Read Exercises in Style Online
Authors: Raymond Queneau
eat
Whee! Whee! The bus curled up to the curb with a mad tragic kind of
screech and me and Jenny Lou get on behind a guy sporting a baggy blue suit and
a blue hat with a hemp band and I can see right away he’s not hip but a square
fidgeting every time someone jostles him and squirming when more people crowd
into the bus but me and Jenny Lou dig being packed in with all the maids and
busboys and car wash kids all the holy ones who work in the dark obsidian
laundries and then someone steps on this guy’s foot and he lets out a howl like
a naked coyote who’s seen the invisible night and finally I say to him be cool
man and dig the scene dig all the angels here dig the holy chicks and dig the
whole ride because the ride is life and then Jenny Lou who’s got the greatest
knees in the world whispers to me dig it his jacket’s missing two buttons and I
knew she meant that I should open my
Anahata
sympathy chakra to him
because he’s just another cat lost in a motherless world and so I say man let’s
split at the next stop and get you a tailor and he makes a fist at me and grabs
the seat just left by a teenager heavy with sexdream eyes and me and Jenny Lou
get off at the next stop but not before digging that the driver’s got a book of
Blake’s poems stuck in his jacket pocket and me and Jenny Lou wonder about the
miracle of this and wish we could have an all day all night talkie with the cat
and his reading Blake and maybe others who also toot their godly horns and see
angels dancing on pins but then we hitch our way to the Greyhound waiting for
the bus to saintly San Fran and there’s the guy with the missing buttons
grooving with the old station master with a cap over his sad eyes who’s telling
him better no buttons at all than two on and two off awakening me and Jenny Lou
to crash through the great screen of
Maya
and see the vast buttonless
void that is the world, that is the world
Frederic Tuten
etaliterario
I bought
Exercises in Style
, by Raymond Queneau, in
Barcelona on October 26, 1987. I didn’t know what it was about, but I’d heard a
lot about the book. Carrying my brand new copy of
Exercises in Style
I
boarded the Number 24 bus, which went near my house. I bought a ticket from the
conductor and, afraid I’d be asked to show it and unable to find it, put the
ticket in my mouth. I thought that way it would be in plain sight if the
inspector showed up. Halfway home, I began to flip through
Exercises in
Style
and saw that the book recounted, in a hundred different styles,
the same trivial anecdote. Trivial it might be, but the story amused me very
much, probably because it took place on a bus and I was on a bus, and maybe
that’s why the story stuck in my head so quickly, as if I were riding around
with a shoehorn, not one for shoes, but a shoehorn for stories that take place
on buses. The story was very silly, but I found it totally captivating. On a
Paris bus, a young man with a felt hat and a long neck becomes angry every time
people get off the bus because there is one passenger—always the same one—who
takes advantage of the circumstances to step on his foot. There is a big fuss,
until the complaining crybaby finds a free seat and sits down. Two hours later,
we come across the same foolish young man, now in the Cour de Rome; he is
sitting on a bench with a friend, no less idiotic, who is telling him: “You
ought to get an extra button sewn on your overcoat.” Well, like I said, the
story was very silly, but the fact that the narration started on a bus
captivated me. I’d never read a story on a bus that took place in the same
space. I was so fascinated that without noticing, due to the satisfaction I got
from reading what could be happening on the very bus I was traveling on, I
started sucking on the ticket and finally swallowed it. When the inspector
arrived, it was no use telling him I’d swallowed it because of a stupid story
I’d been reading that made me laugh a lot. I had to pay a huge fine.
Enrique Vila-Matas
Translated from the Spanish by Anne
McLean
JESSE BALL
was a fabulist of the late twentieth and
early twenty-first centuries. His remarkable oeuvre, much neglected for many
years, is only now seeing the light of day.
BLAKE BUTLER
’s most recent work,
Nothing: A
Potrait of Insomnia
, was published by Harper Perennial in 2011. He is
also the founder of the literary blog HTML Giant.
CHRIS CLARKE
was born in Western Canada, and is
currently a Ph.D. student of French at CUNY. These are his first published
translations of Raymond Queneau.
