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Authors: Lisa Randall

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38
. The warp factor in the locally localized gravity model that Andreas Karch and I developed is the sum of a decreasing exponential function (like the warped geometries we have already considered) and an increasing exponential function. It is proportional to cosh(
kc

k
r
), where
k
is related to the bulk energy and
c
is related to the brane energy. Like the localized gravity warp factor we have already considered, this warp factor falls exponentially as you leave the brane. But unlike the previous case, the warp factor turns around and then exponentially increases. The four-dimensional graviton is localized in the region between the brane and this “turnaround” point. Beyond that distance, four-dimensional gravity no longer applies.

39
. Under T-duality, the compactification radius,
r
, is interchanged with its inverse, 1/
r
(with distances measured in units of the string length).

40
. The physicists Csaba Csaki, Joshua Erlich, and Christophe Grojean have, however, made the interesting observation that the speed of light and the speed of gravity can be different (the speed of gravity can actually be faster) if there is an
asymmetrically warped
spacetime in which the scalings of time and spatial coordinates along a fifth dimension are different from each other.

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“As Time Goes By,” written by Herman Hupfeld. Used by permission of Carlin Music Publishing Canada, Inc. on behalf of Redwood Music Ltd. “The Rock in This Pocket,” words and music by Suzanne Vega. Copyright © 1992 WB Music Corp. and Waifersongs Ltd. All rights administered by WB Music Corp. All rights reserved. Used by permission. Warner Brothers Publications U.S. Inc., Miami, Florida 33014. “Once in a Lifetime,” by David Byrne, Chris Frantz, Jerry Jarrison, Tina Weymouth, and Brian Eno. Copyright © 1981 Index Music, Inc., Bleu-Disque Music Co., and E.G. Music Ltd. All rights on behalf of Index Music, Inc. and Bleu Disque Music Co., Inc. administered by WB Music Corp. All rights reserved. Used by permission. Warner Brothers Publications U.S. Inc., Miami, Florida 33014. “It’s the End of the World as We Know It (and I Feel Fine),” by William T. Berry, Peter L. Buck, Michael E. Mills, and John M. Stipe. Copyright © 1989 Night Garden Music. All rights on behalf of Might Garden Music administered by Warner-Tamerlane Publishing Corp. All rights reserved. Used by permission. Warner Brothers Publications U.S. Inc., Miami, Florida 33014. “Chain of Fools,” by Donald Covay. Copyright © 1967 (renewed) Pronot Music, Inc. and Fourteenth Hour Music, Inc. All rights administered by Warner-Tamerlane Publishing Corp. All rights reserved. Used by permission. Warner Brothers Publications U.S. Inc., Miami, Florida 33014. “I’ve Got the World On a String,” by Harold Arlen and Ted Koehler. Used by permission of Carlin Music Publishing Canada, Inc. on behalf of Redwood Music Ltd. “Das Modell,” by Kraftwerk. Copyright © 1978 Kling Klang Musik GmbH, Edition Positive Songs. All rights on behalf of Kling Klang Musik GmbH administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203. All rights reserved. Used by permission. “Suite: Judy Blue Eyes,” by Stephen Stills. Copyright © 1970 Gold Hill Musics Inc. All rights administered by Sony/ATV Music Publishing 8 Music Square West, Nashville, TN 37203. All rights reserved. Used by permission. “I Miss You,” by Björk and Simon Bernstein Copyright © 1995 Sony/ATV Music Publishing UK Ltd, Polygram Publishing, Famous Music Corporation and Björk Gudmundsdottir Publishing. All rights administered by Sony/ATV Music Publishing. 8 Music Square West, Nashville, TN 37203 All rights for Famous Music Corporation and Björk Gudmundsdottir Publishing in the United States and Canada Administered by Famous Music Corporation International. Copyright secured All rights reserved. “Come Together,” by Lennon/McCartney. Copyright 1969 (renewed) Sony/ATV Tunes LLC. All rights administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203. All rights reserved. Used by
permission. “Go Your Own Way” by Lindsey Buckingham. Copyright © 1976, Now Sounds Music. “I Will Survive,” by Frederick J. Perren, Dino Fekaris. Copyright © 1978 by Universal-Polygram International Publishers Inc., on behalf of itself and Perren-Vibes Music, Inc./ASCAP. Used by permission. International copyrights secured. All rights reserved. “Don’t You (Forget about Me),” by Steve W. Schiff and Keith Forsey. Copyright © 1985 Songs of Universal Inc., on behalf of USI B Global Music Publishers/Universal Music Corp. on behalf of USI A Music Publishers/BMI/ASCAP. Used by permission. International copyrights secured. All rights reserved. “White Rabbit,” by Grace Slick. Copyright © 1966, 1994 by Irving Music, Inc./BMI. Used by permission. International copyrights secured. All rights reserved. “Insane in the Brain,” by Larry E. Muggerud, Louis M. Freeze, and Senen Reyes. Copyright © 1987 by Universal Music Corp. on behalf of Soul Assassins Music/ASCAP. Used by permission. International copyright secured. All rights reserved. “I Still Haven’t Found What I’m Looking For,” by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen. Copyright © 1987 by Universal-Polygram International Publishing Inc., on behalf of Universal Music Publishing International B.V./ASCAP. Used by permission. International copyright secured. All rights reserved. “Like a Rolling Stone,” by Bob Dylan. Copyright © 1965 by Warner Bros. Inc. Copyright renewed 1993 by Special Rider Music. All rights reserved. International copyright secured. Reprinted by permission. “Born to Run,” by Bruce Springsteen. Copyright © 1975 Bruce Springsteen. All rights reserved. Reprinted by permission. “No Way Out,” by Peter Wolf and Ina Wolf. Copyright © 1984, Jobete Music Co. Inc./Petwolf Music/Stone Diamond Music Corp/Kikiko Music, USA. Reproduced by permission of Jobete Music Co Inc./EMI Music Publishing Ltd, London WC2H 0QY. “Welcome Home (Sanitarium),” by James Hetfield, Lars Ulrich and Kirk Hammett. Copyright © 1986 Creeping Death (ASCAP). International copyright secured. All rights reserved. “Imagine,” by John Lennon Copyright © 1971, 1999 Lenono Music. “Say Goodbye Hollywood,” by Michael Elizondo, Marshall Mathers and Louis Resto. Copyright © 2002 Elvis Mambo Music, Blotter Music, Music of Windswept, Restaurant’s World Music, Eight Mile Style Music. All rights for Elvis Mambo Music and Blotter Music administered by Music of Windswept. All rights for Eight Mile Style Music administered by Ensign Music Corporation. International copyright secured. All rights reserved. “Stuck on You,” by Aaron Schroeder and J. Leslie McFarland. Copyright © 1960 by Gladys Music, Inc. Copyright renewed and assigned to Gladys Music and Rachel’s Own Music. All rights for Gladys Music administered by Cherry Lane Music Publishing Company Inc. and Chrysalis Music. All rights for Rachel’s Own Music administered by A. Schroeder International LLC. International copyright secured. All rights reserved.
Portrait of Dora Maar
, by Pablo Picasso, copyright © 2004 the Estate of Pablo Picasso/Artists Rights Society (ARS), New York.
Crucifixion (Corpus Hypercubus)
, by Salvador Dali, copyright © 2004 the Estate of Salvador Dali, Gala-Salvador Dali Foundation/Artists Rights Society (ARS), New York. Top quark image (Chapter 8) courtesy of Fermilab. Eöt-Wash apparatus (Chapter 19) courtesy University of Washington Eöt-Wash Group. Large Hadron Collider aerial image (Chapter 8) courtesy of CERN. “You Were Meant for Me,” from Singin’ in the Rain and The Broadway Melody, written by Arthur Freed and Nancio Herb Brown ©2004 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

