Turn of Mind (4 page)

You know, that nice lady you live with won't like this.

So what.

Come quietly now.
He speaks soothingly while pulling the truck over to the curb. He holds out both hands, palms up, and beckons with them. Gently.

I'm not a rabid dog.

No, you're not. Indeed you aren't. But I can't stand by and do nothing. You
know I can't, Dr. White.

I brush my icy hair out of my face and keep going, but he idles his truck alongside. He takes out his phone. If he punches seven numbers, it's okay. If he punches three numbers, it's bad. I know that. I stop and wait. Onetwothree. He stops. He brings the phone to his ear.

Wait, I say. No. I run around the front of the truck. I yank the door open and clamber in beside him. Anything to stop the phone. Stop what will happen. Bad things will happen. Put the phone down, I say. Put the phone down. He hesitates. I hear a voice on the other end. He looks at the phone and flips it shut. He gives me what is supposed to be a reassuring smile. I am not fooled.

Okay! Let's get you home before you catch your death.

He waits at the curb until I reach the front door. It is wide open, and wind and sleet are gusting through into the hallway. The thick damask curtains on the front windows are drenched. I step on a sodden carpet—a dark Tabriz runner we bought in Baghdad thirty years ago, now considered museum-quality. James had it appraised last year, will be furious. Magdalena's shoes are gone. A lukewarm cup of tea sits on the table, half drunk.

I am suddenly very tired. I sit down in front of the tea, push it away, but not before getting a waft of chamomile. So many old wives' tales about chamomile have proven true. A cure for digestive problems, fever, menstrual cramps, stomachaches, skin infections, and anxiety. And, of course, insomnia.

A fix for whatever ails you!
Magdalena had exclaimed when I told her that. Not really, I said. Not everything.

We are listening to
St. Matthew's Passion.
It is 1988. Solti is at the podium in Orchestra Hall, and the audience is held captive until the cadences resolve. The diminished seventh chords and the disturbing modulations. The suspense barely tolerable. I can feel the warmth of James's fingers intertwined with mine, his breath warm against my cheek.

Then suddenly it is a cold winter day. I am alone in my kitchen. I fold my arms on the table and lean my forehead against them. Did I take my pills this morning? How many did I take? How many would it take?

I am almost to the point. I have almost reached that point. And hear an echo of Bach:
Ich bin's, ich sollte büßen.
It is I who should suffer and be bound for hell.

But not yet. No. Not quite yet. I sit and wait.

A man has walked into my house without knocking. He says he is my son. Magdalena backs him up, so I acquiesce. But I don't like this man's face. I am not ruling out the possibility that they are telling me the truth—but I will play it safe. Not commit.

What I do see: a stranger, a very beautiful stranger. Dark. Dark hair, dark eyes, a dark aura, if I may be so fanciful. He tells me he is unmarried, twenty-nine years old, a lawyer. Like your father! I say, cunningly. His darkness comes alive, he glowers—there is no other word for it.

Not at all,
he says.
Not in the slightest. I cannot hope to fill those mighty
McLennan shoes. Give counsel to the mighty and count the golden coin of
the realm.
And he gives a mock half bow to the portrait of the lean, dark man that hangs in the living room.
Why didn't you give me your
name, Mom? The shoes would have been just as large but of a different shape
altogether.

Enough! I say sharply—for I remember my son now. He is seven years old. He has just run into the room, his hands clutching at his thighs, a glorious look on his face. Water spattering everywhere. I discover his front pockets are full of his sister's goldfish. They are still wiggling. He is astonished at my anger.

We save some of them, but most are limp cold bodies to be flushed down the toilet. His rapture is not dimmed, he stares fascinated as the last of the red gold tails gets sucked out of sight. Even when his sister discovers her loss he is unrepentant. No. More than that. Proud. Perpetrator of a dozen tiny slaughters on an otherwise quiet Tuesday afternoon.

This-man-who-they-say-is-my-son settles himself in the blue armchair near the window in the living room. He loosens his tie, stretches out his legs, makes himself at home.

Magdalena tells me you've been well,
he says.

Very, I say, stiffly. As well as a person in my condition can be.

Tell me about that,
he says.

About what? I ask.

About how aware you are of what's happening to you.

Everyone asks that, I say. They are astonished that I can be so aware, so very . . .

Clinical
, he says.

Yes.

You always were
, he says. He has a wry smile, not unappealing.
When I
broke my arm, you were more interested in my bone density than in getting me
to the hospital.

I remember someone breaking his arm, I say. Mark. It was Mark. Mark fell out of the maple tree in front of the Janeckis'.

