Warbreaker (83 page)

She said nothing of that; she just walked on, her life sense letting her feel the jungle around them. They’d recovered Vasher’s cloak, shirt, and trousers—the ones that Denth had originally taken from him. There had been enough Breath in those to split between the two of them and get them each to the Second Heightening. It wasn’t as much as she was used to, but it was a fair bit better than nothing.

“So where are we going, anyway?”

“Ever heard of Kuth and Huth?” he asked.

“Sure,” she said. “They were your main rivals in the Manywar.”

“Somebody’s trying to restore them,” he said. “A tyrant of some kind. He’s apparently recruited an old friend of mine.”

“Another one?” she asked.

He shrugged. “There were five of us. Me, Denth, Shashara, Arsteel, and Yesteel. It looks like Yesteel has resurfaced, finally.”

“He’s related to Arsteel?” Vivenna guessed.

“Brothers.”

“Great.”

“I know. He’s the one who originally figured out how to make ichor-alcohol. I hear rumors that he’s got a new form of it. More potent.”

“Even better.”

They walked in silence for a time longer.

I’m bored
, Nightblood said.
Pay attention to me. Why doesn’t anyone ever talk to me?

“Because you’re annoying,” Vasher snapped.

The sword huffed.

“What’s your real name?” Vivenna finally asked.

“My real name?” Vasher asked.

“Yes,” she said. “Everyone calls you things. Peacegiver. Kalad. Vasher. Talaxin. Is that last one your real name, the name of the scholar?”

He shook his head. “No.”

“Well, what is it, then?”

“I don’t know,” he said. “I can’t remember the time before I Returned.”

“Oh,” she said.

“When I came back, however, I did get a name,” he finally said. “The Cult of Returned—those who eventually founded the Hallandren Iridescent Tones—found me and kept me alive with Breaths. They gave me a name. I didn’t like it much. Didn’t seem to fit me.”

“Well?” she asked. “What was it?”

“Warbreaker the Peaceful,” he finally admitted.

She raised an eyebrow.

“What I can’t figure out,” he said, “is whether that was truly prophetic, or if I’m just trying to live up to it.”

“Does it matter?” she asked.

He walked for a time in silence. “No,” he finally said. “No, I guess it doesn’t. I just wish I knew if there is really something spiritual about the Returns, or if it’s all just cosmic happenstance.”

“Probably not for us to know.”

“Probably,” he agreed.

Silence.

“Should have called you Wartlover the Ugly,” she finally said.

“Very mature,” he replied. “You really think those sorts of comments are proper for a princess?”

She smiled broadly. “I don’t care,” she said. “And I never have to again.”

Annotations for the Epilogue

Ars Arcanum

TABLE OF THE HEIGHTENINGS

Note One: Reaching above the Sixth Heightening is incredibly rare, and so few people understand the powers of the Seventh Heightening and above. Very little research has been done. The only known people ever to reach the Eighth Heightening and above are the Hallandren God Kings.

Note Two: Returned appear to achieve the fifth Heightening by virtue of their Breath. It is theorized that they do not actually receive two thousand Breaths when they Return, but instead receive a single, powerful Breath, which brings with it the powers of the first five Heightenings.

Note Three: The numbers given in the table above are only estimates, as very little is known about the upper Heightenings. Indeed, even for the lower levels, fewer or more Breaths may be required to achieve a given Heightening, depending on circumstances and the strength of the Breath.

Note Four: Each additional Breath grants some things, no matter which Heightening an Awakener has achieved. The more breath one has, the more resistant to disease and aging a person is, the easier it is for them to distinguish colors, the more naturally they can learn to Awaken, and the stronger their life sense.

HEIGHTENING POWERS

Aura Recognition:
The first Heightening grants a person the ability to see the Breath auras of others instinctively. This allows them to judge roughly how many Breaths the person contains and the general health of that Breath. Persons without this Heightening have a much more difficult time judging auras directly, and must rely instead on how deeply the colors around a person change when they enter the aura. Without at least the first Heightening, it is impossible for the naked eye to notice an Awakener who has fewer than about thirty Breaths.

Perfect Pitch:
The Second Heightening grants perfect pitch to those who achieve it.

Perfect Color Recognition:
While each gained Breath leads a person to greater appreciation of colors, it isn’t until one reaches the Third Heightening that one can instantly and instinctively determine exact shades of colors and their hue harmonics.

Perfect Life Sense:
At the Fourth Heightening, an Awakener’s life sense achieves its maximum strength.

Agelessness:
At the fifth Heightening, an Awakener’s resistance to aging and disease reaches its maximum strength. These persons are immune to most toxins, including the effects of alcohol, and most physical ailments. (Such as headaches, diseases, and organ failure.) The person no longer ages, and becomes functionally immortal.

Instinctive Awakening:
All persons of the Sixth Heightening and above immediately understand and can use basic Awakening Commands without training or practice. More difficult Commands are easier for them to master and to discover.

Breath Recognition:
Those few persons who have reached the Seventh Heightening gain the ability to recognize the auras of objects, and can tell when something has been Invested with Breath via Awakening.

Command Breaking:
Any persons of the Eighth Heightening or more gain the ability to override Commands in other Invested objects, including Lifeless. This requires concentration and leaves the Awakener exhausted.

