Read Exercises in Style Online
Authors: Raymond Queneau
Then if you are patient for an hour or two, in front of a bumpy
station you can dip your tepid hand into the exquisite freshness of a vegetable ivory
button which is not in its right place.
The general effect is green with a white top, oblong, with windows.
’Tisn’t as easy as all that to do windows. The platform isn’t any
colour, it’s half grey half brown if it must be something. The most important
thing is it’s full of curves, lots of esses as you might say. But the way it is at
midday, rush hour, it’s an extraordinary mess. To get somewhere near it
you’d have to extract from the magma a light ochre rectangle, put a light ochre
oval on top, and then on top of that again, stick a darkish ochre hat which you’d
encircle with a plait of burnt Siena, all mixed-up, at that. Then you’d shove in a
patch the colour of
duck’s muck to represent fury, a red
triangle to express anger, and just a pissworth of green to portray suppressed bile and
squittery funk.
After that you’d draw one of those sweet darling little navy
blue overcoats and, near the top of it, just below the opening, you’d put a
darling little button drawn with great precision and loving care.
Quacking and letting off, the S came rasping to a halt alongside the silent pavement. The sun’s trombone flattened the midday note. The pedestrians, bawling bagpipes, shouted out their numbers. Some went up a semitone, which sufficed to carry them off towards the Porte Champerret with its chanting arcades. Among the panting élite was a clarinet tube to whom the untowardness of the times had given human form, and the perversity of a hatmaker had given to wear on the coconut an instrument which resembled a guitar that might perhaps have plaited its strings together to make a girdle. Suddenly in the middle of
some minor arrangements between enterprising passengers and consenting passengeresses and of bleating tremolos from the covetous conductor, a ludicrous cacophony broke out in which the fury of the double bass was blended with the irritation of the trumpet and the jitters of the bassoon.
Then, after sigh, silence, pause and double pause, there rang forth the triumphant melody of a button in the process of going up an octave.
BUS CROWDED STOP YNGMAN LONGNECK PLAITENCIRCLED HAT APOSTROPHISES
UNKNOWN PASSENGER UNAPPARENT REASON STOP QUERY FINGERS FEET HURT CONTACT HEEL ALLEGED
PURPOSELY STOP YNGMAN ABANDONS DISCUSSION PRO-VACANT SEAT STOP 1400 HOURS PLACE ROME
YNGMAN LISTENS SARTORIAL ADVICE FRIEND STOP MOVE BUTTON STOP SIGNED ARCTURUS
O in the bus
O in the bin
th ’yomnibus S
th ’yomnibussin
which with percuss
and hellish din
goes on its way
with us within
nearth’ Pare Monceau
nearth’ Pare Monsin
in the sun’s glow
in the sun’s glin
Monsieur André
whose neck’s too thin
wears a hatuss
wears a hatin
in th ’yomnibus
in th ’yomnibin
And this hatuss
and this hatin
is ribbonless
is ribbonlin
in th ’yomnibus
in th ’yomnibin
and what is muss
and what is min
there’s an excess
of bods therein
and this André
whose neck’s too thin
starts to inveigh
starts to invin
against a cuss
against a kin
in th ’yomnibus
in th ’yomnibin
but this same cuss
but this same kin
za bit too tuss
za bit too tin
and says his say
and says his sin
on th ’yomnibus
on th ’yomnibin
and our André
whose neck’s too thin
goes by express
goes by exprin
in the bus S
in the bussin
a seat to let
his arse sink in
A seat I’d let
my arse sink in
I the poet
gay Harlequin
and two hours
after I saw him
at Saint-Lazare
at Saint-Lazin
the station? yeah
so spick and spin
him, that’s André
whose neck’s too thin
I heard him say
“O pardon min
my dear old pay
my dear old pin
for my buttuss
for my buttin”
quite near the bus
quite near the bin
Now if by
chancetmy tale you grin
since happiness
was born a twin
then take no restand
take no rin
until from far
until from finn
from the bus S
from the bussin
you too your eyes
should chance to spin
on that André
whose neck’s too thin
& his hatuss
& his hatin
& his buttuss
& his buttin
in th ’yomnibus
in th ’yomnibin
th ’yomnibus S
th ’yomnibussin.
Ed on to ay rd wa id sm yo da he nt ar re at pl rm fo an of us sb aw is
ou ay ma ng ho nw ne se wa ck oo st ng lo dw an wa ho ea sw ng ri at ah th wi la ap ro
it dt un sa he me.
Den sud est lyh edt art ran oha his gue ghb nei cla our ngt imi hew
hat urp asp lyt ose din rea his gon sev toe tim ery yon ean tin ego ut oro.
Verh howe idly erap done aban disc dthe onan ussi eada dmad rava shfo
seat cant.
Oursl afewh sawhi ateri ninfr magai thega
ontof
ntlaz resai gross areen conve edina onwit rsati endwh hafri ellin owast ogett ghimt
butto hetop sover nofhi aised coatr.
Ytowa oneda ddayo rdsmi earpl nther mofan atfor saway sbusi anwho oungm kwast senec gandw oolon weari howas twith ngaha tedco aplai ndit rdrou. Lyhest sudden oharan artedt neighb guehis imingt ourcla urpose hathep onhist lytrod rytime oeseve gotino anyone rout. Herapid however onedthe lyaband ionandm discuss htoward adeadas tseat savacan.
Slater is a few hour in in fron aw him aga resaintl tof the ga rossed in azareeng ation wit a convers who was te ha friend to get the lling him nof his ov top butto ised ercoatra.
Ards midda one day tow r platform yon the rea saw a young of an S bus I eck was too man whosen o was weari long and wh ha plaited nga hat wit it cord round. Started toh suddenly he neighbourc arangue his the purpose laiming tha stoes every ly trod on hi got in or out time anyone. Pidly abando however he ra ssion and mad ned the discu acant seat ea dash for av.
Er I saw him aga a few hours lat he gare Saintl in in front oft edina convers azare engross iend who waste ation with afr tthe top button lling him toge at raised a bit nof his overco.
Day one midday towards the on platform rear an of bus S saw I young a
whose man was neck long too who and wearing was hat a a with cord plaited it round.
Started to suddenly he neighbour claiming harangue his purposely trod that he toes every
on his got in time anyone or out. Abandoned the discussion however he rapidly dash for a
and made a vacant seat.
I saw him again a few hours later gare Saint-Lazare engrossed in front
of the a friend who was in a conversation with the top button of telling him to get his
overcoat raised somewhat.
In a hyperomnibus full of petrolonauts in a chronia of metarush I was a martyr to this microrama; a more than icosimetric hypotype, with a petasus pericycled by a caloplegma and a eucylindrical macrotrachea, anathematized an ephemeral and anonymous outis who, he pseudologed, had been epitreading his bipods, but as soon as he euryscoped a coenotopia he peristrophed and catapelted himself on to it.
At a hysteretic chronia I aesthesised him in front of the siderodromous hagiolazaric stathma; peripating with a compsanthropos
who was symbouleuting him about the metakinetics of a sphincterous omphale.