The History of Jazz (94 page)

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Authors: Ted Gioia

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“Chelsea Bridge,” 172, 175
Chernoff, John Miller, 9
“Cherokee,” 188, 218, 238–39, 245
Cherry, Don, 201, 276, 281, 313, 324, 377
Chevalier, Maurice, 121
Chiaroscuro (record label), 347
Chicago

AACM, 358–361

Jazz Age, the, 71–80

jazz players, Swing Era, 137

“Chicago,” 161
“A Child Is Born,” 249
“Children of the Night,” 291
Childs, Billy, 371
“Chill of Death, The,” 299, 302
Chilton, John, 166
“Chimes Blues,” 49
“China Boy,” 75
Chocolate Dandies, the, 107, 109, 140
Christensen, Sigfre, 35
Christian, Charlie, 143, 144, 162, 164, 189
“Christopher Columbus,” 132
Christy, June, 245
Churchill, Winston, 50
Cincotti, Peter, 375
City of Glass
, 310
Civil Rights Act, 190
Clancy, William D., 240
n
24
“Clap Hands, Here Comes Charlie,” 155
“Clarinetitis,” 72
Clark, Sonny, 284, 295
Clarke, Donald, 166
Clarke, Kenny, 153, 196, 197, 200, 224, 259, 267
Clarke, Stanley, 328
classic blues, 15–19 (
see also
blues music)
clave rhythm, 206
Clay, Sonny, 148
Clayton, Buck, 154
“Cleopatra’s Dream,” 219
Cline, Nels, 380
“Clothed Woman, The,” 178
Clown, The
, 299
Club Kentucky, 113, 116
C melody saxophone, 104
Cobb, Arnett, 312
Cobb, Oliver, 148
Code Noir, 32
Cohen, Avishai, 380
Cohn, Al, 242
Cole, Nat King, 164, 232, 233, 374
Cole, Richie, 216
Coleman, Earl, 203
Coleman, Ornette, 201, 260, 281, 282, 284, 285, 291, 303, 310–23, 316, 317
n
6, 350, 351, 378
Collier, James Lincoln, 201
n
5, 296–97, 297
n
21
color tones, 163
Coltrane, John, 97, 180, 225–26, 246, 261, 269–71, 273, 276–80, 322, 351, 363, 379
Coltrane, Ravi, 378
Columbia Graphophone, 67
Columbia (record label), 356 (
see also
CBS
and
Sony)
Combelle, Alix, 383
Come Away with Me
, 374
“Come Sunday,” 182
Commentaries on Living
, 279
“Con Alma,” 188
Concert by the Sea
, 232, 234
“Concerto for Billy the Kid,” 271
Concerto for Clarinet
, 129, 140
Concerto for Clarinet and Orchestra
, 129
“Concerto for Cootie,” 144, 176, 179
Concerto Jazz a Mine
, 93
Concierto de Aranjuez
, 270
Concord (record label), 347
Condon, Eddie, 69, 74, 255
“Confirmation,” 188
Congo Square, 3–5

dances in, 4

Congo Square
, 353
Connick, Harry, Jr., 64, 354
Conquistador
, 319
“Construction Gang,” 58
Contrasts
, 129, 143
Cook, Will Marion, 54, 101, 159
Cooke, Doc, 62
cool jazz, 242, 253–67
Miles Davis and, 256–58
“Copenhagen,” 54
Copland, Aaron, 129
Corea, Chick, 275, 306, 328–29, 376
“Cornet Chop Suey,” 59
Cosmic Tones for Mental Therapy
, 246
Cotton Club, the, 116–25
“Cotton Tail,” 171, 176, 193, 229
Counce, Curtis, 263
“Countdown,” 276
country blues, 13–15 (
see also
blues music)
Coward, Noel, 160
“Crazy Blues,” 16, 103
Creath, Charlie, 148
Creole Jazz Band, 44, 46–49, 53, 58–59, 67
“Creole Love Call,” 75, 114
“Creole Rhapsody,” 123
Creoles of color.
See
black Creoles
“Crescendo in Blue,” 171
Criss, Sonny, 262
“Criss Cross,” 223
“Cro-Magnon Nights,” 228
Crosby, Bing, 64, 66, 79, 85
Crosby, Bob, 137
Crouch, Stanley, 352
“Cubana Be, Cubana Bop,” 206
Cuban Fire
, 245
Cullum, Jamie, 375
culture

African American, 101

Harlem, 91

Latin-Catholic, 6

mixture of, 5–7

West Africa, 9

Cumbia & Jazz Fusion
, 303
Cyr, Johnny St., 30, 40, 41, 58
Cyrille, Andrew, 320
“Daahoud,” 287
“Dalvatore Sally,” 238
Dameron, Tadd, 204, 205, 267, 286, 290
“Dance of the Octopus,” 80
“Dancin’ Fool,” 333
Dancing in Your Head
, 317
Darensbourg, Joe, 82
Dark Laughter
, 116
Darrell, R. D., 122
“Davenport Blues,” 78
Davenport Chronicle
, 68
Davis, Eddie “Lockjaw,” 204, 247, 293
Davis, Francis, 352
Davis, Miles, 57, 169, 202, 202
n
6, 205, 207–9, 209
n
10, 215, 225, 230, 234, 270, 273, 293, 297, 298, 298
n
22, 303, 305–6, 326–28, 334–35, 348, 351, 352

