20 Fragments of a Ravenous Youth (5 page)

I
HAD ALWAYS WANTED TO LEAVE
my village, a nothing place that won't be found on any map of China. I had been planning my escape ever since I was very little. It was the river behind our house that started it. Its constant gurgling sound pulled at me. But I couldn't see its end or its beginning. It just flowed endlessly on. Where did it go? Why didn't it dry up in the scorching heat like everything else?

The river was the only thing that talked to me. My parents certainly didn't. Our house was a house of silence, just like the sweet potatoes quietly growing and dying under the black soil. Those vast, silent fields surrounded our village like a wall. They stretched across the hills and into the distance – sweet potatoes as far as the eye could see. Only the river made a noise, only the river was my friend – but, even then, I couldn't get close to it.

I used to imagine the source of the river. Some faraway, hidden cave that was home to a beautiful fairy. From there, the water flowed through our world to yet another world, a magical place close to heaven where lucky people lived, or animals perhaps – foxes maybe, or rabbits, owls, even unicorns. Wherever it was, it was not a place the people from my village could ever enter.

I was 17 when I finally left that shithole for good. Thank you, Heavenly Bastard in the Sky. Everything about that day is so vivid still: the stretch of the sky, the pull of the wind, the endless, tangled fields, the silent little village and how it burnt itself into my heart as I ran.

As soon as I woke that morning, I opened the creaking wooden shutters above my bed. I could see the silent patchwork of fields across the hills, and the dark sky becoming lighter, its blues and blacks fading into white. The heat was already rising, the kind of heat that kept the village still and unchanged. It weighed down so heavily that it nearly suffocated, making it hard to breathe. A person could melt in that kind of heat. Like an iceberg, I desperately feared it.

From the window, I could make out every single leaf on every single sweet potato plant. Each leaf had shuddered in the wind on any given yesterday. Each cloud drifting overhead had blown across those skies the year before. Nothing changed, and nothing could change. The world felt frozen in front of me, like a family photo trapped in a frame. This landscape had imprisoned me since I was born.

I sat by the well and combed my hair – my typical peasant girl's hair, rough and coarse like farm rope. I hated it. Every time I combed it, I pictured those indestructible weeds in the fields – weeds that, every spring, the farmers struggled to clear and that, inevitably, returned. The weeds were like life in the village. No one cared how they lived, how they died, whether they had joy or sadness. Maybe that's why they grew so tall, stubbornly trying to reach the bright sun. My hair was stubborn like they were, strong for no purpose. I sat by the well and poured water on my hair, to prevent my body from combusting in the dizzying heat.

I looked towards the yard where my mother sat with other middle-aged women... mothers, mothers-in-law, aunties, sisters. I couldn't quite make her out, but I knew where she was: she always sat in the same spot. From there, she had the best view of the sweet-potato field where my grandmother worked. The women sat and wove never-ending baskets out of dried sweet-potato stalks. Those twisted stalks in the dirt yards hooked these women together for eternity.

And my father? Absent. I think we shared the same weariness of root vegetables. He had left the village to become a salesman: plastic washbasins, cups, coat-hangers, brooms, hammers, hand-towels, screwdrivers, you name it.

My mother stared out at the sweet-potato fields with the same blank expression she had for her husband. Often I would ask her what she was looking at and she'd say, 'Sweet potatoes. In a few days, we'll need to break off the stalks and feed them to the pigs' or 'It's time to make sweet-potato flour for the Qing Ming festival dumplings'.

My mother, a sweet potato too. Stuck in the fields, waiting for the predictable rains of the Qing Ming festival.

Are you starting to see why I had to leave? Those fields had me on the verge of surrender.

If there was any spiritual life beyond sweet potatoes in the village, it was a shaky TV set, and a lone book. The television was in the village leader's house, but it belonged to everyone. Anyone could go and watch it. I first caught a glimpse of a book when my mother and I made our yearly visit to a neighbour's home during Spring Festival. It was an old, battered copy of
The Adventures of the Shadow Samurai –
a martial-arts favourite. The following Spring Festival, there it was again, on some other family's table. It had lost its cover, and the pages were covered with marks and scribbles. That book had been pored over by every literate person in the village – it was like the local encyclopaedia.

The routine of a small, desolate village can rule its inhabitants' lives more effectively than an imperial dynasty. For thousands of years, people have done the same thing. In our village, it went like this: if, around four in the morning, you heard a rooster in the yard singing five notes, then you knew with absolute certainty that you would hear the same rooster at the same time the next morning, singing at exactly the same pitch and frequency, just as roosters had done since the beginning of time, and would do for ever more.

Or one afternoon, as the sun fell into the valley, you might see an old man carrying an old axe and walking along the fields. He might cough twice and spit once. And then, just wait, because the next afternoon, when the damn sun started to fall into the damn valley, you would see that same old man carrying the same old damn axe slowly walking along the fields. Again, he would cough exactly twice and spit exactly once. Whenever I heard this cough, I wanted to kill myself. You see, my ancestors ploughed those fields every day. And then they chose a day to die. On that day, they would tell themselves: today I will die. And they died as if they had never lived. They died like an ant dies. Who gives a damn when an ant dies?

