Twelve Impossible Things Before Breakfast (12 page)

BOOK: Twelve Impossible Things Before Breakfast
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When the winter child was ten, his mother died of her brutal estate and the boy left into the howl of a storm, without either cloak or hat between him and the cold. Drunk, his ten-year father did not see him go. The boy did not go to escape the man's beatings; he went to his kin, who called him from the wind. Barefooted and bareheaded, he crossed the snows trying to catch up with the riders in the storm. He saw them dearly. They were dad in great white capes, the hoods lined with ermine; and when they turned to look at him, their eyes were wind blue and the bones of their faces were thin and fine.

Long, long he trailed behind them, his tears turned to ice. He wept not for his dead mother, for it was she who had tied him to the world. He wept for himself and his feet, which were too small to follow after the fast-riding Winter's Kin.

A woodcutter found him that night and dragged him home, plunging him into a bath of lukewarm water and speaking in a strange tongue that even he, in all his wanderings, had never heard.

The boy turned pink in the water, as if life had been returned to him by both the bathing and the prayer, but he did not thank the old man when he woke. Instead he turned his face to the window and wept, this time like any child, the tears falling like soft rain down his cheeks.

“Why do you weep?” the old man asked.

“For my mother and for the wind,” the boy said. "And for what I cannot have.”

 

The winter child stayed five years with the old woodcutter, going out each day with him to haul the kindling home. They always went into the woods to the south, a scraggly, ungraceful copse of second-growth trees, but never to the woods to the north.

“That is the great Ban Forest,” the old man said. “All that lies therein belongs to the king.”

“The king,” the boy said, remembering his mother's tales. “And so I am.”

“And so are we all in God's heaven,” the old man said. “But here on earth I am a woodcutter and you are a foundling boy. The wood to the south be ours.”

Though the boy paid attention to what the old man said in the spring and summer and fall, once winter arrived he heard only the voices in the wind. Often the old man would find him standing nearly naked by the door and have to lead him back to the fire, where the boy would sink down in a stupor and say nothing at all.

The old man tried to make light of such times, and would tell the boy tales while he wanned at the hearth. He told him of Mother Holle and her feather bed, of Godfather Death, and of the Singing Bone. He told him of the Flail of Heaven and the priest whose rod sprouted flowers because the Water Nix had a soul. But the boy had ears only for the voices in the wind, and what stories he heard there, he did not tell.

 

The old man died at the tag end of their fifth winter, and the boy left without even folding the hands of the corpse. He walked into the southern copse, for that was the way his feet knew. But the Winter Kin were not about.

The winds were gentle here, and spring had already softened the bitter brown branches to a muted rose. A yellow-green haze haloed the air and underfoot the muddy soil smelled moist and green and new.

The boy slumped to the ground and wept, not for the death of the woodcutter, nor for his mother's death, but for the loss once more of his kin. He knew it would be a long time till winter came again.

And then, from far away, he heard a final wild burst of music. A stray strand of cold wind snapped under his nose, as strong as a smelling bottle. His eyes opened wide and, without thinking, he stood.

Following the trail of song, as clear to him as cobbles on a city street, he moved toward the great Ban Forest, where the heavy trees still shadowed over winter storms. Crossing the fresh new furze between the woods, he entered the old dark forest and wound around the tall, black trees, in and out of shadows, going as true north as a needle in a water-filled bowl. The path grew cold and the once-muddy ground gave way to frost.

At first all he saw was a mist, as white as if the hooves of horses had struck up dust from sheer ice. But when he blinked once and then twice, he saw coming toward him a great company of fair folk, some on steeds the color of clouds and some on steeds the color of snow. And he realized all at once that it was no mist he had seen, but the breath of those great white stallions.

“My people,” he cried at last. “My kin. My kind.” And he tore off first his boots, then his trousers, and at last his shirt, until he was free of the world and its possessions and could run toward the Winter Kin naked and unafraid.

