White Shadow (25 page)

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Authors: Ace Atkins

BOOK: White Shadow
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It was almost two a.m.
He knew the neighborhood well. As a beat cop, he’d walked the streets at night, from Fifth to Fifteenth, from call box to call box, talking to Sicilian women about the weather, or having a café con leche with the Cuban men who would sit on their porches late at night and read the paper by a single bare bulb. He’d played stickball with the kids, used good manners when addressing whores, and always gave the hoodlums respect until they crossed the line. Ybor was all about the rhythms. You knew the rhythms, and you’d know when the music didn’t sound right.
Wainright had gone by the Boston Bar two hours ago and had been told by the barmaid that Rivera was off. He’d also gone by The Dream, and to some greasy spoon where Rivera sometimes saw a waitress named Elizabeth Hernandez. Nothing. So Dodge had told Wainright to go home and get some sleep and he’d take over. And so here he was, drinking stale coffee and finishing off a cold Cuban sandwich he’d bought down at Brothers Café earlier that day.
The brothers had always taken care of Dodge from the time he’d first walked the beat in Ybor. They still kept a small marble-topped ice-cream table especially for him. When the other customers would leave, they’d talk in low voices about things they’d heard down at the Cuban Club or from their uncle who played dominoes at the Centro. But nothing on Charlie Wall. The brothers just shook their heads and shrugged:
The Old Man was killed. Who could say why?
Dodge started his car, windshield wipers beating across the glass, and drove slow past the casita, a dull glow from the porch light shining over a couple of empty concrete planters and rusting metal porch chairs. He kept on driving, and took several turns around Ybor, angling back to Columbus and Twenty-second and the Boston Bar. He found a vacant lot across Columbus and clicked off the ignition, window down, listening to the jukebox playing “Mona Lisa” deep inside the bar, and seeing a couple of negro women in red and blue sequin dresses and high heels flop out the front door and hang on to each other as they rambled down the street in a wobbly walk.
There was a big red button advertising Coca-Cola above the sharp point of the tricornered building, and under it red neon spelled out LIQUORS. Neon signs advertising Pabst and Schlitz shined in the big bank window, and another whore walked out onto the street with a bald fat man chomping a cigar, his arm around her, rubbing her shoulders and ass. Dodge leaned back into the car’s seat, checked the clock in the center of the Spartan console, and waited.
He had no interest in going home.
For a long time, he thought about being at the bar two years back and seeing Joe Antinori’s brains spilling out on that black-and-white tile floor and watching Mark Winchester and Sloan Holcomb going through the dead man’s pockets with smiles on their faces as the cameras took pictures for the papers. And he remembered sitting in this same car with Joe Antinori two weeks before his death.
That day they’d driven down to Leo’s Bar on Hillsborough, and Dodge drank coffee while Antinori drank two shots of cold Jack Daniel’s and laughed about getting busted in Kansas City that time when he was running dope for JoJo Cacciatore and Lucky Luciano. When he got tired of his midday drinking, he told Dodge he wanted to show him something, so they drove back to Ybor and parked not far from the Hav-a-Tampa factory, where they could clearly see a grocer named Pepe, who made more money selling bolita than eggs and Cuban bread, talking outside to two old beat cops in uniform. Antinori had smiled as he checked the cops’ arrival with his watch, while Dodge saw Pepe hand the men in uniform an envelope and two bottled beers. One of the cops turned up the beer, while the other, standing right there on the street below the cigar factory and in the plain sight of dozens of casitas, counted out the money in his stubby fingers and then looked like he was asking for more.
Dodge had felt his face flush and grabbed the door handle.
“Dodge,” Antinori said, laughing. “This is every day. It’s business. I can’t stop it. You can’t stop it. And if you keep trying, I want you to know you’re going to end up dead. Just like me.”
Dodge still remembered that pleasant smile on Joe’s face, at peace with the mechanics of Tampa and his fate and the way things would shake out.
And two weeks later, Joe was facedown on that checkerboard of linoleum, spilling all that blood out, Dodge thinking nothing else but how the hell can a man hold so much inside of him.
Dodge poured himself some more coffee in the dark car and yawned. A few minutes later, a wood-paneled station wagon, maybe a ’49 DeSoto, pulled in front of the bar and Johnny Rivera got out in a blue silk shirt and blousy white pants. He walked inside and disappeared for about ten minutes before coming back out with a man named Lopez who Dodge knew had been the catcher for a few years for the Tampa Smokers. Lopez disappeared, and Rivera waited outside and smoked, hand resting on the columns that supported the metal awning.
Then a car not unlike Dodge’s slid up Twenty-second and killed its lights. Rivera stubbed out the cigarette underfoot as the jukebox loudly played “Heartaches,” complete with the whistler and the rhumba beat. Dodge used his field glasses to look into the side windows of the car, and when he did the little globe in the car came on, illuminating Mark Winchester smiling and shaking Rivera’s hand as Scarface Johnny took a seat beside him.
Dodge nodded to himself, waiting until Johnny left the car ten minutes later, and watching the twin glow of Winchester’s taillights as the cop drove away.
They were old men not in years but in experiences, coming from Santa Stefano Quisquina, Alessandria della Rocca, Bivona, Cianciana, and Contessa Entellina to become grocers or shoemakers or barbers, or to work in the cigar factories that filled Ybor City like giant brick ships dry-docked and filled with familiar tongues. They were not Americans in the way their sons and daughters would be Americans, having never been in Sicily and not caring for the old ways, or even understanding the old ways. And the old men—not really old, only in their fifties, but beaten and hard and having carried with them stories and customs and violent and beautiful traditions from the past—found pleasure in each other’s company in the basement of the L’Unione Italiana, or the Italian Club as most knew it, on the big expanse of Broadway, Seventh Avenue.