Greater Awakening:
Persons of the Ninth Heightening are reportedly able to Awaken stone and steel, though doing so requires large Investitures of Breath and specialized Commands. This ability has not been studied or confirmed.

Audible Command:
Persons of the Ninth Heightening also gain the ability to Awaken objects that they are not physically touching, but that are within the sound of their voice.

Color Distortion:
At the Tenth Heightening, an Awakener gains the natural and intrinsic ability to bend light around white objects, creating colors from them as if from a prism.

Perfect Invocation:
Awakeners of the Tenth Heightening can draw more color from the objects they use to fuel their art. This leaves objects drained to white, rather than grey.

Other:
There are rumors of other powers granted by the Tenth Heightening which are not understood or have not been made known by those who have achieved it.

Annotations for the Dedication

This book is dedicated to my dear wife, Emily. I started writing this book when we were dating, and worked on it all through our engagement. I even took it on our honeymoon to Hawaii—though I didn’t actually get any writing done on it then.

When I proposed to her, I wrote out a little poem in the form of a proposal that I said I’d use as the
Alcatraz Versus the Evil Librarians
dedication. She didn’t want it to appear in the book, however, because a live dedication in a novel would have embarrassed her.

However, I asked if she’d mind having Warbreaker dedicated to her, and she was excited about that. You may know that when we were married, I commissioned a large batch of swords—inscribed with names from my books—and gave them to my closest friends. I named Emily’s sword Lightsong, and she carried it around at the reception. (Mine is named Dragonsteel.)

So, anyway, this book is very dear to her. It’s the first one of mine she had input on during the editing process. And now it’s finally published, about three years since the date of our wedding. Ah, how time flies.

As a side note, when I was a teenager, I dreamed of someday proposing to my wife via a book dedication. Back then, being married and getting published were both very, very distant goals of mine. Like twin holy grails, shining on the mountain, virtually unobtainable but hoped for nonetheless.

I can still remember thinking of how cool it would be to surprise my soon-to-be-fiancée by walking with her into the bookstore to see if my new book was on the shelves yet. (In my daydream, it was the Cosmic Comics store back in Lincoln, which sold sf/fantasy books. It’s the place where I first saw
Eye of the World
on a store shelf, by the way.) I imagined myself walking over and finding it on the shelf during its release week, then calling her over. That would be the first time she’d see the dedication, which would be a proposal to her. Of course, I’d have worked it out with the bookstore owner so that there was a ring taped to the next page.

Ah, ignorance. It was a fond dream. What I didn’t realize is that often, there are
years
between the writing of a book and its publication. I didn’t really think that Emily would want to wait three years for a proposal, just so that I could surprise her by having it in the front of a published book. . .

Sometimes, though, it’s still amazing to me to look back at that sixteen-year-old version of myself and realize that I’ve achieved both of those goals. I’m not only a published author, but I’m writing fantasy books as a full-time job. And I’m not only married, but I’m married to just about the most wonderful woman who’s ever lived.

So those things weren’t so unobtainable after all. But they’re still just as precious as I imagined.

Back to Dedication

Annotations for the Map

The maps for this book were done by the awesome Shawn Boyles (
http://spikethesurfdog.blogspot.com
).

For this book, I wanted something with an illustrated feel to it. The
Mistborn
maps were supposed to look realistic and gritty—like maps from London during the nineteenth century. I wanted twisting, cramped streets and a sense of overcrowding.

For
Warbreaker
I wanted a very different feel. I wanted a picture that looked hand drawn, something a little exaggerated and intentionally less accurate. Like a picture you might see hanging on someone’s wall, vaguely showing the size, shape, and relative locations of important things in the city.

I picked Shawn because of his style. He has a very colorful, very round and smooth style, and I thought that would translate very well to a map of the city. Ironically, the first map he gave me looked very detailed and intricate, much like the
Mistborn
maps. He was trying way too hard, I feel—imitating the style of the previous books.

I asked him for something that was more natural to his style, something that was a profile view rather than an overhead view and had stylized houses. The second draft came back nearly perfect; I was very excited. The only problem with that one was that it wasn’t big enough. (It was about half the size of the final product and didn’t have the upper portion of the map where the city curves around the bay.)

One more draft, however, and we were finished. He did the artwork by hand on a large piece of cardstock, then scanned it and filled in details on the computer. I love the finished product. I wish we could have done colored end pages using it.

Back to Map

Annotations for the Acknowledgments

A
lot
of people helped me with this book. As you may or may not realize, I posted drafts of the novel online as I was writing it. It was a rather nerve-racking experience in many ways. My goal was to show the process of writing a novel as it happened. As such, I would finish a chapter, spellcheck it, then post it. (Though sometimes I held it for a while, as I eventually wanted to get to posting one chapter a week, and I’d often write two or three a week.)

Why did I do this? Well, for a number of reasons. First off, I’d never seen anyone do it before. I’d seen serialized novels, of course, and I’d seen people post their complete novels once the book was out in stores. I’d never seen anyone post, chapter by chapter, the rough draft of a book that they already had a contract for. This was less serializing a novel and more showing the process. As I finished a new draft, I would post that so that people could compare and see how I tweaked my manuscripts.