Everything Is Cinema: The Working Life of Jean-Luc Godard (141 page)

editing,
14–15
,
38–39
,
42
,
68–72
,
87
,
96
,
113–14
,
134
,
289
,
290
,
317
,
337
,
332
,
338
,
348–49
,
353
,
376
,
505

jump cuts,
68–70

lighting,
60
,
63
,
89
,
134
,
228–30
,
233
,
241
,
260–62
,
424
,
429
,
439
,
449
,
452
,
473
,
482–83
,
486

long takes,
14
,
29
,
38
,
89
,
133–35
,
139
,
260
,
261
,
338

montage,
38–39
,
46
,
67–68
,
70
,
86
,
214
,
304–5
,
338
,
365–66
,
387–88
,
580

16mm film,
18–20
,
40
,
145
,
268

shot-countershot,
29–30
,
543
,
615
,
620–21

video techniques and superimposition,
363
,
365–68
,
373–78
,
405
,
605–6

Godard, Jean-Luc, films and videos

Adieu au TNS
(1997),
579–80
,
592

Aller et retour, L’
(1967),
312–13
,
351

All the Boys Are Called Patrick
(1957–1958),
42–43
,
45–46
,
55
,
108

Alphaville
(1965),
206
,
221–36
,
239
,
244
,
247–48
,
256
,
267
,
291
,
534
,
552
,
563

Anatomy of a Shot
(proposed),
436

Anticipation
(1966),
291–94
,
356

Bande à Bonnot, La
(proposed),
175
,
291

Band of Outsiders
(1964),
180–87
,
189
,
201
,
218–19
,
226
,
413
,
470
,
617

Boniche, La
(proposed),
186

Breathless
(1959),
xii
,
50–77
,
79
,
82–83
,
85–89
,
92
,
94
,
99
,
107
,
115
,
119–22
,
127
,
129
,
139–40
,
155
,
170
,
180
,
201
,
208–9
,
218–20
,
253
,
262
,
269
,
283
,
293
,
325
,
370–71
,
382–83
,
394
,
409
,
413
,
417
,
427
,
429–31
,
469
,
529
,
540
,
589
,
602
,
606
,
607
,
615

Breathless
remake. See
Numéro Deux

British Sounds
(later
See you at Mao
, 1969),
344–46
,
353–54
,
356
,
475

Burrus, F.J. tobacco company commercials,
540–41

Camera-Eye
(1967),
311–13

Carabiniers, Les
(1962–63),
144
,
146–47
,
150–54
,
157
,
175–77
,
288
,
301
,
370

Champ Contre Champ
(proposed),
615
,
620

Changer d’image
(1982),
443

Charlotte et son Jules
(1958),
43–47
,
55
,
58

Chinoise, La
(1967),
294
,
298–311
,
313
,
315
,
317
,
322–26
,
335
,
349
,
354
,
369
,
428
,
471

Cinétracts
of political protests (1968),
329–33

Comment ça va
(with Miéville, 1975–1976),
382–85
,
409

Contempt
(1963),
157–73
,
175
,
179
,
185
,
201
,
219
,
223
,
243
,
267
,
371
,
475–76

Conversations with Dimitri
(proposed),
520–21

Dans le noir du temps
(2001),
613–14

Dernier Mot, Le
(1987),
522

Detective
,
464
,
469–75
,
477
,
480
,
488
,
514
,
584
,
596

Eloge de l’amour
(2001),
578–79
,
584
,
588–609
,
611
,
615
,
617
,
623

Enfants jouent à la Russia, Les
(1992),
542–43
,
578

Eva
(begun, but replaced by Losey),
115–18
,
150

Far from Vietnam
(compilation, 1967),
311–13
,
599

Fathers and Daughters
(proposed),
446
,
457

“Faut pas rêver”(music video, 1977),
391

Femme coquette, Une
(1955),
34–35
,
55
,
137
,
186
,
255–56

Film de l’intranquillité, Le
(proposed),
567

Film Like the Others, A
(1969),
339
,
344
,
386

First Name: Carmen
(1982–83),
445–55
,
458
,
459
,
480
,
505
,
578

For Ever Mozart
(1996),
565–77
,
581
,
592
,
605
,
617

France tour détour deux enfants
(with Miéville, 1978),
395–408
,
419
,
421
,
436
,
471
,
623

