Authors: Erica Jong
with that fine frenzy
which commends genius
to posterity,
yet estranges it
from its closest
friends.
Women were friends to all,
& being too friendly
they could not command
the unfriendly prerogatives
of genius,
though some were
geniuses still,
destroying
only themselves
with the torment
of the unfriendly ghost
trapped in a friendly
form.
Oh the women who died
dissembling friendship
for the world!
Oh the women who turned
the dagger inward
when it wished
to go out,
who impaled themselves
on Womanhood itself!
No vampire
could be
as greedy for blood,
no father or husband
as bullying.
A woman punishing herself
with her own pain
is a fierce opponent indeed.
It is self against self,
dagger to dagger,
blood of her blood,
blood of her daughter,
blood of her mother,
her menses, her moon,
all pooled together,
one crimson sea.
It is the awful
auto da fé,
the sublime
seppuku,
Santa Sebastiana
as archer
& victim too.
The arrow flies from her bow.
She runs, fleet as Diana,
& stops it
with her breast.
Enough!
cried the Women-Who-Cared.
Henceforth we will turn
our anger where it belongs.
We will banish the whitest lies.
We will speak the black truth as it is.
Our fathers—we spit back their sperm.
Our husbands—we spit back their names.
Our brothers—we suck back our love.
The self-righteous inherit the earth,
& anger speaks louder than love.
Love is a softness
the weak cannot afford,
& sex a Darwinian bribe.
But who wants the earth as a gift
when it is empty as space,
when women grow hard
as bronze madonnas
& Diana loves only her stag?
When Persephone stays in hell
the entire year,
then how can spring
begin?
For a long time unhappy
with my man,
I blamed men,
blamed marriage, blamed
the whole bleeding world,
Because I could not lie in bed with him
without lying to him
or else to myself,
& lying to myself
became increasingly hard
as my poems
struck rock.
My life & my poems lived apart;
I had to marry them,
& marrying them
meant divorcing him,
divorcing the lie.
Now I lie in bed
with my poems on the sheets
& a man I love
sleeping or reading
at my side.
Because I love him,
I do not think of him
as “Men,”
but as my friend.
Hate generalizes;
love is particular.
He is not Men, man, male—
all those maddening m’s
muttering like machine-gun spittle,
but only a person like me,
dreaming, vulnerable, scared,
his dreams
opening into rooms
where the chairs
are wishes you can sit on
& the rugs are wonderful
with oriental birds.
The first month we lived together
I was mad with joy,
thinking that a person with a penis
could dream, tell jokes, even cry.
Now I find it usual,
& when other women sputter
of their rage,
I look at them blankly,
half comprehending
those poor medieval creatures
from a dark, dark age.
I wonder about myself.
Was I always so fickle?
Must politics always be personal?
If I struck oil,
would I crusade
for depletion allowances?
Erica, Erica,
you are hard on yourself.
Lie back & enjoy the cease-fire.
Trouble will come again.
Sex will grow horns & warts.
The white sheets of this bed
will be splattered with blood.
Just wait.
But I don’t believe it.
There will be trouble enough,
but a different sort.
Meathooks, notebooks,
the whole city sky palely flaming
& spectral bombs
hitting that patch of river
I see from my eastern window.
The poets are dead, the city dying.
Anne, Sylvia, Keats
with his passionate lungs,
Berryman jumping from the bridge & waving,
all the dreamers dead
of their own dreams.
Why have I stayed on as Horatio?
Anne sends poems from the grave,
Sylvia, letters.
John Keats’s ghostly cough
comes through the wall board.
What am I doing here?
Why contend?
I am a corpse who moves a pen that writes.
I am a vessel for a voice that echoes.
I write a novel & annihilate whole forests.
I rearrange the cosmos by an inch.
I began by loving women
& the love turned
to bitterness.
My mother, the bitter,
whose bitter lesson—
trust no one,
especially no one male—
caused me to be naive
for too many years,
in mere rebellion
against that bitterness.
If she was Medea,
I would be Candide
& bleed in every sexual war,
& water my garden with menstrual blood
& grow the juiciest fruits.
(Like the woman
who watered her roses with blood
& won all the prizes,
though no one knew why.)
If she was Lady Macbeth,
I would be Don Quixote—
& never pass up a windmill
without a fight,
& never choose discretion
over valor.
My valor was often foolish.
I was rash
(though others called me brave).
My poems were red flags
To lure the bulls.
The picadors smelled blood
& jabbed my novels.
I had only begun
by loving women—
& ended by hating their deceit,
hating the hate
they feed their daughters,
hating the self-hate
they feed themselves,
hating the contempt
they feed their men,
as they claim weakness—
their secret strength.
For who can be cruder
than a woman
who is cruel
out of her impotence?
& who can be meaner
than a woman
who desires
the only room with a view?
Even in chess
she shouts:
“Off with their heads!”
& the poor king
walks one step forward,
one step back.
