Authors: Jane Urquhart
BOOKS BY JANE URQUHART
FICTION
The Whirlpool
Storm Glass
(short stories)
Changing Heaven
Away
The Underpainter
POETRY
I Am Walking in the Garden of His Imaginary Palace:
Eleven Poems for Le Notre
False Shuffles
The Little Flowers of Madame de Montespan
Some Other Garden
For Guy Ducornet and Rikki Ducornet
And for Anne Pippin Burnett and Virgil Burnett
I.
THE LITTLE FLOWERS OF MADAME DE MONTESPAN
Venetian Gondoliers at Versailles
An Amusement in Twelve Movements
Choosing the Subject of the Fountain
Notes for the Machine at Marly
La Vallière, so ’tis said,
Is losing favour fast
The King goes to her bed
With boredom unsurpassed
Now Montespan takes o’er
Things, as we’ve seen before,
From hand to hand get passed
– Eighteenth-century street song
The Baroque Bed
The sun decides to
enter from the garden
moving on the carpet
he touches all your furniture
crawls under your closet door
investigates your wardrobe
moves his arm across
your memories
substituting light
and heat and silence
he erases last year’s
conversations with the stars
changes the contents of your mirrors
invents an alternative
palette for your crystal
scrapes his nails across brocade
revealing tangled threads
like contours on a map
he polishes your tables
his brilliance clings to cutlery
till spoons become large
bright incisions
all across the grain
a weight of gold and heat
he stops burning
at the flesh of your neck
you are the only shadow in the room
The objects he had touched shifted. Walls crumbled. Courtiers vanished with crystal, cutlery, diamonds in their back pockets. Frescoes peeled. The garden grew.
Absolute dispersal. The vast auction lasted for years. There was vandalism, forgery. And then the relocation, loose fragments drawn into new configurations.
Catalogued items: a nail from the shoe of a horse. A broken mirror from a private chamber. A scrap of paper mapping out the garden. A cutting of brocade.
Saved artifacts: seven prayers he breathed in haste. Four denials. A goblet full of memories. An urn for everything forgotten.
There, the display case exhibiting his women: passion, wit and reason. Sorrow, poison, order. Jewellery, costume and a broken quill pen.
Objects of pleasure: the prow of an imported golden gondola, the torn sail … a toy Spanish galleon. Fireworks, a miniature pageant, false porcelain from the first Trianon. Twelve masks, playing cards, dancing slippers. A stuffed swan.
The palace: gold leaf particles … a fractured fresco. This piece of marble, once part of a fountain. And then this candelabra, found not too long ago, intact.
From the framed centre
a cloth folds
its golden threads
brush the floor
brocade lambs graze
unicorns prance
a shepherdess in the shorn
world loses
her slipper in the chaos
white peacock
feathers at the edge
knots and tassels
dance in the air
they call this passion
I am lost in the fabric
smothered by your private furniture
I know the loom that dreamed this bed
The one before
walked in these rooms
gazed in these mirrors
and searched her thighs for flaws
opening his cupboard
pouring this decanter
her mind set sail for landscapes
where you might stop
to choose a gift for her
a snowdrop pressed inside a book
birds frozen in a cage
the hours filled with
preservation of her flesh
her hair and face and muscle
till laying down her brush
she felt your absence speak
as though you hadn’t nodded when
you passed her in the garden
or kept a place
beside you at the table
now I fill these rooms
and search the mirrors
I listen to the sound of strings
caressed by fountains
those imperfections in the glass
her face thighs
lost in silver
the ghost travels with me
to your chamber
My dress conceals
the structure of the rooms
shaping afternoons into
a grotesque geometry
everything I touch
billows over edges
these sheets
those plumes
the satin skirt I fling aside
I appear in windows
I dissolve in doorways
outside my skin
your pulse is moving
growing through the silence
into confusion
At night the window glass
reveals the self
the lamps cause fire
in the facets of my jewellery
and at my throat
bright rumours whisper
outside the garden turns away
and the windowpanes
reveal ourselves
outside
there is a gulf of darkness
where everything is watching
the other worlds have
vanished
in the morning
we’re unable to see
Their Republic opened out towards the sea. Long fingers extended to the lagoon. They returned by different routes in a city like a maze.
Here they sail over a false lake, a captive canal. Still waters go nowhere. They encounter edges. Women won’t call to them from balconies. No one speaks of flowers … or the moon.
And winter comes too soon. Skins bleach. Bones swell up with dampness and the cold. Boats are frozen in a corner of the garden.
They wish for raw confusion. Buildings that press back the sun; bridges that teem with circumstances. Not the knives of the doctors, bleeding winter diseases, the cold eyes of women bored by the court.
Sometimes at night they dream that their bloodstreams have become canals, moving outwards, to the sea. Their lost city, carried here inside the prison of their bodies.
They’ve forgotten the songs they used to sing.
A city floats
dreaming of Atlantis
I sleep in a bed
carved by your hand
beyond the window
the population whispers
secrets that I harbour
memories I keep
language is the room
I entered to escape you
the journeys taken
the islands abandoned
you have clothed
yourself in vapours
sent letters from
a secret lagoon
I am longing for the amnesia
your hand carves
and then the distance
Twelve candles
and a dwarf
Costumes woven
from garden leaves
Giant cogwheels
motivating scenery
Gold slippers
Ribbons, ribbons
He is dressed in a hundred diamonds
Lights from memory: trap doors
A three-cornered hat with bells
Wild boars romp in a sea of flowers
Laughter
A solitary gesture
And my mask
discarded
Artificial Fire
Des jeux de princes qui ne plaisent qu’à ceux qui les font
.
– Illustrative quotation from a dictionary