On the first horse was a woman of unearthly beauty. Her hair was plaited in a hundred white braids and on her head was a crown of diamonds and moonstones. Her eyes were wind blue and there was frost in her breath. Slowly she dismounted and commanded the stallion to be still. Then she took an ermine cape from across the saddle, holding it open to receive the boy.

“My king,” she sang, “my own true love,” and swaddled him in the cloud white cloak.

He answered her, his voice a minor third lower than hers. “My queen, my own true love. I am come home.”

 

When the king's foresters caught up to him, the feathered arrow was fast in his breast, but there was, surprisingly, no blood. He was lying, arms outstretched, like an angel in the snow.

“He was just a wild boy, just that lackwit, the one who brought home kindling with the old man,” said one.

“Nevertheless, he was in the king's forest,” said the other. “He knew better than that.”

"Naked as a newborn,” said the first. “But look!”

In the boy's left hand were three copper coins, three more in his right.

“Twice the number needed for the birthing of a babe,” said the first forester.

“Just enough,” said his companion, “to buy a wooden casket and a man to dig the grave.”

And they carried the cold body out of the wood, heeding neither the music nor the voices singing wild and strange hosannas in the wind.

Lost Girls

IT ISN'T FAIR!” Darla complained to her mom for the third time during their bedtime reading. She meant it wasn't fair that Wendy only did the housework in Neverland and that Peter Pan and the boys got to fight Captain Hook.

“Well, I can't change it,” Mom said in her even, lawyer voice. “That's just the way it is in the book. Your argument is with Mr. Barrie, the author, and he's long dead. Should I go on?”

“Yes. No. I don't know,” Darla said, coming down on both sides of the question, as she often did.

Mom shrugged and closed the book, and that was the end of the night's reading.

Darla watched impassively as her mom got up and left the room, snapping off the bedside lamp as she went. When she closed the door there was just a rim of light from the hall showing around three sides of the door, making it look like something out of a science fiction movie. Darla pulled the covers up over her nose. Her breath made the space feel like a little oven.

"Not fair at all,” Darla said to the dark, and she didn't just mean the book. She wasn't the least bit sleepy.

But the house made its comfortable night-settling noises around her: the breathy whispers of the hot air through the vents, the ticking of the grandfather dock in the hall, the sound of the maple branch scritch-scratching against the clapboard siding. They were a familiar lullaby, comforting and soothing. Darla didn't mean to go to sleep, but she did.

Either that or she stepped out of her bed and walked through the dosed door into Neverland.

Take your pick.

It didn't fed at all like a dream to Darla. The details were too exact. And she could smell things. She'd never smelled anything in a dream before. So Darla had no reason to believe that what happened to her next was anything but real.

One minute she had gotten up out of bed, heading for the bathroom, and the very next she was sliding down the trunk of a very large, smooth tree. The trunk was unlike any of the maples in her yard, being a kind of yellowish color. It felt almost slippery under her hands and smelled like bananas gone slightly bad. Her nightgown made a sound like whooosh as she slid along.

When she landed on the ground, she tripped over a large root and stubbed her toe.

“Ow!” she said.

“Shhh!” cautioned someone near her.

She looked up and saw two boys in matching ragged cutoffs and T-shirts staring at her. "Shhh! yourselves,” she said, wondering at the same time who they were.

But it hadn't been those boys who spoke. A third boy, behind her, tapped her on the shoulder and whispered, “If you aren't quiet, He will find us.”

She turned, ready to ask who He was. But the boy, dressed in green tights and a green shirt and a rather silly green hat, and smelling like fresh lavender, held a finger up to his lips. They were perfect lips. Like a movie star's. Darla knew him at once.

“Peter,” she whispered. “Peter Pan.”

He swept the hat off and gave her a deep bow. “Wendy,” he countered.

“Well, Darla, actually,” she said.

“Wendy Darla,” he said. “Give us a thimble.”

