20 Fragments of a Ravenous Youth (9 page)

W
HERE WAS I?
I sat up in bed, trying to see stuff in the dark. There was a door to the left. A bathroom to the right. Shelves over here. Drawers there. A half-dead bamboo plant on the table, and a TV by the window. The window was directly in front of me. Okay. I knew where I was now. As soon as I found where the window was, I was all right.

I was in Haidian, in my new flat. Rent: 850 yuan per month. Hassle: 0. All the other tenants in the block were either university students or professors. They were quiet and reasonable people. Everybody wore glasses and carried at least two books in their bags every morning when they left for work. There were no old hens in the elevator pressing buttons and watching your night life. Most importantly, there was no Xiaolin. He didn't know where I'd gone.

Haidian stirred me. Haidian was the greatest area in Beijing. It made my heart beat faster.

What I loved about Haidian was you could find whatever you were looking for. Banned books like
Soul Mountain
by Gao Xingjian, or that memoir by Chairman Mao's private doctor where he spills all the dirt. A little old man sold Taiwanese Fried Ice and it was the best in Beijing. His stall had clear plastic walls. Through them, you could see bowls piled with sweet yellow Hami melon, red Western, juicy green and bright purple grapes. Crystals of brown sugar glinted. You could fill a plastic bowl with any fruit you wanted for only 1 yuan. He'd spoon snow-white fried ice on top of your fruit mountain. He'd add sticky sugar syrup on your ice. Oh, Heavenly Bastard in the Sky, nothing tasted like that.

Past the ice stall were cramped side streets where the walls were like the scales of a fish – tall shelves tightly packed with pirated disks. You could find anything you wanted here. CDs, with a hole punched into the middle by customs. VCDs and DVDs of old classics like
The Goddess
with Ruan Lingyu, Zhao Dan's
Crossroads,
even the 1940s film
Spring in a Small Town.
And so many foreign films.
Mamma Roma. Central Station. The Lost Weekend.
Plus films by Takeshi Kitano and Shunji Iwai. All piled on top of each other like firecrackers at Chinese New Year. I loved piracy. It was our university and our only path to the foreign world.

It was in Haidian that you could track down the film Ben loved most:
Betty Blue –
37
°2 le matin.
It was now my favourite film too. The main character – a handyman called Zorg – inspired me to keep writing. If a lonely builder in a nothing town could eventually become a writer, then maybe an extra could one day become a Third-Rate, Second-Rate or even First-Rate scriptwriter. In the film, Betty is mad – a crazy woman who always wears a red dress. I thought I was like Betty, except I never wore red. At the end of the story Betty dies. I would cry every time I watched this film. Even after 15 times. I could never forget the end. Betty was dead and her man Zorg was writing alone at a table. Suddenly, his cat jumped on the table and stared at Zorg. And then it spoke. Oh, Heavenly Bastard in the Sky. The cat started to speak and it was Betty's warm voice asking Zorg, are you writing now? Zorg looked at the cat. And that was it. The End. Heavenly Bastard in the Sky! Even just thinking about this made me want to cry.

Anyway, that afternoon I went to the Book City mall to stock up on novels by my new favourite author, Marguerite Duras. I came out of the shop with my green Eastpak rucksack bulging.
Destroy, She Said, The Sea-Wall, The Sailor from Gibraltar
and a book about her life. Heavenly Bastard in the Sky, I knew I would love Duras the moment I read the first line of
The Lover.
'One day, I was already old, in the entrance of a public place, a man came up to me. He introduced himself and said: "I've known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you're more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.'" Genius! I could feel my heart swell beneath my Eastpak just thinking about it.

I walked past street food vendors, past Beijing University students wearing thick glasses and the same Eastpak rucksacks, and past a formation of local community People's Policemen ignoring the pirate CD shop beside them. Everything was illegal, so no one could be bothered to do something legal, even the policemen. Anyway, my feet slowed at the window of an electronics store, but I didn't go in. My destination was the McDonald's opposite Book City.

McDonald's, you couldn't call it food they sold there, but they had three things you won't find in other restaurants in Beijing: 1) clean floors; 2) toilets with paper; 3) frosty air-conditioning. If you ever find yourself trying to swallow the steaming hot dumpling of a Beijing summer, make for the Book City McDonald's. It's the only place that will cool you down. When I lived in Haidian, all the locals would save money on their electricity bills by going to McDonald's to enjoy its complimentary cold air.

At the counter I ordered a red-bean ice-cream, then picked a table in the corner. Next to me was a giggling collective of teenagers, deep in conversation about TV star Little Swallow over their Big Macs. I took a lick of the beany cream, opened my Eastpak and lovingly selected one of the Duras novels.

As I was opening the book, a young man walked towards me. Long black hair to his shoulders, bony, tall. He was like Takuya Kimura – the man from the TV soap
Tokyo Love Story.
The kind of man your eyes would automatically home in on in a Beijing crowd. He walked past me and sat at the next-door table. I had a perfect view of his broad back.

I noticed he was carrying a green Eastpak, like mine. He unzipped it and pulled out a book, as casually as if he was in his home. He breathed deeply, exhaling the pollution and tiredness of the city into bright, cold McDonald's.