AMELIA GRAY
is the author of three works of fiction:
AM/PM
(Featherproof Books),
Museum of the Weird
(FC2), and
Threats
(Farrar, Straus, and Giroux).
SHANE JONES
is the author of three novels, most
recently
Daniel Fights a Hurricane
, published by Penguin in 2012.
JONATHAN LETHEM
’s novels include
The Fortress of
Solitude
,
Motherless Brooklyn
, and most recently
Chronic
City
. He teaches at Pomona College.
BEN MARCUS
’s most recent novel,
Flame
Alphabet
, was published by Knopf in 2012. He teaches at Columbia
University.
HARRY MATHEWS
is the first American to be inducted
into the OULIPO group. His most recent novel,
My Life in CIA
, was
published by Dalkey Archive in 2010.
LYNNE TILLMAN
is the author of several novels and
short-story collections, most recently
Someday This Will Be Funny
.
FREDERIC TUTEN
: Five novels, including
Tintin in
the New World
, and a book of inter-related short stories,
Self
Portraits: Fictions
; Norton, 2010.
ENRIQUE VILA-MATAS
is a Spanish novelist. His most
recent book to be translated into English,
Dublinesque
, was published
by New Directions in 2012.
ANNE MCLEAN
has translated three of Vila-Matas’s
novels, as well as the work of Evelio Rosero and Julio Cortázar.
Copyright © 2012 by New Directions
Copyright © 1947. 2006, 2012 by Editions Gallimard
Copyright © 1958, 1981 by Barbara Wright
Copyright © 1958 by Gaberbocchus Press
Copyright © 2012 by Christopher Gordon Clarke
All rights reserved. Except for a brief passage quoted in a newspaper,
magazine, radio, television, or website review, no part of this book may be reproduced
in any forms or by any means, electronic or mechanical, including photocopying and
recording, or by any information storage or retrieval system, without permission in
writing from the Publisher.
New Directions would like to thank the following authors for providing
this edition with these new excercises: "Instructions" by Jesse Ball, "Doppelgängers" by
Blake Butler, "Viscera" by Amelia Gray, "Assistance" by Shane Jones, "Cyberpunk" by
Jonathan Lethem, "Nothing" by Ben Marcus, "Fur Zeu Frentch" by Harry Mathews,
"Contingency" by Lynne Tillman, "Beat" by Frederic Tuten, and "Metaliterario" by Enrique
Vila-Matas, translated by Anne McLean. These works are protected by copyright, and any
request to use this material should be sent to the authors c/o New Directions.
First published in France as
Exercices de Style
in 1947 by
Editions Gallimard.
Additional exercises from Raymond Queneau,
Œuvres completes
III
, appear in English for the first time by permission of Editions
Gallimards.
The music on page 108 is by Pierre Philippe and is in his
handwriting.
The manuscript facsimile (“La fonction ∫V(2)02”) on page 184 is
copyright © 2006 by Editions Gallimard and is reproduced by permission.
Initials for the 1958 edition and the permutation of the
author’s photograph are by Stefan Themerson. Initials for the new exercises are by
Barbara Epler.
First published as a New Directions Paperbook (NDP513) in 1981
This augmented, alternative edition was published as NDP1240 in
2012.
Library of Congress Cataloging in Publication Data
Queneau, Raymond, 1903-1976.
[Exercises in style. English]
Exercises in style / Raymond Queneau ; translated by Barbara
Wright.
p. cm.
Reissue, with additions, of Wright's 1981 translation of the 1st ed.
(1947) of Exercices de style.
Includes bibliographical references.
eISBN: 978-0-8112-2088-0
I. Wright, Barbara, 1915-2009. II. Title.
PQ2633.U43E93 2012
843'.914––dc22
2012023824
10 9 8 7 6 5 4 3 2 1
New Directions Books are published for James Laughlin
by New Directions Publishing Corporation
80 Eighth Avenue, New York 10011
20 19 18 17
Also by Raymond Queneau
from New Directions
The Blue Flowers
The Flight of Icarus
The Sunday of Life