The History of Jazz (95 page)

Eubanks, Robin, 380

Europe, James Reese, 36, 101, 117, 159

European jazz record labels, 381

“Evanescence,” 250

Evans, Bill, 219, 221, 271–76, 348, 351, 372, 377

Evans, Doc, 201

Evans, Gil, 256, 257, 270, 281, 295

Evans, Herschel, 153, 180

Evans, Stump, 104

“Every Day I Have the Blues,” 248

Excelsior Brass Band, 31

Ezz-thetics
, 281

Fabulous Dorseys, The
, 237

Facebook, 370

Facing You
, 340, 384

Fagan, Sadie, 167

“Fantasy on Frankie and Johnny,” 234

Farlow, Tal, 80, 299

“Father Time,” 350

Favors, Malachi, 360–61

Fazola, Irving, 137

Feather, Leonard, 76, 100, 190, 221
n
15, 238, 238
n
20

“Feelin’ No Pain,” 77

Feels So Good
, 337

Feets Don’t Fail Me Now
, 328

Feldman, Victor, 273

Ferguson, Maynard, 65

“Fields of Gold,” 375

50 Hot Choruses for the Cornet
, 58

Fifty-second Street, 200

“52nd Street Theme,” 187, 266, 378

“50 Ways to Leave Your Lover,” 372

Filles de Kilimanjaro
, 306

Fillmore, John Comfort, 10

Finale, 370

“Fine and Mellow,” 169

Finegan, Bill, 248

“A Fine Romance,” 167

“Finger Buster,” 40

Firestone, Ross, 238
n
21

First Herd, 241

First Light
, 291

“First Night, The,” 249

Fitzgerald, Ella, 64, 66, 109, 125, 165, 346

Fitzgerald, F. Scott, 38

Five Peace Band, 329

“Flamenco Sketches,” 273

Flanagan, Tommy, 221, 276, 285, 346

Fleck, Béla, 380

“A Flower Is a Lovesome Thing,” 172

Floyd, Samuel, 4

Floyd, Troy, 149

“Flying Home,” 144

“Flyin’ Hawk,” 222

“A Foggy Day,” 351

“Foolin’ Myself,” 165, 168

For Alto
, 362

Ford, Ricky, 355

“For Dancers Only,” 124

“Fort Worth,” 378

Foster, Al, 285

Foster, George “Pops,” 28, 29, 173

Foster, Stephen, 8

“Four in One,” 223

Fournier, Vernel, 235

“Four on Six,” 296

Four Saints in Three Acts
, 117

Fox, The
, 228

“Fran Dance,” 272

Frank, Waldo, 116

Franklin, Rodney, 380

“Frank Speaking,” 246

Fraser, Al, 194
nn
2,3, 206
n
8

Freedom Suite
, 283, 284

free jazz, 309–25

Free Jazz
, 281, 291

Freelon, Nnenna, 376

Freeman, Bud, 74–77, 131, 255

Freeman, Richard, 202

French Opera House, 32

“Frenesi,” 139

“Frère Jacques,” 373

Friedwald, Will, 246
n
26

Frisell, Bill, 365

“Froggie Moore,” 40, 49

“Fruit, The,” 219

“Fugue,” 311

“Fugueaditti,” 178

Fuller, Curtis, 291

Fuller, Gil, 205

“Funeral March,” 114

“Funky Butt”

fusion, 325–38

classical, Keith Jarrett and, 338–43

types of, 326

Future Shock
, 333

Gable, Clark, 73

Gambarini, Roberta, 375

Garland, Red, 269

Garner, Erroll, 232, 234, 288

Garrett, Kenny, 376, 379

Garrison, Arv, 202

Gazarek, Sara, 376

Gee, Jack, 19

Gelpi, Rene, 35

Gene Lees Jazzletter
, 275
n
11

Genovese, Eugene, 11

genres of music, 8

Gershwin, George, 85, 99, 160, 196, 222, 237

Gershwin, Ira, 346

Getz, Stan, 147, 204, 212, 242, 256, 260–62, 347

Getz/Gilberto
, 261

ghost bands, 180, 355

Giant Steps
, 271, 276, 280

Gibson, Andy, 239

Giddins, Gary, 46, 54, 182, 260, 361

Gifford, Gene, 136

Gil, Gilberto, 388

Gilberto, João, 261–62

Gillespie, John Birks “Dizzy,” 64, 80, 140–41, 143, 162, 188, 189, 193–207, 194
nn
2,3, 206
n
8, 212, 225, 238, 259, 345, 346, 377

Gilmore, John, 247, 269

“Gimme a Pigfoot,” 19

Gioia, Ted, 314
n
5

“Girl from Ipanema, The,” 261

Gitler, Ira, 225, 225
n
17, 291
n
19

Giuffre, Jimmy, 242, 311

Glamoured
, 335

Glaser, Joe, 65, 66, 128, 154

Glasgow Suite
, 109

globalization of jazz, 380–88

“Gloria’s Step,” 274

“God Bless the Child,” 168

Goffin, Robert, 84, 159, 382

Goldberg, Joe, 311
n
2

Goldberg Variations, The
, 341, 367

Golden, Bob, 278
n
13

“Golden Striker, The,” 260

Goldkette, Jean, 81, 83–84, 136, 138

“Go ‘Long Mule,” 105

Golson, Benny, 289–90

Gomez, Eddie, 275

Gonsalves, Paul, 179, 181, 182, 363

“Goodbye,” 134

“Goodbye Pork Pie Hat,” 300, 348

“Good Earth, The,” 241

Goodman, Benny, 18, 25, 37, 41, 62, 72–73, 75, 77, 79–80, 100, 102, 117, 128–33, 186, 189, 197, 201, 237–238, 242, 274, 345 (
see also
Swing Era)

