Wm & H'ry: Literature, Love, and the Letters Between Wiliam and Henry James (16 page)

“but half . . .” Ibid., p. xvi

“positively close . . .” Ibid., p. xix

“deeper draught . . .” Ibid., p. xv

“very much that . . .” Ibid., p. x

“a tide . . .” Ibid., p. 4

“plashes . . .” Ibid., p. 11

“against a firm . . .” Ibid., p. 2

“likened to the . . .” Ibid., p. 23

“All of which . . .” Ibid., pp. 32–33

“My stuff . . .”
III
,
p. 222

“May you be . . .”
III
,
p. 240

137

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“[Roosevelt] gushes . . .”
Essays
,
Comments
,
and Reviews
,
William James (Cambridge, Mass.: Harvard University Press,

1), p. 13

“He swamps . . .” Ibid., p. 14

“
Terminato . . .”
III
,
p. 3

“wrapped up . . .”
I
,
p. 2

“discredit[ed] in . . .”
Writings –99
,
p. 45

“The old human . . .”
III
,
p. 5

“Remarkable for . . .”
III
,
p. 30

“Our ancestors . . .”
Writings 9–9
, p. 123

“Rich men . . .”
I
,
p. 1

“but one utopia . . .”
Writings 9–9
, p. 124

“The military . . .” Ibid., p. 121

“like a rat . . .”
III
,
p. 311

“I would n’t . . .”
III
,
p. 313

“I am . . . as limp . . .”
III
,
p. 313

“her taste . . .”
The Question
, p. 3

“to accept . . .” Ibid., pp. 24–25

“Keep up your . . .” Ibid., pp. 51–52

“The contents . . .” “The Letters of Honoré de Balzac,”

Henry James,
Galaxy
(February 1), p. 13

“to see . . .”
Writings –99
,
p. 41

“For three . . .”
I
,
p. 3

138

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“I come back . . .”
II
,
p. 1

“Verily, it . . .”
I
,
p. 11

“What a poor . . .”
I
,
p. 1

“It’s a horrible . . .”
I
,
p. 142

“I write in . . .”
I
,
p. 15

139

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figure captions and credits

1. From
The Correspondence of William James: William and
Henry,
vol. 1 (Charlottesville: University Press of Virginia, 12–14), 4. Reprinted with the permission of Bay James.

2. From
The Correspondence of William James: William and
Henry,
vol. 2 (Charlottesville: University Press of Virginia, 12–14), 45. Reprinted with the permission of Bay James.

3. Courtesy of the Houghton Library. Reprinted with the

permission of Bay James.

4.
Henry James
, John La Farge, 12. Courtesy of the Century Association.

5.
Presentation of the Virgin in the Temple
, Titian. Photo from Scala/Art Resource, New York. Used by permission.

.
The Palace of Sleep
,
Gustavé Dore, 10. Photo credit: Vintage-Views.com. Used by permission.

.
Paradise Valley, –
, John La Farge. Photo credit: Terra Foundation for American Art/Art Resource, New

York. Used by permission.

.
Mrs. Mahlon Sands
,
John Singer Sargent, 14. From
John
Singer Sargent: Portraits of the 9s
, vol. 2 in Complete Paintings series (New Haven: Yale University Press, 2002). Used by permission.

141

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muse books

the iowa series in creativity and writing

Wm & H’ry: Literature, Love, and the Letters

between William and Henry James

by J. C. Hallman

My Business Is to Create: Blake’s Infinite Writing

by Eric G. Wilson

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