White Teeth (40 page)

“You guys go so far back,” said Irie, as Marcus came up behind her to see what was of interest. “It's incredible. I can't imagine what that must feel like.”

“Nonsensical statement. We all go back as far as each other. It's just that the Chalfens have always written things down,” said Marcus thoughtfully, stuffing his pipe with fresh tobacco. “It helps if you want to be remembered.”

“I guess my family's more of an oral tradition,” said Irie with a shrug. “But, man, you should ask Millat about his. He's the descendant of—”

“A great revolutionary. So I've heard. I wouldn't take any of that seriously, if I were you. One part truth to three parts fiction in that family, I fancy. Any historical figure of note in your lot?” asked Marcus, and then, immediately uninterested in his own question, returned to his search of filing cabinet number two.

“No . . . no one
. . . significant.
But my grandmother was born in January 1907, during the Kingston—”

“
Here
we are!”

Marcus emerged triumphant from a steel drawer, brandishing a thin plastic folder with a few pieces of paper in it.

“Photographs. Especially for you. If the animal-rights lot saw these, I'd have a contract out on my life. One by one now. Don't grab.”

Marcus passed Irie the first photo. It was of a mouse on its back. Its stomach was littered with little mushroomlike growths, brown and puffy. Its mouth was unnaturally extended, by the prostrate position, into a cry of agony. But not genuine agony, Irie thought, more like theatrical agony. More like a mouse who was making a big show of something. A ham-mouse. A luvvie-mouse. There was something sarcastic about it.

“You see, embryo cells are all very well, they help us understand the genetic elements that may contribute to cancer, but what you really want to know is how a tumor progresses in
living tissue.
I mean, you can't approximate that in a culture, not really. So then you move on to introducing chemical carcinogens in a target organ but . . .”

Irie was half listening, half engrossed in the pictures passed to her. The next one was of the same mouse, as far as she could tell, this time on its front, where the tumors were bigger. There was one on its neck that appeared practically the same size as its ear. But the mouse looked quite pleased about it. Almost as if it had purposefully grown new apparatus to hear what Marcus was saying about it. Irie was aware this was a stupid thing to think about a lab mouse. But, once again, the mouse-face had a mouse-cunning about it. There was a mouse-sarcasm in its mouse-eyes. A mouse-smirk played about its mouse-lips.
Terminal disease?
(the mouse said to Irie).
What terminal disease?

“. . . slow and imprecise. But if you
re-engineer
the actual genome, so that
specific
cancers are expressed in
specific
tissues at
predetermined
times in the mouse's development, then you're no longer dealing with the
random.
You're
eliminating
the random actions of a mutagen. Now you're talking the
genetic program
of the mouse, a force activating oncogenes
within
cells. Now you see, this particular mouse is a young male . . .”

Now FutureMouse
^©
was being held by his front paws by two pink giant fingers and made to stand vertically like a cartoon mouse, thus forcing his head up. He seemed to be sticking out his little pink mouse-tongue, at the cameraman initially and now at Irie. On his chin the tumors hung like big droplets of dirty rain.

“. . . and he expresses the H-ras oncogene in certain of his skin cells, so he develops multiple benign skin papillomas. Now what's interesting, of course, is young females
don't
develop it, which is . . .”

One eye was closed, the other open. Like a wink. A crafty mouse-wink.

“. . . and why? Because of intermale rivalry—the fights lead to abrasion. Not a biological imperative but a social one. Genetic result: the same. You see? And it's only with transgenic mice, by adding experimentally to the genome, that you can understand those kind of differences. And this mouse, the one you're looking at, is a
unique
mouse, Irie. I plant a cancer and a cancer turns up precisely when I expect it. Fifteen weeks into the development. Its genetic code is
new.
New breed. No better argument for a patent, if you ask me. Or at least some kind of royalties deal: 80 percent God, 20 percent me. Or the other way round, depending on how good my lawyer is. Those poor bastards at Harvard are still fighting the point. I'm not interested in the patent, personally. I'm interested in the
science.
”

“Wow,” said Irie, passing back the pictures reluctantly. “It's pretty hard to take in. I half get it and I half don't get it at all. It's just amazing.”

“Well,” said Marcus, mock humble. “It fills the time.”

“Being able to eliminate the random . . .”

“You eliminate the random, you rule the world,” said Marcus simply. “Why stick to oncogenes? One could program every step in the development of an organism: reproduction, food habits, life expectancy”—automaton voice, arms out like a zombie, rolling eyeballs—“WORLD DOM-IN-A-SHUN.”

“I can see the tabloid headlines,” said Irie.

“Seriously, though,” said Marcus, rearranging his photos in the folder and moving toward the cabinet to refile them, “the study of isolated breeds of transgenic animals sheds crucial light on the random. Are you following me? One mouse sacrificed for 5.3 billion humans. Hardly mouse apocalypse. Not too much to ask.”

“No, of course not.”

“Damn! This thing is such a bloody mess!”

Marcus tried three times to shut the bottom drawer of his cabinet, and then, losing patience, leveled a kick at its steel sides. “Bloody thing!”

Irie peered over the open drawer. “You need more dividers,” she said decidedly. “And a lot of the paper you're using is A3, A2, or irregular. You need some kind of folding policy; at the moment you're just shoving them in.”

Marcus threw his head back and laughed. “Folding policy! Well, I suppose you should know; like father like daughter.”

He crouched down by the drawer and gave it a few more pushes.

“I'm serious. I don't know how you work like that. My school shit is better organized, and I'm not in the business of World Domination.”