But I began
by loving women,
loving myself
despite my mother’s lesson,
loving my ten fingers,
ten toes, my puckered navel,
my lips that are too thick
& my eyes the color of ink.
Because I believed in them,
I found gentle men.
Because I loved myself,
I was loved.
Because I had faith,
the unicorn licked my arm,
the rabbit nestled in my skirts,
the griffin slept
curled up at the bottom
of my bed.
Bitter women,
there is milk under this poem.
What you sow in blood
shall be harvested in honey.
Because my grandmother’s hours
were apple cakes baking,
& dust motes gathering,
& linens yellowing
& seams and hems
inevitably unraveling—
I almost never keep house—
though really I
like
houses
& wish I had a clean one.
Because my mother’s minutes
were sucked into the roar
of the vacuum cleaner,
because she waltzed with the washer-dryer
& tore her hair waiting for repairmen—
I send out my laundry,
& live in a dusty house,
though really I
like
clean houses
as well as anyone.
I am woman enough
to love the kneading of bread
as much as the feel
of typewriter keys
under my fingers—
springy, springy.
& the smell of clean laundry
& simmering soup
are almost as dear to me
as the smell of paper and ink.
I wish there were not a choice;
I wish I could be two women.
I wish the days could be longer.
But they are short.
So I write while
the dust piles up.
I sit at my typewriter
remembering my grandmother
& all my mothers,
& the minutes they lost
loving houses better than themselves—
& the man I love cleans up the kitchen
grumbling only a little
because he knows
that after all these centuries
it is easier for him
than for me.
Assuming our dominance
over the creatures of earth—
dog, cat, sparrow,
tiny field mouse
(who lives in our kitchen
as a blur of light
running past the edges
of our sight)—
how can we understand humility?
The mouse-droppings
in the silverware drawer
annoy us.
The infinite insects
creep out of the walls
one by one,
only to be slammed
under our soles.
Our souls are heavy
with the deaths of animals.
Ocelot, beaver, fox
& even the ugly
slant-eyed mink
give their skins
to women
who are no more beautiful to God
than they.
The lowly roach,
or the tick
that seeks admission to our bed
on the back of a gentle dog,
is beloved by some creator.
Assuming our dominance
has made us mad,
has made the fragrant earth
into a place
where the mice that fill the edges
of our eyes
& scuttle past our countertops
& dreams—
are fears, the lurking fears
of our own kind.
Looking for a home, America,
we have split & crisscrossed
you from your purple seashores
to your nongrip, nonslip
motel bathrooms,
from the casinos at Reno
to the crystalline shores of Lake Tahoe,
from the giant duck in Southampton
(which is really an egg shop)
to the giant hotdog in L.A.
(which is really a hotdog stand)
to the giant artichoke in Castroville, CA,
the heart of the artichoke
country,
& still we are homeless
this 1976.
America,
we have met your brokers.
They are fiftyish ladies in hairnets,
or fiftyish ladies in blue & silver hair like mink coats
or flirty fiftyish ladies
getting blonder every winter.
They tout your federal brickwork
& your random hand-pegged floorboards.
Like witches, they advertise your gingerbread houses,
your “high ranches,” your split-levels,
your Victorians, your widows’ walks,
your whaling towns,
instead of wailing walls,
your Yankee New England spunk,
your hospitality, your tax rates,
your school systems,
with or without busing,
your friendly dogs
& philosophical cats.
America,
we have ridden through your canyons,
passes, dried-up rivers,
past your flooded quarries, through your eroded arroyos.
We have sighted UFOs on the beach
at Malibu
& swum from pool to pool
like any Cheever hero
& lusted in motels like any Updike Christian.
America,
the open road is closing,
a tollbooth blocks the vista,
& even the toilets are pumped
with dimes as well as shit.
The fried clams on Cape Cod
are pressed from clam scraps.
The California carrot cake is rumored
to be made of soy.
The dreaming towers of Gotham
are sunk in garbage,
the bedrock softens,
the buildings list like drunks,
the Thanksgiving balloons are all deflated,
the Christmas trees don’t even pretend to be green.
But we love you, America,
& we’ll keep on hunting.
The dream house that we seek is just next door.
Switzerland is a heaven of chocolates
& tax breaks.
Barbados is sweet & black & tax-free.
Antigua is Britain by the sea.
But we’re sticking around, America,
for the next earthquake,
kissing the ground
for the next Fourth of July.
We love you, America,
& we’ll keep hunting.
There’s a dream house waiting for us somewhere
with blooming cherry trees
& a
FOR SALE
sign,
with picture windows facing the Pacific
& dormer windows facing the Atlantic,
with coconut palms & flaming maples,
with shifting sand dunes
& canyons blazing with mustard,
with rabbits & rattlesnakes & nonpoisonous scorpions,
with raccoons who rattle the garbage
& meekly feeding deer who lap at salt licks
& pheasants who hop across the lawn in two-steps,
with loving dogs & aloof, contemplative cats,
with heated swimming pool & sauna