William Shakespeare: The Complete Works 2nd Edition (36 page)
Read William Shakespeare: The Complete Works 2nd Edition Online
Authors: William Shakespeare
Tags: #Drama, #Literary Criticism, #Shakespeare
BOOK: William Shakespeare: The Complete Works 2nd Edition
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NATHANIEL All things is ready. How near is our master?
GRUMIO E’en at hand, alighted by this, and therefore be not—Cock’s passion, silence! I hear my master.
Enter Petruccio and Katherine
PETRUCCIO
Where be these knaves? What, no man at door
To hold my stirrup nor to take my horse?
Where is Nathaniel, Gregory, Philip?
To hold my stirrup nor to take my horse?
Where is Nathaniel, Gregory, Philip?
ALL SERVANTS Here, here sir, here sir.
PETRUCCIO
Here sir, here sir, here sir, here sir!
You logger-headed and unpolished grooms,
What! No attendance! No regard! No duty!
Where is the foolish knave I sent before?
You logger-headed and unpolished grooms,
What! No attendance! No regard! No duty!
Where is the foolish knave I sent before?
GRUMIO
Here, sir, as foolish as I was before.
PETRUCCIO
You peasant swain, you whoreson, malthorse drudge,
Did I not bid thee meet me in the park
And bring along these rascal knaves with thee?
Did I not bid thee meet me in the park
And bring along these rascal knaves with thee?
GRUMIO
Nathaniel’s coat, sir, was not fully made,
And Gabriel’s pumps were all unpinked i‘th’ heel.
There was no link to colour Peter’s hat,
And Walter’s dagger was not come from sheathing.
There were none fine but Adam, Ralph, and Gregory.
The rest were ragged, old, and beggarly.
Yet as they are, here are they come to meet you.
And Gabriel’s pumps were all unpinked i‘th’ heel.
There was no link to colour Peter’s hat,
And Walter’s dagger was not come from sheathing.
There were none fine but Adam, Ralph, and Gregory.
The rest were ragged, old, and beggarly.
Yet as they are, here are they come to meet you.
PETRUCCIO
Go, rascals, go and fetch my supper in.
Exeunt servants
(
Sings
)
Sings
)
‘Where is the life that late I led?
Where are those—’
Sit down, Kate, and welcome. Soud, soud, soud, soud.
Enter servants with supper
Why, when, I say?—Nay, good sweet Kate, be merry.—
Off with my boots, you rogues, you villains. When?
(S
ings
)
ings
)
‘It was the friar of orders gray,
As he forth walked on his way.’
As he forth walked on his way.’
Out, you rogue, you pluck my foot awry.
(
Kicking a servant
) Take that, and mend the plucking of the other.
Kicking a servant
) Take that, and mend the plucking of the other.
Be merry, Kate.
(Calling)
Some water, here. What, hoa!
(Calling)
Some water, here. What, hoa!
Enter one with water
Where’s my spaniel Troilus? Sirrah, get you hence,
And bid my cousin Ferdinand come hither—
One, Kate, that you must kiss and be acquainted with.
And bid my cousin Ferdinand come hither—
One, Kate, that you must kiss and be acquainted with.
(
Calling
) Where are my slippers? Shall I have some water?
Calling
) Where are my slippers? Shall I have some water?
Come, Kate, and wash, and welcome heartily.
[A servant drops water]
You whoreson villain, will you let it fall?
KATHERINE
Patience, I pray you, ‘twas a fault unwilling.
PETRUCCIO
A whoreson, beetle-headed, flap-eared knave. Come, Kate, sit down, I know you have a stomach. Will you give thanks, sweet Kate, or else shall I? 145 What’s this—mutton?
FIRST SERVINGMAN
Ay.
PETRUCCIO
Who brought it?
PETER
I.
PETRUCCIO
’Tis burnt, and so is all the meat.
What dogs are these? Where is the rascal cook?
How durst you villains bring it from the dresser
And serve it thus to me that love it not?
There, (
throwing food)
take it to you, trenchers, cups,
and all,
You heedless jolt-heads and unmannered slaves.
What, do you grumble? I’ll be with you straight.
What dogs are these? Where is the rascal cook?
How durst you villains bring it from the dresser
And serve it thus to me that love it not?
There, (
throwing food)
take it to you, trenchers, cups,
and all,
You heedless jolt-heads and unmannered slaves.
What, do you grumble? I’ll be with you straight.
He chases the servants away
KATHERINE
I pray you, husband, be not so disquiet.
The meat was well, if you were so contented.
The meat was well, if you were so contented.
PETRUCCIO
I tell thee, Kate, ‘twas burnt and dried away,
And I expressly am forbid to touch it,
For it engenders choler, planteth anger,
And better ’twere that both of us did fast,
Since of ourselves ourselves are choleric,
Than feed it with such overroasted flesh.
Be patient, tomorrow’t shall be mended,
And for this night we’ll fast for company.