Heavenly Bastard in the Sky, it was then that I saw the book he'd placed in front of him. Marguerite Duras, the same Marguerite I had in my hand:
The Sea-Wall.
I took a sharp intake of breath. The Big Mac teenagers had moved on from Little Swallow to
King Kong
and
Shrek.
I couldn't take my eyes off the man with the book. His long, pale fingers turned one page after another. Each motion he made was like someone in love, each action elegant, calm, tender. I stared at his back without blinking.

My mobile jumped. Ben's number flashed up, then a fuzzy long-distance echo passed from Boston (Latitude 42° North, Longitude 71° West, -4 hours GMT) through time and space until it landed at table number 8 by the third window on the north side of the Book City McDonald's (Latitude 40° North, Longitude 116° East, +8 hours GMT).

'Hi, Fenfang. How are you?'

'Fine. I'm eating red-bean ice-cream in McDonald's. It's so hot outside it's like Firehill in Xinjiang.'

'What? Fenfang, I can't hear you very well.'

'Hello? Can you hear me now?'

'Sorry, Fenfang, what did you say?'

'I said I'm eating red-bean ice-cream.'

'Fenfang, can you speak a bit louder? It sounds like you're in a busy playground with lots of babies screaming.'

'Can you hear me now? Okay. Good. I'm not in a playground, I'm in McDonald's. Listen, what do you think of this? "One day, I was already old, in the entrance of a public place, a man came up to me. He introduced himself and said: 'I've known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you're more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.'" Isn't she a genius?'

It was so silent on the other end of the phone that I imagined Ben was listening carefully. Then he said, 'Sorry, Fenfang, I don't understand. Can you explain?'

'Forget it, Ben. The connection is too bad, let's just hang up.'

I was pissed off. When I looked up, the man with the long black hair had gone. He'd taken away his Duras. My Marguerite. He'd disappeared into Haidian with its huge population of young people and its rush of honking cars and bicycles.

I
THOUGHT MAYBE
I could write better if I got away from Beijing for a bit, so I travelled to Xi'an, an ancient city that was the capital of many dynasties. I stayed in the suburbs, to the east of the city, in a state-run hotel called the 'Just Like Home' guest house. Instead of signing myself in as a bit-part extra on 20 yuan a day plus a 5-yuan lunchbox, I said I was a 'Professional scriptwriter', and went around the hotel in dark glasses and a long black coat like Keanu Reeves in
The Matrix,
carrying my laptop.

The air in the Just Like Home guest house was stale. A dark-red carpet ran along every corridor in the building. In the daytime, the hotel was deadly quiet. There was never anyone around. Eight hundred years could have passed and still no one would have knocked on the door asking for a room. But it was different at night. At first it was as though the entire hotel slept the sleep of the dead. I would switch off my laptop, and crawl into bed with the lamp on. The mattress was unpredictable. Some nights it would stay hard; others it would cave in and I would find myself in a crevasse. Then, as I lay trying to sleep, I would hear the sound of a woman weeping. The sound would stop and then start again. It reminded me of the wailing saxophone music they used to play in Lush Life, a jazz bar in Haidian that was a favourite hang-out for foreigners. Lush Life got knocked down one or two years ago.

So there I was at the Just Like Home guest house, only a few miles away from the grave of the Terracotta Warriors. I was trying to write my script, but the noise of the night started to get to me. I began to think the hotel was a trap, a place from which people never escaped, a place where all the guests turned into dusty warrior statues. Maybe it was old Emperor Qin Shi Huang playing tricks. I was worried that I would wake up in the morning to find that I had become a dusty clay warrior too.

It might have been said that by escaping alone like this, I was not participating in the Community. That I, Fenfang, wasn't contributing to the Greater Socialist Good. But I didn't care. I wanted to hide away and write. I wanted to meet characters who would climb up my pen. I wanted to create a completely new world, inventing everyone and everything. Yet whenever I closed the door of Room 402, opened my laptop and sat in the faded red chair, nothing would happen. My thoughts would dry up. My ideas would be impossible to pin down. Room 402 would turn into a cage, rattled by the fitful bird inside.

Every morning I would wake up and pull back the stained brown curtains. Outside was a sea of state buildings from the 1980s covered in heavy yellow dust. Okay, so Beijing had dust. But this was dust that had been lying around for 5,000 years. Everything in Xi'an was covered in dust. The houses, the people. It covered each needle of the pine trees and every petal of the red canna flowers. I could almost hear the pine trees and the flowers coughing. The first thing I'd do in the morning, I'd get into the shower. I'd try to wash away the noise of the weeping woman and the vision of dust, but it echoed in my head all day. I'd get dressed and put on my long black coat. I liked my oversized coat. It covered my body entirely, protecting me from the annoying yellow dust.

