Read Wm & H'ry: Literature, Love, and the Letters Between Wiliam and Henry James Online
Authors: J. C. Hallman
Tags: #History, #Philosophy, #Modern (16th-21st Centuries), #Biographies & Memoirs, #Politics & Social Sciences, #Arts & Literature, #Modern, #Philosophers, #Professionals & Academics, #Authors, #19th Century, #Literature & Fiction
yours,” H’ry wrote in the same letter in which he re-
ported on Wm’s speech. He described Mrs. Sands in
terms that reflected the tolls levied by social pressures:
“She was a pathetic,
ballottée
creature—with nothing 88
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small or mean & with a beauty that had once been
the greatest.”
Wm sent Mrs. Sands a copy of his essay “Is Life
Worth Living?,” which was published as a small book
in 1. The essay would have affirmed Mrs. Sands’s
spiritualist interest. “Is Life Worth Living?” articulated the “will to believe” doctrine Wm had been working
out through the 10s and early 10s, and amounted
to a critical step on the path to pragmatism: we each
have the right to supplement observable reality with an
unseen spiritual order if only to thereby make life seem
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worth living. It’s often argued that Wm was reflecting
on his dark mood here, now a quarter-century past, but
he was hardly alone: “That life is
not
worth living the whole army of suicides declare. . . . As we sit here in
our comfort, [we] must ‘ponder these things’ also, for
we are of one substance with these suicides, and their
life is the life we share.” Wm quoted Ruskin to contrast
“the lightness of heart of a London dinner party” with
those outside its walls, and then he tightened his focus
onto what for Mrs. Sands must have seemed a familiar
ennui: “My task, let me say now, is practically narrow,
and my words are to deal only with that metaphysical
tedium vitæ
which is peculiar to reflecting men.”
On July 24, 1, H’ry passed along Mrs. Sands’s
gratitude for Wm’s little book. Her note, H’ry said, ar-
rived just at the climax of the London rush. He later
recalled that she had implored him to visit her. “Are
you not coming up at all?” she pleaded. “I am sick of
the whole thing.” Mrs. Sands died three days later. Her
maid left the room for just a moment while dressing
her for a dinner party. She had collapsed to the floor.
“She had a weakness of heart,” H’ry wrote. “That’s
all that’s known.”
Mrs. Sands was forty-one years old.
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The death of Mrs. Sands illustrates what H’ry never
stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very
heavy indeed. He seemed to best understand this him-
self only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . .
that [
Pragmatism
] cast upon me,” H’ry wrote in 10.
“All my life I have . . . unconsciously pragmatised.”
And in 10, “As an artist & a ‘creator’ I can catch on, hold on, to pragmatism, & can work in the light of it
& apply it.” H’ry’s fiction demonstrated Wm’s “method of truth.”
Wm was never able to be quite so gracious in return.
Tempered by occasional praise, his criticisms of his
brother’s work started early, and never truly abated. In
1, he lashed out at the “every day” elements of two
of H’ry’s early stories, and then explained his purpose:
“I have uttered this long rigmarole in a dogmatic man-
ner, as one speaks, to himself, but of course you will
use it merely as a mass to react against in your own
way, so that it may serve you some good purpose.”
He believed he was doing H’ry a service as he criti-
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cized a growing tendency toward “over-refinement”
or “
curliness
” of style. “I think it ought to be of use to you,” he wrote in 12, “to have any detailed criticism
fm even a wrong judge, and you don’t get much fm.
any one else.” For the most part, H’ry agreed. “I hope
you will continue to give me, when you can, your free
impression of my performance. It is a great thing to
have some one write to one of one’s things as if one
were a 3d person & you are the only individual who
will do this.”
H’ry did not agree with all of Wm’s “strictures.”
Some were clearly born of an overprotective spirit.
Whenever Wm advised that H’ry bend toward the
“newspaporial,” or concentrate on writing of a “popu-
lar kind,” H’ry kicked back. “The multitude, I am more
& more convinced, have absolutely no taste—none at
least that a thinking man is bound to defer to. To write
for the few who have is doubtless to lose money—but
I am not afraid of starving.”
Long after H’ry had established a successful career,
Wm worried that he would have to care for his brother
in his old age. H’ry’s bravado, however, and what he
produced did not always jibe. He
was
afraid of starving. Even apart from his speculative sortie into the the-
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ater, his stories are often repetitive—he mined themes
again and again, reselling the same idea to a range of
venues—and he was well aware that some of his work
was inferior. Ironically, this was the work that tended
to please Wm most. When Wm praised “Longstaff ’s
Marriage” and wondered why H’ry had left it out of a
collection, H’ry dismissed the story as a “poor affair.”
And just a few months after the death of Mrs. Sands
he disavowed an entire novel,
The Other House
, that Wm had enjoyed. “If
that’s
what the idiots want,” H’ry wrote, “I can give them their bellyfull.”
Wm only grudgingly accepted H’ry’s most ambi-
tious methods. “It is superlatively well done,” he wrote
of
The Bostonians
,
when he finally read it, “provided one admit that method of doing such a thing at all.”