 

Every attempt has been made to contact copyright holders. The author and publishers will be happy to make good in future printings any errors or omissions.

Searchable Terms

Note: Entries in this index, carried over verbatim from the print edition of this title, are unlikely to correspond to the pagination of any given e-book reader. However, entries in this index, and other terms, may be easily located by using the search feature of your e-book reader.

 

Numbers in italics indicate Figures.

 

Abbott, Edwin A.:
Flatland: A Romance of Many Dimensions
18–19, 31, 52
acceleration 86, 87, 95–7, 100, 102–3, 109, 110
action at a distance 154
ADD
see
Arkani-Hamed; Dimopoulos; Dvali
ADD model 363–83, 395
Adelberger, Eric 374, 375
Adler, Steven 290
aether 89–90, 155
Agashe, Kaustubh 409n
Akulov, V.P. 259n
alpha particles 127, 173
Alvarez-Gaume, Luis 290
American Physical Society 235
anarchic principle 227–8, 238–9, 329, 335, 339–43, 349
angular momentum 55
anomalies 289–90, 342
anomaly mediation 345, 346–7
anthropic principle 300
anti de Sitter space 389–90, 407, 449, 450
antimuons 273
antineutrinos 166
antiparticles 159–61, 179, 226, 231
antiprotons 181, 182
antiquarks 172, 173, 233,
379
Antoniadis, Ignatius 359–60
Aristotle 66, 67
Arkani-Hamed, Nima 348, 349, 363–9, 371–4, 376, 377, 379, 380, 381, 383
see also
ADD model
Aspen Center for Physics 410, 411
astrophysics 456
atomic clocks 113
atoms 76–7, 82, 117–18, 123, 126–9, 147

 

Bacon, Francis 339
Banks, Tom 390, 452–3
Bell, John 290
Bern patent office 90, 113, 123
Berners-Lee, Tim 186
beta decay 166,
166
, 167, 168, 169
Big Bang 79, 179, 250, 282, 299
black holes 67, 112–13, 251, 280, 282–3, 454
higher-dimensional 8, 81, 380, 407, 11, 456–7
p
-branes 309
Schwarzschild and 67, 113
blackbodies 120–23,
122
blackbody spectra 122–3
Blondel, Alain 188
Bohr, Niels 118, 126, 128–30,
129
, 355
Boltzmann’s constant 474n10
Bolyai, Farkas 105n
Bolyai, János 105
Born, Max 131
Bose, Satyendra Nath 146
Bose-Einstein condensates 147–8
bosons 146–7, 149, 477n23
gauge
see
gauge bosons
integer spin 146, 258, 260
and supersymmetry 257–60, 264–5
Boston University 337, 441
boundary conditions 49
Bousso, Raphael 99
brane-worlds 7, 58–62, 83, 321–33
confining particles on different branes 335, 349
new length scales introduced into physics 332
particles and strings and branes 323–7
preservation of supersymmetry 343
see also
ADD model; HW; locally localized gravity; RS1; RS2; sequestered supersymmetry breaking
branes 6, 7, 49–53,
53
, 54–62, 305–6, 444,
BOOK: Warped Passages
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