Fiona and I go out to lunch. Chinese. My fortune:
It doesn't take a good
memory to make good memories. You couldn't make this shit up,
says Fiona.
Amanda has always called me shameless. She means it as a compliment. Shame-less. Without shame. I used to lie to the priests when saying confession because I could never think of things I should be asking forgiveness for.
People who take this to an extreme are called sociopaths,
Amanda tells me.
You have certain tendencies. You should watch them.
Bless me Father for I have sinned.
It has been forty-six years since my last confession.
My how time flies.
This always happens. I wake early, hoping to get some work done before the children start clamoring for their breakfast, but someone is up even earlier. That blond woman. Damn. Only this time she's not alone. Another woman is with her, drinking coffee out of my favorite cup. Large bones. Short light brown hair, tucked behind her ears. Wearing a denim jacket on top of faded jeans, cowboy boots.
Jennifer! What have you done
. . .
?
I beg your pardon? I ask, but the blond woman has already left the room. She returns immediately with a blue towel and places it around my shoulders. She puts her arm around mine, turns me around, takes me away from the kitchen.
I notice that I am oddly cold, that rivulets of water are dripping from my nightgown onto the wood floors, that I can see my wet footprints on the polished oak. The blond woman talks at me as she leads me upstairs.
What a morning to pull this stunt. What timing. Didn't I tell you? Didn't I
write it down in your notebook? Didn't we talk about it last night? I swear,
sometimes I feel like I'm the one going nuts in this house.
She takes off my wet things, towels me down, dresses me in a blue skirt and a blue-and-red striped sweater, talking the whole time.
Now, behave. Just answer the questions. Keep calm. No acting up. This is just an
informal visit. Very friendly. There's no need to worry. No need to bother Fiona
or that lawyer she's got. It's not that kind of thing, not at all. Just a few questions
and off she'll go.
The world is subdued today. Like I am behind a veil, looking out. The colors pastel and faded, my senses dulled. My vision slightly obscured by the veil. It's not unpleasant. But it can be dangerous. You think that you are hidden from them, behind your veil, and suddenly you realize that you've been visible the whole time. Exposed.
It's not that you did anything you are ashamed of. Or that you would change what you did. It's just the thought of what you
might
have said or done. The breathtaking risk you've just taken. Now I am sitting at the kitchen table, facing the strange woman. My jaw feels wired shut. I have no energy to open it. I can barely keep my eyes open. Sleep. Sleep.
I remember turning on the shower. I remember soaping up my arms and my legs. I remember thinking that my nightdress was getting in the way. But I didn't put it all together. Too slow. Too uncaring.
The woman is asking me questions. I'm finding it hard to pay attention.
Where were you again the week of February sixteen?
Here. I'm always here.
On February fifteen and February sixteen in particular? You were here? You
didn't leave the house?
I exert myself, reach out, and pick up my notebook. I leaf through the pages. February 13. February 14. February 18.
The blond woman interrupts.
We try to document as many of her days as possible. She likes to read over them
when she's feeling a bit down, when she's having a bad time of it. But I guess
we missed that day. Still, if anything out of the ordinary had happened, I would
have made a point of writing it down. Her daughter insists upon it.
The brown-haired woman reaches out and takes the book from me. She carefully turns the pages.
I see she wandered from home several times in January.
Yes, she does that occasionally. I watch her, but sometimes she does get away.
Did that happen in mid-February?
No, not in February. Honestly, it's a very rare occurrence.
She was seen by Helen Tighe, from Twenty-one Fifty-six, letting herself into
Amanda O'Toole's home on February fifteen. Was that one of those rare times?
We've been over and over that. If it happened, I didn't know about it. She wasn't
missing for any extended length of time. Sometimes I do laundry in the basement.
Make some soup. If she went over to Amanda's, she was back before I noticed.
Doesn't that worry you?
It does, it does. Honestly, I do my best. We've had locks installed on all the outside
doors, but that upsets her and does more harm than good. It's best to leave
them unlocked and watch her carefully. Usually a neighbor notices. It's that kind
of street. Everyone looks out for everyone else. We always get her back. We had
a bracelet made, but she won't wear it.