I'm Mark.

You? Mark?

Yes. Your son.

I have a son?

Yes. Mark. Me.

I have a son! I am struck dumb. I have a son! I am filled with ecstasy. Joy!

Mom, please, don't
. . .

But I am overwhelmed. All these years! I had a son and never knew it!

The man is now kneeling at my feet, holding me.

It's okay, Mom. I'm here.

I hold on to him tightly. A fine young man and, wondrous of all, conceived by me. There is something not quite right about his face, a flaw in his beauty. But to my eyes, this makes him even more beloved.

Mom,
he says after a moment. His arms around me loosen, he pulls back.

I miss the warmth immediately but reluctantly let go and sit back in my chair.

Mom, I had something really important to say. It's about Fiona.
He is standing now, and his face is back to the dark, watchful look he wore when he entered. I know that look.

What about her? I ask. My tone is not welcoming.

Mom, I know you don't want to hear this, but she's gone off again. You know
how she gets.

I do know, but I don't answer. I have never encouraged this telling of tales.

This time it's bad. Really bad. She won't talk to me. You used to be able to talk
her down. Dad, sometimes. But she listened to you. Do you think you could
speak to her?
He pauses.
Do you understand what I'm saying?

Where have you been, you bastard? I ask.

What?

After all these years, you come here and say these things?

Shhh, Mom. It's okay. I'm right here. I never left.

What do you mean? I've been alone. All alone in this house. Eating dinner alone, going to bed alone. So alone.

That's just not true, Mom. Until just last year there was Dad. And what about
Magdalena?

Who?

Magdalena. Your friend. The woman who lives with you.

Oh. Her. She's not my friend. She gets paid. I pay her.

That doesn't mean she's not your friend.

Yes, it certainly does. Suddenly I'm angry. Furious! You bastard! I say. You abandoned me!

The man slowly gets to his feet and sighs heavily.
Magdalena!
he calls.

Did you hear me? Bastard!

I heard you
,
Mom
. He looks around, searching for something.
My coat,
he says.
Have you seen my coat?

A woman hurries into the room. Blond. A woman of heft.
Better go,
she says.
Quickly. Here's your coat. Yes. Thanks for coming.

Well, I won't pretend it's been fun,
the man says to me, and turns to go.

Get out!

The blond woman puts up her hand. She moves slowly toward me.
No,
Jennifer. Put that down. Please put that down. Now, really, did you have to do that?

What has happened. There has been an accident. The phone lies in the hallway amid shattered glass. Cold air sweeps past me, the curtains blow wildly. Outside, a car door slams, an engine starts. I feel alive, vindicated, ready for anything. There's so much more where this came from. O yes, much much more.

From my notebook:

A good day. Excellent day, my brain mostly clear. I performed a Mini-Cog test on myself. Uncertain of the year, month, and day, but confident of the season. Not sure of my age, but I recognized the woman I saw in the mirror. Still a touch of auburn in the hair, deep brown eyes unfaded, the lines around the eyes and forehead, if not exactly laugh lines, at least indicating a sense of humor.

I know my name: Jennifer White. I know my address: 2153 Sheffield. And spring has arrived. The smell of warm, wet earth, the promise of renewal, of things emerging from a dormant state. I opened the windows and waved at the neighbor across the street, already turning over his raised beds, preparing for the glorious array of angel's trumpets, blood flowers, blue butterfly bushes.

Went into the kitchen and remembered how to make the strong, bitter coffee I love: how to shake the beans into the grinder, how to sniff the rich scent as the blades slash through the hard shells, how to count the scoops of fragrant deep brown coarse particles into the coffeemaker, how to pour the fresh cold water into the receptacle.

Then Fiona stopped by. Ah, my girl delights me! With her short pixie haircut and upper right arm entwined by a red and blue rattlesnake tattoo. Usually she keeps it hidden, and only a chosen few in her current life know about it, about her wilder days.

She came to collect my financial statements, go over some numbers that I will not understand. No matter. I have my financial genius. My monetary rock. Graduated from high school at sixteen, from college at twenty, and at twenty-four, the youngest female tenure-track professor at the U of C business school. Her area of specialization is international monetary economics—she routinely gets calls from Washington, London, Frankfurt.

After James died, once I was certain of my prognosis, I signed over financial power of attorney. Her I trust. My Fiona. She places paper after paper in front of me, and I sign without reading. I ask her if there is anything I should pay special attention to, and she says no. Today was different, however. She had no papers but just sat at the table with me and held my hand in hers. My remarkable girl.