The earnest criticism of the early letters gave way to
banter as Wm struggled to comprehend whatever it
was H’ry was trying to achieve. In 105, flustered by
The Golden Bowl
,
Wm called for something wholly new: But why won’t you, just to please Brother, sit
down and write a new book, with no twilight
or mustiness in the plot, with great vigor and
decisiveness in the action, no fencing in the
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dialogue, no psychological commentaries, and
absolute straightness in the style?
H’ry replied with a wry broadside:
I mean . . . to try to produce some uncanny
form of thing, in fiction, that will gratify you,
as Brother—but let me say, dear William, that
I shall greatly be humiliated if you
do
like it, & thereby lump it, in your affection, with things,
of the current age, that I have heard you express
admiration for & that I would sooner descend
to a dishonoured grave than have written.
More often, however, H’ry remained silent in re-
sponse to Wm’s frustration as they grew older. What
bothered Wm most was that now
everything
in H’ry’s fiction remained ambiguous. He couldn’t imagine why
anyone would want to write in such a way (“[it] goes
agin the grain of all my own impulses in writing”), and
he couldn’t leave it alone either. In 10, he was still
trying to understand the difference in their methods:
Mine being to say a thing in one sentence as
straight and explicit as it can be made, and then
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to drop it forever; yours being to avoid naming it
straight, but by dint of breathing and sighing all
round and round it, to arouse in the reader who
may have had a similar perception already . . . the
illusion of a solid object.
H’ry would never confirm whether Wm was on the
right track in coming to understand his work, but he
expressed disappointment that their mutual influence
did not result in mutual appreciation:
I’m always sorry when I hear of your reading
anything of mine, & always hope you won’t—you
seem to me so constitutionally unable to “enjoy”
it, & so condemned to look at it from a point of
view remotely alien to mine in writing it. . . . It
shows how far apart & to what different ends we
have had to work out . . . our respective intellectual
lives. And yet I can read
you
with rapture.
H’ry must have been even more resigned than he
was willing to admit. Was it not Wm who had once said
that only works of imagination could lay effective siege
to the philosophical battlements most worth attacking?
Why did Wm fail to recognize that H’ry had volun-
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teered for his army, and that in the war Wm waged H’ry
was his fiercest champion and most decorated soldier?
On August , 100, Wm related an embarrassing story.
Throughout the summer, while traveling through Eu-
rope with his wife—named Alice, like the sister—he
suffered from a range of symptoms: nervousness, heart
trouble. He needed help, but didn’t know where to
turn. As it happened, he’d been receiving letters prais-
ing the work of a magnetic healer, a “Mrs. Melton”
of Paris. Wm scoffed at Mrs. Melton, which had led
to terrible fights with Alice. Even though Wm had
long acted as a spiritualist leader, it was Alice who was more deeply beguiled by occult fads. Over the next
few weeks, a variety of factors conspired to make Paris
attractive: Wm got it in mind to seek an appointment
with the city’s great heart man, Pierre Potain, and an
invitation to stay in a private Parisian home offered
relief from an endless string of hotels. Perhaps most
important, Wm told H’ry, a visit to the magnetic healer
would convince Alice that “the powers of the occult
world were not being neglected.”
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It was a mistake. Rather than relieving him of his
ailments, the “nasty job” of Mrs. Melton’s treatment
succeeded only in producing boils. “I made an ass of
myself letting that spider of hell the ‘healer’ touch
me,” Wm wrote.
His next few letters express the usual pleasure the
brothers took in relating the history of awkward ail-
ments. “The chief remaining furuncle broke this a.m.”
“The last boil is now disgorging its venomous heart.”
The peculiar fun of boil-breaking is corroborated by an
account of Swami Vivekananda, who hosted a conclave
of healers and modern mystics while Wm was in Paris.
Vivekananda was honored by Wm’s attendance at the
meeting, but he noted that the celebrated philosopher
seemed distracted by careful self-ministrations from
the opening gavel. Wm’s only memorable contribution
to the proceedings came when one of the attendees
proposed proving the existence of the “Fire God” by
lighting a blaze in the parlor: Wm lifted his head from
his pustule-worrying and announced that he might
well have had something to say upon the Fire God if
only he were not entirely occupied with the evolution
of Meltonian blisters.
Wm’s attitude toward the magnetic healer challenges
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a long-standing scholarly assumption that his interest
in psychical research depended on a suspension of a
critical faculty that would have better off left intact.
Like the sciences whose methodology they imitate,
history and biography crave contrast and absolutes
and are therefore ill-prepared to survey enthusiasm
tempered by skepticism. Wm was a believer (To H’ry,
10: “There is
something
back there that shows that minds communicate, even those of the dead with those
of the living”), but he was also a scientist who knew
that he’d never proven a damn thing when it came to
ghosts, prayer, or magical healing. That hardly mat-
tered. His entire career was an attempt to form a practi-
cal response, rooted in the measurable and observable,
to the fact that reality was ambiguous and appeared