What about at night?
Oh, nights are no problem. I've been told there are cases where you have to strap
them in at night or you wouldn't know what they'd get up to. Not her. She goes
down quietly at nine and doesn't make a peep until six in the morning. You
could set a clock by her.
The brown-haired woman isn't listening. She is frowning. She holds the book closer, places her index finger in between two of the pages, draws it back, and looks at me.
A page has been removed,
she says.
And not torn out. Sliced out. With a razor
or something like that.
She looks at me, moves her chair closer to the blond woman, and speaks more softly.
She was a doctor, right? A surgeon?
That's right.
Does she still have any of her equipment? Her scalpels?
I wouldn't think so. Don't those belong to the hospital? I've never seen anything
like that around here. I would have, too. There isn't anything about this house I
don't know. I have to keep an eye on things. Otherwise, you don't know what
she'll do.
The blond woman pauses for a breath.
Last week, she threw all her jewelry in the trash. We only caught it by
accidentâher daughter found a diamond pendant lying outside in the snow
next to the garbage. We dug down and found her wedding ring. Then some family
keepsakesâsome quite valuable, others just sentimental. We retrieved it all,
and at that point we went through everything and I mean everything. Definitely
no knives. Her daughter took a couple of trinkets that she wanted home with
herâa special necklace that belonged to her mother and her father's college
ringâthen locked everything away in the safe-deposit box.
I make a noise. It's not until both women look at me that I understand it is laughter.
I stand up. I go into the living room. I go to the piano. To the bench. I open it up. It's full of what looks like junk. It is James's and my don't-but-can't place. As in I don't-know-what-to-do-with-it-but-can't-throw-it-away-yet. Receipts for purchases we might want to return someday. Knobs that fell off things. Unmatched socks.
I dig down. Past old prescription reading glasses, batteries that may or may not have charges,
New Yorker
magazines. Until I hit bottom. And pull it out, loosely wrapped in a linen napkin.
My special scalpel handle. Shiny. Alluring. Begging to be used. My name engraved on it, along with the date I finished my surgical residency. What do they say about me at the hospital?
Get a second opinion.
She's the best there is, but she's a hammer looking for a nail. She'll operate on
a torn cuticle if you let her.
Some plastic packages fall out of the napkin. Each one holding a glinting sharp blade, ready to be inserted into my scalpel handle. Ready to slice. Both women are standing nearby, watching me closely. The blond one closes her eyes. The brown-haired one reaches out her hand.
I'll have to take those, ma'am,
she says.
And I'm afraid you'll have
to come with me.
We are in a car. I am sitting in the back, behind a driver with short brown hair. I cannot tell if it is a man or a woman. The hands on the wheel are strong, coarse even. Androgynous.
Magdalena is next to me. She is on her phone. Speaking urgently to one person, then hanging up, dialing another. It is cold. Snow is in the air. Yet the trees are budding. I roll down the window to feel the wind in my face. A typical Chicago spring.
I like being able to use that word,
typical
.
Usually
is another good one. And
most of the time.
Anything that's relative. Any way of comparing future events to past occurrences.
We are in a room. Empty except for a table and one chairâthe chair I am sitting in. There is no one in the room I know. Four men. No Magdalena. I am read something from a piece of paper. I am asked if I understand.
With these rights in mind, do you wish to speak to me?
I am firm. No. I want my lawyer. There is a large mirror taking up an entire wall. Otherwise, a barren, forsaken place. A place to keep one's counsel.
Your lawyer is coming.
Then I will wait.
My scalpel handle and the blades on the table in a plastic baggie. The men talk quietly among themselves, but no one can keep their eyes off the items and me.
I amuse myself by thinking how, in the movies, this room would be filled with cigarette smoke. Unshaved haggard men drinking cold weak coffee out of Styrofoam cups. Yet these men are close shaven, well dressed, dapper even. Two are drinking foamy drinks out of paper cups. One is holding an energy drink, the other a plastic water bottle. No one offers me anything.
A bustle at the door, and in sweep three women. Three tall striking women. Amazons! My daughter or perhaps my niece; the nice woman who helps me; and another one I may have seen before.