Authors: Michael Haas
New School of Social Research, New York
(i)
Nicolai, Carl Otto Ehrenfried
(i)
,
(ii)
Niemann, Walter
(i)
Nietzsche, Friedrich
(i)
,
(ii)
,
(iii)
,
(iv)
Nikisch, Arthur
(i)
Nissel, Siegmund
(i)
No Monkey Business
(film)
(i)
Nordenstrom, Gladys
(i)
‘November Group’ (‘Die Novembergruppe’)
(i)
,
(ii)
,
(iii)
,
(iv)
Now Voyager
(film)
(i)
Nuit et brouillard
(film)
(i)
Das Nusch-Nuschi
(Hindemith)
(i)
Ocean
symphony (Rubinstein)
(i)
‘October Diploma’ of 1860
(i)
Oedipus Rex
(Stravinsky)
(i)
Offenbach, Jacob (Jacques)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
Of Musical Beauty
(
Vom Musikalisch-Schönen
) (Hanslick)
(i)
,
(ii)
,
(iii)
Ohlendorf, Otto
(i)
Olbrich, Joseph Maria
(i)
‘Old German School’
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
‘Old Reich’ refugees
(i)
The Oppermanns
(Feuchtwanger)
(i)
L'or dans la rue
(film)
(i)
Ormandy, Eugene (Jenő Blau)
(i)
Ornament and Crime
(Loos)
(i)
Orphée aux enfers
(Offenbach)
(i)
Der Österreichische Kulturbund
(i)
Ottoman Empire
(i)
,
(ii)
,
(iii)
,
(iv)
Over the Moon
(film)
(i)
Pabst, Georg
(i)
A Paean on Hate For England
(Lissauer)
(i)
Paganini, Niccolò
(i)
Pahlen, Kurt
(i)
Palestine
(i)
Palestrina
(Pfitzner)
(i)
Palmström
(Eisler)
(i)
Panofsky, Erwin
(i)
Parsifal
(Wagner)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Passacaglia
(Goldschmidt)
(i)
Pataky, Koloman von
(i)
Paul VI, Pope
(i)
Paulskirche (St Paul's Church), Frankfurt
(i)
,
(ii)
Paumgartner, Bernhard
(i)
Pelléas et Mélisande
(Debussy)
(i)
Pelleas und Melisande
(Schoenberg)
(i)
,
(ii)
,
(iii)
,
(iv)
Peter Grimes
(Britten)
(i)
Peter Ibbetson
(film)
(i)
Peters (publisher)
(i)
,
(ii)
,
(iii)
La petite de Parnasse
(film)
(i)
Petschull, Johannes
(i)
Un peu d'amour
(film)
(i)
Pfitzner, Hans
Beethoven und die Moderne
(i)
Das Christelflein
(i)
Das Herz
(i)
Jewish response to neo-Romanticism
(i)
Musical Impotence
(i)
,
(ii)
,
(iii)
Palestrina
(i)
Von deutscher Seele
(i)
Phantastisches Intermezzo
(Weigl)
(i)
Pierrot Lunaire
(Schoenberg)
(i)
,
(ii)
,
(iii)
A Pilgrim's Progress
(Vaughan Williams)
(i)
Piscator, Erwin
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Piston, Walter
(i)
Pleasants, Henry
(i)
Pollak, Egon
(i)
Pollock, Jackson
(i)
Popper, David
(i)
Posa, Oskar Karl
(i)
Pötzl, Otto
(i)
Prélude à l'après-midi d'un faune
(Debussy)
(i)
Les Préludes
(Liszt)
(i)
Die Presse
(i)
see also Neue Freie Presse
Previn, André
(i)
Priberg, Fred
(i)
The Prince and the Pauper
(film)
(i)
Pringsheim, Katya
(i)
Prinzessin Brambilla
(Braunfels)
(i)
Prinzessin Brambilla
(Rubin)
(i)
The Private Lives of Don Juan
(film)
(i)
‘Das Problem der Form’ (‘The Problem of Form’) (Wellesz)
(i)
Prokofiev, Sergei
(i)
Prosperos Beschwörungen
(
The Spells of Prospero
) (Wellesz)
(i)
,
(ii)
,
(iii)
Protestantism
(i)
,
(ii)
,
(iii)
,
(iv)
Protocols of the Elders of Zion
(i)
Prussia
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Prussian Academy of Arts
(i)
,
(ii)
,
(iii)
Psalm 111
(Sulzer)
(i)
Publikum und Popularität
(
The Public and Popularity
) (Wagner)
(i)
Puccini, Giacomo
(i)
,
(ii)
,
(iii)
,
(iv)
Quasi una fantasia
(Adorno)
(i)
Quasi una fantasia
exhibition
(i)
Raabe, Peter
(i)
Rabinovitch, Freda
(i)
Race and Culture
(Hertz)
(i)
racism
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
Radetzky March
(Roth)
(i)
Radetzky March
(Strauss)
(i)
radio
(i)
Rain
(film)
(i)
Rankl, Karl
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
Raphael, Günter
(i)
Rathaus, Karol
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
Raus mit den Männern!