Come, I will bring thee to thy bridal chamber. Exeunt
And I expressly am forbid to touch it,
For it engenders choler, planteth anger,
And better ’twere that both of us did fast,
Since of ourselves ourselves are choleric,
Than feed it with such overroasted flesh.
Be patient, tomorrow’t shall be mended,
And for this night we’ll fast for company.
Come, I will bring thee to thy bridal chamber. Exeunt
Enter servants severally
NATHANIEL Peter, didst ever see the like?
PETER He kills her in her own humour.
Enter Curtis, a servant
GRUMIO Where is he?
CURTIS In her chamber,
Making a sermon of continency to her,
And rails, and swears, and rates, that she, poor soul,
Knows not which way to stand, to look, to speak,
And sits as one new risen from a dream.
Away, away, for he is coming hither.
And rails, and swears, and rates, that she, poor soul,
Knows not which way to stand, to look, to speak,
And sits as one new risen from a dream.
Away, away, for he is coming hither.
Exeunt
Enter Petruccio
PETRUCCIO
Thus have I politicly begun my reign,
And ‘tis my hope to end successfully.
My falcon now is sharp and passing empty,
And till she stoop she must not be full-gorged,
For then she never looks upon her lure.
Another way I have to man my haggard,
To make her come and know her keeper’s call—
That is, to watch her as we watch these kites
That bate and beat, and will not be obedient.
She ate no meat today, nor none shall eat.
Last night she slept not, nor tonight she shall not.
As with the meat, some undeserved fault
I’ll find about the making of the bed,
And here I’ll fling the pillow, there the bolster,
This way the coverlet, another way the sheets,
Ay, and amid this hurly I intend
That all is done in reverent care of her,
And in conclusion she shall watch all night,
And if she chance to nod I’ll rail and brawl
And with the clamour keep her still awake.
This is a way to kill a wife with kindness,
And thus I’ll curb her mad and headstrong humour.
He that knows better how to tame a shrew,
Now let him speak. ’Tis charity to show.
And ‘tis my hope to end successfully.
My falcon now is sharp and passing empty,
And till she stoop she must not be full-gorged,
For then she never looks upon her lure.
Another way I have to man my haggard,
To make her come and know her keeper’s call—
That is, to watch her as we watch these kites
That bate and beat, and will not be obedient.
She ate no meat today, nor none shall eat.
Last night she slept not, nor tonight she shall not.
As with the meat, some undeserved fault
I’ll find about the making of the bed,
And here I’ll fling the pillow, there the bolster,
This way the coverlet, another way the sheets,
Ay, and amid this hurly I intend
That all is done in reverent care of her,
And in conclusion she shall watch all night,
And if she chance to nod I’ll rail and brawl
And with the clamour keep her still awake.
This is a way to kill a wife with kindness,
And thus I’ll curb her mad and headstrong humour.
He that knows better how to tame a shrew,
Now let him speak. ’Tis charity to show.
Exit
4.2Enter Tranio as Lucentio, and Hortensio as Licio
TRANIO
Is’t possible, friend Licio, that Mistress Bianca
Doth fancy any other but Lucentio?
I tell you, sir, she bears me fair in hand.
Doth fancy any other but Lucentio?
I tell you, sir, she bears me fair in hand.
HORTENSIO
Sir, to satisfy you in what I have said,
Stand by, and mark the manner of his teaching. 5
Stand by, and mark the manner of his teaching. 5
They stand aside.
Enter Bianca, and Lucentio as Cambio
LUCENTIO
Now, mistress, profit you in what you read?
BIANCA
What, master, read you? First resolve me that.
LUCENTIO
I read that I profess,
The Art to Love
.
The Art to Love
.
BIANCA
And may you prove, sir, master of your art.
LUCENTIO
While you, sweet dear, prove mistress of my heart.
They stand aside
They stand aside
HORTENSIO
Quick proceeders, marry! Now tell me, I pray,
You that durst swear that your mistress Bianca
Loved none in the world so well as Lucentio.
You that durst swear that your mistress Bianca
Loved none in the world so well as Lucentio.
TRANIO
O despiteful love, unconstant womankind!
I tell thee, Licio, this is wonderful.
I tell thee, Licio, this is wonderful.
HORTENSIO
Mistake no more, I am not Licio,
Nor a musician as I seem to be,
But one that scorn to live in this disguise
For such a one as leaves a gentleman
And makes a god of such a cullion.
Know, sir, that I am called Hortensio.
Nor a musician as I seem to be,
But one that scorn to live in this disguise
For such a one as leaves a gentleman
And makes a god of such a cullion.
Know, sir, that I am called Hortensio.
TRANIO
Signor Hortensio, I have often heard
Of your entire affection to Bianca,
And since mine eyes are witness of her lightness
I will with you, if you be so contented,
Forswear Bianca and her love for ever.
Of your entire affection to Bianca,
And since mine eyes are witness of her lightness
I will with you, if you be so contented,
Forswear Bianca and her love for ever.
HORTENSIO
See how they kiss and court. Signor Lucentio,
Here is my hand, and here I firmly vow
Never to woo her more, but do forswear her
As one unworthy all the former favours
That I have fondly flattered her withal.
