Forbidden Music (64 page)

Waldstein, Wilhelm:
Hans Gál
(Vienna: Lafite, 1965)

Walser-Smith, Helmut:
The Continuities of German History
(Cambridge: Cambridge University Press, 2008)

Walter, Bruno:
Gustav Mahler: Ein Porträt
(Wilhelmshaven: Noetzel/Heinrichshofen, 1989)

Walter, Michael:
Hitler in der Oper Deutsches Musikleben, 1919–1945
(Stuttgart: Metzler, 2000)

Wassermann, Jakob:
Mein Weg als Deutscher und Jude
(Munich: DTV, 2005)

Watson, Peter:
The German Genius
(New York: Simon and Schuster, 2010)

Waugh, Alexander:
The House of Wittgenstein: A Family at War
(London: Bloomsbury, 2008)

Weber, Horst, ed.:
Musik in der Emigration, 1933–1945: Verfolgung, Vertreibung, Rückwirkung
(Stuttgart: Metzler, 1994)

Weber, Horst, ed.:
Zemlinskys Briefwechsel mit Schönberg, Webern, Berg und Schreker
(Mainz: Schott, 1995)

Weber, Horst, and Manuela Schwartz, ed.:
Quellen zur Geschichte emigrierter Musiker 1933–1950: Kalifornien
(Munich: Saur, 2003)

Weber, Horst, and Manuela Schwartz, ed.:
Sources Relating to the History of Emigré Musicians, 1933–1950. Vol. 1: California
(Munich: Saur, 2003)

Wegele, Peter:
Der Filmkomponist Max Steiner
(Vienna: Böhlau, 2012)

Weill, Kurt:
Musik und Theater: Gesammelte Schriften mit einer Auswahl von Gesprächen und Interviews
, ed. Jürgen Schebera and Stephen Hinton (Berlin: Henschel, 1990)

Weill, Kurt:
Speak Low (when you speak love): The Letters of Kurt Weill and Lotte Lenya
, trans. and ed. Kim Kowalke and Lys Symonette (Berkeley, CA: University of California Press, 1996)

Weinberger, Peter:
Nanopolis: Geschichten über Menschen entlang der Wiener Straßenbahnlinie D
(Weißenkirchen in der Wachau: Österreichisches Literaturforum, 2011)

Weiner, Marc A.:
Antisemitische Fantasien: Die Musikdramen Richard Wagners
(Berlin: Henschel, 2000)

Weiss, John:
The Politics of Hate: Anti-Semitism, History, and the Holocaust in Modern Europe
(Chicago: Dee, 2003)

Weißmann, Adolf:
Die Musik in der Weltkrise
(Munich: DVA, 1922)

Weissweiler, Eva:
Ausgemerzt! Das Lexikon der Juden in der Musik und seine mörderischen Folgen
(Munich: Dittrich, 1999)

Wellesz, Egon:
A History of Byzantine Music and Hymnography
(Oxford: Oxford University Press, 1961)

Wellesz, Egon:
Arnold Schönberg
(Wilhelmshaven: Heinrichshofen, 1985)

Wellesz, Egon and Emmy:
Memoiren
, ed. Franz Endler (Vienna: Zsolnay, 1981)

Weniger, Kay:
Zwischen Bühne und Baracke: Lexikon der verfolgten Theater-, Film- und Musikkünstler, 1933–1945
(Berlin: Metropol, 2008)

Weyr, Thomas:
The Setting of the Pearl: Vienna under Hitler
(Oxford: Oxford University Press, 2005)

Wheatcroft, Andrew:
The Enemy at the Gate: Habsburgs, Ottomans and the Battle for Europe
(London: Bodley Head, 2008)

Widmaier, Tobias, ed.:
Zum Einschlafen gibt's genügend Musiken: Die Referate des Erwin Schulhoff-Kolloquiums, Düsseldorf 1994
(Hamburg: von Bockel, 1996)

Wilford, Hugh:
The Mighty Wurlitzer: How the CIA Played America
(Cambridge, MA: Harvard University Press, 2008)

