Forbidden Music (65 page)

‘The Austrian Studio’ series
(i)

Autobiographical Sketches
(Wagner)
(i)

Bab, Julius
(i)

Babbitt, Milton
(i)

Baby an der Bar
(Grosz)
(i)

Bach, Johann Sebastian
(i)
,
(ii)

Bacher, Eduard
(i)
,
(ii)

Baden-Baden festival
(i)
,
(ii)
,
(iii)
,
(iv)

Bahr, Hermann
(i)

Die Bakchantinnen
(Wellesz)
(i)
,
(ii)
,
(iii)
,
(iv)

Bakunin, Mikhail
(i)

Balázs, Béla
(i)
,
(ii)

Ball, Hugo
(i)

Ballin, Albert
(i)

Bambi – a Life in the Woods
(Salten)
(i)
,
(ii)
,
(iii)

Bartók, Béla
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Battleship Potemkin
(film)
(i)
,
(ii)
,
(iii)

Bauer-Lechner, Natalie
(i)

Bauhaus
(i)
,
(ii)
,
(iii)

Baumann, Kurt
(i)
,
(ii)

BBC (British Broadcasting Corporation)
(i)
,
(ii)

Becher, Johannes R.
(i)

Beecham, Sir Thomas
(i)

Beer, Joseph
(i)

Beethoven, Ludwig van
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Beethoven und die Moderne
(Pfitzner)
(i)

Die beiden Klaas
(Gál)
(i)
,
(ii)
,
(iii)

Bekenntnisoper (operas of avowal)
(i)

Bekker, Paul
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Benatzky, Ralph
(i)
,
(ii)
,
(iii)

Benedikt, Ernst
(i)
,
(ii)

Benedikt, Moritz
(i)
,
(ii)

Ben-Haim, Paul
(i)

Beninger, Eduard
(i)

Benjamin, Arthur
(i)
,
(ii)

Benjamin, Walter
(i)

Benn, Gottfried
(i)

Berg, Alban

anti-Romantics
(i)
,
(ii)
,
(iii)

Jewish response to neo-Romanticism
(i)

Lulu
(i)
,
(ii)
,
(iii)
,
(iv)

Piano Sonata Op. 1
(i)

Schreker
(i)

Three Orchestral Pieces
(i)

Wozzeck
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)

Bergman, Ingrid
(i)

Berkeley, Lennox
(i)

Berlau, Ruth
(i)

Berlin

cabaret
(i)
,
(ii)

Eisler
(i)
,
(ii)
,
(iii)

Jugendstil/
Vereinigung
(i)

migration to
(i)
,
(ii)
,
(iii)
,
(iv)

‘New Objectivity’
(i)

Berlin Alexanderplatz
(film)
(i)

Berlin Cabaret
(Jelavich)
(i)

Berlin: die Sinfonie der Großstadt
(film)
(i)
,
(ii)

Berlioz, Hector
(i)
,
(ii)
,
(iii)
,
(iv)

Berman, Karel
(i)
,
(ii)

Bethge, Hans
(i)

Bettauer, Hugo
(i)

‘Between Hell and Purgatory’ (anon)
(i)

Beveridge, William
(i)

Bianca
(Brüll)
(i)

‘Biedermeier Age’
(i)

Bierbaum, Otto Julius
(i)
,
(ii)

Bilke, Rudolf
(i)

Billroth, Theodor
(i)

Billy Budd
(Britten)
(i)

Bing, Rudolf
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

The Birds
(Braunfels)
(i)

Bismarck, Otto von
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)

Bittner, Julius
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Blacher, Boris
(i)

Der Blaue Reiter
(i)
,
(ii)

Blau, Jenő (Eugene Ormandy)
(i)

Blech, Leo
(i)
,
(ii)
,
(iii)

Blei, Franz
(i)

Blessinger, Karl
(i)

Bloch, Ernst
(i)

Blücher, Heinrich
(i)

The Blue Angel
(film)
(i)
,
(ii)
,
(iii)

Blum, Robert
(i)

Bock, Gustav
(i)

Boehmer, Konrad
(i)

Bogart, Humphrey
(i)

Bohemia
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Des Bohémiens et de leur musique en Hongrie
(Liszt)
(i)

Böhm, Karl
(i)

Bois, Curt
(i)

Bolshevism
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Bonno, Giuseppe
(i)

Book of the Hanging Gardens
(Schoenberg)
(i)
,
(ii)

Boris III, Tsar
(i)

Borngräber, Otto
(i)

Born, Max
(i)

Bote & Bock
(i)
,
(ii)

Botstein, Leon
(i)
,
(ii)
,
(iii)

Boulez, Pierre
(i)
,
(ii)
,
(iii)

Boult, Adrian
(i)
,
(ii)
,
(iii)
,
(iv)

Brachvogel, Albert Emil
(i)

Brahms, Johannes

Academic Festival Overture
(i)
,
(ii)

Aryanisation of music business
(i)

death of
(i)

Gál
(i)
,
(ii)

Goldmark, Hanslick and Brahms
(i)
,
(ii)

Hanslick
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Hungarian Dances
(i)

influence of
(i)