On the day I left, I paced around my room. I didn't know how to settle my heart. I leant against the door and looked out at the yard I'd stood and looked out at a thousand times. There were chickens jerking their necks back and forth, never tiring of pecking at the ground. Grey, skinny rabbits lolloped around aimlessly. Just outside the door was a pitiful, half-dead camellia plant that made me feel despair every time I looked at it.

I pulled the old suitcase from under the bed. It had been left behind by my father when he last came home. Inside, there was a ballpoint pen, an empty cigarette packet and a ball of dust from one of the distant, unimaginable places my father had visited. I put in my one dress, a comb, a hairclip, a notebook with Mao's words 'Study hard' on the cover, and a tiny bit of money. I shut the suitcase. Then I picked up the cigarette packet that had probably been emptied by my father, took the pen that my father must have once used, and wrote:

Mother,

I want to go out and take a look around. I'm going to find a job.

Your daughter, Fenfang

I put the cigarette packet on the table and weighted it down with a blue glazed bowl. Then I picked up the suitcase and walked out, crunching over dried leaves as I went. My footsteps were impatient, and the suitcase was light in my hand. It was as though I'd done this a hundred times before. The hills, the fields, the well and the river – I looked at these things I was leaving and already they were becoming my memories.

I
LOOKED DOWN AT MY HAND
. Blood everywhere. A cut on my finger. There was so much blood, it must have been bleeding for a while before I even noticed. Most of the morning I had been dragging myself around the bedroom, listening to my CD of Sandy Lam singing 'I Love Someone Who Isn't Coming Home', and wearing away the carpet with my slippers as I paced back and forth, back and forth, trying to decide how best to spend the day. I remember thinking my finger hurt, but didn't bother looking at it. I was always in pain somewhere. Sometimes it was a headache, sometimes my teeth or my jaw, sometimes my appendix would ache for days. I had the worst period pains too. My body was always in trouble. When pain came, I would have a cup of hot coffee and wait until it passed.

I had gone into the kitchen with a sudden urge for something nutritious. I opened the refrigerator and took out a small tomato. As soon as I touched it, the tomato must have been smeared with my blood, but of course, the tomato being red, I didn't see it. I walked back to my bedroom. I remember thinking how ripe the tomato was, its juice dripping down my chin and on to my fingers. I sat down at my computer to write an email. It was when I started typing that I realised the keyboard was wet with a liquid that was uncannily close to the optimum body temperature of 37.2 degrees. Only then did I lower my head for a closer look and see that my finger was cut and bloody.

Dear Mr Wong

Thanks for your enquiry. I'm gratified that you liked my performance as Female Number Three Hundred in the film
The Collective Wedding
and I'm impressed that you managed to find my name in the list of
2,000
brides. I would be happy to accept the role of Woman Waiting on the Platform and will come to your studio at the time requested.

Yours sincerely, Fenfang

I bashed out this pathetic message and stood up again. I knew where the cut came from. A piece of glass had lodged itself in my finger. A week ago there had been glass all over my apartment, sharp shards of it stuck deep in my carpet. I could still hear Xiaolin's screaming. He repeated his words like a madman: 'Why aren't you answering the phone are you going out with other men are you sleeping together I don't care if it's over I still love you and I am not going to let you have a new life you will not be happy I'm not happy so you won't be happy we'll be destroyed together.'

After a while, I had to say something.

'Heavenly Bastard in the Sky, Xiaolin, I wanted to put an end to all this. You have to see someone, you stupid man, a doctor or a psychologist, you have to. You can't build your life on top of my flesh. You aren't the only one who's hurting, you know. It hurts whenever people end things. You're not more unlucky than other people and I'm not more cruel than anyone else. I was just the one to break things first...'

Xiaolin got even more irritated. His eyes made a survey of my room. I could tell he needed to do something with his body. His eyes stopped at my green canvas chair. A director's chair, as film crews call them, foldable and handy on set. I thought it would suit my life too, foldable and handy whenever I needed to move.

Suddenly the director's chair was a blur of green canvas, flying through the air straight for me. Its path was blocked by the light fixture hanging from the ceiling. The room flashed and pieces of glass danced magnificently in the air. Then the broken chair was lying on the ground. It was over in seconds. All that was left was a mess of glinting fragments on my bed, my desk, my books, my carpet. Xiaolin stood back and admired his masterpiece.

'This is the price you have to pay for leaving me,' he said. Then he walked out. Oh, I wanted him to die.

I spent the next two days crawling over my carpet, shaking out my duvet and wiping the surfaces of my shabby furniture as I cleaned up leftovers from the magnificent glass party I kept finding blood on the bottoms of my feet. For every shard of glass I pulled from my skin, another would find its way in.

It was on one of these days, as I was extracting a piece of glass from the arch of my left foot, that Ben called.

'Hey, Fenfang, how are you doing? It's eleven o'clock here in Boston. I'm getting ready for bed. What are you up to?'

I was holding the phone and staring at the piece of glass that I'd just removed from my foot. It glowed in the light from my mobile. 'Ben,' I said, 'I've been tidying my apartment. I was just cleaning the carpet when you called.'

His voice came back. 'Fenfang. I miss you.'

I turned off the phone, and sat still and quiet in my room, my feet resting on glass splinters stuck in the carpet. I had this great urge to cry, but I didn't want to cry alone. For a really good cry, I needed a man's shoulder.