Willett, John:
The Weimar Years: A Culture Cut Short
(London: Thames and Hudson, 1984)

Willitt, John:
The New Sobriety – Art and Politics in the Weimar Period, 1917–1933
(London: Thames and Hudson, 1982)

Wiser, William:
The Crazy Years: Paris in the Twenties
(London: Thames and Hudson, 1983)

Wißmann, Friederike:
Hanns Eisler: Komponist, Weltbürger, Revolutionär
(Gütersloh: Bertelsmann, 2011)

Wladika, Michael:
Hitlers Vätergeneration: Die Ursprünge des Nationalsozialismus in der K.u.K. Monarchie
(Vienna: Böhlau, 2005)

Wolffram, Knud:
Tanzdielen und Vergnügungspaläste
(Berlin: Hentrich, 1992)

Wörner, Karl H.:
Schönberg's Moses and Aaron
, trans. Paul Hamburger (London: Faber, 1959)

Wulf, Joseph:
Musik im Dritten Reich: Eine Dokumentation, Zeitgeschichte
(Reinbek: Rowohlt, 1966)

Wunberg, Gotthart, and Johannes J. Braakenburg:
Die Wiener Modern Literatur, Kunst und Musik zwischen 1890 und 1910
(Leipzig: Reclam, 1981)

Zamoyski, Adam:
Rites of Peace: The Fall of Napoleon and the Congress of Vienna
(New York: Harper, 2007)

Zuckerkandl, Berta:
Österreich Intim: Erinnerungen 1892–1942
(Vienna: Amalthea, 1970)

Zuckerkandl, Berta: ‘George Minne’, in
Bertha Zuckerkandl, Zeitkunst Wien, 1901–1907
(Vienna: Heller, 1908)

Zühlsdorff, Vokmar:
Hitler's Exile: The German Cultural Resistance in America and Europe
, trans. Martin H. Bott (London: Continuum, 2004)

Zweig, Stefan:
Die Welt von Gestern: Erinnerungen eines Europäers
(Frankfurt: Fischer, 1970)

Index

1848 Revolution
(i)
,
(ii)
,
(iii)
,
(iv)

Abdication of Death, The see Der Kaiser von Atlantis

Abdul the Damned
(film)
(i)

Aber, Adolf
(i)
,
(ii)

Abravanel, Maurice
(i)

Academic Festival Overture
(Brahms)
(i)
,
(ii)

Achron, Josef
(i)

Action League for German Culture
(i)
,
(ii)
,
(iii)

Adler, Guido

Anbruch
(i)
,
(ii)

anti-Romantics
(i)
,
(ii)
,
(iii)

Austria's Liberalism
(i)

Denkmäler der Tonkunst in Österreich
(i)
,
(ii)
,
(iii)
,
(iv)

Jugendstil school
(i)
,
(ii)

musical legacy of World War I
(i)

restitution after Hitler
(i)
,
(ii)
,
(iii)
,
(iv)

Umfang, Methode und Ziel der Musikwissenschaft
(i)

Wagner
(i)
,
(ii)
,
(iii)

Adler, Melanie
(i)
,
(ii)
,
(iii)
,
(iv)

ADMV
see
Allgemeiner Deutscher Musikverein

Adorno, Theodor

Anbruch
(i)

CIA
(i)
,
(ii)

Composing for Films
(i)
,
(ii)
,
(iii)

ethics
(i)

film music
(i)

Der lange Blick
(i)

Mahler
(i)
,
(ii)

on past composers
(i)

Quasi una fantasia
(i)

What National Socialism Has Done to the Arts
(i)

The Adventures of Robin Hood
(film)
(i)
,
(ii)

Aestheticism
(i)
,
(ii)
,
(iii)

The African Queen
(film)
(i)

agitprop
(i)
,
(ii)
,
(iii)

AKM (Autoren, Komponisten, Musikverleger)
(i)

Albert, Eugen d’
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Albertis, Viktor
(i)

Alexander Nevsky
(film)
(i)