She and her mom had read that part in the book already, where Peter got kiss and thimble mixed up, and she guessed what it was he really meant, but she wasn't about to kiss him. She was much too young to be kissing boys. Especially boys she'd just met. And he had to be more a man than a boy, anyway, no matter how young he looked. The copy of Peter Pan she and her mother had been reading had belonged to her grandmother originally. Besides, Darla wasn't sure she liked Peter. Of couse, she wasn't sure she didn't like him. It was a bit confusing. Darla hated things being confusing, like her parents' divorce and her dad's new young wife and their twins who were—and who weren't exactly—her brothers.

“I don't have a thimble,” she said, pretending not to understand.

“I have,” he said, smiling with persuasive boyish charm. “Can I give it to you?”

But she looked down at her feet in order not to answer, which was how she mostly responded to her dad these days, and that was that. At least for the moment. She didn't want to think any further ahead, and neither, it seemed, did Peter.

He shrugged and took her hand, dragging her down a path that smelled of moldy old leaves. Darla was too surprised to protest. And besides, Peter was lots stronger than she was. The two boys followed. When they got to a large dark brown tree whose odor reminded Darla of her grandmother's wardrobe, musty and ancient, Peter stopped. He let go of her hand and jumped up on one of the twisted roots that were looped over and around one another like woody snakes. Darla was suddenly reminded of her school principal when he towered above the students at assembly. He was a tall man but the dais he stood on made him seem even taller. When you sat in the front row, you could look up his nose. She could look up Peter's nose now. Like her principal, he didn't look so grand that way. Or so threatening.

“Here's where we live,” Peter said, his hand in a large sweeping motion. Throwing his head back, he crowed like a rooster; he no longer seemed afraid of making noise. Then he said, “You'll like it.”

“Maybe I will. Maybe I won't,” Darla answered, talking to her feet again.

Peter's perfect mouth made a small pout as if that weren't the response he'd been expecting. Then he jumped down into a dark space between the roots. The other boys followed him. Not to be left behind, in case that rooster crow really had called something awful to them, Darla went after the boys into the dark place. She found what they had actually gone through was a door that was still slightly ajar.

The door opened on to a long, even darker passage that wound into the very center of the tree; the passage smelled damp, like bathing suits left still wet in a closet. Peter and the boys seemed to know the way without any need of light. But Darla was constantly afraid of stumbling and she was glad when someone reached out and held her hand.

Then one last turn and there was suddenly plenty of light from hundreds of little candles set in holders that were screwed right into the living heart of the wood. By the candlelight she saw it was Peter who had hold of her hand.

“Welcome to Neverland,” Peter said, as if this were supposed to be a big surprise.

Darla took her hand away from his. “It's smaller than I thought it would be,” she said. This time she looked right at him.

Peter's perfect mouth turned down again. “It's big enough for us,” he said. Then as if a sudden thought had struck him, he smiled. “But too small for Him.” He put his back to Darla and shouted, “Let's have a party. We've got us a new Wendy.”

Suddenly, from all comers of the room, boys came tumbling and stumbling and dancing, and pushing one another to get a look at her. They were shockingly noisy and all smelled like unwashed socks. One of them made fart noises with his mouth. She wondered if any of them had taken a bath recently. They were worse—Darla thought—than her Stemple cousins, who were so awful their parents never took them anywhere anymore, not out to a restaurant or the movies or anyplace at all.

“Stop it!” she said.

The boys stopped at once.

“I told you,” Peter said. “She's a regular Wendy, all right. She's even given me a thimble.”

Darla's jaw dropped at the he. How could he?

She started to say “I did not!” but the boys were already cheering so loudly her protestations went unheard.

“Tink,” Peter called, and one of the candles detached itself from the heartwood to flutter around his head, “tell the Wendys we want a Welcome Feast.”

The
Wendys?
Darla bit her lip. What did Peter mean by that?

The little light flickered on and off.
A
kind of code, Darla thought. She assumed it was the fairy Tinker Bell, but she couldn't really make out what this Tink looked like except for that flickering, fluttering presence. But as if understanding Peter's request, the flicker took off toward a black comer and, shedding but a little light, flew right into the dark.

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