Read Everything Is Cinema: The Working Life of Jean-Luc Godard Online
Authors: Richard Brody
Tags: #Biography & Autobiography, #Entertainment & Performing Arts, #Performing Arts, #Individual Director
King Lear
and,
499
meeting and romance with JLG,
359
,
361
moves to Switzerland with JLG,
373–75
,
398
Mozambique film project and,
413–14
Notre Musique
and,
622–23
Passion
and,
436
promotional videos and,
521
,
540
relationship with JLG,
486–87
,
550
,
627
Sauve qui peut
and,
417
,
423–24
,
427
Six fois deux
and,
385–86
,
388–90
Soft and Hard
and,
475–76
Soigne ta droite
and,
486–87
Signes parmi nous, Les
dedicated to,
581
Story
proposal and,
411–12
Miéville, Anne-Marie, films by,
399
,
477
Après la réconciliation
,
609–13
Comment ça va?
(with JLG, 1975–1976),
384–85
“Faut pas rêver”music video and,
391
France tour détour deux enfants
(with JLG, 1978),
399
,
403
,
408
,
623
Ici et ailleurs
(with JLG, 1975),
375–79
,
404
,
623
Mon Cher Sujet
(first feature),
487
,
506–7
,
533
How Can I Love (A Man When I Know He Don’t Want Me)
(first short),
454
,
464
Lou n’a pas dit non
,
573
Nous sommes tous encore ici
,
573–74
,
611–12
,
623
Old Place, The
(with JLG, for MOMA),
613
Rapport Darty, Le
(with JLG, 1989),
521
Six fois deux
(with JLG, 1976),
386
,
388–89
,
407
,
464
Soft and Hard
(with JLG, 1985),
475–76
,
507
,
623
2 × 50 ans de cinéma français
(with JLG, 1995),
562
Mise à mort, La
(Aragon),
250
Mitchell camera,
108
,
134
,
261
,
311
Mitterrand, François,
xiv
,
264
,
321
,
428
,
432
,
443–45
,
454–55
,
480
Mizoguchi, Kenji,
36
,
43
,
216
,
219
,
278
Moderato Cantabile
(Brook),
99
Moderato Cantabile
(Duras),
421
modernism,
xiv
,
29
,
53
,
190
,
200
,
214
,
244
,
290
modernity and modern life,
11
,
191
,
227
,
230–31
,
232
,
267
,
276
,
421
,
473–74
Modot, Gaston,
562
Moll, Georgia,
160
Momentous Events: Russia in the’ 90s
(direct-to-video programs),
542
Mon Cher Sujet
(Miéville),
487
,
506–7
,
533
Monde, Le
,
74
,
98
,
120
,
171
,
201
,
249
,
270
,
275
,
280
,
285
,
299
,
300
,
310–11
,
325
,
362
,
378
,
382
,
390
,
408
,
430
,
440
,
454
,
482
,
488
,
497
,
500
,
516
,
517
,
539
,
541
,
547–48
,
555
,
567
,
585
,
624
Monika
(Bergman),
178
Monod, Jérôme,
420
Monod, Julien (grandfather),
4–6
,
19
,
30
,
71
Monroe, Marilyn,
266
“Montage Interdit”(Bazin),
38
Montel, Blanche,
55
Montparnasse 19
(Becker),
44
Montreal World Film Festival,
394
Morambong
(film),
100
Moreau, Jeanne,
115–17
,
221
,
242
,
310
,
320
Moretto, Marcia,
482
Moreuil, François,
53–55
Morgenstern, Ignace,
48–49
Morgenstern, Madeleine,
103
Moscow Kino-Center,
540–41
Mossine, Anton,
536
Mother and the Whore, The
(Eustache),
268
Moullet, Luc,
86
,
186
,
211
,
243
,
335
,
624
Mouse That Roared, The
(film),
54
Moviegoer
(magazine),
219
Mozart,
71
,
74–75
,
315–16
,
569
,
572
Clarinet Concerto,
262
C-minor Mass,
438
MRP (French centrist party),
22
Muldworf, Bernard,
407
Munich
(Spielberg),
353
Muriel
(Resnais),
219
Murnau, F. W.,
15–16
,
47
,
216
,
531
,
537
Musée d’Art moderne,
355
Museum of Modern Art (MOMA),
8
,
212
,
613
Gaumont retrospective,
556–61
,
564
Musil, Robert,
6
Musset,
567–68
My Crazy Life
(Gorin),
624
My Night at Maud’s
(Rohmer),
320
Myth of Sisyphus, The
(Camus),
27–28
,
55
Naked Kiss, The
(Fuller),
245
Nana
(Zola novel and Renoir film),
130
Narboni, Jean,
200
Nathalie Granger
(Duras),
399
Nation, The
,
529
Naufragés de la D
17
, Les
(Moullet),
624
Nazis.