cool jazz and, 256–58, 256
n
1, 257
n
3, 267–72, 267
n
6

performance at Newport Jazz Festival, 268

“Daydream,” 172
A
Day in the Life
, 296
“Dead Man Blues,” 40
Dean, James, 73
Death and Transfiguration
, 298
“Deception,” 258
Dee Gee (record label), 212
“Deep Purple,” 140
DeFranco, Buddy, 239
DeJohnette, Jack, 285, 339
de Koenigswarter, Baroness Pannonica, 214, 227
Delaunay, Charles, 159
“Delilah,” 287
Delta blues, 13, 14
Deluxe Melody Boys, the, 149
Derivations for Clarinet and Band
, 129
“Desafinado,” 261
DeSare, Tony, 375
“Descent into the Maelstrom,” 231, 310
Desmond, Paul, 235, 256, 266, 362
Detroit Creative Musicians Association, the, 358
“Detroit style,” 221
“Devil’s Holiday,” 108
“Dewey Square,” 210
“Dexterity,” 210
Dial (record label), 202–203, 210
Dialogue
, 297
Dickerson, Carroll, 61–62
“Dickie’s Dream,” 164
“Dicty Blues,” 106
“Digression,” 310
“Diminuendo and Crescendo in Blue,”
170–71, 181
“Dipper Mouth Blues,” 48–49
disintermediation, 370–71
Dixieland, 254
“Dixieland Band, The,” 134
Dixie Syncopators, 50
“Dizzy Atmosphere,” 201, 207
“Django,” 260
“Djangology,” 161
Dodds, Warren “Baby,” 31, 41, 43
Dodds, Charles, 14
Dodds, Johnny, 41, 43, 46, 58, 60
Dodds, Julia Major, 14
Doggett, Bill, 294
“Doggin’ Around,” 153
Dollison, Julia, 376
Dolphy, Eric, 280–82, 292, 301
“Donna Lee,” 188, 207, 209, 330
“Do Nothin’ till You Hear from Me,” 179
“Don’t Blame Me,” 135
“Don’t Explain,” 168
“Don’t Get Around Much Anymore,” 178
“Don’t Know Why,” 374
“Don’t Worry, Be Happy,” 376
Dorham, Kenny, 207, 287–88
Dorsey, Jimmy, 83, 131, 137–39
Dorsey, Tommy, 83, 96, 131, 137–39, 195
dotted eighth note, 187
Douglas, Dave, 365, 370
Downbeat
, 42, 145, 162, 190, 201, 225–26, 237, 243–44, 314, 319, 345
“Down Hearted Blues,” 17
“Dream Lullaby,” 108
Drew, Kenny, 221
“Drop Me Off in Harlem,” 239
Drum(s), 11, 106, 133, 150, 196, 277
“Drum Boogie,” 266
A
Drum Is a Woman
, 181
“Ducky Wucky,” 121
Dudley, Bessie, 123
Dufty, Bill, 170
Duplicates
, 143
Durham, Eddie, 124, 151–52
“Dusk,” 175
Dusk, Matt, 375
Duster
, 342
Dutrey, Honore, 46, 49
Dutrey, Sam, 47
“Early Autumn,” 242, 260
“Early Every Morn,” 55
Early to Bed
, 96
East Coasting
, 299
“East Saint Louis Toodle-oo,” 114
“Eat That Chicken,” 301
Ebony Concerto
, 238, 241, 311
Eckstine, Billy, 64, 192, 198–99, 203, 238, 288
ECM (record label), 338–39, 342
Eddie “Lockjaw” Davis, 363
Edison, Harry “Sweets,” 154, 169
Ed Sullivan Show, The
, 139
Edwards, Altevia, 220
Edwards, Eddie, 36
Edwards, Teddy, 163, 262
Eicher, Manfred, 338
Eldridge, Roy, 64, 99, 102, 105, 109, 140, 163, 195–97, 212, 345
Elektra (record label), 364
Elias, Eliane, 276
Ella Fitzgerald Sings the Cole Porter Songbook
, 346
Elling, Kurt, 375
Ellington, Daisy Kennedy, 111
Ellington, Duke, 25, 40, 56, 66, 84, 90, 92, 93, 95, 99–100, 102, 119–21, 123, 125, 128, 130, 146, 163, 189, 206, 216, 229, 232, 239, 278, 338, 345, 346 (
see also
Swing Era)

early career, 110–16

famous recordings, 174–75

health problems, 182–83

middle period and later works, 170–83

performances, 171–72

Ellington, James Edward, 111
“Ellington sound,” 115
Ellis, Dave, 380
Ellison, Ralph, 63, 144
Elman, Ziggy, 141
“Embraceable You,” 210
“Emotion Modulation,” 316
Empty Foxhole, The
, 317
Empyrean Isles
, 304
Encyclopedia of Jazz
, 100
“end of ideology,” 377
“Epistrophy,” 224
Eps, George Van, 133
Escalator over the Hill
, 359

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