Here is my hand, and here I firmly vow
Never to woo her more, but do forswear her
As one unworthy all the former favours
That I have fondly flattered her withal.
TRANIO
And here I take the like unfeigned oath
Never to marry with her, though she would entreat.
Fie on her, see how beastly she doth court him!
Never to marry with her, though she would entreat.
Fie on her, see how beastly she doth court him!
HORTENSIO
Would all the world but he had quite forsworn.
For me, that I may surely keep mine oath
I will be married to a wealthy widow
Ere three days pass, which hath as long loved me
As I have loved this proud disdainful haggard.
And so farewell, Signor Lucentio.
Kindness in women, not their beauteous looks,
Shall win my love; and so I take my leave,
In resolution as I swore before. Exit
For me, that I may surely keep mine oath
I will be married to a wealthy widow
Ere three days pass, which hath as long loved me
As I have loved this proud disdainful haggard.
And so farewell, Signor Lucentio.
Kindness in women, not their beauteous looks,
Shall win my love; and so I take my leave,
In resolution as I swore before. Exit
TRANIO
Mistress Bianca, bless you with such grace
As ‘longeth to a lover’s blessed case.
Nay, I have ta’en you napping, gentle love,
And have forsworn you with Hortensio.
As ‘longeth to a lover’s blessed case.
Nay, I have ta’en you napping, gentle love,
And have forsworn you with Hortensio.
BIANCA
Tranio, you jest. But have you both forsworn me?
TRANIO
Mistress, we have.
LUCENTIO Then we are rid of Licio.
TRANIO
I’faith, he’ll have a lusty widow now,
That shall be wooed and wedded in a day.
That shall be wooed and wedded in a day.
BIANCA God give him joy.
TRANIO Ay, and he’ll tame her.
BIANCA He says so, Tranio.
TRANIO
Faith, he is gone unto the taming-school.
BIANCA
The taming-school—what, is there such a place?
TRANIO
Ay, mistress, and Petruccio is the master,
That teacheth tricks eleven-and-twenty long
To tame a shrew and charm her chattering tongue.
That teacheth tricks eleven-and-twenty long
To tame a shrew and charm her chattering tongue.
Enter Biondello
BIONDELLO
O, master, master, I have watched so long
That I am dog-weary, but at last I spied
An ancient angel coming down the hill
Will serve the turn.
That I am dog-weary, but at last I spied
An ancient angel coming down the hill
Will serve the turn.
TRANIO What is he, Biondello?
BIONDELLO
Master, a marcantant or a pedant,
I know not what, but formal in apparel,
In gait and countenance surely like a father.
I know not what, but formal in apparel,
In gait and countenance surely like a father.
LUCENTIO And what of him, Tranio?
TRANIO
If he be credulous and trust my tale,
I’ll make him glad to seem Vincentio
And give assurance to Baptista Minola
As if he were the right Vincentio.
Take in your love, and then let me alone.
I’ll make him glad to seem Vincentio
And give assurance to Baptista Minola
As if he were the right Vincentio.
Take in your love, and then let me alone.
Exeunt Lucentio and Bianca
Enter a Pedant
PEDANT
God save you, sir.
TRANIO
And you, sir. You are welcome.
Travel you farre on, or are you at the farthest?
PEDANT
Sir, at the farthest for a week or two,
But then up farther and as far as Rome,
And so to Tripoli, if God lend me life.
But then up farther and as far as Rome,
And so to Tripoli, if God lend me life.
TRANIO
What countryman, I pray?
PEDANT
Of Mantua.
TRANIO
Of Mantua, sir? Marry, God forbid,
And come to Padua careless of your life!
And come to Padua careless of your life!
PEDANT
My life, sir? How, I pray? For that goes hard.
TRANIO
‘Tis death for anyone in Mantua
To come to Padua. Know you not the cause?
Your ships are stayed at Venice, and the Duke,
For private quarrel ’twixt your Duke and him,
Hath published and proclaimed it openly.
’Tis marvel, but that you are but newly come,
You might have heard it else proclaimed about.
To come to Padua. Know you not the cause?
Your ships are stayed at Venice, and the Duke,
For private quarrel ’twixt your Duke and him,
Hath published and proclaimed it openly.
’Tis marvel, but that you are but newly come,
You might have heard it else proclaimed about.
PEDANT
Alas, sir, it is worse for me than so,
For I have bills for money by exchange
From Florence, and must here deliver them.
For I have bills for money by exchange
From Florence, and must here deliver them.
TRANIO
Well, sir, to do you courtesy
This will I do, and this I will advise you.
First tell me, have you ever been at Pisa?
This will I do, and this I will advise you.
First tell me, have you ever been at Pisa?
PEDANT
Ay, sir, in Pisa have I often been,
Pisa renowned for grave citizens.
Pisa renowned for grave citizens.
TRANIO
Among them know you one Vincentio?
PEDANT
I know him not, but I have heard of him,
A merchant of incomparable wealth.
A merchant of incomparable wealth.
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