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Authors: Angela Carter

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Written as the Introduction to Gilbert Hernandez,
Duck Feet
(London: Titan Books, 1988).

28.
Louise Erdrich:
The Beet Queen

A review of Louise Erdrich,
The Beet Queen
(London: Hamish Hamilton),
Guardian
, 1987.

29.
Grace Paley:
The Little Disturbances of Man
and
Enormous Changes at the Last Minute

A review of Grace Paley,
The Little Disturbances of Man
(London: Virago) and
Enormous Changes at the Last Minute
(London: Virago),
London Review of Books
, 1980.

30.
Charlotte Brontë:
Jane Eyre

Written as the Introduction to Charlotte Brontë,
Jane Eyre
(London: Virago, 1990).

1
.
The Poems of Charlotte Brontë and Patrick Branwell Brontë
, ed. T. J. Wise and J. A. Symington (Oxford: Blackwell, 1934).

31.
David Kunzle:
Fashion and Fetishisms

A review of Christina Stead,
The Beauties and Furies
, Introduction by Hilary Bailey (London: Virago),
London Review of Books
, 1982 and
I'm Dying Laughing
(London: Virago),
Guardian
, 1987.

33.
Phyllis Rose:
Jazz Cleopatra

A review of Phyllis Rose,
Jazz Cleopatra: Josephine Baker in her Time
(London: Chatto & Windus),
The Tatler
, 1990.

34.
Murasaki Shikibu:
The Tale of Genji

A review of Murasaki Shikibu,
The Tale of Genji
(London: Secker & Warburg),
Guardian
, 1977.

35.
Eric Rhode:
On Birth and Madness

A review of Eric Rhode,
On Birth and Madness
(London: Duckworth),
London Review of Books
, 1988.

Envoi: Bloomsday

First published in
New Society
, 1982.

1
.
James Joyce
, Richard Ellman (New York: Oxford University Press, 1959).

Also available from Vintage

ANGELA CARTER

Burning Your Boats

WITH AN INTRODUCTION BY
Salman Rushdie

‘One of the century's best writers'
Daily Telegraph

‘Burning Your Boats
brings together her four volumes of short fiction . . . They testify to Carter's range, daring and invention. An important book'
Eileen Battersby,
Irish Times

‘A fine, fierce, incandescent talent'
Tom Adair,
Scotland on Sunday

‘A writer cultured in every sense of the word, whose syntax is ever artful, whose vocabulary is zestfully arcane, whose erudition manifests itself in her work in a shimmering play of parody and illusion. She was one of the century's best writers, and her stories are among her finest works'
Lucy Hughes-Hallett,
Sunday Times

 

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.

 

Version 1.0

Epub ISBN 9781409040774

www.randomhouse.co.uk

Published by Vintage 2006

2 4 6 8 10 9 7 5 3 1

Copyright © The Estate of Angela Carter 1992
Introduction copyright © Michael Moorcock 2006

Angela Carter has asserted her right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

First published in Great Britain in 1992 by Chatto & Windus

First published by Vintage in 1993

Vintage
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The Random House Group Limited Reg. No. 954009
www.randomhouse.co.uk/vintage

A CIP catalogue record for this book
is available from the British Library

ISBN 9780099222811 (from Jan 2007)
ISBN 0099222817

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