Read Women in Dark Times Online
Authors: Jacqueline Rose
70
See Banner,
Marilyn
, p. 147.
71
Hildegard Knef,
The Gift Horse: Report on a Life
, trans. David Anthony Palastanga (London: Granada, 1972), p. 272.
72
Banner,
Marilyn
, p. 151.
73
Ibid., p. 258.
74
Fragments
, p. 55.
75
Rosten,
Marilyn
, p. 30.
76
Norman Mailer,
Marilyn
(London: Hodder & Stoughton), p. 157.
77
With thanks to Richard Eyre for this personal communication.
78
Meryman, ‘Fame May Go By’, p. 15.
79
Donald Spoto, cited in Churchwell,
The Many Lives of Marilyn Monroe
, p. 255.
80
Banner,
Marilyn
, p. 268.
81
Knef,
The Gift Horse
, p. 279.
82
Norma Barzman,
The Red and the Blacklist: The Intimate Memoir of a Hollywood Expatriate
(Kilmarnock: Friction, 2005), pp. 91–2.
83
J. Hoberman,
An Army of Phantoms: American Movies and the Making of the Cold War
(New York: The New Press, 2011).
84
Barzman,
The Red and the Blacklist
, pp. 97–8.
85
Ibid.
86
Frederick Vanderbilt Field,
From Right to Left: An Autobiography
(Westport Connecticut: Lawrence Hill, 1983), pp. 299–305, cited in Banner,
Marilyn
, pp. 388–9.
87
Banner,
Marilyn
, pp. 290–1.
88
‘FBI monitored Monroe for communist links’,
Guardian
, 29 December 2012.
89
I. F. Stone,
The Haunted Fifties
, p. 252.
90
Ibid., p. 179.
91
Arthur Miller,
The Misfits
(Harmondsworth: Penguin, 1957), p. 81.
92
Fragments
, p. 37.
93
Meryman, ‘Fame May Go By’, p. 14.
94
Ibid., p. 4.
95
Laura Mulvey,
Death 24X a Second, Stillness and the Moving Image
(London: Reaktion, 2006), p. 11.
96
Meryman, ‘Fame May Go By’, p. 11.
97
Marilyn on Marilyn
, BBC documentary based on interviews with Georges Belmont and Richard Meryman, 5 August 2012.
98
Weatherby,
Conversations
, p. 175.
99
All quotes from ‘About Men’, Chapter 21, Monroe with Ben Hecht,
My Story
, pp. 124–7.
100
Weatherby,
Conversations
, p. 205.
101
Churchwell,
The Many Lives of Marilyn Monroe
, p. 114.
102
Weatherby,
Conversations
, p. 143.
103
Miller,
Timebends
, p. 326.
104
Miller,
After the Fall
,
Plays
, Vol. 2 (London: Methuen, 1988), p. 181.
105
Steffens,
Autobiography
, p. 833.
106
Ibid., p. 844.
107
Ibid., p. 871.
108
Richard Meryman, ‘A Last Long Talk with a Lonely Girl’.
109
Miller,
Timebends
, p. 467.
110
Ibid., p. 397.
111
Miller,
After the Fall
, p 203.
112
Trilling, ‘The death of Marilyn Monroe’, p. 240.
113
Monroe with Ben Hecht,
My Story
, p. 28.
114
Rosten,
Marilyn
, p. 15.
115
W. Somerset Maugham, ‘Rain’,
Rain and Other South Sea Stories
(New York: Dover, 2005), p. 14.
116
Pepitone,
Marilyn Monroe
, p. 179.
117
Somerset Maugham to Marilyn Monroe, 31 January 1961, cited in Banner,
MM: Personal
, p. 186.
118
Banner,
Marilyn
, pp. 211–12.
119
Ibid., p. 131.
120
Niagara
, screenplay by Charles Brackett, Walter Reisch and Richard Breen, final script 1 March, 1952; Cindy de La Hoz,
Marilyn Monroe: The Personal Archives
(London: Carlton, 2010), p. 37.