In the lobby three female employees with nothing to do would be sitting at the front desk. Behind their heads were three big clocks showing the time in London, Tokyo and New York. I couldn't see why they needed international clocks since only peasants would stay at the Just Like Home guest house. Not that it was very homely. You had to be brave walking across a lobby like that, with the eyes of three women fixed on you. Especially in dark glasses and an oversized coat. I knew what would be going through their square brains. They would be thinking I was a prostitute. Why else would a young woman rent a room alone? It's not standard in China. And, in China, anyone who does something 'not standard' is immediately suspicious.

Anyway, at the door, I'd be met by the doorman, a skinny young boy all in red like a ceremonial imperial guard. Instead of opening the door, though, he would be practising martial-arts moves in front of the mirrors. Monkey Finger. Flying Limb. Double Leg Kick. Classic moves picked up from popular martial-arts films. When he wasn't busy with his routines, his nose would be pressed to the window. He'd be staring intently outside, even though there was never anything to stare at.

I'd push open the lobby doors myself and walk out into the world of dust. About 100 metres on, in the middle of all this dust, was a shabby canteen called Little Chilli Pepper. Inside was a permanent swarm of flies and three or four middle-aged men with cigarettes glued to their lips playing mah-jong. Outside was the constant rumble of lorries and tractors carrying coal from deserted west China to crowded east China. I would look down at my feet to see my shoes covered in Xi'an dust. Usually I would give up at this point, turn around and walk back to my room. That was generally the full extent of my inspirational morning walk.

I had wanted to be in a place where I could walk around and meet interesting people. Good old people. Smiling kids. Pregnant women. Gas-canister delivery men on their bicycles. School students running home in the rain. Couples arguing. Policemen dozing in their cars. Boy racers screeching past on scooters... These were the people I wanted to draw into my stories. I had wanted to find a place where I could be myself – the real Fenfang, not just some bit-part extra.

On my last night in Xi'an I had a sudden urge to see the city centre and its famous Ming-dynasty bell tower. Before I went back to brand-new Beijing, I thought it would be good to see some 600-year-old bell. So I got up from my laptop and went down to the lobby to find a taxi. It was 11.30 at night. The taxi driver sped through the streets like a maniac and then left me. I stood alone in the middle of the road. Beside me, the bell tower loomed, solemn and silent. It was so dark I couldn't see a thing. Everything around me was shut and it was impossible to find out what the bell's story was. This made me sad. Whenever I wanted to learn more about the places I belonged to, I found myself at a dead end. I sniffed. Despite the darkness, I could sense Xi'an's thick dust blowing in on the wind from over the old city wall. I spotted a light bulb ahead. I started to walk towards it. A barbecued fish stall. I sat on a wooden bench next to a few men with the same build as the Terracotta Warriors. Ancient bone structure must have run through the generations of Xi'an citizens.

I started eating splintered skewers of barbecued fish, one after another. I would finish one and lay the chewed wooden stick on the table before taking another one. My face was a statue too as I listened to the descendants of the Terracotta Warriors joking and laughing, drinking beer and eating barbecue. I finished 10 skewers. The sticks on the table were like dead soldiers in a Qing grave. I looked up. Unfamiliar streets extended into darkness beyond the stall. I held onto the table tightly, feeling as though I might drift off into the night if I didn't.

The ring of my mobile jolted me back to reality. Across the screen was a string of numbers with four zeros at the beginning. Ben.

'Fenfang, I've been trying to reach you at home for days. Where have you been?'

'I'm in Xi'an.'

'Xi'an?'

'Xi'an, you know. The ancient city of warriors made from cooked earth. I'm just having barbecue fish.'

'What? Cooked warriors and barbecued fish?'

I listened to Ben's slow voice on the other side of the Pacific. It sounded as if he were on tiptoes in front of a large map of China trying to locate me.

'Yes, I'm in Xi'an, Ben, and everything's fine. Do you want to hear the wind?'

I lifted my phone to the night sky, high up to the wind and the dust.

Soothed by the familiarity of Ben's voice, I stood up from the fish-stall bench and called a taxi. The driver was the same maniac as before and he soon deposited me outside the Just Like Home.

Back in Room 402 I climbed into the unpredictable bed and lay there listening to the sound of the woman weeping. It was like a tide coming ever closer. Suddenly I felt terribly alone. I longed to be back in Beijing. The city that had become my home. The city where I had fallen in love for the first time. The city where rice and noodles awaited me in a kitchen cupboard. I thought about Xiaolin. Beijing was where Xiaolin and I had bought orange curtains together. A 1
.8
x 2-metre red bedspread for a double bed. Where we'd held hands in the cinemas in Xiaoxitan. Where we'd eaten barbecued squid from street stalls. The city where we'd argued on street corners and eventually tried to forget each other.

I thought about the days when Xiaolin and I had lived together. His tiny apartment with the two old brown cats and the white dog that was always shitting beside our bed. And I thought about his immortal old grandmother and the bottle of Eight Dragons Soy Sauce that sat on the kitchen table, 24 hours a day, four seasons a year. Thinking of that flat made me feel like crying.

I recalled what Huizi said to me: 'Fenfang, never look back to the past, never regret, even if there is emptiness ahead.' But I couldn't help it. Sometimes I would rather look back if it meant that I could feel something in my heart, even something sad. Sadness was better than emptiness.