Carnegie Hall concert, 251

early life, 129–30

Fletcher Henderson relationship to, 132–33, 135

professional career, 130–32

Goodman, David, 129, 130

Good Morning Blues
, 151, 155

“Good Morning Heartache,” 168

“Good Vibes,” 109

Gordon, Dexter, 163, 189–90, 201, 220, 262, 347

Gordon, Wycliffe, 380

Gorelick, Kenneth, 337

Gott, Tommy, 85

Gottschalk, Louis Moreau, 6

Gough, Phil, 166

Gould, Morton, 129

Gourse, Leslie, 64

Grainger, Percy, 122

Grammy awards. 349

Grand Opera House, 32

“Grandpa’s Spells,” 40

Grand Terrace, 198

Grant, Henry, 112

Granz, Norman, 98, 109, 165, 169, 203, 211–12, 219, 346

Carnegie Hall concert, 232

Pablo label, 346

Grappelli, Stéphane, 160–61, 345, 382

Gray, Glen, 136

Gray, Wardell, 147, 189, 203, 238, 262

“Great Black Music—Ancient to Modern,” 360

Great Depression, 67

effects on jazz, 127

“Greatest Jazz Concert Ever, The,” 214

“Great James Robbery,” 179

Green, Benny, 380

Green, Freddie, 155, 180

Green, Grant, 295

Greer, Sonny, 83, 112, 152, 175, 179

Grenadier, Larry, 372

Gress, Drew, 380

“Grievin,’ ” 172

Griffin, Johnny, 289, 293

griots, 185

Grofé, Ferde, 85–86, 100, 105

“Groovin’ High,” 201

A
Guest of Honor
, 24

Guitar Forms
, 295

guitar, 144, 160, 385

Gullin, Lars, 383

Gunn, Jimmy, 148

“Gut Bucket Blues,” 59

“Gypsy, The,” 266

Gypsy jazz, 160

“A Gypsy without a Song,” 171

habañera rhythm, 206

Hackett, Bobby, 65, 255

Hadlock, Richard, 48, 58

Haig, Al, 221

“Haitian Fight Song,” 300

“Half-Mast Inhibition,” 299

Hall, Adelaide, 115

Hall, Edmond, 255

Hall, Jim, 275, 285, 366, 371

“Halls of Brass,” 245

“Hallucinations,” 219

Hamilton, Chico, 280

Hamilton, Jimmy, 182

Hammond, John, 75, 128, 131, 142, 144–45, 154, 167, 177, 275, 294

Hampton, Lionel, 141, 197, 259, 315, 377

Hancock, Herbie, 275, 304, 328, 347, 349, 379

“Handful of Keys,” 98

Handy, Craig, 380

Handy, George, 238

Handy, W. C., 12, 13, 18, 34, 161

as father of the blues, 18

Happy Black Aces, the, 149

hard bop, 285–307

“Hard Hearted Hannah,” 85

Hardin, Lil, 49, 57, 58

Hardwick, Otto, 112, 176

Hardy, Emmett, 35, 45

Hardymon, Phil, 380

Hargrove, Roy, 377–78

Harlem

birth of the big band, 100–110

boogie-woogie, 91, 96–97

Cotton Club, the, 116–25

cultures, 91

Duke Ellington’s early career, 110–16

Harlem Renaissance, 89–91

low wages in, 90

second Harlem, 90

stride piano, 91–93, 96–97

Waller, Fats, 94–96

“Harlem Air Shaft,” 175

“Harlem Rag,” 20–21

Harlem Renaissance, 89–90, 116

Harlem Symphony
, 92–93

“harmolodic theory,” 317

Harney, Ben, 21

Harrell, Tom, 347, 355, 377

Harris, Barry, 221

Harris, Bill, 240, 243

Harris, Benny, 198, 199

Harris, Stefon, 380

Harrison, Donald, 354

Harrison, Jimmy, 102

Hartman, Johnny, 278

Hartwell, Jimmy, 69

Hasselgard, Stan, 147

“Have You Met Miss Jones?,” 276

“Hawaiian War Chant,” 138

Hawes, Hampton, 221, 262

Hawkins, Coleman, 16, 18, 54, 55, 77, 82, 84, 102, 104, 107–9, 118, 131, 140, 141, 157–63, 169, 189, 193, 197, 201, 210, 220, 222, 269, 282, 347, 348, 362

Hayden, Scott, 22

Haydn Trumpet Concerto, 349

Hayes, Rutherford, 33

Haynes, Roy, 224

Head Hunters
, 328

“Heaven,” 182

Heavy Weather
, 330

“Heckler’s Hop,” 140

“Heebie Jeebies,” 59