Gai savoir, Le
(1967–1968),
316–17
,
337–39
,
346
,
348
,
356
,
369

Germany Year 90 Nine Zero
(1990),
531–40
,
543
,
549
,
563

Grand Escroc, Le
(1962–63),
144
,
146
,
154–55
,
301

Grandeur et décadence d’une petite entreprise de cinéma
(1986),
478–80
,
493

Hail Mary
(1984),
457–67
,
469
,
474–75
,
491
,
499–500
,
505
,
549–50
,
552
,
605

Hélas pour mois
(1992),
549–56
,
563
,
574
,
576
,
591–92
,
605
,
614

Histoire d’eau, Une
(1958),
45–46
,
48
,
55

Histoire(s) du cinéma
(1989–1998),
391–95
,
398–99
,
408–10
,
415
,
419
,
428
,
472
,
480
,
501
,
504
,
506–7
,
509–17
,
520–22
,
524
,
527
,
530
,
535
,
539–40
,
542–43
,
545–48
,
555–56
,
564
,
574–75
,
582–83
,
588
,
592–93
,
600
,
605
,
614–16

Histoire(s) du cinéma
1A,
Toutes les histoires
,
513–14
,
516–17
,
522
,
527
,
560
,
564

Histoire(s) du cinéma
1B,
Une histoire seule
,
513–17
,
564

Histoire(s) du cinéma
2A
Seul le cinéma
,
560

Histoire(s) du cinéma
2B
Fatale beauté
,
560

Histoire(s) du cinéma
3A
La Monnaie de l’absolu
,
562–63

Histoire(s) du cinéma
3B
Une Vague nouvelle
,
562–64

Histoire(s) du cinéma
4A
Le contrôle de l’universe
,
575
,
580–81

Histoire(s) du cinéma
4B
Les signes parmi nous
,
575
,
577
,
580–82

Histoire(s) du cinéma
abridgement (2001),
615–16

Ici et ailleurs
(with Miéville, 1975),
375–79
,
382–83
,
386
,
390
,
404
,
409
,
621
,
623

Instant fatal, L’
(proposed),
375

Is It Possible to Make a Film Today in Germany?
(proposed),
399

Jean-Luc Godard ou le cinéma au défi
,
204

Je vous salue, Sarajevo
(1993),
618

JLG/JLG
(1994),
556–60
,
564
,
574
,
578
,
618

King Lear
(1987),
412
,
474
,
487–89
,
491–507
,
519
,
527–29
,
557–58
,
563
,
573
,
605
,
606
,
614
,
617

Letter to Jane
(with Gorin, 1972),
361–62

Lettre à Freddy Buache
(1981),
443

Liberté et patrie
(with Miéville, 2002),
617

Machin-Machine
(proposed),
399

Made in USA
(1966),
279–85
,
289
,
291
,
316
,
349
,
614

Married Woman, A
(1964),
189–209
,
218–20
,
226–27
,
229
,
232–34
,
239
,
244
,
256
,
267
,
279
,
290
,
320–21
,
546

Masculine Feminine
(1986),
252–72
,
277
,
280
,
284
,
302
,
306–9
,
369
,
386

Godard, Jean-Luc, films and videos (
continued
)

Moi je
(proposed)
365–66
,
381
,
385
,
387

Moments choisis
(2001),
615–16

Montparnasse et Levallois
(1964),
177–79
,
191
,
234
,
356

Myth of Sisyphus, The
(proposed),
27–28
,
55

Ninth Symphony
(proposed),
520–521

Notre Musique
,
615–25

Nouveau Monde, Le
(1962–63),
144
,
146–50
,
152
,
171
,
191
,
193–94
,
219
,
226
,
267
,
290–91
,
313
,
546

Nouvelle Vague
(1990),
519–20
,
522–30
,
533–34
,
539
,
548–50
,
563
,
605

Numéro Deux
(with Miéville, 1975),
378–84
,
386
,
392
,
399
,
409–10

Odile
(proposed),
39–41
,
55

Old Place, The
(with Miéville, 1998),
613–14

One American Movie
(unfinished),
341–43
,
353–54

One Plus One
(1968–69),
338–41
,
344
,
348
,
356

On s’est tous défilé
(1987),
521

Opération Béton
(1954),
33–34

Origin of the 21st Century
(2000),
614–15

“Oval Portrait”(proposed),
251–52

Paresse, La
(1961),
119
,
129
,
176

Passion
(1981–82),
435–43
,
446
,
459
,
491
,
500
,
503
,
505
,
528
,
563

Passion: l’amour et le travail, introduction à une scénario
(TV assemblage, 1982),
442