(
Chuck out the Men!
) (Holländer)
(i)
Reagan, Ronald
(i)
Redlich, Hans Ferdinand
(i)
‘The Re-establishment of the Professional Civil Service’ law
(i)
Refugee Children Movement (RCM)
(i)
La Règle du jeu
(film)
(i)
Reichert, Heinz
(i)
Reichskulturkammer (RKK) (Reich's Chamber of Culture)
(i)
Reichsmusikkammer (RMK) (Reich Chamber of Musical Affairs)
(i)
,
(ii)
,
(iii)
Reichsverband Jüdischer Kulturbünde (JKB)
(i)
,
(ii)
Reinhardt, Max
Erich Korngold
(i)
,
(ii)
,
(iii)
,
(iv)
ISCM
(i)
A Midsummer Night's Dream
(i)
,
(ii)
,
(iii)
move to Berlin
(i)
return to Austria
(i)
Weill
(i)
Zuckerkandl circle
(i)
Reizenstein, Franz
(i)
Renoir, Jean
(i)
Resnais, Alain
(i)
Réti, Rudolf
(i)
,
(ii)
,
(iii)
,
(iv)
Rettich, Wilhelm
(i)
Revolution of 1848
(i)
,
(ii)
,
(iii)
,
(iv)
Reznicek, Emil von
(i)
Richter, Alfred
(i)
Richter, Ernst
(i)
Riefenstahl, Leni
(i)
Rilke, Rainer Maria
(i)
Ring
(Wagner)
(i)
RKK
see
Reichskulturkammer
RMK
see
Reichsmusikkammer
Robert der Teufel
(
Robert le Diable
) (Meyerbeer)
(i)
Rode, Wilhelm
(i)
Roger, Kurt
(i)
Roller, Alfred
(i)
Romanticism
anti-Romantics
(i)
anti-Romanticism
(i)
overview
(i)
Schott & Sons
(i)
Wellesz
(i)
liberalism, Brahms and Hanslick
(i)
,
(ii)
,
(iii)
music for the masses
(i)
‘New Objectivity’
(i)
,
(ii)
,
(iii)
,
(iv)
resolute Romantics
Chamberlain
(i)
Erich Korngold
(i)
Hollywood
(i)
Jewish response to neo-Romanticism
(i)
Romantic renewal
(i)
unexpected developments
(i)
Wagner and German Jewish composers
(i)
,
(ii)
,
(iii)
Romantik in der Musik
(Weill)
(i)
Rooney, Mickey
(i)
Roosevelt, Franklin D.
(i)
,
(ii)
,
(iii)
Rosé, Alma
(i)
Rosé, Arnold
(i)
Rosen aus Florida
(Fall)
(i)
Rosenberg, Alfred
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
Der Rosenkavalier
(Strauss)
(i)
,
(ii)
,
(iii)
Rosenstock, Joseph
(i)
,
(ii)
,
(iii)
,
(iv)
Rossini, Gioachino
(i)
,
(ii)
,
(iii)
Rostal, Max
(i)
Die Rote Fahne
(
The Red Flag
)
(i)
,
(ii)
Roth, Joseph
(i)
,
(ii)
,
(iii)
,
(iv)
Royal College of Music
(i)
Rubenstein, Joseph
(i)
Rubinstein, Anton
(i)
,
(ii)
,
(iii)
,
(iv)
Rubinstein, Arthur
(i)
Rund um die Gedächniskirche
(
Ring-Round the Memorial Church
) (Holländer)
(i)
Russia
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
Ruttmann, Walter
(i)
Saar, Ferdinand von
(i)
The Sacred Duck
(
Die heilige Ente
) (Gál)
(i)
,
(ii)
,
(iii)
,
(iv)
Sadler's Wells
(i)
Saint-Germain, Treaty of
(i)
,
(ii)
St Louis
, MS
(i)
St Matthew Passion
(Bach)
(i)
Salieri, Antonio
(i)
Salis, Rodolphe
(i)