Marcus looked up at her from where he was kneeling. She was like a mountain range from that angle; a soft and pillowy version of the Andes.

“Look, how about this: I'll pay you fifteen quid a week if you come round twice a week and get a grip on this filing disaster. You'll learn more, and I'll get something I need done, done. Hey? What about it?”

What about it. Joyce already paid Millat a total of thirty-five quid a week for such diverse activities as baby-sitting Oscar, washing the car, weeding, doing the windows, and recycling all the colored paper. What she was really paying for, of course, was the presence of Millat. That energy around her. And that
reliance.

Irie knew the deal she was about to make; she didn't run into it drunk or stoned or desperate or confused, as Millat did. Furthermore, she
wanted
it; she
wanted
to merge with the Chalfens, to be of one flesh; separated from the chaotic, random flesh of her own family and transgenically fused with another. A unique animal. A new breed.

Marcus frowned. “Why all the deliberation? I'd like an answer this millennium, if you don't mind. Is it a good idea or isn't it?”

Irie nodded and smiled. “Sure is. When do I start?”

Alsana and Clara were none too pleased. But it took them a little while to compare notes and consolidate their displeasure. Clara was in night school three days a week (courses: British Imperialism 1765 to the Present; Medieval Welsh Literature; Black Feminism), Alsana was on the sewing machine all the daylight hours God gave while a family war raged around her. They talked on the phone only occasionally and saw each other even less. But both felt an independent uneasiness about the Chalfens, of whom they had gradually heard more and more. After a few months of covert surveillance, Alsana was now certain that it was to the Chalfens Millat went during his regular absences from the family home. As for Clara, she was lucky to catch Irie in on a weeknight, and had long ago rumbled her netball excuses. For months now it had been the Chalfens this and the Chalfens that; Joyce said this wonderful thing, Marcus is so terribly clever. But Clara wasn't one to kick up a fuss; she wanted desperately what was
best for Irie;
and she had always been convinced that sacrifice was nine tenths of parenting. She even suggested a meeting, between herself and the Chalfens, but either Clara was paranoid or Irie was doing her best to avoid it. And there was no point looking to Archibald for support. He only saw Irie in flashes—when she came home to shower, dress, or eat—and it didn't seem to bother him whether she raved endlessly about the Chalfen children (
They sound nice, love
), or about something Joyce did (
Did she? That's very clever, isn't it, love?
), or something Marcus had said (
Sounds like a right old Einstein, eh, love? Well, good for you. Must dash. Meeting Sammy at O'Connell's at eight
). Archie had skin as thick as an alligator's. Being a father was such a solid genetic position in his mind (the solidest fact in Archie's life), it didn't occur to him that there might be any challenger to his crown. It was left to Clara to bite her lip alone, hope she wasn't losing her only daughter, and swallow the blood.

But Alsana had finally concluded that it was all-out war and she needed an ally. Late January '91, Christmas and Ramadan safely out of the way, she picked up the phone.

“So: you know about these Chaffinches?”

“
Chalfens.
I think the name is Chalfen. Yes, they're the parents of a friend of Irie's, I think,” said Clara disingenuously, wanting to know what Alsana knew first. “Joshua Chalfen. They sound a nice family.”

Alsana blew air out of her nose. “I'll call them Chaffinches—little scavenging English birds pecking at all the best seeds! Those birds do the same to my bay leaves as these people do to my boy. But they are
worse;
they are like birds with teeth, with sharp little canines—they don't just steal, they rip apart! What do you know about them?”

“Well . . . nothing, really. They've been helping Irie and Millat with their sciences, that's what she told me. I'm sure there's no harm, Alsi. And Irie's doing very well in school now. She
is
out of the house all the time, but I can't really put my foot down.”

Clara heard Alsana slap the Iqbal banisters in fury. “Have you
met
them? Because
I
haven't met them, and yet they feel free to give my son money and shelter as if he had neither—and bad-mouth me, no doubt.
God only knows
what he is telling them about me! Who are they? I am not knowing them from Adam or Eve! Millat spends every spare minute with them and I see no particular improvement in his grades and he is still smoking the pot and sleeping with the girls. I try and tell Samad, but he's in his own world; he just won't listen. Just screams at Millat and won't speak to me. We're trying to raise the money to get Magid back and in a good school. I'm trying to keep this family together and these Chaffinches are trying to tear it apart!”

Clara bit her lip and nodded silently at the receiver.

“Are you there, lady?”

“Yes,” said Clara. “Yes. You see, Irie, well . . . she seems to worship them. I got quite upset at first, but then I thought I was just being silly. Archie says I'm being silly.”

“If you told that potato-head there was no gravity on the moon he'd think you were being silly. We get by without his opinion for fifteen years, we'll manage without it now. Clara,” said Alsana, and her heavy breath rattled against the receiver, her voice sounded exhausted, “we always
stand by each other . . .
I
need
you now.”

“Yes . . . I'm just thinking . . .”

“Please. Don't think. I booked a movie, old and French, like you like—two-thirty today. Meet me in front of the Tricycle Theater. Niece-of-Shame is coming too. We have tea. We talk.”

The movie was
A Bout de Souffle.
16 mm, gray and white. Old Fords and boulevards. Turn-ups and handkerchiefs. Kisses and cigarettes. Clara loved it (Beautiful Belmondo! Beautiful Seberg! Beautiful Paris!), Neena found it too French, and Alsana couldn't understand what the bloody thing was about. “Two young people running around France talking nonsense, killing policemen, stealing vehicles, never wearing bras. If that's European cinema, give me Bollywood every day of the week. Now, ladies, shall we get down to business?”