usual.
She stayed quiet with the ducks.
Some days they huddled among reeds
or floated together.
She could not call her family in Basra
which had grown farther away than ever
nor could they call her. For nearly a year
she would not know who was alive,
who was dead.
The ducks were building a nest.
Over our heads the words hung down
with giant sparkling margins.
I was try-trying again
every day of my life.
That's why I've been followed
by stacks of blank notebooks, why
any calendar page with nothing written on it
strikes me full of ravenous joy.
When a year changes,
the little stuffed man
pitches into the flames,
his paper-bag body fattened by
ragged lists, crumpled mail.
Between 8
P.M
. when I scrawl
the vanishing year on his chest
and midnight, we fall in love.
His rueful grin, his crooked hat!
He burns fast in the backyard pit.
Then a deep quiet plucked by firecrackers
under a weirdly lit city sky.
No plans come to mind.
I just stand there with my hands out
in smoke while something else
wonderful dies.
I want her
to dig up
every plant
in her garden
the pansies
the pentas
roses
ranunculus
thyme and lilies
the thing nobody knows
the name of
unwind the morning glories
from the wire windows
of the fence
take the blooming
and the almost-blooming
and the dormant
especially the dormant
and then
and then
plant them in her new yard
on the other side
of town
and see how
they breathe
Welcome to Abu Dhabi
,
the Minister of Culture said.
You may hold my falcon as we visit
.
He slipped a leather band around my arm
and urged the bird to step on board.
It wore a shapely leather hood,
Or otherwise
, the host described,
the bird might pluck your very eyes
.
My very eyes were blinking hard
behind the glasses that they wore.
The falcon's claws, so hooked and huge,
gripped firmly on the leather band.
I had to hold my arm out high.
My hand went numb. The heavens shone
a giant gold beyond our room.
I had no memory why I'd come
to see this man.
A falcon dives, and rips, and kills!
I think he likes you though
.
It was the most I could have hoped for then.
We mentioned art.
We drank some tea.
He offered to remove the hood.
I said the bird looked very good just wearing it.
Alright by me
.
Once singing would rise
in sweet sirens over the hills
and even if you were working
with your trees or books
or cooking something simple
for your own family,
you washed your hands,
combed water through your hair.
Mountains of rice, shiny shoes,
a hurricane of dancing.
Children wearing little suitcoats
and velvet dresses fell asleep in circles
after eating 47 Jordan almonds.
Who's getting married? Who's come home
from the far place over the seas?
Sometimes you didn't even know.
You ate all that food without knowing.
Kissed both cheeks of anybody who passed,
slapping the drum, reddening your palm.
Later you were full, rich,
with a party in your skin.
Where does fighting
come into this story?
Fighting got lost from somewhere else.
It is not what we like: to eat, to drink,
to fight
.
Now when the students gather quietly
inside their own classroom
to celebrate the last day of school,
the door to the building
gets blasted off.
Empty chairs where laughter used to sit.
Laughter lived here
jingling its pocket of thin coins
and now it is hiding.
It will not come to the door dressed as a soapseller,
a peddler of matches, the old Italian
from the factory in Nablus
with his magic sack of sticks.
They have told us we are not here
when we were always here
.
Their eraser does not work
.
See the hand-tinted photos of young men:
too perfect, too still.
The bombs break everyone's
sentences in half.
Who made them? Do you know anyone
who makes them?
The ancient taxi driver
shakes his head back and forth
from Jerusalem to Jericho.
They will not see, he says slowly,
the story behind the story,
they are always looking for the story after the story
which means they will never understand the story.
Which means it will go on and on.
How can we stand it if it goes on and on?
It is too long already
.
No one even gets a small bent postcard
from the far place over the seas anymore.
No one hears the soldiers come at night
to pluck the olive tree from its cool sleep.
Ripping up roots. This is not a headline
in your country or mine.
No one hears the tiny sobbing
of the velvet in the drawer.