See
Germany, Nazi; Holocaust
Never Give a Sucker an Even Break
(film),
9
New Journalism,
205
New Left,
xiv
,
124–25
,
205–7
,
297–301
Newman, Paul,
497
Newton, Huey,
324
New Wave (
la nouvelle vague
),
xii
,
53
,
119
,
141
,
158
,
249
,
268
,
313
,
321
,
431
,
439
,
444–45
,
454–55
,
477
,
515
,
546
,
560–64
,
580
,
626
American cinema and,
70
,
171
,
211–22
Breathless
as cornerstone film of,
72–74
crisis of, in early 1960s,
121–25
French politics redefined by,
276
funding problems and, in 1970s,
390
JLG’s nostalgia for early days of,
253
Histoire(s) du cinéma, Une Vague nouvelle
on,
562–64
Manifesto of 121 and,
102–3
rightist aspects of,
83
Rohmer at
Cahiers
and,
176–77
Rossellini as inspiration of,
145–46
term coined, and emergence of,
49–52
New York, New York
(Scorsese),
459
New York Civil Liberties Union,
234
New York Critics Circle,
561–62
New Yorker
,
The
,
xi
,
173
,
218
,
220
,
235
,
356
,
431
New Yorker Films,
466
New Yorker Theatre,
212
New York Film Festival,
150
,
183
,
218–20
,
234–35
,
338
,
356
,
361–62
,
430
,
433
,
437
,
465
,
529–30
,
575
New York Herald Tribune
,
58
,
62
,
172
New York Observer
,
624
New York Review of Books
,
235
New York Times
,
54
,
172
,
212
,
219
,
356
,
505
,
529–30
,
556
,
623–24
Night and Fog
(Resnais),
100
,
196–98
,
557
Nike,
540
Nixon, Richard,
282–83
,
345
,
362
,
495
,
502
Nizan, Paul,
303
Nobel Prize for Literature,
207
Noel, Bernard,
191–92
Noël au soleil
(Ronet),
186
Non-Stop
(Aldiss),
223
North Korea,
100
No Sad Songs for Me
(Maté),
28
Nosferatu
(Murnau),
531
Nostalgia
(Tarkovsky),
524
Notes on Cinematography
(Bresson),
598
“Notes on Film Direction” (Astruc),
18
“Notes on the Auteur Theory in 1962” (Sarris),
213–14
Nothing But a Man
(Roemer),
219
Not Reconciled
(Straub),
235
N’oublie pas que tu vas mourir
(Beauvois),
548
Nourritures terrestres, Les
(Gide),
6
Nous sommes tous encore ici
(Miéville),
573–74
,
611–12
,
623
nouveaux philosophes
,
458
Nouvelle Héloise, La
,
239
Nouvelle Histoire de Mouchette, La
(Bernanos),
125
Nouvel Observateur, Le
(formerly,
France-Observateur
),
205–6
,
225
,
249–50
,
271
,
275
,
278
,
285
,
294
,
337
,
355
,
382
,
390
,
408
,
474
,
488
Novak, Kim,
157