Alkan, Charles-Valentin
(i)

Alkestis
(Wellesz)
(i)
,
(ii)
,
(iii)

Allgemeiner Deutscher Musikverein (ADMV)
(i)
,
(ii)
,
(iii)

All Quiet on the Western Front
(film)
(i)

Altenberg, Peter
(i)
,
(ii)
,
(iii)
,
(iv)

Altmann, Walter
(i)
,
(ii)

Alwyn, William
(i)
,
(ii)

American Society of Composers, Authors and Publishers (ASCAP)
(i)

Anbruch
(
Musikblätter des Anbruch
)

anti-Romantics
(i)
,
(ii)
,
(iii)

British music
(i)

Expressionism
(i)

launch of
(i)

Michael Kohlhaas
(i)

as musical chronicle of change
(i)

‘New Objectivity’
(i)

political science of music
(i)

‘The Secret Terror’
(i)

Ančerl, Karel
(i)

Andersen, Hans Christian
(i)
,
(ii)
,
(iii)
,
(iv)

An die Freude
(Schiller)
(i)

Andreasfest
(Gramman)
(i)

Andromache
(Windt)
(i)

Ansermet, Ernest
(i)
,
(ii)

Antheil, George
(i)

Anthony Adverse
(film)
(i)

Anthroposophy movement
(i)

anti-Romantics
(i)

anti-Romanticism
(i)

Jewish response to neo-Romanticism
(i)

overview
(i)

Schott & Sons
(i)

Wellesz
(i)

anti-Semitism

anti-Romantics
(i)
,
(ii)
,
(iii)

Berlin cabaret
(i)
,
(ii)

Catholicism
(i)
,
(ii)

exile and worse
(i)
,
(ii)
,
(iii)
,
(iv)

German and Jewish identity
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

Krenek
(i)
,
(ii)

liberalism, Brahms and Hanslick
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Mahler and Korngold
(i)
,
(ii)
,
(iii)

musical migration
(i)
,
(ii)
,
(iii)

music for the masses
(i)

Nazi regime
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Nordau
(i)
,
(ii)

resolute Romantics
(i)
,
(ii)
,
(iii)
,
(iv)

restitution after Hitler
(i)

Schreker
(i)
,
(ii)
,
(iii)

Wagner and German Jewish composers
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Weininger
(i)
,
(ii)

Arandora Star
, SS
(i)

Arendt, Hannah
(i)
,
(ii)
,
(iii)

Arlecchino
(Busoni)
(i)

Arma, Paul (Imre Weisshaus)
(i)

Der arme Heinrich
(Pfitzner)
(i)
,
(ii)

Arnold, Malcolm
(i)

art

Altenberg on
(i)

assimilation of Jews
(i)

Eisler on
(i)
,
(ii)

ethics
(i)

Expressionism
(i)
,
(ii)

Furtwängler and Goebbels
(i)

liberalism
(i)

modernism
(i)

‘New Objectivity’
(i)

Reichskulturkammer (RKK)
(i)

Arts Council
(i)
,
(ii)
,
(iii)

The Art-work of the Future
(Wagner)
(i)

Der Arzt der Sobeide
(
Sobeide's Doctor
) (Gál)
(i)

Asquith, Margot (Lady Oxford)
(i)
,
(ii)

atonal music
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Auernheimer, Raoul
(i)
,
(ii)
,
(iii)

Aufstieg und Fall der Stadt Mahagonny
(Weill)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Auschwitz
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

Austria

annexation
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

Austrian Leagues
(i)

Catholicism
(i)

dictatorship
(i)
,
(ii)

exile and worse
(i)
,
(ii)
,
(iii)
,
(iv)

fin de siècle
(i)

German and Jewish identity
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

liberalism, Brahms and Hanslick
(i)
,
(ii)

musical migration
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Republic declared
(i)
,
(ii)

restitution after Hitler
(i)
,
(ii)
,
(iii)
,
(iv)

World War I
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Austria-Hungary
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

The Austrian Mind
(Johnston)
(i)