Which Lie Did I Tell? (56 page)

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Authors: William Goldman

Tags: #Biography & Autobiography, #Film & Video, #Nonfiction, #Performing Arts, #Retail

BOOK: Which Lie Did I Tell?
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comedies:
Goldman’s inability to write,
10.1
,
15.1
confrontation scene,
Chinatown,
13.1
connectives,
14.1
,
18.1
Connery, Sean:
roles in style of,
15.1
,
15.2
,
17.1
and
Year of the Comet,
1.1
Coppola, Francis Ford,
7.1
,
13.1
and
Dances with Wolves,
7.1
,
16.1
and
Ghost and the Darkness,
7.1
,
7.2
,
7.3
Creative Artists Agency (CAA),
2.1
,
2.2
creative process,
3.1
,
3.2
,
4.1
critics, brilliant writing ignored by,
9.1
,
14.1
Crop-Dusting Scene,
North by Northwest,
11.1
,
11.2
and
Ghost and the Darkness,
7.1
,
7.2
and
Rainman,
18.1
and
Princess Bride,
10.1
in
When Harry Met Sally,
6.1
,
10.1
,
10.2
,
10.3
Cutting Edge, The
(film),
18.1
Damon, Matt,
14.1
,
18.1
,
18.2
Dances with Wolves
(film),
7.1
,
16.1
Davey, Bruce, and
Maverick,
6.1
dead guy in subway (story idea),
18.1
DeNiro, Robert,
4.1
,
5.1
detecting scene,
Fargo,
13.1
DeVito, Danny,
7.1
,
14.1
dialogue:
screenplays as more than,
10.1
,
18.1
Diana, Princess of Wales,
13.1
,
16.1
Diaz, Cameron,
4.1
,
9.1
,
9.2
,
9.3
DiCaprio, Leonardo,
13.1
,
15.1
,
15.2
directors:
media attention to,
8.1
,
9.1
doctoring,
2.1
,
18.1
Dolores Claiborne
(film),
8.1
,
18.1
Donner, Dick:
and
Maverick,
6.1
,
6.2
,
6.3
,
6.4
,
17.1
and
Sea Kings,
14.1
and
Ghost and the Darkness,
7.1
,
7.2
,
7.3
,
7.4
,
7.5
,
18.1
Dreyfuss, Richard,
4.1
,
7.1
Dumb and Dumber
(film),
9.1
,
18.1
Dunaway, Faye,
13.1
,
13.2
,
13.3
Eastwood, Clint:
and
Absolute Power,
8.1
,
8.2
,
8.3
,
13.1
and
Bird,
8.1
and
Bridges,
8.1
,
8.2
,
8.3
and
Firefox,
1.1
professionalism of,
8.1
,
18.1
roles in style of,
15.1
,
15.2
speedy work of,
8.1
,
8.2
as star,
2.1
,
7.1
,
8.1
,
8.2
,
8.3
,
11.1
and
Unforgiven,
14.1
Elwes, Cary,
3.1
,
3.2
,
8.1
endings, movie,
8.1
,
13.1
Ephron, Nora:
and
All the President’s Men,
10.1
and
When Harry Met Sally,
6.1
,
8.1
,
10.1
,
14.1
Epsteins, and
Casablanca,
7.1
E.T.
(film),
1.1
,
5.1
Executive Power
(Baldacci):
and
Absolute Power,
8.1
characters in,
8.1
,
8.2
opening of,
8.1
,
8.2
plot of,
8.1
,
8.2
,
8.3
sales of rights to,
8.1
,
8.2
Extreme Measures
(film),
8.1
and
Big A,
18.1
,
18.2
and
Something About Mary,
6.1
,
8.1
,
9.1
,
9.2
,
14.1
style of,
10.1
,
13.1
Faulkner, William,
4.1
,
5.1
fear:
of humiliation,
1.1
,
15.1
of lions,
7.1
,
7.2
Fellini, Federico,
4.1
,
4.2
,
12.1
first drafts:
see also specific films
Fitzgerald, F. Scott,
4.1
,
12.1
“Flowers for Algernon” (Keyes),
2.1
,
2.2
Fonda, Jane,
7.1
,
18.1
Ford, Harrison:
career of,
7.1
,
7.2
and
Misery,
4.1
roles in style of,
15.1
,
18.1
Ford, John,
4.1
,
14.1
Forrest Gump
(film),
3.1
,
5.1
Fox studios:
and
In the Spring,
14.1
and
Jaws,
5.1
and
Princess Bride,
3.1
Frank, Scott:
and
Big A,
18.1
,
18.2
,
18.3
on character,
18.1
,
18.2
Freeman, Morgan,
7.1
,
14.1
Frick, Henry Clay,
17.1
,
17.2
Frost, Robert, poetry by,
8.1
,
8.2
,
8.3
Fugitive, The
(film),
11.1
,
18.1
Garner, James, and
Maverick,
6.1
,
6.2
,
6.3
genres:
Ghostbusters
(film),
2.1
,
2.2

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