Korngold
(i)

liberalism
(i)
,
(ii)
,
(iii)

musical world and Jews
(i)

‘Old German School’
(i)

Triumphlied
(i)

Wagner
(i)
,
(ii)
,
(iii)

Zemlinsky and Schoenberg
(i)

Brainin, Norbert
(i)

Brand, Max
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Brandts-Buys, Jan
(i)

Braslavsky, Salomon
(i)

Braunfels, Walter

The Birds
(i)

Catholicism
(i)

Don Gil von den grünen Hosen
(i)
,
(ii)

on emigration
(i)
,
(ii)

Jewish response to neo-Romanticism
(i)
,
(ii)

‘New Objectivity’
(i)

Prinzessin Brambilla
(i)

Szenen aus den Leben der heiligen Johanna
(i)
,
(ii)

Der Traum ein Leben
(i)

Die Verkundigung
(i)

Die Vögel
(i)
,
(ii)
,
(iii)

Brecher, Gustav
(i)

Brecht, Bertolt

Eisler
(i)
,
(ii)
,
(iii)
,
(iv)

Expressionism
(i)

films
(i)
,
(ii)

The Seven Deadly Sins
(i)

Threepenny Opera
(i)
,
(ii)
,
(iii)

Brendel, Franz
(i)

Breuer, Josef
(i)

Breuer, Robert
(i)

Britain
see
Great Britain

Brith, B'nai
(i)

British Petroleum (BP)
(i)

British Union of Fascists (BUF)
(i)
,
(ii)

Britten, Benjamin
(i)
,
(ii)
,
(iii)

Broch, Hermann
(i)

Brod, Max
(i)
,
(ii)

Bruch, Max
(i)

Die Brücke
movement
(i)

Bruckner, Anton
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Brüll, Ignaz
(i)
,
(ii)
,
(iii)
,
(iv)

Buber, Martin
(i)
,
(ii)

Büchner, Georg
(i)
,
(ii)
,
(iii)

Budai, Pál
(i)

Bulgaria
(i)
,
(ii)

Bülow, Bernhard von
(i)

Bundestag
(i)
,
(ii)

Bunge, Hans
(i)

Burckhard, Max
(i)

Die Bürgschaft
(Weill)
(i)
,
(ii)

Burgstaller, Valeska
(i)

Burschenschaften
(academic fraternities)
(i)
,
(ii)

Busch, Ernst
(i)
,
(ii)

Busch, Fritz
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Bush, Alan
(i)

Busoni, Ferruccio
(i)
,
(ii)
,
(iii)
,
(iv)

Butting, Max
(i)
,
(ii)

Byrns, Harold
(i)

cabaret, Berlin
(i)

Café des Westens
(i)

Café Griensteidl
(i)

Café Größenwahn (‘Café Megalomania’)
(i)

Cage, John
(i)
,
(ii)
,
(iii)

Cagliostro in Wien
(Strauss)
(i)

Cagney, James
(i)

Canetti, Elias
(i)

Cantata of the Bitter Herbs
(Toch)
(i)

Caplet, André
(i)

Cardillac
(Hindemith)
(i)

Cargaison Blanche
(film)
(i)

Casablanca
(film)
(i)
,
(ii)

Casals, Pablo
(i)

Catherine the Great
(film)
(i)

Catholicism

anti-Semitism
(i)
,
(ii)

German and Jewish identity
(i)
,
(ii)
,
(iii)

liberalism
(i)

Mahler
(i)

musical migration
(i)
,
(ii)

Nazi regime
(i)

Nordau
(i)

restitution after Hitler
(i)
,
(ii)

Wellesz
(i)
,
(ii)

CCF
see
Congress for Cultural Freedom

Celan, Paul
(i)

Celibidache, Sergiu
(i)

The Cenci
(Shelley)
(i)

Chamberlain, Hilda
(i)

Chamberlain, Houston Stewart

The Foundations of the Nineteenth Century
(i)
,
(ii)
,
(iii)

Jewish response to neo-Romanticism
(i)
,
(ii)

Romantic renewal
(i)

Wagner's political and cultural legacy
(i)

Wilhelm II
(i)

Chamberlain, Joseph
(i)

Chamberlain, Neville
(i)
,
(ii)

Chamber Symphony
(Schreker)
(i)

Les chants du silence
(Arma)
(i)

Chaplin, Charlie
(i)

Chopin, Frédéric
(i)

Das Christelflein
(Pfitzner)
(i)

Christianity
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Christian Social Party
(i)
,
(ii)

Christie, Sir John
(i)

Christophorus, oder die Vision einer Oper
(Schreker)
(i)

Churchill, Winston
(i)
,
(ii)
,
(iii)
,
(iv)

CIA (Central Intelligence Agency)
(i)
,
(ii)
,
(iii)
,
(iv)

cinema
see
film music

The City without Jews
(
Die Stadt ohne Juden
) (Bettauer)
(i)

Clemenceau, George
(i)

Closel, Amaury du
(i)

Clossmann, Eleonore von
(i)
,
(ii)

Coates, Albert
(i)

Cold War
(i)
,
(ii)

Communism
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)

Composing for Films
(Eisler and Adorno)
(i)
,
(ii)
,
(iii)