121
For a discussion of the importance of this image of women to cinema, see Mary Ann Doane,
Femmes Fatales
(New York: Routledge, 1991).
122
Miller,
After the Fall
, p. 200.
123
Ibid., p. 224.
124
Ibid., pp. 232–3.
125
Miller,
Timebends
, p. 527.
126
Ibid., p. 485.
127
Meryman, ‘Fame May Go By’, p. 10.
128
Ibid., p. 14.
129
Fragments
, p. 6.
130
Alan Levy in Wagenknecht,
Marilyn Monroe
, p. 36.
131
Marilyn Monroe interviewed by Georges Belmont for
Marie Claire
, April 1960.
132
Marilyn on Marilyn
, BBC documentary.
133
Fragments
, p. 59.
134
Meryman, ‘Fame May Go By’, p. 8.
135
Fragments
, p. 53.
136
Ibid., p. 57.
137
Ibid., p. 153.
138
Cited in Steinem,
Marilyn
, p. 150.
139
Fragments
, p. 73.
140
Larry McMurtry, ‘Marilyn’,
New York Review of Books
, 10 March 2011.
141
Fragments
, pp. 17, 21.
142
Strasberg,
Marilyn and Me
, p. 103.
143
Rosten,
Marilyn
, p. 46.
144
Arnold,
Marilyn Monroe
, p. 26.
145
Fragments
, p. 73.
146
Ibid., pp. 207–13.
147
Marilyn on Marilyn
, BBC documentary.
148
Cited in Steinem,
Marilyn
, p. 93.
149
Cited in Churchwell,
The Many Lives of Marilyn Monroe
, p. 56.
150
Pepitone,
Marilyn Monroe
, p. 127.
151
Cited in Churchwell,
The Many Lives of Marilyn Monroe
, p. 240.
152
Weatherby,
Conversations
, p. 84.
153
Cited by Simon Callow reviewing
Oliver
by Philip Ziegler,
Guardian
, 21 September 2013.
154
Jeffrey Meyers,
The Genius and the Goddess: Arthur Miller and Marilyn Monroe
(Illinois: University of Illinois Press, 2010), p. 166; cited in Peter Bradshaw, ‘The Magic of Marilyn’,
Guardian
, 10 May 2012.
155
Cited in Steinem,
Marilyn
, pp. 38, 42.
156
Belmont,
Marie Claire
, April 1960.
157
Cited in Diana Trilling, ‘Please Don’t Make Me A Joke’,
New York Times
, 21 December 1986; see also Churchwell,
The Many Lives of Marilyn Monroe
, p. 227.
158
Cited in Banner,
Marilyn
, p. 180.
159
John Banville, ‘Do you want me to be her?’
Guardian
, 4 August 2012.
160
Joshua Logan, ‘Can Marilyn
Really
Act? Her director says “Yes!”’,
New York Herald Tribune
, 26 August 1956, in Banner,
MM: Personal
, p. 79.
161
Arnold,
Marilyn Monroe
, p. 19.
162
Cited in Banner,
Marilyn
, p. 189.
163
Eugene O’Neill,
Anna Christie
, 1921 (London: Nick Hern, 2011), Act 3, p. 49.
164
Ibid.
165
Rosten,
Marilyn
, p. 76.
166
Weatherby,
Conversations
, p. 59.
167
Pepitone,
Marilyn Monroe
, p. 148.
II: THE LOWER DEPTHS
4. Honour-bound: Shafilea Ahmed, Heshu Yones and Fadime Sahindal
1
Faqir, ‘Intrafamily femicide’.
2
On acute domestic violence against women, see, for example, Sandra Laville, ‘Revealed: 10,000 living at risk of domestic violence’,
Guardian
, 27 February 2014.
3
Lila Abu-Lughod, ‘Seductions of the “Honor Crime”’,
Saving Muslim Women
(Cambridge: Harvard University Press, 2013).
4
Husseini,
Murder in the Name of Honour
, pp. 158–61.
5
Unni Wikan,
In Honor of Fadime
, p. 79.
6
Ibid., p. 7.
7
Husseini,
Murder in the Name of Honour
, pp. 159–60.