The building was a beauty, constructed of brick and tall white columns and high-paned windows framed in intricate wood carving. Wrought iron balconies looked down onto the streets and would open in the spring when the men’s daughters would be treated like royalty at large dances and balls, and men would marvel at the way the girls’ faces resembled the men’s mothers and they would take great pride in that before leaving the breezes and the cigar smoke and the fresh groceries that club members would bring for free. The hams and cheeses and olives and fresh bread. They would get drunk with mugs of red wine and retreat—like they did that night, although there had been no dances or balls—to the basement, listening to the men overhead playing pool and the violence of the balls breaking and cracking above them, and they would sit and talk and mix Campari and Pepsi-Cola with cracked ice and make decisions about Ybor and the city, and they would talk about the Cubans with little respect and the Anglo Crackers with even less. Because the American dream was making the old men sick in that bright, enthusiastic weakness they saw on television. They saw the future breaking apart in plastic and television and hamburgers and rock ’n’ roll, and anyone who wanted to speed the process of destroying the old ways could not understand the desperation of wanting to keep it whole.
The men had names.
Those who know me or know old Ybor—not the ripped-apart and glossed-up bars and nightclubs and souvenir shops it’s become—will know, too. There were five of them.
A King of Bolita.
Two Grocers.
The Jukebox Salesman.
And a younger man they called the Hammer after the beating of Joe Castellano in ’53.
(Castellano had not wanted to take part in a highjacking of some whiskey trucks, and the men—the ones there—had taken him out to the swamped wilds of the outer county and beaten him so close to death with an exactness that scared the hell out of people. Not for almost killing Castellano, but for keeping the old man alive.)
The Hammer worked as the men’s enforcer. About a decade younger and fresh from Sicily, he spoke English in such a funny way that it even made the older men laugh, but others who knew him, and knew the part he had in the beating of Joe Castellano, never looked him in the eye.
I remember the story I’d heard from Wilton Martin about the beating, Castellano’s losing an eye and part of an ear, and his broken limbs only hanging on by stubborn old cartilage. He found his way to the home of a police officer he knew, not wanting vengeance but wanting to know what happened. Castellano only asked the detective: “Why? Those men are my friends. Why would they do this? They are my friends.”
But in Tampa a man could ask a question like that and take it to court, but he’d soon find out he didn’t mean much in the city. The men who sat in the basement of the Italian Club late that Friday night, or early Saturday morning, were charged only a small fine for trying to kill Castellano and walked out of court without a worry in the world about cops or judges or the Feds or anything. Because these men made up their laws and their rules and Ybor was just a big board game they played.
The basement floors were terrazzo and broken into wild patterns under their feet as the man they’d called to visit came down the steps.
He was a simple man who showed little emotion. He could have been any man. Balding and slightly heavy. A thick boxer’s nose, cleft chin, and dark shadow of a beard showing on his face although he shaved twice a day. But it was the eyes that we remember most, those charcoal black eyes with deep black circles under them. No hate. No anything. A sleepy kind of waiting violence.
People did not like to look at him. After all, he was the killer of many men.
Even the man called the Hammer feared him, because among men who made their own rules they wanted to keep this man at peace with them.
One of the old Grocers stopped speaking in Sicilian as the man walked down the marble steps and across the terrazzo floors and took a seat in a folding wooden chair. In English, the other Grocer offered the Killer a drink. Pepsi and Campari.
He took a drink and sat, no more emotion on his face than a sleeping guard dog.
“You’ve done good,” said the Jukebox Salesman.
“Yes,” the Bolita King said.
The Hammer nodded.
And the Killer finished the drink, the ice rattling in the thick crystal glass, stood, and took the money stacked thick and hard in a manila envelope on a cheap metal card table filled with cigar ashes, poker chips, and spilled cards.
He turned over one of the cards, looked back at the men with his dark, drawn eyes, and walked out of the room.
His feet on the hard, white marble steps sounded in the darkness, until he opened the door to the street and the late Ybor night and disappeared.
The men would continue to talk and drink Campari and Pepsi and be pleased with what had transpired because it was clean and neat and just, and the way that such things worked, and perhaps word would go to the son of the man who used to drink with them and had brought them all to this place and had taught them many things. But Santo’s son was in Havana, a big shot with dancing girls and voodoo shows and movie stars waiting on him.
The Killer would walk out onto the street and turn off Seventh Avenue and away from the roaming prostitutes and the dull glow of the old Ybor streetlamps and cross the railroad tracks over to Fifth Avenue and a long row of silent casitas. A rooster strutted in his path—a big black one with huge talons and battle scars—and the Killer kicked it hard over a fence and out of the crooked path.
He climbed into the passenger’s seat of a dirty white Chevrolet truck with Pasco County plates. He sat beside a large man with a thick pompadour of black hair and wind-chafed skin and, in the silence of the street, counted out half of the money and handed it to him. The man pulled open his black suit jacket, exposing his sheriff’s deputy badge, and tucked the cash deep in his pocket next to his regulation revolver.
He started the engine and drove down Fifth, the old truck rambling and moving out of Ybor, without anyone hearing or seeing a trace of its existence.
SEVEN
Monday, April 25, 1955
LUCREZIA’S HANDS STILL SMELLED of aged tobacco leaves from Nuñez Y Oliva and had a faint brown discoloration that seeped deep into her fingertips and calloused palms. The blood she could wash off, but the tobacco would stay for many days. Her father, the pharmacist, would be ashamed of what she’d become in Ybor, but would more than understand the sacrifice. She’d taken jobs well below her family’s place in society, pleased men who were disgusting to her but knew things, and abandoned her country for Ybor City.

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